An 18th century oak cased thirty-hour longcase clock, the posted movement with outside countwheel strike on a bell and hanging hoop and spurs to rear, the 10 inch square brass dial with concentric hatched infill ring engraved centre and applied Roman numeral chapter ring with lozenge half-hour markers and signed 'Gilkes, Adderbury' to lower edge, the angles applied with female mask cast spandrels, in a rectangular top case with deep ogee cornice and integral pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 194cm high. Probably Richard Gilkes, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working in Adderbury 1715-87. Stylistically the movement dates to around 1740 and was originally designed to hang from the wall.
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A George III mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and signed 'Tho's Bullock, Bath' to the foliate engraved centre within an applied Roman numeral chapter ring with Arabic five minute markers, and mask and scroll pattern cast spandrel applied corners, the arch with moonphase calibrated with high water markers, the arch-top case with cavetto cornice and Corinthian columns to hood over break-arch door flanked by blind fret canted angles to trunk, on tall plinth base with bracket feet, 215cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working in Bath 1764-73.
An 18th century green lacquer eight-day longcase clock, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and foliate engraved calendar aperture to the matted centre within silvered Roman numeral chapter ring and cast bird and urn pattern spandrel applied corners, the arch with silvered signature plaque 'Tho's Memory, Thorn, Plymouth Dock' flanked by dolphin cast mounts, in a flat-top case with moulded cornice and integral pilasters to hood over rectangular top trunk door decorated in polychrome and gilt with Oriental figures and pagodas on a mid green ground and with brass lenticle, the plinth similarly decorated with equestrian figures, case with restorations, 213cm high.
A Scottish George III inlaid mahogany longcase clock, circa 1800, the four-pillar rack and bell striking movement with 13 inch silvered brass single sheet break-arch Roman numeral dial with calendar and subsidiary dials to centre and floral engraved decoration to spandrels, the arch signed 'Ja's Howden, Edinburgh' within conforming engraved scrolls, the swan neck pedimented case with blind fret infill and fluted pilasters to hood, over shaped-top line inlaid door flanked by fluted quarter columns to trunk, the plinth with quarter rosette inlaid corners, on bracket feet, 222cm high. James Howden is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Edinburgh 1764-1810, 'A maker of repute'.
A rare oak cased eight-day longcase clock with pull quarter repeat, circa 1740, the four finned pillar movement with internal countwheel strike and Knibb type pull quarter repeat work on the hour bell and small bell nested beneath, the 12 inch square brass dial with subsidiary seconds dial within Roman numeral chapter ring with Arabic five minute markers and signed 'Joseph Smith, Chester' to lower edge, the corners with bird and urn pattern cast spandrels, the flat-top case with moulded cornice and integral door pilasters to hood over rectangular trunk door and plain plinth base, case with restorations, 205cm high.
A good inlaid mahogany eight-day longcase clock, with moonphase and centre seconds, circa 1830, the four-pillar rack and bell striking movement with deadbeat escapement and 15 inch cream painted break-arch Roman numeral dial signed 'Nicholas, Birmingham' and with sweep calendar hand to centre, the spandrels figural painted with classical maidens representing the Four Seasons beneath arch with moonphase, the substantial case with fleur de lys and conch shell oval cartouche inlay to the swan neck pediment over reeded Corinthian pilasters to hood and parquetry decoration to throat, the trunk with Gothic triple arch topped door flanked by Corinthian pilasters to angles, on oval panel inlaid plinth base with rosette decorated corners and canted reeded angles, feet and centre seconds hand lacking, 231cm high. Probably Caleb Nicholas, recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World Vol.2' as working in Birmingham 1787-1842.
An Austrian month duration inlaid mahogany 'Lanterndluhr' wall regulator, the four-pillar single weight movement with deadbeat escapement, Harrison's maintaining power, centre seconds and fine beat adjustment to crutch, the two-piece white Roman numeral dial with engine-turned bezel and signed 'Hussnik Janos, Kolosvartt' to centre, in a waisted nine-light case with triangular boxwood lined pediment and arch glazed panel trunk housing steel rod pendulum with brass disc bob and silvered beat scale to base section, the base with cavetto tapered foot, movement and dial probably early 19th centrury, case later, 102cm high.
Thomas Bilbie, Chew Stoke. A good inlaid oak eight-day longcase clock, circa 1740, the five-pillar rack and bell striking movement with 12 square brass dial with foliate scroll border engraved date aperture, subsidiary seconds dial and arched silvered nameplate 'Tho' Bilbie, Chew Stoke' to the matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five-minute divisions, the corners applied with Indian mask pattern cast spandrels, the flat-top case with moulded cornice and integral pilasters to hood over parquetry border decorated rectangular trunk door and plinth base with bracket feet, 209cm high.
