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Vintage metal travel trunk, geometric patterned rug, quantity of fabrics etc

Vintage travel trunk

Blue metal trunk

A polished mahogany rectangular trunk with hinged lid and brass hinges and handles on claw and ball feet, 41½" long

A 19th Century pine domed sea trunk with iron handles and mounts 36" long

An Eastern carved camphorwood rectangular trunk decorated all-over with numerous figures and landscapes 40" long

A 19th century polished pine rectangular trunk with hinged lid, 35" long

An old rectangular cabin trunk with raised metal mounts 33" long

A 19th Century pine rectangular trunk with iron handles and mounts 31" long

A small old pine rectangular trunk with panelled front and hinged lid 30" long

Antique green painted small trunk with original paper lining 64cm x 33cm x 38cm high

Vintage canvas with leather mounted trunk, bears the initials H C W with original key and makers plate A E Rickards Trunk makers, in good overall condition, 92 cm wide x 50 cm deep x 32 cm high.

A Louis Vuitton Steamer Trunk, circa 1926, of rectangular form with monogram canvas and end brass carrying handles, stamped 1 rue Scribe Paris and with owner’s stencilled initials ‘E.B.C’, together with a modern purpose built stand30 x 112 x 55cmProvenance: The Collection of Lord Myners, former Chairman of the Board of Trustees at the Tate

Christopher Dresser (1834-1904), a rare electroplate teapot, No. 2277, circa 1880, manufactured by James Dixon & Sons, Sheffield, England, electroplated metal with ebony handle, impressed with manufacturer's mark Chr. Dresser and 2277 12.5 x 22 x 13.5cm Provenance: Georgina Bourke (née Anderson, then Greenwood), who likely acquired the teapot in the early 20th century. A socialite who mixed in avant garde circles, Bourke first married Lieutenant J F B Greenwood, Kings Own Royal Regt., who was killed in action in May 1915, before moving to Cheltenham and then later, after the war, to Southern Ireland, where she lived in Castleconnell, Co. Limerick. After her death in 1967, the teapot remained undiscovered in a trunk containing her various possessions until a recent routine valuation. Literature: H.Lyons, Christopher Dresser: The People's Designer 1834-1904, p. 7 no. 8 W.Halén, Christopher Dresser, 1990, p. 182, pl. 206 W.Halén, Christopher Dresser: A Pioneer of Modern Design, London, 1993, p. 183, pl. 206 M.Whiteway, Shock of the Old: Christopher Dresser's Design Revolution, 2004, p. 158, pl. 200 Born in Glasgow in 1834, from age thirteen Christopher Dresser effectively began his career when he commenced his training at Somerset House's Government School of Design, one of a number of state-funded centres established from 1837 to train designers specifically for industrial production. This was a period defined by a stratospheric rise in machine manufacturing, making household items more widely available and creating an entirely new market for innovative and creative designs that were suited to modern methods of manufacture. Although he was only twenty-eight years old at the time of the 1862 Great London Exposition, whilst there Dresser claimed to have designed "as much as any man"; this was likely true as he was demonstrably accomplished in all aspects of industrial design, including carpets, ceramics, furniture, glass, graphics, metalwork and textiles. By the end of 1862, Dresser had published The Art of Decorative Design (1862) and The Development of Ornamental Art in the International Exhibition (1862), followed latterly, in 1873, by Principles of Decorative Design. Though he may have designed more than any other man at the Exposition, the Japanese works he saw at there inspired a lifelong interest in the country and its aesthetic principles. Closely associated with influential design reformers including Richard Redgrave, Henry Cole, Owen Jones, and Matthew Digby Wyatt, Dresser was not only interested in the practical facets of design, but also the moral and philosophical doctrines. For Dresser and his cohort, design had the capacity to "exalt" or "debase". Establishing his principles of 'Truth, Beauty and Power', Dresser looked to the natural world to inspire. Using reduced and abstracted forms from nature, Dresser aimed to express the essence of design in its most distilled form. Despite his pioneering aesthetic, many of Dresser's designs were too complex and costly to be easily mass-produced, limiting their accessibility. The present example, catalogued as no. 2277 in 1879, is a rare example of his work, with only around twelve known to exist. One such piece forms part of the collection at the Victoria and Albert Museum, London. Also displayed internationally by institutions including the Metropolitan Museum, New York, and the Musée d'Orsay, Paris, it is difficult to overstate the importance of Christopher Dresser in the history of industrial design. One foot is slightly bent inwards and the base very slightly dished around the area, a very minor crease to the underside of the base, just visible in the right light.  A couple of small marks to the cover where it has knocked against the handle.  Some tarnishing and the plating slightly rubbed to finial, hinge and the rim of the cover, also to joint where spout meets body.  A small dent to one side, and some other light surface wear and scratching more commensurate with age and use.  Please see additional images and video online.  The handle does not protrude beyond the metal at either end, but does not appear to be broken, again see images.  Handle rotates freely.

