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A lead lined bound trunk and commode

An early 19th century mahogany longcase clock the inlaid mahogany case with broken scroll pediment, supported on fluted columns with gilt metal mounts, the trunk with ebony line inlaid canted corners and arched door, standing on bracket feet, the arched brass face with silvered chapter ring and dial with engraved decoration, subsidiary seconds and gilt metal mounted spandrels, surmounted by a moon phase roller to the arch above depictions of the eastern and western hemispheres, the dial signed 'CARTER Walthamstow', fitted with an eight day movement striking on a bell, 91in. (231cm.) high.

A Japanese bronze model of an elephant, with his trunk in the air, with ivory tusks, height 26cm (10 1/4in.).

A pair of Chinese bronze censers, with flared necks, mask handles, and trunk legs, on circular bases, height 33.5cm (13 3/4in.). (2).

A cast Lalique model of a elephant with raised trunk on an integral rectangular plinth, engraved signature 'Lalique R. France'. 15.5cm high

Ebonised repeating longcased clock, early 18th century with restorations, square brass face, 31cm, with cherub mask spandrels, N-S lever at XII, bolt and shutter lever at III, silvered arabic and roman chapter ring inscribed Thos Wightman, London, matt field, subsidiary seconds, date aperture and ringed winding holes, the twin-barrel month-going movement of four pillars with dead-beat escapement, quarter repeat on two bells, hour rack, in a caddy top hood with three brass balls, pierced frets, plain integral columns and glazed sides, on cavetto shoulders with gilt scroll brackets, lenticle trunk and set out base. Height 260cm. (Two weights, pendulum and key)

Oak longcased clock , late 17th century, the square brass face, 26.5cm, with gilt cherub spandrels, silvered chapter ring with roman numerals inscribed Jno Gillmore, Battle , the field engraved with daffodils and anemones in the manner of Andrew Prime of London, hour finger, the single weight movement with four vertical turned brass pillars and brass plates, anchor escapement, external countwheel striking the hour, in an 'old wood' case of lift-up flat top hood with integral plain columns and glazed sides, slender trunk and set out base. Height 199cm.

Oak longcase clock, the associated movement, late 17th century, with square brass face, 25cm, crown and cherub spandrels, silvered roman chapter ring, field engraved with lion masks and foliage, and inscribed John Burges fecit, date aperture, hour finger, single weight movement of four pillars and skeleton plates, anchor escapement, external countwheel striking the hour, in an old oak case of caddy top hood with fruitwood twist columns and glazed sides, cavetto shoulders, slender trunk with lenticle and incised initials, the base with applied mouldings. Height 210cm. (Weight and pendulum).

Figured walnut longcased clock, square brass face, 25.5cm, winged cherub spandrels, narrow silvered chapter ring with roman numerals, the field engraved with anemones and a cartouche inscribed Henry Younge, Londini , hour hand, single weight movement with anchor escapement, external countwheel and vertical bell, in a late 17th century style case with flat top hood, twist columns and slender trunk. Height 205cm. (Weight and pendulum)

A fine walnut longcased clock with seaweed marquetry decoration, late 17th century, the square brass face inscribed Richard Lyons, London , with cherub mask spandrels, silvered chapter ring, roman and arabic numerals, matt field, silver seconds ring, date aperture, five-pillar two train movement, anchor escapement, external countwheel striking the hour, in a flat top hood with blind fret frieze, integral columns, on a slender trunk with lenticle, on set out plinth. Height 219cm.

Green painted pine longcased clock , generally early 18th century, square brass face, 26cm, cherub mask spandrels, silvered chapter ring inscribed Peter Brisbourn , matt field and hour hand, double weight counter winding movement with brass plates and four iron pillars, anchor escapement, external count wheel striking the hour, brass strap pendulum rod with two lenticular bobs, in a flat top hood on slender trunk with lenticle. Height 212cm. (Pendulum and four weights).

