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66969 Los(e)/Seite
Los 511
D** JONES, BETHESDA A VICTORIAN MAHOGANY LONGCASE CLOCK having substantial mahogany case with scroll swan neck hood and twin double flank pilasters, figured trunk with door and box panelled and crossbanded base, 8-day four pillar mechanism with bell" strike faced by an arched painted dial with moon phase, 225cm high
Los 71
Late 19th Century Louis Vuitton Cabin Trunk, in beige and brown rayee design striped canvas, internally it has two lift out trays, one has two compartments with fuchsia coloured leather covers. It bears a paper label `Louis Vuitton, 1 Rue Scribe, Paris, No 2858`, 90cm by 50cm by 49cm high. Rayee pattern was only produced between 1876-1888.
Los 72
A Louis Vuitton Monogrammed Cabin Trunk, bearing a paper label to the interior `Louis Vuitton Paris, 70 Champs Elysees, numbered 762968` with the following numbers handwritten in pencil underneath `364494`. It has leather carrying handles, with red painted initials SJ within an oval to both ends, lacking internal lift out tray, 80cm by 47cm and 34cm (high)
Los 83
Assorted Utility Marked Clothing And World War II Accessories including gas mask in original zipped bag, sweetheart embroideries, three union jacks, pair of brown leather gents gloves (size 8); make do and mend unroved blanket. Utility items all bearing the fabric or stamped CC41 mark include pair of unworn white cotton ballet shoes `Gamba Ltd, London`, pair of child`s leather unworn cream leather mary jane shoes, St Michael pink cotton corset (unworn and boxed) waist 28, hips 39; pair of Brettles unworn stockings and another pair similar, linen table cloth printed with an embroidery pattern (unused), `the Daily Wear` cotton printed apron; lingerie including black and lace trimmed teddy, another in peach, pair of blue satin `step ins`; thermal clothing including gents, ladies and children`s long johns, vests, gents flannel pyjamas and other items (in a trunk)
Los 147
A George III green japanned chiming longcase clock, the 8 day six pillar three train movement striking on a single bell and a peel of eight bells, to a 12 inch arched brass dial, with a silvered chapter ring inscribed Fra. Reynolds, Kenfington, with a subsidiary seconds dial to the matt centre, with pierced date aperture engraved basket and birds, the arch with a pierced aperture with the days of the week and mythological figures of the planets, the re-freshed case with replaced eagle and globe finials, chinoiserie decorated, the arched trunk door with a replaced lenticle, 99in (251.5cm) h. Pendulum, weights, winding key and door key.
Los 161
An early 19th century oak and mahogany longcase clock, with an 8 day movement striking on a bell to a painted 14.25 inch square dial, having a subsidiary seconds dial and a crescent and moon phase painted rural scenes, signed `G. Stones, Blackburn`, the hood with a swan neck pediment and central brass finial, ribbed columns above a shaped top trunk door with square ribbed pilasters, the base with canted angles, 84.5in (214.5cm) h. Pendulum, two weights and two keys. Literature: See Brian Loomes Lancashire Clocks and Clockmakers, page 120 for an illustration of this dial.
Los 210
A carved mahogany regulator, the dead beat escapement within four pillar shaped plates to a 12 inch circular silvered dial, with subsidiary second and hour dials, inscribed BLAYLOCK & DUDSON, CARLISLE, the hood with a laurel border on stepped supports, to a fluted front trunk with tapering glazed door revealing the steel pendulum with mercury filled jar, with silvered registered plate behind on a panelled base with plinth, glass missing from hood door, 77.5in (197cm) h. With a cross winder marked for sizes 6 to 12.
Los 244
A walnut and marquetry longcase clock, with a five pillar 8 day movement striking on a bell, to a 11 inch square brass dial signed John Martin, Londini, fecit, above a silvered chapter ring and subsidiary seconds dial with a matt centre, with an engraved crown around the pierced date aperture, cherub head and foliage cast spandrels, the hood with a moulded cornice above a blind fret frieze, spiral twist pilasters, above a moulded edge trunk door with three foliage panels, one with a bird, and a replaced lenticle, the conforming base on flattened bun feet, 80.25in (204cm) h. Pendulum and weight.
