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66969 Los(e)/Seite
A 19TH CENTURY FRENCH THREE PIECE GARNITURE to include an ink well and two candlesticks, the ink well in the form of a figure seated upon an elephant, his trunk wrapped around a blue hardstone ball, oval base, the candlesticks each in the form of an elephant balancing on one hind leg upon a similar blue hardstone ball and supporting a candle sconce, lion mask and paw feet, the ink well 7 1/2" wide, the candlesticks 13" high (3) (see illustration).
A small spring driven chiming longcase clock, early 20th century, in the form of an 18th century mahogany Liverpool longcase clock, with 5¼ inch arched brass dial, the hood with swan-neck pediment over a blind fret frieze and reeded front corner hood pilasters flanking the arched hood door over a long serpentine arched trunk door with quarter fluted front corner trunk pilasters, the base with canted front corners with brick mouldings raised on ogee shaped bracket feet, the eight day movement striking on five rod gongs, 120cm high
An oak crossbanded mahogany eight day longcase clock, 19th century, the 13 inch arched painted dial signed `W Bucknell, Burslem`, with inner subsidiary seconds dial and date aperture, a ring of Roman numerals under a rolling moon phase, with conche shells painted to the spandrels (face indistinct), the hood with swan neck pediment over fluted front corner hood pilasters above a shaped, crossbanded, trunk door flanked by fluted quarter pilasters on a canted, single panel box base and later skirting plinth, 218cm high Note: Brian Loomes `Watchmakers & Clockmakers of the World` Volume 2 notes A W Bucknall, Burslem ca.1800 and a William, Stoke-on-Trent 1828-35 (Also Bucknell)
A George III oak crossbanded mahogany thirty hour longcase clock, the 11¾ inch square painted dial signed `Thomas Benbow, Northwood`, with fruit decorated corner spandrels, inner date aperture within a ring of Roman and Arabic numerals, the hood with cavetto cornice over turned and tapering front corner hood pilasters, above a serpentine arched long trunk door, between plain quarter pilasters, on a single panel box base with later skirting plinth, 207cm high Note: T Benbow is noted in G H Baillie `Watchmakers & Clockmakers of the World` volume I as active circa 1785 also noted in Douglas J Elliott `Shropshire Clock and Watchmakers`, as b.1739-1809 watchmaker, son of John Benbow. Thomas took over and attended the church clock at Prees from his father.
A Victorian mahogany eight day longcase clock, the 13 inch arch painted dial with centred subsidiary seconds dial and date aperture, the centre painted with a shepherd within a ring of Roman numerals and architectural ruin painted spandrels under a false rolling moon, the hood with swan-neck pediment over baluster turned front corner hood pilasters, the gothic arched short trunk door flanked by heavy front corner baluster trunk pilasters, on a crossbanded box base and short bracket feet, 223cm high
A George III oak crossbanded mahogany eight day longcase clock, the 12 inch square brass dial signed `Baddeley Tong`, with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals, the four pillar eight day movement striking on a single bell, the caddy top hood with chevron strung hood door between three quarter turned pilasters, over a long crossbanded trunk door with arched inlay on a box base (lacking bracket feet) 201cm high G H Baillie `Watchmakers & Clock makers of the World` Volume I notes a J Baddeley, Tong ca. 1720-66 the Albrighton to 1780 also Douglas J Elliott `Shropshire Clock and Watchmakers` notes John Baddeley, Tong and Albrighton 1727-1804 clock and Watchmakers, Son of George Baddeley, blacksmith
A late George III oak thirty hour longcase clock, the 11 inch square painted dial with ring of Roman numerals, indistinct date aperture and indistinct floral spandrels, the hood with turned and tapering front corner hood pilasters over a long trunk door and box base, with later skirting plinth 188.5cm high
A Victorian mahogany Tunbridge, banded, eight day longcase clock, the 14 inch painted dial signed `T Rowland, Caersws`, with centred subsidiary seconds dial, date aperture, ring of Roman numerals with architectural ruins to the spandrels under a rolling moon, the hood with swan-neck pediment over an arched hood door, with baluster front corner hood pilasters over a short, Tunbridge crossbanded trunk door under scrolling leaf applied mouldings flanked by heavy front corner trunk baluster pilasters, on a Tunbridge banded, plain veneered box base and short bracket feet, 221cm high, 58cm wide Note: Thomas Rowland is noted in Brian Loomes Watchmakers and Clock makers of the World Volume II as born 1841, the son of Thomas Rowland Senior who was also listed as clock maker in Ewlch-y-Garreg (Montgomery) in the early 19th century