Ebonised pine longcased clock, square brass face, 28cm, cherub and crown spandrels, silvered arabic and roman chapter ring inscribed Power, Wellingborow, matt field, silvered seconds dial, date aperture, and two fingers, single weight movement of four pillars, anchor escapement, external count wheel striking the hour, in a flat topped hood with plain columns and cavetto shoulders, on plain trunk and set out plinth. Height 200cm. (Weight and pendulum).

Oak longcased clock, generally early 18th century, square brass face, 28cm, with cherub and crown spandrels, silvered chapter ring with arabic and roman numerals inscribed Jon. Ingram, Cowbitt fecit, matt field, silvered seconds ring, date aperture, five-pillar two-train bolt and shutter movement, anchor escapement, hour strike, in an associated flat topped hood with plain integral columns and glazed sides, on plain trunk and set-out base. Height 196cm. (Two weights and pendulum).

Ebonised longcased clock with gilt stringing, early 18th century and later, broken arch brass face with silvered arch boss inscribed Markwick, London , silvered chapter ring with arabic and roman numerals, subsidiary seconds, alarm set, date aperture and strike/silent, two train movement with anchor escapement striking on a bell (alarm mechanism removed), the arched hood (lacking its crest) with integral plain columns, on a plain trunk with lenticle, on set-out plinth. Overall height 231cm. (Two weights and pendulum)

Mahogany longcased clock, generally mid 18th century, square brass face, 30.5cm, cherub mask spandrels, silvered chapter ring with arabic and roman numerals, matt field with silvered oval plate inscribed Tho. Robinson, Gainsbrough , two-train movement with anchor escapement striking the hour, in a flat topped hood with blind fret frieze, on inlaid trunk. Height 198cm. (Pendulum and two weights)

Oak and mahogany longcased clock , the square brass face with silvered chapter ring inscribed John Taylor fecit, matt field and date aperture, two-train single finger movement with anchor escapement striking on a bell, in a swan neck hood with baluster columns on a canted corner trunk, short door and set out plinth. Height 210cm. (Two weights and pendulum)

Oak and mahogany longcased clock, early 19th century, painted broken arch face with arab and roman hour ring, subsidiary seconds, date aperture, inscribed T. Arkingstall, Market Drayton , twin barrel movement, anchor escapement, hour strike, in a swan neck hood with fluted columns on a canted corner trunk and set out plinth. Height 206cm.

Irish mahogany longcased clock, painted broken arch face inscribed Thos Campbell Stranorlar , arab hour ring, susidiary second, twin barrel movement on a Walker plate, anchor escapement, hour strike, in a swan neck hood with fluted columns, on fluted corner trunk and set out base. Height 228cm.

A George III oak longcase clock with eight day movement striking on a bell, the brass break arch dial with subsidiary seconds, date aperture and inscribed 'William Paine, Trowbridge', framed by a silvered chapter ring with Roman numerals, cornered by pierced gilt foliate scroll spandrels, beneath a circular boss engraved with Old Father Time, the hood with broken arch pediment above a glazed door flanked by turned pilasters, the trunk door with inlaid shell patera and crossbanded borders on a similarly decorated base and bracket feet, height approx 242cm.

A 20th Century reproduction mahogany longcase clock with eight day movement striking on a bell, the gilt moonphase dial with Roman numerals, the hood with ball finial and swan neck pediment above a glazed trunk door, on bracket feet, height approx 188cm.

A George III oak and mahogany longcase clock with eight day movement striking on a bell, the square painted dial with subsidiary seconds, date aperture and inscribed 'Fran Chambley Newcastle', flanked by two birds perched amongst flowers, cornered with floral spandrels, the case with flat top hood above a glazed door flanked by fluted columns, the crossbanded trunk with shaped door above a similarly decorated base on bracket feet, height approx 192cm (faults).

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with rolling moon to arch above subsidiary seconds and date dial, indistinctly inscribed, cornered with gilt oval medallions, the hood with broken arch pediment above a glazed door flanked by reeded Corinthian columns, the arched trunk door and base with crossbanding, on bracket feet, height approx 218cm.

