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KRUGMähren, Olomutschan, Gebrüder Schütz,1880s - 1890sGroßer Krug mit abgeflachtem Kugelkörper und langem verjüngtem Hals mit Schnabelausguss, auf höherem abgesetztem Fuß, S-förmiger Henkel in Baumstammform. Feinsteinzeug, Beide Seiten mit Reliefdekor von Märchenmotiven (Schneewittchen und die sieben Zwerge), Umfang mit Getreidemotiven, farbglasiert.H. 36 cm.Prägemarke „SCHÜTZ BLANSKO“.Zustand B.JUGMoravia, Olomučany, Gebrüder Schütz,1880’s – 1890’sBig jug of flattened spherical body with longer narrowed neck and beak spout, on higher base with S-shaped handle in shape of a stylized trunk. Soft stoneware, on both sides a relief décor with fairy tale motifs (Snow White and the Seven Dwarfs), cereal ears around the perimeter, color glaze.Height 36 cm.Impressed mark „SCHÜTZ BLANSKO“.Condition B.
George Bourn (Kirkby). A George III oak longcase clock, the circular brass dial bearing Roman and Arabic numerals, subsidiary date dial, two train movement with bell strike, the hood with a broken pediment and brass capped Corinthian columns, over a trunk with fluted quarter pilasters, 207cm high.
K Mozer (London). A 20thC mahogany longcase clock, the break arch dial painted with a pheasant and flowers, dial bearing Roman Numerals, subsidiary seconds dial, three train eight day movement with Westminster chimes, the case with a broken arch pediment and hood with fluted columns, on a plain trunk and bracket feet, with key, 230cm high.
λ A matched set of four Indian rosewood occasional tables, each inlaid with bone and ivory with ebony stringing, the tops decorated with the Taj Mahal, on elephant head and trunk legs, with paper labels inscribed 'MADE IN INDIA' early 20th century, 30.9cm high, 30.5cm diameter. (4)Click here to view the online page turning catalogue.
A George III mahogany longcase clock by George Quarman Bristol, the eight day movement with an anchor escapement and four turned pillars striking on a bell, the 12 1/8in silvered arched dial with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, with engraved flowers and inscribed 'GEORGE QUARMAN TEMPLE CLOUD', the arch with a painted moonphase and inscribed 'HIGH WATER AT BRISTOL KEY', the hood with a swan neck pediment and brass urn finial with blind fretwork decoration, with a shaped trunk door and outline mouldings, with presentation plaque to inside of trunk door, 241cm high. Provenance: From the collection of Dr. J. S. Gordon.Click here to view the online page turning catalogue.
A mid-18th century mahogany longcase clock by Peter Hathornthwaite Kirby Lonsdale, the eight day movement with an anchor escapement and four turned pillars, the 12 1/8in arched brass dial with Roman and Arabic numerals, with subsidiary seconds dial and date aperture, inscribed 'Peter Hathornthwt Lonsdale', with crowned lion and unicorn coat of arms spandrels, the Cuban mahogany case with a shaped trunk door, with quarter split pilasters and blind fret decoration, 221cm high. Click here to view the online page turning catalogue.
A WILLIAM IV GRADUATED SET OF FOUR MEAT DISHES of shaped oval outline with gadrooned borders, interspersed with anthemion-like motifs, each dish engraved twice on the edge with a coat of arms, all by John Bridge, London 1831; the dishes measuring:- i) 16.5" (42 cms) long, ii) 16.75" (42.5 cms) long, iii) 19.9" (50.5 cms) long, iv) 24" (61 cms) long Together with a graduated set of four Old Sheffield plated meat dish covers of plain oval outline with a moulded border of part fluting, and detachable handles, each engraved with a crest on one side and a coat of arms on the other (all of the above contained in a fitted, iron-bound oak trunk; 317 oz weighable silver *The Arms on the dishes are slightly different to those on the covers, but they are both the Arms of Maitland.
A late 18th/early 19th Century oak longcase clock by Smith of Keighley, the 13ins square painted dial with Roman and Arabic numerals and showing phases of the moon above calendar dial, the centre decorated with exotic birds, to the thirty hour movement striking on a bell, contained in oak and mahogany case with deep moulded cornice and plain turned pillars to hood, shaped trunk door flanked by rounded quarter columns, the base with raised astragal panelled door, on bracket feet, 88ins high
Samuel Atkinson, Bridlington, a mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the 11½ inch break-arch brass dial having a silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the matted centre having a subsidiary seconds dial and date aperture, with floral and c-scroll cast-brass spandrels to the four corners, with an applied silvered plaque to the centre engraved with the maker's name Saml. Atkinson, Bridlington, the arch having a silvered dial for setting strike/silent, with cast-brass dolphin spandrels to the sides, the mahogany case having satinwood quartered columns with cast-brass Corinthian capitals to the trunk, with oval inlaid panel to the trunk door, the hood having a pagoda top with brass ball-and-spire finials and having fluted columns with cast-brass capitals, the base with shaped crossbanding and standing on bracket feet, height 226cms.* Biography Samuel Atkinson is recorded as working in Bridlington, Yorkshire from before 1760 until at least 1780 with his son, also Samuel born 1772, continuing as a clockmaker in the same town.* Notes Reference, Brian Loomes, Clockmaker and Watchmakers of the World. Pub. NAG Press, 2006.
Josh Penford, London. a walnut and floral marquetry longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with an inside countwheel, the 10½ inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, 'meeting-arrow-head' half-hour markings and signed either side of VI o'clock with the maker's name Josh. Penford, London, the matted dial centre having a subsidiary seconds dial, date aperture with engraved decoration to the surround and ringed winding holes, the cast-brass 'cherub-head' spandrels to the four corners having engraved floral decoration between and decorative blued steel hands, the walnut veneered case with panelled marquetry decoration to the trunk door and base, with further marquetry inlay to the trunk and a lenticle glass to the door, the flat-top hood with three-quarter pillars having cast brass capitals and marquetry inlay to the door, the base with a later applied plinth, with a pair of brass cased weights, height 213cms.* Biography Joshua Penford (sometime Penfold) is recorded as being apprenticed in London in 1684 to the Quaker clockmaker Francis Stamper 'At the Golden Ball in Lombard Street', becoming a Freeman of the Clockmakers Company in 1695.
John Sampson, Penzance, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the 11½ inch arched brass dial having a silvered chapter ring engraved with black Roman hour numerals and outer Arabic five-minute markings, with the maker's name John Sampson, Penzance either side of VI o'clock, the matted centre having a subsidiary seconds dial and date aperture with engraved decorative surround, with decorative blued steel hands and cast-brass 'urn' spandrels to the four corners, the arch having a silvered boss engraved with a Ho-ho bird above the latin words Tempus Fugit, with cast-brass 'dolphin' spandrels to each side, the mahogany case with inlaid stringing to the hood, trunk and base, the hood having a swan-neck pediment with brass paterae and ebonised fluted columns with cast-brass capitals, all standing on bracket feet, height 206cms.* Biography John Sampson is recorded as working in Penzance from at least April 1752 when he advertised for 'any young man bred in the clock and watchmaking way wanting employment'. He married Anne Leggo at Madron in 1763 and over the following years advertised at various times for apprentices.* Notes Reference, H. Miles Brown, Cornish Clocks and Clockmakers. Pub. David & Charles, Newton Abbot, 1979.

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