An oak Grandmother clock, 19th century, in the 18th century taste, the 7 inch silvered and brass dial with five pillar, eight day, twin fusee movement striking on a single bell, the hood with blind fret frieze over turned and tapering front corner hood pilasters, above a gothic arched trunk door, on a plain box base with shaped bracket feet, 152cm high
An oak, crossbanded mahogany, eight day longcase clock, second quarter 19th century, the 13 inch square painted dial, signed `P Evans, Shrewsbury`, with centred date aperture and subsidiary seconds dial, within a ring of Roman and Arabic numerals and florally painted corner spandrels, the four pillar movement with false plate stamped `Osbourne` on a replaced seat board, the hood with fluted front corner hood pilasters, over a crossbanded inverted arched trunk door and crossbanded box base, lacking bracket feet, 213cm high Note: Philp Henry Evans, Shrewsbury, c.1821-1862 is noted in Douglas J Elliott `Shropshire Clock and Watchmakers` also a Price Evans, Shrewsbury is noted in G H Baillie `Watchmakers & Clockmakers of the World` Volume I as an. 1793
Royal Company of Archers An Officer`s Court Dress uniform comprising: a black felt bicorn hat with green hackle; green coatee and trews with bullion and gilt brass buttons, bullion epaulette boards, sash, sword belt, sword knot and frog, court dress sword in black leather scabbard with gilt mounts (by Pulford & Sons, St James, London) and patent leather wellington boots, contained in original fitted trunk Note: The Royal Company of Archers was founded in 1676 as an archery club and received its first Royal Charter in 1704. The privilege of recognition as the Monarch`s Scottish Bodyguard dates from 1822. The Queen`s Bodyguard for Scotland, The Royal Company of Archers is the Sovereign`s personal Body in Scotland.
A George III mahogany longcase clock with later alterations the twin train movement striking a bell, the swan-neck pediment over a carved frieze panel, crossbanded hood, square brass face with Aramaic and Roman numerals, spandrels and a subsidiary hour dial, flanked by fluted pilasters, moulded crossbanded trunk door, flanked by fluted quarter columns, matching base raised on bracket feet 205cm high
An early 18th Century oak cased thirty-hour longcase clock, the hood with moulded cornice and turned columns to the side, the trunk enclosed by an arch top panel door, fitted a 24cm (9.5") brass single handed dial with decorated spandrels, date aperture, the chapter ring signed Philip, Tenbury
A 19th century oak longcase clock, the arched hood with fluted columns above a long trunk door, box base and bracket feet, the 29.5 cm brass dial with silvered roundel and chapter ring with Roman numerals, seconds subsidiary dial and calendar aperture, the 8-day movement striking on bell, 215 cm high
A 19th century oak longcase clock, the hood with broken swan neck pediment and turned columns above a long trunk door, box base and bracket feet, the 34 cms brass dial with silver roundel to the arch inscribed "William Parkes, Wolverhampton" with a silvered chapter ring, the eight day movement striking on a bell, 209 cm high
An oak longcase clock, the hood with a moulded cornice above long trunk doors with star inlay above a panelled box base and bracket feet, the 33 cms square painted dial with floral spandrels and Roman numerals with a seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 210 cms high
A mahogany Longcase Clock, the hood with a broken swan neck pediment and ebonised columns above an arched long trunk door and box base on bracket feet, the 30cm, brass dial with a brass chapter ring, seconds subsidiary dial and calendar aperture bears a plaque to the arch for Kipling, London, the eight day movement striking on a bell, 212 cms high
WAINWRIGHT, NOTTINGHAM, AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the arched painted dial with rolling moon, seconds and date, 8 day movement, the hood with swan neck crest and free-standing pillars, short trunk door flanked by canted corners, above a canted corner base, on bracket feet, 88 ins high.
