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66972 Los(e)/Seite
A KOFFER WINKLER WIEN TRAVELLING TRUNK A brown canvas travelling trunk with wooden and brass detailing, Koffer Winkler Wien plate to the inside of the trunk Marked E.R. To the front 33cm x 101cm x 60cm Condition: Signs of wear commensurate with age and use - trunks hinges need some restoration. Viewing recommended for this lot
1973 TRIUMPH TR6Registration Number: FDH 675LChassis Number: CR18310Recorded Mileage: TBA2 owners from newCurrently owned since 1978Subject to much recent maintenance and improvementThe Triumph TR6 was the best-selling Triumph in history when production ended in 1976, but was later surpassed by the TR7. More than 94,000 TR6s were built, ninety per cent of them to US specification. The TR6 was a refined sports car. It featured pile carpets on floors and boot (trunk), plush-looking bucket seats, a lovely wooden dashboard and a full complement of instrumentation. In the US, it featured the six-cylinder engine that was carried over from the TR250, while the UK version had a more powerful fuel-injected engine from the TR5 that included the Lucas mechanical fuel injection system. It traces its lineage back to the four-cylinder Triumphs: TR4, TR4A, TR3/TR3A and TR2. This stylish six-cylinder sports car is regarded by some as the last true Triumph.Registered to its first owner in the West Midlands on 1st July 1973, incredibly this lovely example has had just one owner from 1978 to the present day. The TR6 has clearly been much loved, as can seen by the quality of finish to the paint and nicely trimmed leather seats.In recent times the Triumph has been stored and maintained by well respected specialist David Trowell of Classic Car Management of Bath. Over the last 5 years the TR6 has enjoyed much attention to keep it in top running order. Notably the suspension has been uprated, with lowered springs, uprated shock absorbers, and replacement polyester bushes. The drivetrain has received attention with new driveshafts and universal joints, and a lightly overhauled differential. The fuelling and ignition have been improved with new injectors, a modified throttle and electronic ignition. The cooling system has benefitted from a replacement radiator and other improvements, and the interior enhanced with replacement clocks. The paintwork presents very well; the interior is in tidy order and the convertible roof has been replaced fairly recently with a mohair item.Sadly for sale due only to family bereavement, this is a very good looking and nicely sorted TR6 which we are sure will provide much fun for the lucky next owner.
Oak cased mid-18th century longcase clock with a four pillar 30-hour rope driven movement striking the hours on a bell, recoil anchor escapement with an outside countwheel, ten-inch square brass dial with a nine-inch brass chapter ring, engraved roman numerals, half hour markers and quarter-hour track, finely matted dial centre with a pierced and fettled steel hand, �cockle-shell� spandrels to the corners, chapter ring inscribed �Stonehouse, Whitby�, dial pinned directly to the movement, flat topped case with a broad moulded cornice and plain frieze, square dial door flanked by two turned columns with brass capitals, trunk on a double skirted plinth with a long door and broken arched top. There are two members of the Stonehouse family recorded as working in Whitby, Richard Stonehouse (I) and his son (Richard II) both recorded as working in Whitby between 1715 and 1809.With weight and pendulum.Dimensions: Height: 204cm
A 19th century oak and mahogany longcase with a swan�s neck pediment and dentil moulding, wooden carved patera with brass ball and eagle finial, glazed broken arch door flanked by two turned and reeded columns with brass capitals, trunk with recessed quarter columns and carved capitals with a long crossbanded door and ogee wavy top, on a skirted plinth with a raised panel, with a four pillar thirty-hour chain driven countwheel striking movement with recoil anchor escapement striking the hours on a bell, 13-inch wide painted dial with tumbling Arabic numerals for the hours and quarter hours with minute track and a depiction of a small pheasant to the centre, spandrels and arch painted with representations of fruit and leaves, semi-circular date aperture with calendar disc to rear, non-matching steel hands, dial inscribed �Fletcher, Leeds�, dial pinned directly to the movement plate.Thomas Fletcher is recorded as working at Meadow Lane, Leeds 1817-48 and Low Road, Hunslet, 1853.With weight and pendulum.Dimensions: Height: 220cm
