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66972 Los(e)/Seite
A GEORGE III MAHOGANY LONGCASE CLOCKBY JASON COX, LONG ACRE, LONDON, LATE 18TH CENTURYthe brass eight day, five finned pillar movement with an anchor escapement and striking on a bell, on a 12 inch brass dial, the silvered chapter ring with black Roman hour and Arabic five minute numerals around a matted centre with a subsidiary seconds dial and date aperture, beneath an arch with a silvered boss inscribed 'John Cox Long Acre London' between dolphin spandrels, the case with a pagoda hood with brass orb finials above reeded columns, the trunk with a satinwood line inlaid door and plinth base, with two weights and a pendulum239cm (max)
A 19th century oak long case clock with a caddy top and three quarter columns above a long trunk door and box base, the 30cm brass dial with moonphase to the arch, Roman numerals, seconds subsidiary dial and calendar aperture, inscribed Phillip Walton Cowbridge, the eight day movement striking on a bell, 212cm high
Granddaughter Clock5" square brass dial, sivered Roman chapter ring, gilt brass mask spandrels, central cartouche signed J H Waddon, Cheltenham, Japy bell striking movement, the oak case with carved trunk and barley twist pillars to the hood, 160cm high approx overall At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
A pair of French gilt and patinated bronze three-light figural candelabra, late 19th century, one issuing from a rockwork column, the other a tree trunk, each with leaf-cast branches with pineapple finials, the bases surmounted by ladies, one holding a box, the other a vielle à roue, the bases with wreath mounts with cast plaques ET MA MARMOTE and ET LESPERANCE, 53cm high (2)
A Louis Vuitton monogrammed canvas wardrobe trunk, c.1925, painted with owner's initials E.H.R., with two leather handles and brass hardware, the interior with four drawers and small case, hanging rail with eight wood hangers, two flat hangers and one curtain frame, with Louis Vuitton label and stamped 775006, 113cm high, 56cm wide, 44cm deepProvenance: Eric Hamilton Rose (1872-1947) of Leweston Manor, Sherborne, Dorset, and by descent to the current owner. Footnotes: Note: A similar example with the same label sold at Christie's Paris, Legendary trunks : A European Private Collection, 19 June – 3 July 2024, lot 44. Condition Report: In very good condition overall. This trunk has not had heavy use however there are some inevitable knocks, scratches and marks to the exterior in areas overall. Notably the handles are fully intact and have a pleasing blonde lightly worn patina, which is rare for a trunk of this age. The interior in very good overall condition, with some inevitable minor marks and blemishes to the drawers. The hat/shoe case with minor bowing to lid. The hangers and curtain frame in very good condition. The fabric of the curtain however with discolouration. The mechanism for clothes rail is in good functional order. There is a vacant space beneath clothes rail which would have originally held a case, but the strap remains in very good condition. The back wall of the left side of the interior with minor white residue, in need of a light clean. No key.
A George II red jappaned longcase clock, by John Moys of Croydon, mid-18th century, the case with gilt chinoiserie decoration with flowers and figures, with three finials above the moulded cornice above Corinthian columns, the trunk with moulded door on plinth base with bracket feet, the arched brass dial enclosing a silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial at twelve and calendar aperture at six, the arch with convex silvered plaque signed John Moys Croydon, the twin train movement striking a bell, with pendulum and weights, 228cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece offered for sale. Footnotes: Note: John Moys is recorded as working in Croydon (Surrey) in 1730 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, London: N.A.G. Press, 2022, p.556. Condition Report: Case - With wear throughout consistent with age and use, to include knocks and chips to edges, losses to lacquer, surface scratches and areas of repair. The moulding to right side beneath hood has been reattached with glue visible. Repaired break to moulding of arch to hood. The middle finial to hood has broken off but is present, the other two have been reattached - all three are replacements. Splits to backboard, and with small section replaced to left side behind hood. Seatboard probably a replacement. Hinges and lock to trunk door are replacements. Repaired break to top of interior of trunk door.Dial - With scratches and surface wear to dial plate and chapter ring. Small hairline fracture between 25 and 30. Tarnishing to reverse of false backplate. Hands with rusting. Movement - Tarnishing and surface scratches to backplate. Incised restorer's marks to backplate. Bending to pendulum holder. Tarnishing and wear to bell. Weights and pendulum are associated.
A Louis Vuitton orange Vuittonite canvas cabin trunk, c.1910, with painted owner's initials E.R., two leather handles, brass hardware and leather strap, the interior of the lid with ribbon lace, with Louis Vuitton label and stamped 211013, lacking tray, 34cm high, 91cm wide, 55cm deepProvenance: Eric Hamilton Rose (1872-1947) of Leweston Manor, Sherborne, Dorset, and by descent to the current owner.