JOHN WATSON, KIRBY, A LATE 18TH CENTURY OAK LONGCASE CLOCK, the arched brass dial with circular name boss to arch, subsidiary seconds and date supporting an 8 day movement, the arched moulded top hood with freestanding corinthian capped pillars, long trunk door, on a stepped base and shaped plinth, 79 ins high, (lacks pendulum and weights).
A Burr Walnut and ebonised bow fronted Stick Barometer, signed Peter Fox of Norfolk, the signed silvered scale of 27-31 with adjustable vernier, beneath an overhanging cornice, to a plain long trunk, set with twin scale silvered mercury thermometer, to a rectangular base with chamfered corners, and set with a half-round cistern cover, height 37"
A mid-19th Century Scottish Mahogany cased 8 Day Long Case Clock, F J Wild of Dundee, the arched hood with shaped pediment over a moulded throat with acanthus leaf cap quarter columns flanking a panelled trunk door, and further panelled base, to a cast brass bezel enclosing a signed 12 ½" painted circular dial, with Roman chapter ring and outside minute track, enclosing subsidiaries for seconds and date, with blued steel moon hands, to a movement with plates united by four knopped pillars and anchor escapement strike on a bell, height 79"
A first half of the 19th Century Mahogany and Oak cased 30 hour Long Case Clock, Pizzi & Ortelli of Buckingham, the hood with swan neck pediment over free-standing gilt metal mounted columns, to a moulded throat and plain frieze, to a short trunk door centred with an inlaid floral vase, and raised on a plinth base, to a 12" square painted third period dial, with floral vase spandrels to a Roman chapter ring, with outside minute track and further floral detail to the centre, over a date sector with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 80"
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, R Davy of Hoveton, the arched hood with scrolling pediment, and brass capped free-standing plain columns, to a moulded ogee throat and long arched trunk door, to a plinth base, to a signed 12" first period painted dial, with plain arch and gilt highlighted gessoed spandrels enclosing a Roman and Arabic chapter ring, enclosing subsidiaries for seconds and date, with pierced steel hands, to a movement with plates united by five knopped pillars, with anchor escapement and strike on a bell, height 86"
A Mahogany Burr Walnut, Boxwood and Ebony inlaid 8 Day Long Case Clock, with moon phases, signed R D Lear, Pinhey of Plymo Dock, the hood with overhanging cornice to a dentil work panel and blind fret frieze, with further moulding and free-standing fluted columns, to an ogee throat and further blind fret panel, to a large shaped trunk door, decorated with an image of Old Father Time, with applied foliate and ropetwist detail, and flanked by canted corners to a panel base, the arched brass dial centred with an ivory sphere depicting moon phases over a rising tide, flanked by silvered subsidiaries for moons age and state of the tide, to case and applied mask spandrels enclosing a Roman and Arabic silvered chapter ring, to an engraved centre with subsidiary seconds and large date sector, to pierced blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 89"
An unusual second quarter of the 19th Century Mahogany and Ebony line inlaid 8 Day Long Case Clock, with moon phases, Robt Gidney of Norwich, the arched hood with scrolling whale`s tail pediment, and set with three lacquered brass sphere and eagle finials, over brass capped and reeded baluster free-standing columns, to a moulded throat and long arched trunk door with panelled plinth case, to a 12" third period painted dial, set with moon roller and depictions of eastern and western hemispheres over gilt highlighted shell spandrels, to a signature chapter ring naming William Bilby, enclosing subsidiary seconds and date section with black painted hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 92"
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, Thos Aldridge of Deal, the arched hood with overhanging cornice to a blind fret panel over ¾ baluster columns with gilt gesso capitals, to a plain moulded throat and long arched trunk door with plinth base, to a 12" arched brass dial with signed silvered boss with cast and applied "C" scroll spandrels, enclosing a silvered Roman and Arabic chapter ring, enclosing a silvered and engraved centre with subsidiaries for seconds and date aperture, and blued steel pierced hands, to a movement with plates united by five knopped pillars and anchor escapement, strike on a bell, height 88"
A Rosewood and Mother of Pearl Inlaid Trunk Dial Wall Clock, John Fryer, York, circa 1830, the case with circular top and inlaid with mother of pearl, the trunk flanked with side ears, pendulum front viewing window and under curved base with opening door, 12-inch painted dial with Roman numerals, single fusee movement with shaped plates and anchor escapement, 67cm high See illustration
An Oak Thirty Hour Longcase Clock, signed Newby, Kendal, circa 1770, the case with swan neck pediment, turned columns, trunk door with crossbanding and flanked by inset fluted pilasters, the slightly reduced plinth with canted corners and crossbanding, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, finely engraved dial centre with scrollwork and signed Newby, Kendal, subsidiary date dial, the arch with rocking painted scene of a sealing ship, above signed on a arched silvered plaque Sic Est Vita Hominis, four pillar movement with anchor escapement and outside countwheel striking on a bell, 215cm high See illustration James & William Newby are recorded working in Kendal 1765-1800. See Loomes (Brian) Watchmakers and Clockmakers of the World, pg 170.