LOUIS VUITTON - a late 19th/early 20th steam trunk with wood and brass mounts, Louis Vuitton marked handles, length 110cm, width 57cm, height 57cmAll fabric has been stripped from surfaces, label to interior may not be original or has been placed onto wood surface, deterioration of all surfaces, generally distressed

LOUIS VUITTON - hard suitcase/trunk with monogram fabric cover, strapping to corners and brass locks and corner mounts, LV monogram to locks, and label to interior, numbered 349992, length 80cm, width 52cm, depth 21cmHandle is broken but present, wear to corners on fabric, marks and scratches to all surfaces otherwise complete condition

LOUIS VUITTON - a hard suitcase/trunk with monogrammed fabric, edging, brass mounts and locks, label to interior numbered 28928, white cloth interior with tray, painted initials to both ends MPF, length 76cm, width 46cm, depth 23cmScratches and marks to all surfaces, remnants of label to front otherwise good complete condition

LOUIS VUITTON - a late 19th/early 20th century steamer trunk with wood and brass mounts and strapping, label to interior and white fabric, original locks and strapping, length 81cm, width 46cm, height 53cmAll external fabric missing, extensive damage to strapping, handles in good condition, locks not closing properly, overall distressed

LOUIS VUITTON - hard suitcase/trunk with monogram fabric cover and straps to edges and brass mounts to corners, with cream leather interior, LV monogram to locks, no. to lock 120140, painted initials CD to front of case, length 81cm, width 52cm, depth 21.5cmScratches and marks to all surfaces, 1 brass corner mount missing and some damage to leather edges at the back right-hand side

LOUIS VUITTON - a hard suitcase/trunk with monogrammed fabric, leather edging and brass corner mounts and locks, brass mounts with LV monogram, lock numbered 120140, painted initials CD to front of case, white fabric interior, length 70cm, width 41cm, depth 21cmMarks and scratches to all surfaces, deterioration of edging particularly at back of case, some repairs to fabric surface to underside of case

LOUIS VUITTON - a hard suitcase/trunk with monogrammed fabric cover, leather edging, brass locks and mounts with LV monogram to locks, cream cloth interior, painted initials to front of case SGB, length 80cm, width 52cm, depth 23cm

Trompetender ElefantBronze patiniert. 33 x 28 x 14 cm. 5,1 kg. Beeindruckend sich aufrichtender Bulle mit erhobenem Rüssel und offenem Maul. Wenige Alters-/Gebrauchsspuren. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 15:52 Uhr (CET) Trumpeting ElephantBronze patinated. 33 x 28 x 14 cm. 5.1 kg. Impressive rearing bull with raised trunk and open mouth. Minor signs of age/use. Call time 24 | Oct. 2024 | probably 15:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