A Victorian walnut stick barometer with ivorine vernier scale and mercury thermometer, the case with carved foliate scroll arched surmount above a plain trunk, glazed cistern cover and carved apron, height approx 100cm.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with subsidiary seconds, inscribed 'J. Himley, Skipton' beneath a hunting scene to arch, the hood with swan neck pediment above a glazed door flanked by turned pilasters, the arched trunk door flanked by a pair of spiral reeded quarter columns on a panelled base and outswept bracket feet, height approx 240cm.

A maroon 1930's dolls trunk containing an assortment of clothes 1900-1960's

A Quantity of scenery for an 'OO' gauge layout, including buildings, bridges, etc. From the workshop of a railway enthusiast (Trunk and 3 boxes) The following 6 lots from the same vendor

An early 20th Century British Red Cross Society stripped pine trunk with four swing carry handles on a plinth base.

A camphorwood trunk, brass bound, with side carrying handles and a sunken handle to the front of the lid, previously with plaque to the centre later stenciled 'I.A. Thornquist, Bergen, Norway', 18in (46cm) h, 39.75in (101cm) w, 20in (51cm) d. Ingolf Arthur Thornquist, was serving as first mate on S.S. Ravnanger, in 1940.

A late Georgian crossbanded oak cased thirty hour striking longcase clock, the enamelled arched square dial inscribed Bradley, Ilkistone, the trunk with fluted quartered pilasters, overall height 208cm

An early Georgian walnut veneered tall longcase (no movement) the Palladian hood with carved blind fret frieze panels above trunk door with glazed lentical, overall height approx 240cm

A George III mahogany eight-day longcase clock, the arched dial with silvered Roman numeral chapter, pierced brass spandrels and inscribed 'Tempus Fugit', with subsidiary seconds and date dials, the hood with broken swan neck pediment and a Corinthian columns, the trunk with an arched door and quarter fluted columns, on a pedestal base with bracket feet, 222cm high x 52cm wide

Baxter: The Parting Look (364) without man carrying trunk, with extra lace, framed

Minshull of Denbigh, George III and later oak longcase clock, the brass face with date aperture supporting a twin train striking movement under a square hood, the trunk with shaped rectangular door and fluted styles, on an (altered) box base

A good quality leather travelling trunk, (car fitting).

A Steel Trunk housing a miscellaneous assortment of world issues in album, stockbooks and loose. Also two Gallantry medals.

A wood and iron bound travelling trunk.

A 19th Century mahogany and iron bound trunk with side carry handles, 119 cm wide.

An oak eight day longcase clock, the arched 12" dial inscribed 'William Botham Spalding', the stepped hood above an arched door and an arched trunk door, on a plinth base, 220 cm high.

A late 18th Century leather and iron bound trunk bearing trade label on inner lid.

A 19th Century Longcase Clock with painted arched dial having rolling moon movement, corner spandrels of elephants and camels, inscribed Brown ?, Preston 8-day movement in architectural mahogany case, the trunk and hood with turned columns, arched panelled door, turned finials, 7ft 6in high

A mahogany mercury wheel barometer J. Dubini, London, early 19th century The 10 inch circular silvered register with scroll and urn engraved centre and calibrated in inches with the usual observations beneath circular fan inlaid panel and Fahrenheit scale arched alcohol thermometer to the baluster shaped trunk, the rounded base with spirit level signed J. Dubini, 8 Brooks Market, hygrometer and pediment lacking, 108cm high.

A Continental line inlaid walnut mercury bulb cistern tube stick barometer Weiner, Lolle, late 18th century With gilt -edged rectangular brass vernier register plate calibrated in inches and signed Weiner, Lolle to upper edge and annotated Sohon Verand Regen further down plate, the arch-top case with exposed tube to the waisted trunk above bowfronted box cistern cover (lacking top cover panel), 107cm high.