A George III mahogany stick barometer, by Domenico Sala, late 18th century, surmounted by a broken pediment centred by an urn finial, above a moulded trunk with bulb cistern, the silvered dial calibrated in barometric inches, signed Dom. Co. Sala Fecit, 97cm highPlease note Roseberys do not guarantee the working condition of barometers offered for sale.Footnotes: Note: Domenico Sala was working in London c.1780-1810.
A REGENCY MAHOGANY LUGGAGE RACKATTRIBUTED TO GILLOWS, EARLY 19TH CENTURYthe slatted top above ribbed tapering legs and brass castors, the underside indistinctly inscribed and dated '1814'48.8cm high, 61cm wide, 45.8cm deepProvenanceThe contents of The Grange, Wendover.Catalogue NoteA related luggage or trunk stand was supplied by Gillows to Wilbraham Egerton for Tatton Park, Cheshire in 1812 and is illustrated in Nicholas Goodison and John Hardy, Gillows at Tatton Park, Furniture History Society Journal, 1970, pl. 14A.
A 20thC German PMP porcelain figural table lamp, the pierced rococo style shade with cameos and encrusted flowers in polychrome enamels, supported on a tree trunk column, with dancing figures in traditional costume, the rustic rococo scrolling base with flowers and gilt highlights throughout, fitted for electricity, 56cm high.
The adorable Young Elephant is created in the Crystal Light Sand color with a Swarovski acid mark. Its trunk is turned up and can be wrapped around the tail of its mother, the SCS Annual Edition 2013 Elephant Cinta. It comes with its original box, which measures 4.45"L x 4.45"W x 3.25"H. Artist: Elisabeth AdamerIssued: 2013Dimensions: 3.5"L x 1.5"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
The Uniform Coinage of India, British Imperial Period, George V, silver Rupee, 1911, Calcutta, crowned and robed bust left, b.m. [Bertram Mackennal] on truncation, elephant on decoration resembles a pig, george v king emperor, rev. one rupee india and date, yek rupiya surrounded by ornate scroll containing rose, thistle and shamrock, lotus flowers above and below, edge grained, 11.68g/12h (Prid. 207 [Sale, lot 133]; SW 8.11; KM. 523; cf. Fore III, 2439). Very light bagmarks, otherwise brilliant mint state £150-£200 --- Provenance: Bt 1980. Owner’s envelope. The obverse punch for the new coinage of George V, showing the king wearing the Imperial Crown, Robe of State, collars of the Orders of the Star of India and Indian Empire and the badge of the Order of the Bath, was received by the Calcutta mint in July 1911. This was paired with the new reverse engraved from a design by Percy Brown (1872-1955), head of the Government School of Art, Calcutta, and accordingly stocks of the new coins, in silver and bronze, were built up in preparation for their release into circulation on 12 December 1911, the day of the Delhi Durbar. Unfortunately, political agitators in the bazaars started a rumour that a ‘pig’ was depicted on the new rupee, claiming that the elephant’s body and legs on the collar chain of the Star of India were out of proportion, no tusks were visible and the short trunk looked like a pig’s snout. Among Muslims and certain other religious sects the pig is an unclean animal and public aversion to the coin was swift and hostile. The government was left with no option but to announce on 23 January 1912 that the rupee, of which some 700,000 had been issued, was to be withdrawn, and notices were placed in the Times of India to that effect (Garside, SNC March 1912, cols. 13455-6). Poor engraving of the design was to blame for the confusion; the image on the smaller denominations had not caused offence and most of these remained in circulation. The elephant was re-drawn with a longer tail, better-defined tusks and ears on rupees dated 1912 and later
The Uniform Coinage of India, East India Company: Retro Patterns, Two Mohurs, uniface rev., in copper, lion walking left, palm-tree behind, east india company above, two mohurs, do ashrafi in exergue, edge plain, 32mm, 10.23g. Extremely fine, as made £100-£150 --- Provenance: Baldwin/Ma/Gillio/Monetarium Auction 36 (Singapore), 6 March 2003, lot 559. Owner’s ticket and envelope, “Lion body very pitted. Lettering very similar to 1854 2 Mohur. Urdu for 2 Mohurs differs from that seen on issued mohurs.” XRF analysis shows the metal content as 99.6% copper, with traces of zinc and tin. The pieces in this and the following 10 lots cannot rightly be described as patterns or trials as they are modern-day creations (probably made in the 1970s), uniface, and not intended to duplicate past issues, but presumably were made for a Bombay collector, from whose collection they came. Likely unofficially made at the Bombay mint, they may be best described as fantasy pieces. The centrepiece is a representation of Flaxman’s original lion and palm-tree design, which differs from renditions by Robert Gordon (Bombay mint), Kasinath Dass (Calcutta mint) and William Wyon (London and Calcutta) in numerous details, most noticeably in the right front leg of the lion not reaching the plinth and the fact that the tree trunk is missing. The lion’s body is excessively pitted, unlike any other strikes, trial or otherwise, by either mint