3 Gläser mit Jagdmotiv. 2. H. 19. Jh. 1x Jagdpokal aus farblosem, teils rosa gebeiztem Glas: konische Kuppa, massiver Balusterschaft und Rundfuß, schauseitig die Darstellung einer Waldlandschaft mit Jäger, Hunden und Hirsch, verso der Spruch "Jeder Trunk Erquwike Dich" (H 21 cm). / 1x facettierter Deckelbecher aus farblosem, mehrfarbig gebeiztem Glas mit originalem (?) Knaufdeckel, in hochgeschliffenen Medaillons die Darstellung eines Hirsches, eines Pferdes und eines Hundes (H 17 cm). / 1x konischer, facettierter Becher mit der tiefgeschnittenen Darstellung einer Waldlandschaft mit Hirsch und Reh (H 15 cm). Mündungsrand und -stand des Bechers minimal bestoßen. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 16:59 Uhr (CET)3 glasses with hunting motif. 2nd half 19th century 1x hunting goblet made of colorless, partly pink-stained glass: conical bowl, solid baluster stem and round base, the front depicting a forest landscape with hunter, dogs and stag, verso the saying "Jeder Trunk Erquwike Dich" (H 21 cm). / 1x faceted lidded goblet of colorless, polychrome stained glass with original (?) knobbed lid, in high-cut medallions the depiction of a stag, a horse and a dog (H 17 cm). / 1x conical, faceted beaker with a deeply carved depiction of a forest landscape with stag and deer (h 15 cm). Mouth rim and base of the beaker minimally chipped. Call time 24 | Oct. 2024 | probably 16:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Plastische Elefantenfigur. Ungepunzt, Silber geprüft. Verschiedene Materialien. 12,5 x 15 x 6 cm. Tierfigur mit ornamental verziertem Silberblech-Beschlag. Silberblech am Rüssel etwas gelöst. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 20:07 Uhr (CET)Plastic elephant figurine. Unpunched, silver tested. Various materials. 12.5 x 15 x 6 cm. Animal figure with ornamentally decorated silver plate fitting. Silver plate slightly detached at the trunk. Aufrufzeit 24. | Oct. 2024 | probably 20:07 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Schäferin. Meissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Modell-Nr.: 1332. Entwurf: 1750. KAENDLER, Johann Joachim (1706 Dresden - 1775 Meißen) Polychrom bemalt, goldstaffiert. H 29,5 cm. Auf einem Rocaillesockel an einem Baumstamm stehende Schäferin mit Lamm. Blätter, Stab, linke Hand und Finger der rechten Hand restauriert, 2 Blätter bestoßen. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 13:49 Uhr (CET)Shepherdess. Meissen. Pommel swords, from 1850-1924, 1st choice. Model no.: 1332. design: 1750. KAENDLER, Johann Joachim (1706 Dresden - 1775 Meissen) Polychrome painted, gilt. H 29.5 cm. Shepherdess with lamb standing on a rocaille base on a tree trunk. Leaves, staff, left hand and fingers of the right hand restored, 2 leaves chipped. Provenance : From the Thuringian nobility. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Aufrufzeit 25. | Oct. 2024 | probably 13:49 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Panther. Meissen. Schwertermarke, Jahreszeichen 1979, 4 Schleifstriche. Modell-Nr.: 78733 (alt F 300 b). Entwurf: 1936. OEHME, Erich (1889 Berthelsdorf - 1970 Meißen) Weiß. H 14 cm. Sich von einem Baumstamm herab anschleichender Panther. Kleiner Brandfleck an der Hüfte. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:03 Uhr (CET)Panther. Meissen. Sword mark, year 1979, 4 grinding lines. Model no.: 78733 (old F 300 b). Design: 1936. OEHME, Erich (1889 Berthelsdorf - 1970 Meissen) White. H 14 cm. Panther sneaking down from a tree trunk. Small burn mark on the hip. Call time 25 | Oct. 2024 | probably 16:03 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Tafelaufsatz mit Figurenreigen. Schierholz. Stempelmarke, 1. H. 20. Jh. Undeutliche Modell-Nr.. Polychrom bemalt, goldstaffiert. H 50 cm. Blütenbelegte und rocaillereliefierte Durchbruchschale, auf Baumstammschaft mit vier, einen Reigen tanzenden Frauen und Männern, blütenbelegter Rocaillesockel. Partiell Bestoßungen am Belag, einige Finger bestoßen. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:15 Uhr (CET)Panel centerpiece with figure roundel. Schierholz. Stamp mark, 1st half of the 20th century. Indistinct model no.. Polychrome painted, gilt. H 50 cm. Flower-covered and rocaille-decorated openwork bowl, on a tree trunk shaft with four women and men dancing a round dance, flower-covered rocaille base. Partial chips to the covering, some fingers chipped. Call time 25 | Oct. 2024 | probably 16:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Tafelaufsatz mit Jagdgruppe. Schierholz. Stempelmarke, 2. H. 20. Jh. Polychrom bemalt, goldstaffiert. H 49 cm. Große Schale mit Blumenmalerei und Blütenbelag, auf einem Baumstammschaft mit einem am Schaft sitzenden Jägerpaar mit Hunden, blütenbelegter Rocaillesockel. 2 Finger restauriert, Blüten und Blätter minimal bestoßen. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:16 Uhr (CET)Centerpiece with hunting group. Schierholz. Stamp mark, 2nd half 20th century Polychrome painted, gilt. H 49 cm. Large bowl with flower painting and floral decoration, on a tree trunk shaft with a pair of hunters with dogs sitting on the shaft, rocaille base with flowers. 2 fingers restored, flowers and leaves minimally bumped. Call time 25 | Oct. 2024 | probably 16:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Tafelaufsatz mit Kinderpaar. Potschappel. Marke ab 1901. Polychrom bemalt, goldstaffiert. H 37 cm. Reich blütenbelegte, vierpassige Durchbruchschale, auf blütenbelegtem Baumstammschaft mit zwei am Schaft stehenden, musizierenden Kindern, sechspassiger Fuß. Montierung erneuert, Restaurierung am Schalenrand, Blüten partiell minimal bestoßen bzw. restauriert, Mandolinenkopf, linke Hand und Flöte des Knaben restauriert, Gold teils berieben. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:22 Uhr (CET)Centerpiece with pair of children. Potschappel. Mark from 1901. Polychrome painted, gilt. H 37 cm. Richly flower-covered, four-pass pierced bowl, on a flower-covered tree trunk shaft with two children playing music standing on the shaft, six-pass foot. Mounting renewed, restoration to the bowl rim, flowers partially minimally bumped or restored, mandolin head, left hand and flute of the boy restored, gold partly rubbed. Call time 25 | Oct. 2024 | probably 16:22 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Tafelaufsatz mit Gärtnerpaar. Potschappel. Marke ab 1901. Polychrom bemalt, goldstaffiert. H 44,5 cm. Reich blütenbelegte, vierpassige Schale mit Blumenmalerei, auf blütenbelegtem Baumstammschaft mit am Schaft stehendem Gärtnerpaar, sechspassiger Sockel mit Grillagedurchbruch. Haarriss in der Schale, Gold teils berieben, Bestoßungen am Belag. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:23 Uhr (CET)Centerpiece with a pair of gardeners. Potschappel. Mark from 1901. Polychrome painted, gilt. H 44.5 cm. Richly flower-covered, quatrefoil bowl with flower painting, on a flower-covered tree trunk shaft with a pair of gardeners standing on the shaft, six-pass base with grillage opening. Hairline crack in the bowl, gold partly rubbed, chips to the covering. Call time 25 | Oct. 2024 | probably 16:23 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Papagei mit Maiskolben. Aelteste Volkstedter. Blaumarke, 2. H. 20. Jh. Monogrammiert. Modell-Nr.: U 1310, Neuausformung eines Modells der Schwarzburger Werkstätten für Porzellankunst. Entwurf: 1923/24. STORCH, Arthur (1870 Volkstedt - 1947 Rudolstadt) Weiß, in verschiedenen Unterglasurblautönen staffiert. H 41 cm. Auf einem hohen Baumstamm sitzender, an einem Maiskolben fressender Papagei. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:29 Uhr (CET)Parrot with corn on the cob. Oldest Volkstedter. Blue mark, 2nd half of the 20th century, monogrammed. Model no.: U 1310, remake of a model by the Schwarzburger Werkstätten für Porzellankunst. Design: 1923/24. STORCH, Arthur (1870 Volkstedt - 1947 Rudolstadt) White, painted in various shades of underglaze blue. H 41 cm. Parrot sitting on a high tree trunk, eating corn on the cob. Call time 25 | Oct. 2024 | presumably 16:29 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Asiate mit Vogel. Schwarzburger Werkstätten. Geprägte Schriftmarke und Prägemarke Schnürender Fuchs, vor 1926. Bezeichnet. Modell-Nr.: U 290. Entwurf: 1919. OPPEL, Gustav (1891 Volkstedt - 1978 Berlin) Polychrom bemalt. H 32 cm. An einem Baumstamm in tänzerischer Pose stehender junger Mann, einen Vogel auf seiner rechten Hand betrachtend. 1 Zeigefinger fehlt. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:32 Uhr (CET)Asiate with bird. Schwarzburger Werkstätten. Embossed script mark and embossed mark lacing fox, before 1926. marked. Model no.: U 290. design: 1919. OPPEL, Gustav (1891 Volkstedt - 1978 Berlin) Painted polychrome. H 32 cm. A young man standing against a tree trunk in a dancing pose, looking at a bird on his right hand. 1 index finger missing. Aufrufzeit 25. | Oct. 2024 | probably 16:32 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Ringfasan. Schwarzburger Werkstätten. Geprägte Schriftmarke und Prägemarke Schnürender Fuchs, vor 1926, 1 Schleifstrich. Bezeichnet. Modell-Nr.: U 1126. Entwurf: 1917. SODE, Edmund (1856-1922) Unterglasurbemalung. H 44,5 cm. Auf einem Baumstamm sitzender Fasan. Schnabelspitze minimal bestoßen. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 16:36 Uhr (CET)Ring pheasant. Schwarzburger Werkstätten. Embossed script mark and embossed mark Schnürender Fuchs, before 1926, 1 grinding stroke. Inscribed. Model no.: U 1126. design: 1917. SODE, Edmund (1856-1922) Painted underglaze. H 44.5 cm. Pheasant sitting on a tree trunk. Tip of beak minimally bumped. Aufrufzeit 25. | Oct. 2024 | probably 16:36 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Perlhuhngruppe. Rosenthal. Marke Zweigwerk Bahnhof Selb, 1936. Bezeichnet. Modell-Nr.: 205. Entwurf: um 1925. OBERMAIER, Ottmar (1883 Inzell - 1965 München) Unterglasurbemalung. H 29 cm. Auf einem Baumstamm sitzendes Perhuhnpaar. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 17:32 Uhr (CET)Pearl grouse group. Rosenthal. Mark Zweigwerk Bahnhof Selb, 1936. marked. Model no.: 205. design: around 1925. OBERMAIER, Ottmar (1883 Inzell - 1965 Munich) Painted underglaze. H 29 cm. Pair of guinea fowls sitting on a tree trunk. Aufrufzeit 25. | Oct. 2024 | probably 17:32 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Puppe mit Trousseau. Kopfmarke: Made in Germany 136/3, Körper rot gestempelt: "K & W". Kurbelkopf, blaue Schlafaugen, Wimpern, mittelblonde Echthaarperücke, 11-teiliger Gliederkörper, weiße Kleidung, braune Schuhe. Kopf durchleuchtet: ohne Defekte. L 40 cm. / Dazu 2 Nachthemden, Häubchen und Kissenbezug. / Dunkelbraune Reisetruhe mit Metallbeschlägen, innen mit Klebeetikett "Green Toy Works, Trade Mark, USA". Altersspuren, 1 Griff defekt. 21,5 x 41 x 22,5 cm. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 10:10 Uhr (CET)Doll with trousseau. Head mark: Made in Germany 136/3, body stamped in red: "K & W". Crank head, blue sleeping eyes, eyelashes, medium blond human hair wig, 11-piece jointed body, white clothing, brown shoes. Head x-rayed: without defects. L 40 cm / Comes with 2 nightgowns, bonnet and pillowcase / Dark brown traveling trunk with metal fittings, inside with adhesive label "Green Toy Works, Trade Mark, USA". Signs of age, 1 handle defective. 21.5 x 41 x 22.5 cm. Aufrufzeit 24. | Oct. 2024 | probably 10:10 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Roger Fry (1866-1934)Sous Bois, oil on canvas, 58.5 x 71.5cm. Provenance: Magdalene Street Gallery, Cambridge; The collection of Oliver Carey. Repair work to the reverse of canvas top left corner.Paint losses to painting. The white marks on our photos are where the losses are. Tree trunk, and other specks throughout.Patchy areas of craquelure throughout.Please see new photos.