A George III inlaid mahogany bulb cistern tube mercury stick barometer P. Stillo, Manchester, early 19th century The rectangular silvered vernier register calibrated in inches with Fahrenheit scale mercury thermometer and signed P. Stillo N.4 Thomas Street, Manchester behind glazed door beneath broken pediment, with caddy moulded and line inlaid trunk with domed cistern cover to the circular base, 97cm high.

A Victorian rosewood mercury marine barometer Soulby, London, mid 19th century The canted glazed arch-top bone vernier register calibrated in inches and signed SOULBY, LONDON to upper margin, in arch-top case with waisted rectangular section trunk applied with mercury Fahrenheit and Reamur scale thermometer, the base with moulded cylindrical brass cistern, gimbals lacking, 91cm high.

A George IV brass inlaid rosewood drop-dial wall timepiece. Augustine Guanella, Bristol, circa 1830. The four-pillar single fusee movement with shouldered plates and 14 inch cream painted circular convex Roman numeral dial signed A. Guanella, Bristol to centre, within a brass bezel and marquetry panel decorated octagonal surround above fan carved ears flanking brass edged shaped lenticle to the drop trunk with rounded base incorporating pendulum adjustment flap, the salt-box type case with door to right-hand side, 72cm high.. Augustine Guanella is recorded in Moore, A.J. The Clockmakers of Bristol 1650-1900 as working circa 1820-40.

A black japanned tavern timepiece Unsigned, 18th century and later The four finned pillar movement with five- wheel train and 17 inch gilt on black circular Roman numeral dial with brass hands within an ogee turned surround, the drop-trunk case with bottom hinged vase shaped door applied with coloured print of country musicians within gilt floral painted surround, the sides decorated with birds and bamboo shoots, with hatched panel to the curved base, composite, 123cm high.

A mahogany eight-day longcase clock William Mitchell, East Burnham, 18th century The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes, fleur de lys half hour markers and signed William Mitchell, East Burnham to the lower edge, the angles with applied twin bird and urn cast spandrels beneath STRIKE/SILENT dial flanked by foliate cast mounts to the added arch, in a break-arch pedimented case with reeded pilasters to hood above break-arch trunk door and shaped panel applied plinth base with moulded skirt, 209cm high.

A George III mahogany eight-day longcase clock Indistinctly signed, early 19th century The five-pillar rack and bell striking movement with 12 inch plain white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre and STRIKE/SILENT dial to arch, the case with shaped crest to the break-arch cornice and brass stop-fluted reeded pilasters to hood above break-arch trunk door flanked by conforming fluted canted angles, on shaped panel outlined plinth base with moulded skirt incorporating shaped apron and bracket feet, dial with repairs, signature rubbed, 221cm high.

A George III mahogany eight-day longcase clock Edward Bilbie, Chew Stoke, circa 1775 The four-pillar rack and bell striking movement with 12 inch square single-sheet brass Roman numeral dial, the floral engraved centre with subsidiary seconds dial and calendar aperture within a chapter ring with fleur de lys half hour markers, Arabic five minutes and signed Edward Bilbie Chewstoke to lower edge, the spandrels with conforming foliate decoration, the case with swan neck pediment above dentil cornice and Corinthian pilasters to hood, shaped-top trunk door flanked by fluted canted angles, on conforming base with moulded skirt, 229cm high. The dial of the current lot is illustrated in Moore, Rice & Hucker BILBIE & THE CHEW VALLEY CLOCKMAKERS on page 343. The use of single-sheet dials by some of the Chew Valley clockmakers predates the general fashion by around 20 years, the earliest known example by a member of the Bilbie family being on a thirty-hour longcase clock by William Bilbie of Axbridge who died in 1767.

