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Preisdatenbank abonnieren18th/19th Cent. coachman's trunk in polychromed wood with trompe l'oeil of walnut and a scene with sailing ships - on separate legs ||Achttiende/negentiende eeuwse Nederlands koetsierskoffer met originele polychromie met bovenaan een trompe l'oeil van wortelhout en met vooraan een tafereel met zeilschepen - op aparte pootjes
A late 19th century mahogany and brass bound campaign hinge topped travelling trunk, having brass end carry handles, 92 x 39 x 46cmNo key present.No signs of worm.Top has some discolouration.General marks and wear throughout.Two repaired splits and one other unrepaired.Overall in good condition.
A Late 18th/Early 19th Century Mahogany Longcase Clock, by William Avenell of Farnham, the 12ins arched painted dial with Roman numerals, subsidiary seconds and minutes dial, floral spray to arch, to the eight day two train movement striking on a bell, contained in case with arched and moulded cornice, split turned columns to hood, arched trunk door, on plinth base, 85ins high Note: William Avenell of Farnham recorded working 1795
A 19th Century Mahogany Longcase Clock, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial, date aperture and phases of the moon to arch, to the eight day two train movement striking on a bell, contained in case with moulded scroll pediment and spiral turned columns to hood, arched trunk door inlaid with stringings and with split turned spiral columns to sides, on plinth base with shaped apron and bracket feet, 88ins high
A 19th Century Oak and Mahogany Banded Longcase Clock, by John Ewer of London, the 12ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture to the engraved and matted centre, cast spandrels, to the eight day two train movement striking on a bell, contained in case with pagoda top, moulded cornice, blind fret carved frieze and split turned columns to hood, the trunk door with circular lenticule, on plinth base with bracket feet, 87ins high
An Early 19th Century Oak and Mahogany Banded Longcase Clock by Sharman of Melton Mowbray, the 12ins square painted dial with Roman numerals, subsidiary seconds dial, and date aperture, to the eight day two train movement striking on a bell, contained in case inlaid with stringings and with moulded scroll pediment and turned pillars to hood, shaped trunk door on plinth base, 80ins high Note: Sharman recorded working Melton Mowbray 1807
Late 19th / Early 20th century Oak Longcase Clock, the hood with swan neck pediment and Corinthian columns with brass caps housing an arched silvered and brass dial having a rocking moon phase, Arabic numerals, Chime/Silent dial, seconds dial and Whittington of Westminster chimes, the trunk heavily carved with scrolling foliage, 262cm high
18th century George III Mahogany three-train Longcase Clock by Thomas Thwaites of Mitcham, London, with pagoda top, fretwork inserts, the columns to the hood with cast capitals, fretwork panels to side, finely-figured long trunk door with brass inlaid columns. The three-train movement playing six different tunes on fourteen bells, plus striking hours on one large additional bell. The brass and silvered arched dial with subsidiary seconds dial, date aperture and strike/silent control, 257cm high
SilverIndia , 18th century Dimensions: Height 7 cm Wide 5 cm Depth 4 cmWeight: 272 grams Seated Ganesha on round lotus base attached to square surface. He has four arms holding his attributes, his trunk is reaching for the sweets in his right hand. He is wearing a short dhoti with incised pattern and a conical tiara with diamond bud finial.
BronzeIndia , 18th century Dimensions: Height 160 cm Wide 90 cm Depth 9 cmWeight: 86 Kilograms with base Large mandorla gate of elaborate work. The bottom part is created by ornamental pillars supported by two Yalis. The yali is said to be a guardian creature with head and the body of a lion, the trunk and the tusks of an elephant and sometimes equine features, carrying vessels on their snouts. A smaller mystical creature sits on top of a cornice with its tongue stretched out. The upper half of the mandorla starts with bird-like creatures with feathery tails on each side and their beaks opened wide and exposing sharp teeth. The gate is three-banded, two of open-work floral reptetitions and a beaded band in the middle. The outer edge is decorated with ornamental flames. The top center of the mandorla is decorated with the head of a bull-like creature with horns, bulging eyes, small ears and large nose called kirtimukha.