Los 245
A walnut marquetry longcase clock, with an 8 day five pillar movement striking on a bell, to a 12 inch square brass dial, with silvered chapter ring and subsidiary seconds dial, the matt ground centre with a pierced and engraved edge date aperture, crossed winding arbors, the hood with a moulded cornice and blind fret frieze, above ebonised line turned columns with a convex moulded frieze, the trunk door with three floral and foliage marquetry panels and a glazed lenticle, with a seaweed outer border to a conforming base, 83in (211cm) h. Pendulum, weight and winding key.
Los 263
An early 19th century mahogany longcase clock, with an 8 day movement striking on a bell, to a circular painted 12 inch dial with subsidiary seconds dial, hand missing, inscribed Benj. Lautier, BATH, the arched hood with canted corners and a brass bezel, to a conforming trunk on bracket feet, 80in (203cm) h. Pendulum and two weights.
Los 264
A mahogany longcase clock, the 8 day movement striking on a bell to a silvered 12 inch arched dial, with subsidiary seconds and date dials, inscribed Samuel Baggs, LONDON, engraved fan spandrels, the arch with a STRIKE / SILENT, the hood with globe and spire finials, reeded columns, replaced etched glass side panels, arch trunk door with reeded canted corners, the base on bracket feet, 91in (231cm) h. Pendulum, two weights, winding key and door key.
Los 271
A walnut and marquetry longcase clock, the 8 day movement striking on a bell, to a 12 inch square brass dial with silvered chapter ring inscribed Robert Alexander, Edr, with a subsidiary seconds dial and pierced date aperture, with punched rondels, with crown and cherub spandrels, the case with ebonised mouldings and arabesques, turned pilasters, the trunk door with a glazed lenticle to a moulded edge base, 98in (249cm) h. Pendulum, weight and two winding keys.
Los 272
A George III carved mahogany longcase clock in Chippendale style, with an 8 day five pillar movement, striking on a bell, to a 12.5 inch arched brass dial, with a silvered chapter ring and subsidiary seconds dial to the matt centre with a shaped crescent plaque inscribed Jno. Fladgate, LONDON, above a pierced date aperture, the arch with a subsidiary Strike / Silent dial, the hood with brass urn finials to a blind fret panelled cresting with leaf supports, above a moulded cornice with protruding square corners, a dentil frieze above a blind fret panel and arched door flanked by moulded leaf scroll veluts, the shaped, arched and moulded figured trunk door to a panelled base on ogee bracket feet, 102in (259cm) h. Pendulum, weight, winding key and door key. See The Gentleman & Cabinet Maker`s Director by Thomas Chippendale, plate number CLXIII for a similar hood.
Los 126
Crete, Gortyna, stater, c. 330-270 BC, Europa, semi-nude, seated facing in plain tree with trunk in the form of left-facing bull’s head, raising veil toward her head with right hand and with left holding eagle with spread wings on her lap, rev., bull standing left with head turned back to ward off fly from his left rear hoof, 11.52g, die axis 7.00, the finest of apparently only three known examples of this variety, extremely fine and of the highest rarity, of exceptional qualityReferences: Kunstfreund 206 = Nomos 1, Zurich, 6 May 2009, 89, same dies; Svoronos 85 (a worn and pierced example in the Royal Coin Cabinet, Utrecht), same dies; BMC -; Le Rider -. Provenance: Purchased Spink, 30 June 1965. Note: This is certainly one of the finest known staters of Gortyna depicting Europa with, unusually, Zeus in his two disguises on the obverse, both as an eagle and as a bull. A different, less powerful, die is known of the same type (as Svoronos 84 and BMC 30) which is combined with a more conventional bull on the reverse. Cretan coins of the 4th and 3rd centuries were overstruck on coins brought back to the island by mercenaries returning from abroad. Consequently they are normally found in indifferent state with traces of the undertypes interfering with the local designs which mostly represent Cretan mythology. The present coin and the stater of Phaistos in the following lot distinguish themselves as being carefully struck on flans that show no evidence of overstriking (although the broadness of their flans suggests otherwise).