An inlaid mahogany eight-day quarter chiming longcase clock Unsigned, 19th century The substantial four-pillar triple train movement chiming the quarters on eight graduated bells and striking the hour on a gong, the 13 inch brass break-arch dial with subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur de lys half hour markers and Arabic five minutes, the angles with female mask and scroll cast spandrels and with EIGHT BELLS/WESTMINSTER Chime selection switch at 3 o’clock, the arch with CHIME/SILENT dial flanked by dolphin cast mounts, now in a case with swan neck pediment and Corinthian pilasters to hood above narrow swag and foliate scroll inlaid trunk door flanked by conforming pilasters, on raised panel fronted plinth base with bracket feet, case mid 19th century, marquetry decoration, movement and dial late 19th century.

A fine George III mahogany eight-day longcase clock John Grant, London, circa 1790. The five-pillar rack and bell striking movement with knurled calibrated rating nut and large lenticular bob to the steel rod pendulum supported from the substantial back-cock, the 12 inch single-sheet silvered brass Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed GRANT Fleet Street, LONDON No. 365 to centre, with Arabic five minutes and plain spandrels beneath arch with STRIKE/SILENT dial, the break-arch case with brass stop-fluted pilasters to hood above break-arch trunk door flanked by conforming brass-mounted fluted quarter columns to angles, on raised shaped panel fronted plinth base with double skirt incorporating shaped apron and bracket feet, 222cm high. John Grant is recorded as working in Fleet Street 1786-1810. He was apprenticed to and later went into partnership with his uncle the renowned clock and chronometer maker Alexander Cumming who, along with other eminent makers such as Thomas Mudge, was appointed by the board of longitude to assess Harrison’s marine timekeepers.

A George III mahogany thirty-hour longcase clock Joseph Quarman, Temple Cloud, late 18th century The four- pillar outside countwheel bell-striking movement with 12 inch square brass dial with recessed subsidiary seconds dial, arched calendar aperture and signed JOSEPH QUARMAN Temple Cloud to the foliate engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers, the angles with scroll cast spandrels, the case with swan neck pediment and turned hood pilasters above rectangular trunk door flanked by reeded canted angles, on plinth base with moulded skirt, 209cm high. Joseph Quarman is recorded in Moore, A.J. The Clockmakers of Somerset 1650-1900 as working from 1729, however Moore, Rice & Hucker speculate in Bilbie and The Chew Valley Clockmakers that there may well have been two makers of this name as there is a Parish record of the burial of a Joseph Quarman in 1793.

A William III walnut and arabesque marquetry eight-day longcase clock Peter Garon, London, circa 1700. The five finned pillar (centre latched) outside countwheel bell-striking movement with 12 inch square brass dial with scroll engraved calendar aperture, subsidiary seconds dial and ringed winding holes to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes, stylised sword hilt half hour markers and signed Peter Garon, London to lower edge, the angles with twin cherub and crown cast spandrels within a herringbone border to edge, the case with foliate fret to the moulded entablature above scroll inlaid hood door with integral columns, the trunk with decorated throat moulding above rectangular lenticle centred trunk door profusely inlaid with scrolling foliage and strapwork within conforming surround, the plinth with ogee top moulding and conforming marquetry panel within laurel border, on moulded skirt base, 216cm high. Peter Garon is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as being admitted to the Clockmakers Company in 1687. He worked firstly from St Bartholomew’s Lane and later St Giles, Cripplegate and was declared bankrupt in 1709. Two clocks of the same marquetry pattern are illustrated in Bruton, Eric The Wetherfield Collection of Clocks page 165 (Joseph Windmills) and 179 (Jonathan Lowndes). Both of these examples have caddy upstands, however the construction of the hood and profile of the cornice mouldings suggests that the current Lot was supplied in its current form.

A George II walnut eight-day longcase clock with penny moon Edward Greatrex, Birmingham, circa 1745 The four-pillar rack and bell striking movement with 13.75 inch brass break-arch dial with calendar aperture and penny moon with age apertures to the foliate engraved matted centre, within an applied silvered Roman numeral chapter ring with foliate half hour markers, Arabic five minutes and signed E. Gratrex, Birmingham to lower edge, the angles with female mask and scroll cast spandrels beneath silvered boss inscribed TEMPUS FUGIT flanked by dolphin cast mounts to arch, in a case with moulded cornice above fluted pilasters to hood above ebony and box strung break-arch door to trunk, on a reduced plinth base, case with alterations, 222cm high. Edward Greatrex is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume II as working in Birmingham circa 1750.