BronzeIndia , 19th century Dimensions: Height 83 cm Wide 55 cm Depth 33 cmWeight: 37 kilograms Shiva in his cosmic dance symbolizing the process of creation, destruction and preservation of the universe, called Nataraja. The base consists of a t-shaped base with lotus petals at the bottom and top. An elephant's head protrudes from the center, the trunk reaching to the front of the base. Shiva is standing on the elephants forehead with his right leg, his hips are squared to the side and the left knee bent in midair, the foot rotating inwards. Dressed in short pants with ornamental pattern and adorned with elaborate jewellery. His body is twisted to the front and eight arms are spreading out in a circle holding ritual objects or instruments. He is surrounded by an aureole of fires. His face has a prominent nose and the eyes are wide open. A crescent moon, serpent and other symbols can be identified on his headdress or halo. Shiva is flaked by two adorants or devotees who have four arms, two raised in devotion while to others are holding castanets.
BronzeNorth India , 12th century Pala Dynasty Dimensions: Height 16 cm Wide 7 cm Depth 6 cmWeight: 404 grams Ganesha in front of flaming aureole with treasure vase at the top, seated on a double reverse lotus flower on square expansive base. One leg is pendant, standing on his vahana the mouse, the other foot is drawn close to the thigh. He has four arms, the ones in the front are lowered showing a ball of sweets and a round object, either a fruit or his broken tusk, the two arms at the back are raised and holding his battle arms, a trident and a mace. Ganesha's trunk is curled up to his left shoulder, he is wearing a high headdress.
PaperChina , 19th century Dimensions with frame: 328 x 60 cmPainting: 176 x 47 cm Mr. Ren is a painter of flowers & birds. A single bird is standing on a barren tree trunk, gazing at a peach blossom nearby. The bird has a light blue crown, next to the pink peach blossom, and appears lovely and cute.
StoneIndia 19th century Dimensions: Height 12 cm Width 6 cm Depth 4 cm without baseWeight: 478 grams with base Stone statue attached to plinth. Ganesha, remover of obstacles, standing on a lotus flower, his right ankle crossing over his left leg and supporting on his toes. His body is creating an s-curve, making him look almost as if he is dancing. His vehicle, the mouse, is standing erected to his right, looking at him. The deity has four arms holding various attributes, his body is clothed in festive clothes and jewellery. He is reaching to his left hand, which is holding a cup of sweets,. with his trunk. He has small ears and a circular aureole surrounds his head.
A RARE CHINESE EASTERN HAN DYNASTY STONE TOAD MONEY TREE BASE. An extremely rare toad-shaped pedestal, or base, for the legendary coin-shedding “money tree”. The money tree itself would comprise a bronze trunk, or pole, to which were attached finely-cast bronze branches, the leaves of which would depict mythical animals and beings as well as coins. The bronze trunk would be inserted into its base. Although several money tree bases are known to have survived, the bronze trees are usually only found in fragments, although there are a handful of complete examples to be found in Chinese museums. Most known money tree bases are made of moulded pottery and can take various forms, again usually depicting various mythical creatures. Stone money tree bases are much rarer than pottery examples. This particular example is in the form of a toad. It sits with head raised very slightly. There are faint traces of red pigment to the eyes and mouth. In its back is the hole into which was placed the trunk of the money tree.Length 36 cm (14 inches), height 20 cm (8 inches), weight 28.5 kg (63 lbs).Eastern Han Dynasty (AD 25 – 220).From a Sussex collection, acquired in 1995.For more information about money trees, refer to the British Museum book "Mysteries of Ancient China". The only reference we can find to a stone money tree base, that also happens to be in the form of a toad, is in the 1998 Peoples Fine Arts Publishing House (Beijing) book, "The Great Treasury of Chinese Fine Arts, Sculpture 2, Sculpture of the Qin and Han Dynasties".
A CAMBODIAN WHITE METAL BETEL BOX IN THE FORM OF AN ELEPHANT AND A SET OF THREE INDIAN GRADUATING BONE EGG SHAPED ORNAMENTS. The elephant cast recumbent raising its trunk, 21.5cm wide, the eggs painted in black with spade ornament, 18cm high max. (4)The elephant is in good order, minor tarnishing. The egg ornaments - the smaller one missing one bone inlay, minor wear and chipping to edge of bone plaques, minor scratching to black paint.
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