Hugh Wilkinson (19th/20th century)River landscape with trees, signed, oil on board, 43.5 x 58.5cm Some craquelure to the tree trunk, otherwise appears to be in good condition, framed behind glass.

A GEORGE III OAK LONGCASE CLOCK BY RICHARD HARDWICK OF ASHWICKthe eight day two train movement striking on a bell, the brass dial with Roman numerals, subsidiary second dial and date aperture, the case with a caddy top over a gilt tooled red leather frieze, a slender trunk above a stepped plinth base, 217cm high x 50cm wide x 24cm deep

λ&nbspGRAHAM SUTHERLAND (BRITISH 1903-1980) STUDY FOR SPRAWLING TREE TRUNK Watercolour, ink, pencil and collage Signed (upper right);titled and dated 1937 (to upper left edge) 20.1 x 15.3cm (7¾ x 6 in.)Provenance: Private Collection, Herbert Spencer (a gift from the artist) Thence by descentLiterature: D. Cooper, The Work of Graham Sutherland, London, 1961, no.12a (illustrated) Condition Report: Stuck down to mounting card at three corners. Light surface dirt throughout. Condition Report Disclaimer

An important Irish Georgian mahogany Grandfather Clock, the hood with swan neck pediment carved rosettes and lion mask with leaf border above a glazed panel with half Corinthian panels housing a brass dial with Roman and Arabic numerals by Abraham Tappy (1735-1773), Dublin, the trunk of elongated form with heavy arched door on a short panelled box base with ogee bracket feet, approx. 241cms high (95"). (1)

A 19th Century English oak cased Grandfather Clock, the swan neck pediment with brass finials over an ornate arched brass and silvered dial, by R. Barker, Liverpool, with moon face, seconds dial and Arabic and Roman numerals, the main trunk with half reeded columns on a box base with block feet, approx. 230cms high (90 1/2"). (1)

A 19th Century oak cased Grandfather Clock, the hood with ornate brass finials housing a painted arched dial with Roman numerals by Taylor of Framlingham, with plain pillars either side above a trunk with arched panel door on box base with bracket feet, approx. 221cms (87") high. (1)

A 19th Century oak cased 'Admiral Fitzroy Barometer,' the top with arched pediment and inset clock, the trunk inset with barometer and text, approx. 130cms (51") high. (1)

A large 19th Century Scottish mahogany cased Grandfather Clock, the hood with breakneck pediment over brass and silver dial with arabesque and roman numerals and painted moon phase, flanked by turned pillar, above a trunk with 'love heart' panelled door, on a box base with bracket feet, approx. 239cms high x 66cms wide (94" x 26"). (1)

Life-Like HO Mixed group of wagons & coaches. To include 8436 "Grand Trunk Western" box car, 8462Y "CP Rail" gondola with load, 08761 "Ontario Northland" Go Transit coach plus others, see photo. Conditions: Excellent to Near Mint in Fair to Good boxes. (20)

An Edwardian leather cabin trunk. The trunk featured as a prop in the Roger Moore film ' Shout at The Devil'. It bears a fictitious label applied by the film company. 92cm wide 

A STORAGE TRUNK WITH BUTTERFLY DECORATION

A LARGE BLUE TRUNK WITH BRASS FITMENTS

A LARGE VINTAGE TRUNK

A LARGE METAL TRAVEL TRUNK, TWO VINTAGE DEED TINS AND AN EASEL

A VINTAGE METAL TRUNK AND CONTENTS TO INCLUDE SPANNERS, STANLEY WOOD PLANE, ETC

AN OUTDOOR KETER STORAGE TRUNK COMPLETE WITH VARIOUS GARDEN HARDWARE TO INCLUDE WATERING CAN, HANGING BASKETS, ETC

A VINTAGE METAL TRUNK

A RED TRUNK WITH BRASS FITMENTS

A VINTAGE TRAVEL TRUNK WITH A CUNARD LINE AND ABRITISH RAIL LABEL

A 19thC oak and mahogany cased longcase clock, the enamel face bearing Arabic and Roman numerals, subsidiary seconds and date aperture, for George Broderick Boston, with moon phase, the hood with swan neck pediment with reeded Corinthian column pilasters, the trunk with shell patera, on bracket feet, with weights, 202cm high.

A 1930s electric master oak cased grandmother clock, the circular clear dial with dot dial, glass fronted trunk, lacking pendulum, 141cm high.

An early 20thC travelling trunk, in turquoise, 103cm wide.

Vintage wooden banded travel trunk. Not available for in-house P&P

Antique leather bound travel trunk. Not available for in-house P&P