William Woster, London, an ebonised longcase clock having an eight-day duration, five pillar movement striking the hours on a bell with an inside countwheel, the square twelve-inch brass dial having a raised, silvered chapter ring engraved with black Roman hour numerals, `meeting arrowhead` quarter hour markings and half-quarter markings and signed by the maker `Wm. Woster, London`, the matted dial centre having ringed winding holes, engraved decoration to the date aperture, cast `cherub & crown` corner spandrels and decorative blued steel hands, the ebonised case, having a caddy top with fretwork below, a glass lenticle to the trunk door, quartered columns with brass capitals to the hood and surmounted by `eagle and ball` brass finials, height: 238cm. * William Woster of London is recorded as having been apprenticed in 1697.
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George Prior, London, an ebonised longcase regulator having eight-day duration timepiece movement with a dead-beat escapement, maintaining power, a compensating pendulum, the ten-inch break-arch silvered dial having an outer minute ring, subsidiary seconds dial and hour aperture, signed in the arch `George Prior, London`, the ebonised case having a caddy top, shaped top to the trunk door and a plain base, height: 212cm. * George Prior was born in 1782, the son of the clockmaker John Prior, and is known to have been working in London from 1793 until 1830.
James Woolley, Codnor, a carved oak longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a penny moon with moon date below and showing the date and time of high water, the raised, silvered chapter ring engraved with black Roman numerals, floral half-hour markings and `meeting-arrowhead` half-quarter markings, the matted dial centre having ringed winding holes, and a heart shaped cartouche engraved with the makers name `Ia Woolley, Codnor`, with wheatear border engraving, the oak case carved throughout and having a caddy top, lenticle to the trunk door, a raised plinth to the base and quarterd columns, with giltwood capitals, to the hood, height: 244cm. * James Woolley, born circa 1700 in Codnor, Derbyshire, was a celebrated maker who was one of a number of the family working as clockmakers. He often signed his clocks `Wolley` as in this example. He died in 1786.
Richard Hewitt, Fowey, an oak longcase clock having an eight-day duration movement striking the hours on a bell, the eleven-inch painted break-arch dial having black Roman numerals, floral decoration painted to the corners and a church scene to the arch, with decorative blued steel hands, the oak case having a swan neck pediment with the hood pillars having giltwood capitals, and surmounted by three `eagle and ball` finials, with canted corners to the trunk and a plain base, height: 216 cm (inc. finials) * Richard Hewitt is recorded as working in Fowey, Cornwall from circa 1790 until his death in 1846.
James Clowes, London, an early ebonised longcase clock having an eight-day duration movement with five finned pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a matted centre with ringed winding holes, date aperture and a subsidiary seconds dial and having cast `cherub-head` spandrels to the four corners, the raised silvered chapter ring engraved with black Roman numerals, Arabic outer numerals, `meeting-arrowhead` half-hour markings and signed either side of VI o`clock with the maker`s name `Jas Clowes, London`, with blued steel fancy decorative hands, the ebonised case having a bulls-eye lenticle glass to the trunk door, three-quarter columns to the hood with cast brass capitals, quartered columns to the rear and sumounted by a caddy top with brass ball-and-spire finials either side, height: 223cm. * James Clowes became a member of the Worshipful Company of Clockmakers in 1671 and was known to have still been working in 1705. There was a longcase clock signed by him in the famous Wetherfield Collection.
Charles Absolon, London, a Georgian mahogany longcase clock having an eight-day duration, five-pillar movement with dead-beat escapement, striking the hours on a bell with an internal rack, the thirteen-inch round silvered dial having decorative blued steel `scroll` hands and engraved with black Roman numerals, outer Arabic five minute markings, a subsidiary seconds dial and the maker`s name `Chas. Absolon, London`, the mahogany break-arch case having fluted quarter-columns to the trunk with cast-brass capitals and brass inlay, the base having a shaped raised panel and standing on a double plinth, the hood having a full opening front door with cast bezel, fluted canted corners with brass inlay and round glazed side panels, height: 212cm. * Charles Absolon is recorded as working in London in the late Eighteenth century.
An Edwardian mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds, beneath a silvered boss to arch inscribed `Richard Gregg, London`, the hood with inlaid shell patera surmount flanked by brass ball and eagle finials, above a glazed door and fluted columns, the arched trunk door with oval inlaid patera repeated on the base within crossbanded border, on bracket feet, height approx 207cm, together with two weights and a pendulum.
