Franz Bergman. An excellent dish for small items made of cherry marble and patinated bronze, in the form of a figure of a rearing elephant with a driver. The elephant’s superbly crafted plasticity and dynamic silhouette are successfully set off by a circle of marble with a recess for small items and business cards, where you can hang a bunch of keys or rings on the animal’s trunk and tusks. Cast and produced in the famous Vienna workshop of Franz Bergman (1861-1936) in the 20-30s of the 20th century. Base diameter 25 cm, height 30 cm. Literature: for an identical example, see J. Zobel, Antique Viennese Bronze,'' p. 177. Width: 25cm, Height: 30cm, Depth: 25cm, Weight: 5.035kg, Condition: Good, Material: Marble
66969 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
66969 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
66969 Los(e)/Seite
An rare late 18th / ealry 19th century English triple weight eight day musical Longcase Clock, movement with overly large upright cylinder, H 28 cm x D 8 cm, chiming on a carillon of fourteen bells at hours ten and ten, and striking the other hours on another, the 15 inch break arch painted dial, with rolling moon, Roman numerals and three hands (minutes, hours, and calendar), the dial signed 'A. Simpson, Cockermouth' and stamped 'High Water at Workington', the dial encased in swan neck hood with brass ball and eagle finial, turned pillars and pierced fretwork to window, raised on large trunk, decorated with chequered inlay and banding, with three weights and pendulum, label to the inside of trunk door, 'Made by (or to the order of) William Swinburn of Workington, Cumberland. about 1780',W 60 cm x H 245 cm x D 35 cm.
An Oak Eight Day Longcase Clock, arch pediment, arch crossbanded trunk door, carved borders, 12-inch arch brass dial with a silvered chapter ring with Roman and Arabic numerals and bearing an inscription John Clark, dial centre with a seconds dial and date aperture, arch with a dummy lunar dial, four pillar movement with a deadbeat escapement, maintaining power, rack striking on a bell, (dial circa 1750, later movement circa 1800, case circa 1750)250cm highCase is faded in parts, top side of the hood with later added wood, some chips around the wooden hood door moulding, hood glass with a crack, case with some small scratches and dents in parts, trunk door with a later escutcheon and later lock plate, front of the base with a crack, dial is clean, later movement is clean, (dial circa 1750, later movement circa 1800, case circa 1750), with pendulum and two weights. Pendulum wooden rod is broken and has come away from the pendulum bob.
A Mahogany Eight Day Longcase Clock, signed Jno De Lafons, Royal Exchange, circa 1780, arched pediment, flame veneer arch trunk door, 12-inch arch brass dial with a silvered Roman and Arabic chapter ring, dial centre with two silvered dials for seconds and date signed, arch with strike/silent selection, five pillar movement with an anchor escapement and rack striking on a bell227cm highCase is faded in parts, trunk door with some cracks to the centre, inside the trunk door with woodworm holes, topside of the hood with new wood later added, bottom skirting around the base is later, dial slightly stained in parts, movement looks complete, with pendulum and two weights, brass cased weights are worn.
An Oak Eight Day Longcase Clock, signed Roger Parkinson, Richmond, 18th Century and Later, broken arch pediment with brass ball finials, mahogany crossbanded trunk door, 12-inch arch brass dial with a silvered Roman and Arabic chapter ring signed, dial centre with seconds dial and date aperture, ringed winding holes, outer engraved borders, arch with "penny" moon aperture and lunar scale dial, four pillar movement with an anchor escapement and inside countwheel striking on a bell, (dial and movement circa 1740, later case circa 1780)229cm high Case has been cleaned throughout, small woodworm hole to the topside of the hood, case with small cracks and small dents in parts, dial is slightly discoloured, movement looks complete, with pendulum and two weights.
A Small Mahogany Longcase Clock, 20th Century and later, swan neck pediment, nicely figured case with fluted inset pilasters, base with brick work corners, later 4-1\4-inch brass dial with a Roman and Arabic chapter ring, arch with rocking ship automata, double weight driven movement with a deadbeat escapement, (case 20th century, later dial)106cm high Case slightly faded, trunk door and base with small cracks to veneers, hood door with cracks to veneers around the door knob area, inside trunk door with applied brass presentation plaque, later made dial, later added rocking ship, movement is not striking on to anything at present, no bell and no gong, with pendulum and two weights.
A Mahogany Eight Day Longcase Clock, swan neck pediment with carved borders, carved wooden Corinthian capped columns, arch trunk door, 13-1/2-inch square brass dial bearing an inscription J Crampton Dublin, and numbered 236, later eight day movement with attached false plate, four pillar movement with an anchor escapement and rack striking on a bell, (dial circa 1760, later movement with attached falseplate circa 1800), case circa 1760245cm highCase is faded in parts, case with cracks in parts and dents, trunk door with later escutcheon and later door lock plate, dial is discoloured, later movement with an attached false plate, (dial circa 1760, later movement with attached falseplate circa 1800), case circa 1760, with pendulum and two weights.