A William IV mahogany eight-day longcase clock with moonphase Frances Pugh, Warrington, circa 1830. The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Frances Pugh, Warrington to centre, the spandrels painted with Classical maidens emblematic of the four seasons beneath rolling moonphase to arch, the swan neck pedimented case with gilt foliate painted infill decoration above dial and reeded pilasters to hood, the trunk with book-match veneered shaped-top door flanked by conforming pilasters, on panel inlaid plinth base with ogee bracket feet, 226cm high.

An Edwardian inlaid mahogany quarter chiming longcase clock Unsigned, early 20th century The substantial four -pillar triple train movement chiming the quarters on eight bells and striking the hour on a gong, the 12.5 inch brass break-arch dial with subsidiary seconds dial to the polished centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and stylised fleur de lys half hour markers, the angles with cherub head and scroll cast spandrels beneath STRIKE/SILENT dial flanked by conforming mounts to arch, the case with swan neck pediment above military trophy infill and brass reeded columns to hood, the trunk with central oval panel of a Grecian warrior within symmetrical foliate scroll and swag borders to the shallow arch trunk door, the crossbanded plinth base centred with conforming panel of a chariot drawn by two horses, on moulded skirt incorporating shaped apron and bracket feet, 236cm high.

A George II stained oak and pine eight-day longcase clock Thomas Hill, London, circa 1750. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and signed Thomas Hill, London to an applied shaped plaque to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes, the angles applied with Indian mask and scroll cast spandrels beneath STRIKE/SILENT dial flanked by dolphin mounts to arch, the case with domed caddy above moulded cornice, blind fretwork infill and integral pilasters to hood, break-arch trunk door and on reduced plinth base with moulded skirt, case formerly japanned, 232cm high.

An inlaid mahogany quarter chiming longcase clock Kemp Brothers, Bristol, early 20th century The four-pillar triple train movement chiming the quarters on four gongs and striking the hour on a further gong, the 12 inch brass break-arch dial with subsidiary seconds dial and shaped plaque engraved KEMP BROS., UNION ST, BRISTOL to the matted centre, within an applied silvered Roman numeral chapter ring with stylised fleur de lys half hour markers and Arabic five minutes, the angles applied with female mask and scroll pattern spandrels beneath STRIKE/SILENT dial flanked by dolphin mounts to arch, the swan neck pedimented case with vase and flower inlay to frieze above turned pilasters to hood, shallow arched door decorated with tied swags above an urn and leafy wreath to trunk, on conforming recessed panel fronted plinth base with moulded skirt, 237cm high.

A George I walnut eight-day longcase clock James Stevens, London, circa 1725 The five finned pillar rack and bell striking movement with 12 inch brass break-arch dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the matted centre, within an applied silvered Roman numeral chapter ring with lozenge half hour markers and Arabic five minutes, the angles with applied mask and scroll cast spandrels beneath silvered boss signed Jam’s Stevens, LONDON flanked by dolphin cast mounts, in a walnut case with moulded cornice and turned pilasters to hood above box and ebony line strung break-arch trunk door with book-matched veneers and cross-grain edge mouldings, on conforming crossbanded plinth base with moulded skirt, 218cm high. James Stevens is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1710.

A George III mahogany eight-day longcase clock with moonphase S. Gill, Rye, early 19th century The four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed S. GILL, RYE to centre, the spandrels with polychrome and gilt fan painted decoration beneath rolling moonphase to arch, in a case with shaped cresting to the break-arch cornice and brass stop-fluted pilasters to hood above break-arch trunk door and raised panel fronted plinth base with moulded skirt, 211cm high. This clock was probably made by a relative of Daniel Gill who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Rye circa 1797.