A Mahogany Eight Day Longcase Clock, the case with a later added pagoda top, fluted columns, arched trunk door, the reduced plinth with a quatre form moulding, 12-inch silvered dial with Roman and Arabic numerals and signed William Avenell, Portsmouth Common, date aperture, subsidiary seconds, the arch with a rocking figure depicting Tempus Fugit, five pillar movement with anchor escapement and rack striking on a bell, 228cm high (dial and movement associated to the case) See illustration
A Mahogany Eight Day Longcase Clock, signed Robt Roskell, Liverpool, circa 1810, the nicely figured case with swan neck pediment, turned columns, wavy shaped trunk door flanked with fluted sides, inlaid plinth with canted corners and upon bracket shaped feet, 14-inch painted arched dial with Roman and Arabic chapter ring, dial centre with subsidiary seconds and date, the arch with rolling moonphase, four pillar movement with attached falseplate stamped Osborne, rack striking on a bell, 235cm high See illustration
A Mahogany Eight Day Longcase Clock, the case with flat top pediment, fluted columns, arched trunk door with later inlay and flanked by canted corners, rectangular plinth raised upon bracket shaped feet, 13-inch arched brass dial with silvered Roman and Arabic numerals and a outer calendar ring with corresponding central calendar hand, dial centre with engraved scroll decoration and depicting a fish, subsidiary seconds, the arch with rolling moonphase and above signed Michael Heaton on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 235cm high (dial and movement associated to the case) See illustration
A Mahogany Eight Day Longcase Clock, signed Thos Wiggan, Bristol, circa 1780, the later added swan neck pediment with fluted columns and Corinthian capitals, nicely figured wavy shaped trunk door, flanked by fluted canted corners, plinth with raised panel and upon bracket shaped feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring signed, matted and engraved dial centre with date aperture and subsidiary seconds, the arch with rolling moonphase and above on a arched silvered plaque High Water At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, 245cm high See illustration, Thomas Wiggan is recorded working in Bristol 1760-1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 342.
A Moore Bros Encrusted Porcelain Table Oil Lamp, circa 1880, the scrolled and partly gilded shaped oval base surmounted by two putti musicians playing the harp and violin-cello, amongst the orchid enriched open pierced tree trunk supporting a compressed spherical reservoir applied with further orchids, bulbs and leaves (burner, shade and chimney now lacking), brown printed globe and ribband mark, also impressed marks and registration number, 38cm high
A Continental Majolica Pottery Game Bird Cache Pot on Stand, circa 1875, the cylindrical cache pot moulded and glazed to imitate tree bark, edged with fruiting branches of oak, held in an oak leaf and acorn "cup" at the top of a tree trunk beneath which is crouched a partridge and two chicks amongst grasses, on a shaped rustic base, the stand with impressed number 1203 and indistinct impressed oval mark, also initialled BF, 39cm high See illustration

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66969 Los(e)/Seite