A Japanese Hardwood and Iron-Bound Trunk, modern, used as a coffee table with later glass top, the hinged lid with metal clasps and bindings, each side with cast iron carrying handles 136cm by 64cm by 47cmGood condition, with the exception of the modern glass top which has a couple of chips (as photographed).
A vintage black-painted canvas and tan-leather steamer trunk - early 20th century, by J. H. Pontifex Trunk Maker, with blue striped ticking fabric lining and wooden rails to the base, attached 'Good Transit' handwritten label for 'Lady Moyra Fitzgerald, Walton Manor, Bletchley, Bucks', 84 x 52 x 32 cm, Southern Railway tickets pasted to one end of the exterior.
An early 20th century tin uniform trunk - the japanned exterior with remnants of travel labels and painted with the owner's name 'A.E. Wood R.N.' 106 x 38 x 26 cm, well-used with dents and losses to japanned finish throughout. * Rear Admiral Arthur Edmund Wood CMG (1875-1961) was born at Winchfield, Hampshire and trained at Britannia Royal Naval College. In Jan. 1903 he was posted to HMS Britannia As a 1st lieutenant. He was promoted commander in 1907 captain in 1915. During the later period of the war he was captain of the cruiser HMS Apollo. He was placed on the Retired List in 1922 and promoted Rear Admiral in 1926. In 1912 he made a single first-class appearance as captain of the Royal Navy Cricket Club against the British Army cricket team at Lord's.
ELEPHANT PIN CUSHION & SCENT BOTTLE, Edward VII pin cushion by Adie & Lovekin Ltd., Birmingham 1907, 4cms (w); the cylindrical blue jasperdip bottle with floral embossed silver cover, 6.5cms (h) (2)Provenance: private collection Vale of GlamorganComments: elephant trunk damaged, cushion silk torn; bottle cover hallmarks rubbed.
Early XIX Century Oak Mahogany Thirty Hour White Dial Longcase Clock, (D Moore, Coventry) hood with a swan neck pediment, brass final, square door, trunk with crossbanded doors, reeded pilasters, on a plinth base, white dial with date aperture, 210mc high.untested, has one weight and pendulum, base to top of finial 210cm
(From Penicuik House, Midlothian, Scotland, lots 252-262) EXPORT FAMILLE ROSE 'LE PÊCHEUR' PLATE QING DYNASTY, QIANLONG PERIOD, CIRCA 1740-1745 清乾隆 約1740-1745 外銷粉彩西洋人物垂釣圖盤painted with a Dutch fisherman standing on a riverbank before traps under a tree trunk, the grisaille and gilt enriched rim with four reserve panels of mountain and lake scenes on a diaper ground, with a display wooden stand 26.4cm diameter From Penicuik House, Midlothian, Scotland. Penicuik Estate, situated to the southwest of Edinburgh at the foot of the Pentlands, has been owned by the Clerk family since the middle of the 17th century. Sits at the heart of this designed landscape is Penicuik House, the finest and most influential example of Palladian architecture in Scotland. The 18th-century Palladian mansion was built by Sir James Clerk, 3rd Baronet, in 1761. It was devastated by fire in 1899. During the fire, a great deal of effort was channelled into salvaging the furnishings. The once magnificent building has stood as a roofless shell for over 100 years. The stables and coach house of the original Penicuik House, converted after the fire into the ‘new’ Penicuik House where the Clerk family reside to this day. A significant selection of property from Penicuik House was sold in this saleroom, 27 March 2024, lot 1-69; A smaller selection of Asian Art from Penicuik House was also sold in this saleroom, 13 March 2024, lot 189-198. The scene is after a drawing Le Pêcheur by Abraham Bloemaert (Dutch, 1566-1651). A highly comparable plate was sold at Christie's New York, 24 Oct 2022, lot 968; The scene is also found in en grisaille and gilt, one was sold at Christie's New York, 26 Jan 2015, lot 114.
Eight Beswick porcelain figures comprising ; Rupert Bear and Algy Pup Go-Karting, Happy Birthday Rupert, Bill Badger, Tailor of Gloucester, Edward Trunk, Peter and Pocket Handkerchief, Squirrel Nutkin Gold, Tiggy Winkle Gold, all boxed and one further, Lady Mouse from the Tailor of Gloucester, un-boxed. (9)
A late 17th century / early 18th century carved oak trunk blanket box chest. The trunk having a straight hinged top over a panelled front with top carved frieze. Each panel carved with diamond shaped vignettes. Raised on straight supports on stile legs. The chest opening to reveal a spacious interior. Measures approx. 62cm x 135cm x 56cm.
James Webb & Son of Frome - A 19th century West Country Victorian oak & walnut marquetry inlaid grandfather clock. The clock housing an eight day movement with painted dial having fruit and floral decoration with brass hands and Roman numeral chapter ring. Arched top with inlaid decoration below to the trunk door with glass viewers to the sides with all raised on a plinth base. Damage to the glass hood. Measures approx. 216cm x 46cm x 23cm.