A monumental Japanese Meiji period (1868-1912) parcel-gilt bronze incense burner / koro, the finely cast elephant standing foursquare with raised the trunk, well detailed with curved tusks, long ears, and wrinkles adorned with ceremonial attire, the saddle cast in relief with phoenix in flight amongst the clouds and suspending beads, the three tiers above shaped as a pagoda with pierced galleries and ornamentally shaped windows, each roof with dragon masks holding suspended pendants, the top tier surmounted by a phoenix finial, 60cm high
▲ Adrian Maurice Daintrey (1902-1988) 'Little Venice I', c.1967signed with initials l.r., oil on board51 x 61cmProvenance: With Sally Hunter Fine Art, London.Exhibited: Sally Hunter Fine Art, 'Adrian Daintrey', July 2002, catalogue no. 5.Condition ReportFramed: 69x 79cmSpots and speckles of surface dirt. Small scratches to the lower right corner. There are some dark brown spots to the left of the tree trunk in the foreground which appear to be varnish (?), please refer to illustration. Not examined under UV light, for a full report please contact the department.
Mattel Barbie and other vintage and more modern teenage fashion dolls, etc: Mattel Barbie Walk Lively Miss America Steffie brunette doll, 1972; tinplate red doll trunk. Modern Barbie boxed dolls- Solo in the Spotlight reproduction #13534; Winter Splendour #19357, MISSING CLOTHES; Enchanted Evening #1499; plus some loose dolls and clothing; Fair Plus to Excellent; (qty).
Mattel Pair Of Barbie Vintage Doll Trunks & Barbie Publications Including: (1) 1961 Barbie Trunk Double Case Carrier PonyTail, 1961, (Slightly Scratched, Some Tears See Photos), 13"/33cm H x 10"/26cm W x 7"/17cm D, (2) 1968 The World Of Barbie Doll Trunk For Barbie & Her Friends (Slightly Scratched, Pen Mark On Top, Some Tears See Photos), (3) Barbie A Visual Guide To The Ultimate Fashion Doll By Dorling Kindersley Ltd, (4) Barbie Doll Exclusively For Timeless Creations By Margo Rana, (5) Barbie All Dolled Up, Celebrating 50 Years Of Barbie By Jenny D' Amato; Good To Good Plus, Good To Good Plus. (5)
Papua New Guinea. A Sepik garamut ceremonial slit drum. Of cylindrical form, carved from a single tree trunk, a linear opening running along the top, the 'handles' in the form of a long crocodile head and shorter tail. L186.5cm.Lots 1-58 in this auction are all from the same collection, the majority of which was collected in Papua New Guinea in the 1970s and 1980s.
Papua New Guinea. A Sepik River trunk drum. The hollowed out trunk carved with a crocodile and fish, the crocodile clasped around the tree trunk, its tail extending over the edge, with a fish-type animal to the underside, the remaining surface with spiral decoration. Embellished with shells. L116cm.Lots 1-58 in this auction are all from the same collection, the majority of which was collected in Papua New Guinea in the 1970s and 1980s.
Papua New Guinea. Two Sepik River ancestral standing figures. The first with patterned headdress and shawl, elongated trunk, shell eyes, hands resting on wide hips, over a round stump base (broken). H51cm; the second of a figure wearing a mask with a series of deep crescent circles to the forehead, standing with tail between its legs on a round stepped base, H40.5cm.Lots 1-58 in this auction are all from the same collection, the majority of which was collected in Papua New Guinea in the 1970s and 1980s.
AN EARLY 20TH CENTURY STEAMER WARDROBE TRUNK, made by Innovation of New York, the bottom and top doors enclosing a swing door with compartments and a pull out hangers, width 53cm x depth 57cm x height 132cm (condition report: lock rusted and faulty, rusting throughout, losses and missing handle)
A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the hood with twin swan neck pediment, two pillar supports, flanking an arched glass door, that's enclosing a 13 inch painted dial, depicting Roman numerals, moon phase, minutes and seconds dial, signed Cassera of Stourbridge, above a trunk door, raised on a box plinth, height 238cm (condition report: winding key, trunk key, marks, scuffs, stains, discolouration, repairs, veneer lifting, other wear and usage)

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66972 Los(e)/Seite