An early 19th Century Scottish mahogany longcase clock with eight day movement striking on a bell, the painted circular dial with Roman numerals, subsidiary seconds and date dials and inscribed `....Lanark`, the circular moulded hood with hinged glazed door above carved foliate scroll mouldings, the tapered trunk with bow front door and turned pilasters on a panelled base and plinth, height approx 191cm, together with two weights and a pendulum.
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing an engraved matt centre with subsidiary seconds and date aperture, beneath a silvered boss to the arch inscribed `Jn Barr, Port Glasgow`, all cornered with pierced gilt spandrels, the hood with swan neck pediment flanking a scallop shell surmount above a glazed door and fluted columns, the trunk with double arched door, flanked by fluted chamfer cut corners, on a plain base and bracket feet, height approx 201cm, together with two weighs and pendulum.
A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date aperture beneath a rolling moon to arch and inscribed `John Collier, Cheadle`, the hood with swan neck pediment surmounted by three brass ball and eagle finials, above a glazed door flanked by inlaid columns, the trunk with triple Gothic arched door on a chamfered base and ogee bracket feet, height approx 247cm, together with two weights and pendulum.
A 19th Century pine longcase clock with thirty hour movement striking on a bell, the painted square dial with Arabic numerals and inscribed `Symonds, Reepham`, the hood with glazed door above a rectangular trunk door on a plain base and plinth, height approx 199cm (restoration), together with pendulum and weight.
A mid-18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with chapter ring framing an engraved rococo scroll centre with date aperture and inscribed `Peter Odell, Hitchin`, all cornered with pierced and cast foliate scroll spandrels, the hood with caddy top above a blind fretwork frieze and glazed door with turned columns, the trunk with rectangular door on a plain base and plinth, height approx 216cm, together with pendulum and weight (some faults).
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a foliate engraved silvered centre with date aperture and inscribed `John Tickell Crediton`, cornered with gilt spandrels beneath a silvered boss to arch inscribed `Tempus Fugit` above an eagle, the arched hood with brass pineapple finials above a glazed door and Corinthian columns, the crossbanded rectangular trunk door flanked by Corinthian corner columns on an inlaid base and bracket feet, height approx 220cm, together with pendulum and two weights.
A 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date dials and inscribed `W. Keith Inverness` beneath a painted fruit basket to arch, the arched hood with glazed door, the trunk with arched door on a plain base and plinth, height approx 214cm, together with two weights (lacking pendulum and faults).
A late Georgian feathered mahogany cased striking eight day longcase clock by J Tootell of Eccles, having a fourteen inch painted arched dial with moon phase to the arch, painted subsidiary seconds dial, date aperture and twin winding holes, the trunk and hood decorated with boxwood stringing, with key, pendulum and twin weights, approx height 7ft (214cm) (illustrated)
A late Georgian cross banded and feathered mahogany cased striking eight day longcase clock by Monks of Prescot, the painted 14ins arched dial featuring a moon phase to the arch, painted subsidiary seconds dial, date aperture and twin winding holes, the trunk and hood decorated with boxwood stringing, raised on bracket feet, with pendulum and twin weights, approx height 7ft 5ins (227cm) (illustrated)
Hornby Series: rolling stock - No. 2 Pullman, auto couplings (celluloid missing), LMS Meat Van, SR Cattle Truck, NE Cattle Truck, Meccano Coal Wagon, GW Open Wagon, No. 2 Lumber Wagon, Signal, Basket, Trunk and Suitcase, F-G, and track, with a Doll twin-cylinder Vertical Steam Engine and separate horizontal boiler, both incomplete
An 18th Century oak cased long case clock, the hood with moulded cornice and turned pillars, over an arched trunk door, to base on bracket feet, the square brass dial with silvered chapter ring, Arabic and Roman numerals, inscribed "John Evan, Aberystwyth", the matted centre with subsidiary seconds and date aperture, scrolling spandrels, to an eight day striking movement on a bell (ILLUSTRATED)
An 18th Century oak long case clock, the hood with moulded cornice flanked by turned pilasters over a plain trunk door to a plinth base, the 30 hour movement with 11" square brass dial with Roman and Arabic numerals, pierced scrolling spandrels, centred by a moon face, castellated star, date aperture inscribed "Thomas Hardwick, Ridgemount" amidst engraved foliage (ILLUSTRATED)