An inlaid mahogany eight-day longcase clock with moonphase, circa 1815, the four-pillar rack and bell striking movement with cream painted 13 inch break-arch Roman numeral dial with subsidiary calendar dial and unusual windmill automaton (incomplete) beneath XII numeral, the centre signed 'W'm. Muncaster, Whitehaven', the spandrels figural painted with representations of the Four Seasons beneath moonphase to arch, the swan neck pedimented case with reeded hood pilasters and conch shell lozenge inlaid throat over shaped-top long trunk door flanked by reeded uprights, the plinth with chevron bordered circular panel within foliate inlaid angles, 222cm high.
A 19th century Bristol mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds and date dials and signed 'Dell Brothers, Bristol' to centre, with polychrome and gilt decorated spandrels and conforming infill to arch, in a break-arch top case with cavetto moulded cornice and plain pilasters to hood over rectangular trunk door and plain plinth, with skirt base, 213cm high.
A George II oak cased eight-day longcase clock, circa 1730, the four-pillar inside countwheel bell-striking movement with 12 inch brass break-arch dial with Hoho bird and foliate engraved calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the corners applied with female mask pattern spandrels beneath arch centred with silvered boss of Chronos beneath arched nameplate 'James Tatlock, Leeds', the case with box upstand to the cavetto moulded cornice and integral pilasters to hood, over break-arch trunk door and plain panel plinth, 217cm high.
A late 18th century mahogany crossbanded oak eight-day longcase clock, the four-pillar rack and bell striking movement now with a 13 inch brass break-arch dial with arch calendar aperture and subsidiary seconds dial to the lozenge hatched matted centre within an applied silvered Roman numeral chapter ring and foliate cast gilt spandrel applied corners, the arch with silvered boss inscribed 'Coats, Wigan' between conforming dolphin cast mounts, the swan neck pedimented case with verre eglomise infill above dial and turned pilasters to hood, the trunk with shaped-top door flanked by fluted quarter columns, the base with canted angles and ogee bracket feet, 220cm high.
An oak cased thirty-hour longcase clock, circa 1750, the posted movement with outside countwheel bell strike and 10 inch square brass dial engraved with boat between cottage and tree adorned headlands beneath signature 'Benn't Edwards, Bungay' to centre within an applied Roman numeral chapter ring and bird and urn pattern spandrel decorated corners, the flat-top case of slender proportions with ogee dentil cornice and integral door pilasters to hood over long trunk door and plain plinth base with later skirt, 200cm high.
A George III mahogany longcase clock, the arched hood with shaped pediment and a pair of fluted columns, the trunk enclosed by a shaped and crossbanded waist panel door between fluted three-quarter pilasters, on ogee bracket feet, the 32.5cm. arched brass Roman dial with engraved scrolling foliate centre, having a subsidiary seconds dial, the twin train movement with anchor escapement and bell strike, 220cm. high.
Lot of uniforms and equipment of Captain A. Brodie, (1938-45 ) comprising of Royal Artillery service peak cap, tunic, trousers and greatcoat; another 'RA' service tunic; a pair of brown leather ankle boots; 'RA' dark blue dress tunic with high collar; a pair of trews; 'RA' black dress tunic (partial red lapels), a waistcoat, trousers with red stripe; a matching officers peak and side caps; a pair of black leather ankle boots with spurs; 'Highland Light Infantry' dark blue dress jacket with high collar; 'HLI' red dress jacket with bullion braid epaulettes; 'HLI' Officers Glengarry; a waistcoat and matching trews; two pairs of khaki shorts; a pair of white spats; a brown leather sword frog; two pistol holsters (one brown leather); a leather wallet with diary; a pair of cloth slip-on epaulettes and various metal and cloth pips in a pouch; a shirt collar in original packet and two drill manuals. Most of the clothing labelled 'Wm Anderson & Sons Ltd., Edinburgh & Glasgow', with tin travelling trunk. Note: In the post war years Capt. Brodie was a G.P. in Glasgow
Early 19th Century mahogany longcase clock, the hood with swan neck pediment, inlaid oval panels and with turned pillars having gilt metal capitals, the trunk with crossbanded long door flanked by spiral turned pilasters, the arch shaped painted dial with moon phase movement, floral spandrels, seconds dial and fan shaped calendar aperture signed Jno. Warry, Bristol- eight day striking movement, 217cm high
A mahogany longcase clock, the arched brass 30cm dial with dolphin and urn spandrels, Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial and calendar aperture, the arch with Strike-Silent dial, eight day movement, striking on a bell, the hood with moulded barrel cornice beneath a bell shaped top with fretwork panel and brass finials, brass mounted fluted pillars, arched moulded door to trunk, shaped skirted base, 236cm high excluding finials
An oak and mahogany longcase clock, the square enamelled 35cm dial with Roman chapter ring and floral spandrels, subsidiary seconds and calendar dials, inscribed 'N. Dumvile, Wilmslow', eight day movement, striking on a bell, the square hood with brass mounted swan neck pediment and fluted freestanding pillars, shaped ovolo moulded trunk door flanked by reeded and strung pilasters, the canted moulded base with planted re-entrant panel, 213cm high .