YOSHITANI/BIKOKUA Silvered-Bronze, Shakudo and Gilt Cockatoo with an En-Suite Bronze Stand Meiji era (1868-1912), late 19th/early 20th centuryCast in three separate sections, the detachable bird perched on one foot atop a gnarled tree trunk, from the front of which issues a bifurcated branch of plum, its right talon raised to its beak; signed with chiselled characters in a rectangular gilt reserve Bikoku/Yoshitani sei, the bronze tree stump signed Bikoku/Yoshitani within an oval seal. The bird: 15cm (5 7/8in) high; the bronze stand: 12cm (4¾in) high. (3).For further information on this lot please visit Bonhams.com
CHARLES WILLIAM BARTLETT (1860-1940) Woodblock print on paper of Japan, Tokio Bay From Negishi, early 20th century, signed lower left in red pencil to margin and inscribed 'Souvenir', printed seal artist's monogram CWB, inscribed and dated ISOGO.1916, within limed oak frame, labelled verso 'Tokio Bay from Negishi, Colour print only copy, blocks destroyed...', 39cm x 27cm Provenance: From a local private collection passed down within the family to current vendor. Glazing has been chipped at edges, the artist's signature has blurred, small area of fading to green leaves of tree above trunk, minor areas of discolouration.
A RARE CLOISONNÉ ENAMEL 'FIVE POISONS' PANELQianlongThe rectangular panel finely decorated with a scene featuring Zhang Tianshi stepping upon a three-legged toad, and wielding his sword with a centipede suspending a beaded banner around the tip, a scorpion poised on one side of the rock, and a hissing snake coiled on the other side below a lizard slithering around the tree trunk, all on a turquoise ground with diamond-patterns, set within a carved rosewood frame.32cm (11 5/8in)x38.5cm (15 1/8in) without frame; 37.5cm (14 3/4in)×43.3cm (17in) with frame Footnotes:清乾隆 銅胎掐絲琺瑯「張天師斬五毒」掛屏Provenance: Sir Herbert (1867-1933) and Lady Dering (1875-1955)an English private collection來源:Herbert(1867-1933)爵士和Dering(1875-1955)女爵舊藏英格蘭私人收藏 The figure depicted in the present lot is Zhang Tianshi, also known as Zhang Daoling 張道陵, credited with founding the Way of the Celestial Master sect of Daoism. Legend has it that Zhang Tianshi possessed great supernatural powers. He could dispel poisons, ward off disasters, and eradicate plagues. In folk traditions, it is a common practice to display an image of Zhang Tianshi fighting off the five poisons during the Dragon Boat Festival to ward off evil spirits, ensure safety, and protect households.The structure of the frame indicates that the piece was mounted for use as a table screen and compares closely to two related examples in the Compendium of Collections in the Palace Museum Enamels, vol. III, Beijing, 2011, nos.140 and 141.The diamond ground patterns derives from textiles of the Ming period and coloured examples and may be found on other cloisonné enamel vessels, including, Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, New York, 2011, no. 99, p.174. In fact the five poisons were traditionally worn as protective charms, see a brocade with tiger, poisonous creatures and paddy design, in National Palace Museum accession number 001410N000000000.The playful depiction of the theme of the 'five poisons' in the in the present artwork, with subtle references its textile derivation, is also referenced in a painted enamel box illustrated in Compendium of Collections in the Palace Museum Enamels, vol. V, Beijing, 2011, no.98.Compare with a similar 'five poisons' cloisonné enamel rectangular panel, Qianlong period, which was sold at Christie's New York, 29 March 2006, lot 304.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
AN IMPORTANT AND RARE MONUMENTAL ARCHAISTIC BRONZE RITUAL WINE VESSEL, FANG HU Song/Ming Dynasty The imposing vessel of oblong pear-shaped form with rounded corners, rising from a high rectangular-shaped flaring pedestal foot to a flared waisted neck flanked by a pair of tapir handles each suspending a loose ring, the body cast with raised tapering cross straps simulating leather strapwork centred by diamond and half-diamond shaped rivets, each of the four cells on the central border enclosing relief cast adult and young confronted birds with a chilong from above, the adult bird comprising of two birds, all between the lower bulbous unadorned cells, and a border around the neck relief cast on each of the wider sides with a pair of confronted birds within a taotie mask comprising interlocking chilong and trunk-shaped elements, with a plain flaring rim mirroring the unadorned lower section, the foot similarly relief cast to the neck above a plain rectangular pedestal. 52.8cm (20 3/4in) high. For further information on this lot please visit Bonhams.com
A Chinese export famille rose famille rose Meissen-style lemon basket standQing dynasty, Qianlong periodThe sturdily formed stand raised on a flat base, moulded with two boys adorned with ribbons painted in iron red and gilt hugging the central cylinder to the top section, moulded three trunk pattern to the bottom, applied and painted with peonies and roses over a band of waves, 30cm high.清乾隆 粉彩繪仿梅森式檸檬籃底座
A Chinese bronze 'elephant' paper weightMing dynastyThe recumbent beast raising his head and trunk to the sky, the surface patinated to a rich dark brown, 11.5cm long.明 銅象形鎮紙Condition Report: Expected surface wear with some scattered denting, and some loss/rubbing to patina. A small patch of white surface residue to edge of right ear and paw.

-
66969 Los(e)/Seite