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66969 Los(e)/Seite
Los 11
EIGHTEENTH CENTURY INLAID OAK LONGCASE CLOCK, signed John Hough, Knutsford, (1696-1755), the 12" brass dial with silvered chapter ring and subsidiary seconds dial and date aperture to the gilt matted centre, enclosed by cherub mask and pierced gilt scroll spandrels and set beneath a moonphase dial with circular aperture to the gilt scrolled centre, powered by an eight day movement striking on a bell and housed in a caddy top case with blind fret border to the moulded cornice and free standing turned columns to the forecorners, above a crossbanded, long trunk door with star inlay, moulded border and shaped top, raised on a conforming base with shaped plinth, 86" (218.4cm) high
Los 13
EIGHTEENTH CENTURY OAK LONGCASE CLOCK, signed Peter Bower, Redlinch (1715-1795), the 10" brass dial with silvered chapter ring and centre engraved with a river landscape, within pierced gilt scrolled spandrels, powered by a 30 hour movement and housed in a flat topped case with moulded cornice and turned columns, above a long, moulded trunk door and raised on a plain base with shaped plinth, 83" (210.8cm) high
Los 22
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, signed Holland, Sallop, the 10" brass dial with silvered Roman chapter ring, matted centre and pierced spandrels, powered by a 30 hour movement, striking on a bell and housed in a flat topped case with moulded cornice and turned 3/4 forecolumns, over a long trunk door with arch top and raised on plain base with shaped plinth, 79" (200.7cm) high
Los 29
LATE 18th CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the 10" painted dial with scroll spandrels and scrolled panel depicting a seated female figure to the arch, powered by an associated 8 day movement and housed in an arch top case with swan neck pediment, three brass ball and spire finials and free standing fluted fore columns with brass capitals, above a long trunk door with suspid top and moonshine style arched inlay, flanked by a conforming pair of split turned and fluted quarter columns and raised on a panelled base with bun feet, 95" (241.3cm) high, feet later, bell missing from movement, dial re-painted badly and subsidiary dial blanked off
Los 86
A FINE AND RARE CHINESE IMPERIAL YELLOW GLAZED ANHUA-DECORATED ‘CRANES’ DISH, SIX CHARACTER YONGZHENG MARK IN UNDERGLAZE BLUE AND OF THE PERIOD 1723-35 The shallow body with a gently flaring rim, delicately incised to the interior with a central medallion containing a pair of cranes standing beneath a pine tree, with lingzhi fungus emerging from the tree’s trunk and rockwork, the reverse with five bats in flight amongst clouds, 13.5cm. Provenance: purchased by Bluett & Sons from Carretier, 24th February 1937, for £3:4:0. The collection of Basil Drewe, purchased from Bluett & Sons on 13th August 1937, for £6, and thence by descent. Cf. Imperial Perfection, The Palace Porcelain of Three Chinese Emperors, A Selection from the Wang Xing Lou Collection, p.236 no.93 for a similar example. See also Sotheby’s Hong Kong, 17 May 1988, lot 77. 清雍正 黃釉暗刻松鶴延年碟 《大清雍正年製》青花楷書款 來源：1937年2月24日,以£3.4的價格由Bluett & Son購於Carretier, Basil Drewe收藏,其于1937年8月13日以£6的價格從Bluett & Son處購得
Los 208
A GOOD LARGE SIGNED JAPANESE MEIJI PERIOD BRONZE GROUP OF TWO TIGERS ATTACKING AN ELEPHANT BY ASAKURA YOSHIHARU, one of the tigers on the elephant's back, the other being trampled underfoot, the coats of each animal naturalistically cast , the base cast with a seal mark, 22.5in long overall & 22in high to top of trunk.
Los 91
A miniature longcase clock in the 18th century style, with removable broken arched hood and hinged door, the trunk with hinged door and lenticle enclosing dummy weights and pendulum, veneered in rosewood, mahogany and walnut, the verge movement signed John Pitt, London with an engraved brass dial (31cm).
Los 25
Han dynasty (206 BC – 220 AD) A Han silver bear with fierce expression and a large tongue hanging out of one side of the mouth. It has huge paws with sharp claws and a tail curled up over the trunk. Fine linear engravings enhance the features of the head, ears, and eyebrows. Every feature of the bear is encapsulated in the finest detail this small silver scroll weight. Dimensions: diameter 5cms, height 1.5cms, weight 275g
Los 7
An 18th century white jade group of 3 rams, the jade of pure mutton fat colour carved almost in the round to show a ram, head with luxuriant beard turned around, seated next to his partner and with a young ram perched on his back, the base finely carved to show detailed line decoration of the underside of the legs and hooves. Coupled with its original ivory stand, carved as a slice of a tree trunk with foliage. Three Rams’ (sanyang) design is commonly found represented in Chinese art, particularly in Jade. The ram is a traditional emblem of good luck, since the Chinese term for ram (or goat), yang, is a homophone of yang, ‘sun’, and represents the male or positive principle in the yin-yang duality. The Chinese character for ram is also used as a variant for a similar character pronounced xiang, which means happiness. Three rams, san yang, are considered a particularly auspicious symbol, evoking the expression sanyang kaitai, the awakening of nature in spring, which signifies good luck and happiness. Dimensions: Length 9cms, height 5cms, weight 375 grams references 1. See `The complete Collection of Treasures at the palace museum’ jade ware 111, pl.88. 2. Christies sale of Hartman jade 28th Nov 2006 lot 1418. 3. Sothebys sale of ram group March 2015 Lot 298
Los 1062
*Uniforms. A large wooden trunk belonging to Lieutenant Colonel I.R. Graeme, OBE, Royal Artillery, enclosing Indian Army lightweight tropical tunic by Hawkes & Co., Savile Row, Gurkha sidecap with four piece badges, India Army headdress and other items, including Skinners Horse commemorative plates, monochrome snapshot photographs, mostly relating to India, etc. (a trunk)
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66969 Los(e)/Seite