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A late 18c eight day longcase clock, the 12in square brass dial signed John Owen and is numbered 145 to the silvered chapter ring. The corner spandrels represent the four seasons and the chapter ring has Roman numerals with outer arabic five minute markers and the clock has unmatched steel hands. The movement has anchor escapement and striking using the pinned great wheel as a countwheel. It is contained in an oak and mahogany case with swan neck pediments to the hood with a central ball and spire finial and baluster columns flanking the dial. The trunk has fluted quarter columns flanking the long wavy top door which has mahogany edge crossbanding and the base has canted corners and a central mahogany panel with three double boxwood line inlay around its scalloped. The base moulding has small bracket feet and the clock stands 83in tall overall.
A Large Exhibition Type Longcase or 'Grandfather' Clock with a three train movement on eight chiming bells, supported by three large brass weights of varying sizes, playing Westminster and Whittington chimes. Subsidiary dials to the arched brass dial with silent and chimes display dial; the brass dial fitted with cast ormolu mounts to back corner, silvered chapter rings to the dial, maker or retailers name to the face, Thomas Armstrong and brothers, Manchester. Impressive mahogany case profusely inlaid with satinwood and various coloured exotic woods, with an Adams type urn to the central panel of the door; inlaid swags to the base, supported by shaped bracket feet. The hood with finely carved rosette roundels to the scrolls, with a central finial, fret work sides to the hood and finely matched Corinthian columns with capitals to both the case trunk and hood, 90" high, 18" wide, 12" deep.
Silk tree of life prayer rug, modern, 4ft. 2in. X 2ft. 7in. 1.27m. X 0.79m. Ivory mihrab with tree of life with birds among the branches; a serpent entwined around the trunk of the tree; a peacock and various animals at the base; dark blue spandrels with a bird in each; dark blue flower and bird main border.
200 BC. A carved limestone figure with angular facial and bodily detailing, facetted head and trunk; mounted on a custom-made stand. For a range of Mezcala figures see Geiger, G. At the Heart of Pre Columbian America, 5 Continents Editions, 2003. 374 grams total, 11.7cm with stand (4 1/2"). Property of Galerie D&V, Brussels, Belgium; acquired from Joseph Gerena Fine Art, New York, USA, acquired 9 May 2006; accompanied by a copy of the purchase invoice. These stone carved figures are believed to have been produced in the late pre classic period in Guerrero Mexico. They are unique for their abstract depiction of the human form. Fine condition.
7th century AD. A sheet gold model tree with tubular trunk and beaded wire branches, hollow-formed pendant human masks with date-shaped dangles; bird above the trunk with carnelian bead fruit in the beak; mounted on a custom-made stand. 97 grams total, 19.2cm with stand (7 1/2"). Property of a UK gentleman; acquired New York, USA, in 1994. Fine condition.
A vintage plywood hat box of squat cylindrical form, with leather strap handle and painted initials to lid ROB, together with a tin trunk, with three clasps, single lock and simulated wood grain finish, the interior painted with applied paper label 'Crown The New World Brand' (clean example)
Sydney Alex Kumalo (South African 1935-1988) THE KNEELING WOMAN signed bronze on wooden base height: 37cm excluding base This particular work was created in 1965 soon after Kumalo left his teaching career to focus on his own practice full-time. The artist's early works focus heavily on the human form, particularly the female figure. Egon Guenther cast various works for Kumalo, including this sculpture which Guenther titled Tree Trunk Woman (Kneeling Figure). Guenther produced only four bronzes from an edition of ten through the Vignali Foundry in Pretoria. Grosvenor Gallery used a different title - Classical Kneeling Figure - when this sculpture was exhibited at a two-man exhibition of Kumalo and Skotnes at the Grosvenor Gallery in London in 1966. Fiorini and Carney produced a further five un-numbered casts for this exhibition of which this is one. Kumalo’s 2018 retrospective at the Norval Foundation pushed his work into the spotlight once again, helping to maintain the value of his work. Nicol, M. 1999. “Sydney Kumalo” from They Shaped our Century: The Most Influential South Africans of the Twentieth Century. Human and Rousseau .p.451 Powell, I. n.d. “Sydney Kumalo” Accessed January 20, 2020. http://revisions. co.za/biographies/sydney-kumalo/#.XilQjGgzaUk Norval Foundation. 2018. “Re-discovery and memory” Accessed January 21, 2020. https://www.norvalfoundation.org/re-discovery-and-memoryDr Gavin Watkins
3 Dinky Toys. Cadillac Tourer (131) in pink with light grey interior and cream wheels, complete with driver. Plus a Studebaker President Sedan (179). In light blue with dark blue rear side flashes and silver painted wheels. Together with a Packard Clipper Sedan (180). In orange with grey roof and trunk. With silver painted wheels. All boxed, some wear/damage. Vehicles GC-VGC, some chipping, mainly to Packard, some enhancements to paintwork. £60-80

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