Los 626
Nichols, Newport, a Georgian mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch silvered arched dial engraved with black Roman hour numerals and subsidiary seconds & date dials, with the maker’s name engraved within the arch ‘Nichols, Newport, Isle of Wight’, the pagoda-topped mahogany case having a double plinth and shaped panel to the base, with the trunk having an arched door, fluted quartered columns with brass capitals, having reeded and brass stop-fluted columns to the trunk with brass reeding. height: 246cm. * Peter Nichols is recorded as working in Newport, Isle of Wight circa 1770.
Los 628
Angel Sparke, Plymouth, a ‘rocking-ship’ longcase clock having an eight-day duration movement striking the hours on a bell, with additional alarm work to the side, the 11½ inch silvered arched dial engraved with black Roman numerals and subsidiary seconds dial, date aperture, blued steel hands and alarm setting disc to the centre, engraved with rococo decoration to the four corners and signed to the dial centre ‘Angel Sparke, Plymouth’, the arch having a rocking ship automaton with a sea-battle scene painted behind, the mahogany case with fluted canted corners and an arched door to the trunk, fluted columns with brass capitals to the arched hood and surmounted by three brass ‘eagle & ball’ finials, height: 214cm. * Angel Sparke is recorded as working in Plymouth from before 1792 when it was reported in the Exeter Gazette that ‘some villains broke open the shop of Mr. A. Sparke, watchmaker of Plymouth and plundered it of several articles’. The St. Andrews Church of Plymouth records him working on the church clock between 1786 and 1797 and he was known to be working at Market Street in 1814.
Los 630
Jo. Heywood, Northwich, an oak and mahogany moon-phase longcase clock having an eight-day duration movement striking the hours on a bell, the fourteen-inch square painted dial having black Arabic hour numerals and outer five-minute numerals, with figures depicting the four Continents painted to the corners, decorative brass hands, a large moon-phase aperture to the centre and maker’s name ‘Jo. Heywood, Northwich’, with the falseplate stamped with the dialmaker’s name ‘Wilson’, the oak case having a shaped top to the crossbanded trunk door, gadrooned pillasters to the edges, the base with canted corners and a shaped raised panel, the flat-top hood having a swan-neck pediment with brass paterae and fluted pillars having cast brass capitals, with various inlays and stringing to the remainder of the case, height: 217cm. * Jo. Heywood appears to be unrecorded although there are a number of other Heywood’s recorded in the clock trade in Northwich, Cheshire. * James Wilson was a pioneer of the painted ‘enamel’ dial having started his manufactory in Birmingham in circa 1772 in partnership with Thomas Osborne when he was aged about seventeen and Osborne about twenty. An advert from Aris’s Birmingham Gazette in 1772 describes the partners making ‘White Clock Dials in Imitation of Enamel, in a Manner entirely new’, being the new style of painted dial that was to become so popular. On the dissolution of the partnership in September 1777 James Wilson set up on his own account at 11, Great Charles Street before enlarging into number 12. Wilson died in 1809, aged 54, and his business effectively went with him after a relative of his wife, Nathaniel Porter, tried unsuccessfully to run it before going bankrupt in 1811.
Los 763
A Louis Vuitton leather bound rectangular trunk, no 502780, the hinged top with brass lock inscribed Bte S D D G Patent, Louis Vuitton, 1 Rue Scribe, Paris and 149 New Bond Street, having padded underside, the interior with lift out tray and Louis Vuitton label, 112cm (3ft 8in) x 56cm (1ft 10in) x 54cm (1ft 9¼in).
Los 531
John Joyce, Ellesmere. A George III longcase clock, the arched dial painted with moon phases and with a silvered chapter ring, with eight day striking movement, the mahogany case with turned brass finials, shaped hood with turned pillars and fret frieze, the trunk with a panelled door and base on bracket feet, 268cm high overall.
Los 683
A modern oak cased long case clock with moulded cornice over a glazed arched door and glazed door to the main trunk and further arched panelled door to the base, the musical movement with brass arched dial, the chapter ring with Arabic numerals within roundels surmounted by a moon phase arch and inscribed "Intern clock"
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66969 Los(e)/Seite