An oak longcase clock, the square brass 30cm dial with Roman and Arabic chapter ring and pierced floral spandrels, the leaf engraved centre with subsidiary seconds dial and silvered calendar sector, inscribed 'Joseph Marshall, Leicester', eight day movement, striking on a bell, the square hood with blind fretwork frieze and flared cornice, brass mounted plain freestanding pillars, arched ovolo moulded trunk door, 200cm high
An oak longcase clock, the circular enamelled 32cm dial painted flower sprays, Roman and Arabic chapter ring, inscribed 'Mason, Chesterfield', thirty hour movement, striking on a bell, the hood with brass mounted swan neck pediment and tapering fluted keystone above brass mounted reeded pillars, arched door to trunk flanked by reeded quadrant pilasters, outlined with mahogany crossbands, skirted base, 214cm high
An oak longcase clock, the arched enamelled 32cm dial painted with Mediterranean lake scene and cottage spandrels, Roman chapter ring, calendar aperture, inscribed 'Sulley, Nottingham', thirty hour movement, striking on a bell, the arched hood with draught moulded swan neck pediment, arched door to trunk flanked by plain quadrant pilasters, the base with planted panel and chamfered angles, outlined with mahogany and rosewood crossbands, on bracket feet, 218cm high
An oak longcase clock, the square brass 28cm dial with mask spandrels, Roman and Arabic chapter ring, calendar aperture, inscribed 'James Cotton, Tamworth', thirty hour movement, striking on a bell, square hood with swan neck cresting and brass mounted plain pillars, arched door to trunk, outlined with mahogany crossbands, skirted base, 205cm (composite)
AN 18TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the caddy top hood with gilt ball finials and plain pilasters above a moulded trunk door and panelled base, the brass dial with silvered chapter ring, signed 'John Johnson, Walton', having Roman and Arabic numerals, foliate engraved matted centre with subsidiary seconds dial and date aperture, 89" high.
Jas. Green, Nantwich oak and mahogany longcased clock, two train movement striking the hour, square brass face with applied spandrels, brass chapter ring, engraved field with subsidiary seconds and oval name panel, in basket top hood with gilt scroll frieze, fluted columns and quarter column trunk and set-out base. Height 200cm, 79in. (2W, P, K).
Topham, Nantwich, oak longcased clock banded in mahogany, two-train movement striking the hour, painted square face with floral spandrels, subsidiary seconds, date aperture, in basket topped hood with gilt scroll frieze and fluted columns on fluted corner trunk and set-out base. Height 206cm, 81in. (2W, P).
An English delft blue-dash 'Adam and Eve' charger, probably London, painted with in shades of green, ochre, blue and manganese with 'The Temptation', the couple depicted beside the Tree of Knowledge taking the forbidden fruit, the serpent coiled about the tree trunk, within a blue-dash border, 33cm diameter, circa 1680 (hairline crack at 3 o'clock).
A George III and later dark blue japanned musical longcase clock, the arched hood surmounted by three gilt ball finials above an arched glazed door flanked by three quarter columns, the chinoiserie decorated trunk with arched door and central coloured mezzotint panel, on a conforming panelled box base and stepped plinth, the later 12 inch brass dial with subsidiary seconds dial, silvered chapter ring and subsidiary chime/silent and Whittington/Westminster dials to the arch, the three train brass movement with anchor escapement playing chimes on eight bells, striking hourly on a separate bell, 230cm high
A George III oak and mahogany banded longcase clock, the hood with broken swan neck pediment above an arched glazed door flanked to each side by a turned column, the triple arched trunk door flanked by conforming columns, above a panelled box base with canted corners, the 14 inch white enamel dial with subsidiary seconds dial and date aperture, painted to the spandrels with flowers, the arch with moon phase, the twin train movement with anchor escapement, and 'Walker Hughes, Birmingham' false plate, striking on a bell, 220cm high
A George III oak longcase clock, the broken swan neck pediment above an arch glazed door flanked to each side by a column with gilt capitals, the shaped trunk drawer above a box base with moulded plinth, the 12 inch brass dial engraved with chinoiserie decoration around a subsidiary seconds dial and date aperture, with acanthus leaf flower and urn pattern spandrels, the arch applied with a convex roundel inscribed 'Thos. Sutton, Maidstone', the twin train movement with anchor escapement striking on a bell, 205cm high
AN EDWARDIAN LONGCASE CLOCK, the eight day striking movement with arched brass dial chased with eagle and inscribed, secondary dial, the back plate stamped Salisbury, in mahogany case, the arched moulded cornice on fluted Corinthian columns, canted trunk with blind fret banding and wavy edged door, similar base, on plinth, presentation inscription plaque dated 1906
A LONGCASE CLOCK, the eight day movement with arched brass dial painted with a river scene and flowers, secondary dial, in mahogany case with ebony and boxwood stringing and parquetry banding, scrolled pediment with finials on fluted columns, canted trunk with arched door, panelled base and shaped apron, on bracket feet, early 19th century, 73 1/2" high
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