An unusual 30 hour 18th century oak long case clock, the caddy top hood with ball finials and three quarter turned side columns, the trunk with arched door with later carved decoration, similarly carved base, on bracket feet, square brass dial with silvered chapter ring and centre, 30 hour key wound twin weight driven movement striking on bell, height 80"
A Mahogany Cased Drop Dial Wall Clock, the moulded surround over a glazed drop trunk with carved foliate ears, and spun brass bezel, enclosing an 11” painted Roman dial with outside minute track and pierced steel hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 21”
A mid-18th Century Oak cased 8 Day Long Case Clock, Thos Page of Norwich, the hooded overhanging cornice surmounted by a replacement scrolling pediment to ¾ columns, moulded throat and long arched trunk door to a reduced plinth base, to an 11” square brass dial with cast mask and foliate spandrels, enclosing a Roman and Arabic chapter ring with outside minute track to a matted centre with date sector, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell (associated), height 80”
An early 19th Century Oak Cased 30 Hour Clock, R Marshall of Longthorn?, the hood with overhanging cornice and freestanding columns, to a moulded throat with long arched trunk door and plinth base, to a 12” second period painted arched dial, decorated to the arch with a hunting scene and with painted rose spandrels enclosing an Arabic chapter ring with further Arabic quarters and outside minute track and date subsidiary with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 85”
An early 19th Century Oak cased 8 Day Long Case Clock, signed Hargrave of Bamtry (probably Hargrave of Bawtry), the hood with swan neck pediment over gilt metal mounted and fluted freestanding columns, flanking a crossbanded circular door, to a moulded throat over fluted quarter columns and shaped long trunk door to a plinth base, to a 12 ½” painted Roman dial with outside minute track and 5 minute increments, enclosing subsidiary seconds with further floral spray, and with pierced steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 83”
A late 19th Century Oak and Mahogany crossbanded 8 Day Long Case Clock, J Jones of Denbigh, the overhanging cornice with broken arch pediment surmounted by two of three globe and spread eagle finials, over cast brass Corinthian freestanding columns, to a moulded throat and further plain frieze, to a shaped short trunk door flanked by quarter reeded columns and further panelled section, to a panelled plinth base, to a signed and square 12” first period painted dial, with rose and gesso highlighted spandrels, enclosing a Roman and Arabic chapter ring with further subsidiary seconds and date sector, and further detailed with birds, flowers and foliage, to pierced and stamped hands, to a signed false plate and movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 90”
An early 19th Century Oak cased 30 Hour Long Case Clock, the hood with swan neck pediment over freestanding baluster turned columns, to a moulded throat with short panelled trunk door, and further plinth base, to an unsigned 12” third period painted dial, with rose and tulip spandrels enclosing a worn Roman chapter ring, and plain centre with pierced hands, to a plated movement with anchor escapement, strike on bell, height 78 ½”
A late 18th Century Mahogany cased 8 Day Long Case Clock, Jas Burton of Whitehaven, the arched hood with gilt highlighted frieze panel and dentil work detail (losses and damage), over freestanding fluted columns, to a moulded ogee throat and panelled trunk with quarter reeded columns flanking a shaped long trunk door, and panelled plinth base with further canted corners, to a 13” first period painted dial, the arch decorated with a river scene within a gilt highlighted and gesso border with further gesso spandrels decorated with roses, enclosing a Roman and Arabic chapter ring with further subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars with anchor escapement and strike on a bell (bell lacking), height 85”
A mid-19th Century Mahogany and cross banded 8 Day Long Case Clock, T Evans of Bangor, the hood with swan neck pediments over freestanding baluster turned columns flanking replicated half columns to an arched door and moulded throat with frieze panels and short trunk door, further flanked by freestanding columns to a panelled plinth base on bracket feet, to a 14” painted Roman dial with moon phases to the arch and depicting the maidens of the four seasons to the spandrels, to a Roman chapter ring with outside minute track and centred with a depiction of the Ascension of Christ and further subsidiary seconds and date sector with pierced and stamped Brass hands, to a false plate and movement with plates united by four knopped pillars with anchor escapement, strike on a bell, height 91”

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