Mid-19th century oak and mahogany longcase clock with a swan neck pediment, brass patera and a brass ball and eagle finial, inlaid with vertical satinwood panels, glazed broken arch door flanked by part-ringed turned columns with brass capitals, trunk with recessed rope-work quarter columns and two inlaid satinwood panels, applied radiating carving above the door, short oak door with inlay and wide mahogany banding, conforming inlay to plinth with shaped bracket feet, painted 13-inch-wide break arch dial with a white center, roman numerals and minute track, subsidiary seconds dial and semi-circular date aperture with disc behind, matching stamped brass �crown� hands and brass winding collets, corresponding floral bouquets to the spandrels and a representation of a rural farmyard scene in the arch, dial faintly inscribed �Walton Crawford, Scarborough�, dial pinned via a cast falseplate stamped �Finmore & Sons� to a four pillar weight driven eight-day rack-striking movement with a recoil anchor escapement, striking the hours on a bell. With pendulum and weights. Walton Crawford is recorded as working in New Street, Scarborough 1851-66.Dimensions: Height: 234cm
21st century replica longcase clock by �Wood & Son� in a incised light wood case with a swans neck pediment and finial, turned columns flanking a glazed broken arch hood door, trunk with a full length glazed door on a short stepped plinth, visible lyre pendulum with dummy chains and weights, 31 day going barrel movement striking the hours and half hours, brass and silver effect dial with roman numerals and decorative steel hands, faux (non- working) moon dial to the arch.Dimensions: Height: 215cm Length/Width: 56cm
Mid-19th century mahogany veneered eight-day four-pillar single fusee drop dial wall clock with an octagonal dial surround and scroll brass inlay, circular painted steel dial with roman numerals and minute track, matching trefoil steel hands, brass bezel with a flat glass, curved trunk with brass inlaid circles and stringing around the glass pendulum aperture with a brass slip, carved ear pieces in the form of flowers and leaves, with pendulum adjustment door and movement door.Dimensions: Height: 54cm Length/Width: 40cm
A George IV bird's eye maple longcase clock, signed Richard Millar & Son, Edinburgh, the 13 in. enamelled dial with Roman chapter ring, subsidiary seconds and date dials, the twin train movement striking on a bell, within a channel-moulded hood (lacking glass) and architectural trunk, with weights and pendulum. 211cm
An Edinburgh George III mahogany longcase clock, signed Jas. Bymer, the 12 in. silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the twin train movement striking on a bell, within a swan neck hood, above a shaped trunk door, on a box base, includes pendulum and weights. 214cm
An early 19th century oak longcase clock, by Jno Charlton, Durham, the painted arched dial with a ship / moon roller to the arch, subsidiary seconds dial and date roller, twin train 8 day movement a/f with one train disconnected and string/chain and weight missing, the hood with broken swan neck pediment, plain trunk, with pendulum and one weight, 58 by 25.5 by 228cm high.
An 18th Century Oak Longcase Clock by Hindley of York, with 12ins arched brass dial with wide chapter ring, with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture, and with strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in imposing plain oak case with deep moulded cornices and blind fret frieze, with turned and fluted pillars to hood, the arched trunk door and lower panel later carved with bold floral and leaf ornament, plinth base, 97ins high Note: Henry Hindley of York (1701-1771) - a very able maker of watches, clocks and turret clocks
An 18th Century Oak Longcase Clock, by B. Fieldhouse of Leominster, the 12ins brass dial with Roman and Arabic numerals, to the thirty hour weight driven movement striking on a bell, contained in plain case with moulded cornice and fluted columns to hood, trunk door inlaid with shell motif, on plinth base with bracket feet, 77.5ins high Note: Benjamin Fieldhouse recorded working Leominster 1756
A 19th Century Oak Longcase Clock by Charles Frodsham, the 12ins cream painted dial with Roman numerals, subsidiary seconds dial and painted with roses, to the eight day two train movement deadbeat escapement striking on a bell, contained in oak case with arched pediment, cant corners to hood, plain trunk, on panel plinth base, 78ins high Note: Charles Frodsham, London 1810-1871
A George III Mahogany Longcase Clock, by James Warren of Canterbury, the 12ins arched painted metal dial with Roman and Arabic numerals and subsidiary seconds dial, the arch and spandrels decorated in gilt with floral and leaf paterae and scrolled leafage, to the eight day two train movement striking on a bell, contained in figured mahogany case, probably by Lepine of Canterbury, with shaped cresting above moulded cornice and turned and fluted pillars to hood, arched and moulded trunk door, the base with applied astragal moulding and double plinth, 86ins high (including later turned finials) Note: James Warren recorded working Canterbury, Kent, 1767-1793.
A Japanese netsuke from Meiji period circa 1900. Signed Yama Aki? on the base. In carved elephant ivory and hornportraying a fly resting on a rotten trunk, 21,8x63,3x34,8 mm. 31,24 gr. Elephant ivory specimen previous to 7/1/1947, as stated by the regulations CE 338/97 of 12/9/1996, article 2w.

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66972 Los(e)/Seite