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An early 20th century Louis Vuitton brown leather motoring trunk. The brass lock stamped Bte S.G.D.G PATENT 1.RUE SCRIBE PARIS LOUIS VUITTON LONDON 454 STRAND, also numbered 03887, flanked by catches stamped L.V, hinged to reveal a white fabric interior with purple silk ribbon trim, brown printed paper label numbered 49323, the trunk with side carrying leather handles and front and back straps, leather reinforced corners, brass studs all stamped LOUIS VUITTON, the wood bound base raised on four roller feet, length 76.5cm, width 45cm, height 35.5cm.

second third of the 20th century, having a large pair of ears above a pair of tear drop shaped eyes and a pair of tusks and a elongated trunk, and having straw to the reverse of the mask, 113cm long Provenance - Kieran River Jones Collection, Note - for comparable examples see Woolley & Wallis 22nd April 2022 Lot 1211.

second half of the 20th century, having a pair of large ears and elliptical carved eyes surrounded by iron studs and having a trunk and large tusks together with a smaller elephant to the base, 72cm high, 28cm wide Provenance - Kieran River Jones Collection.

CONTEMPORARY WOODWORK WALL MIRROR, of circular form, the frame constructed from sectional tree trunk and branch cuttings99cm including frame

WOOD AND METAL BOUND TRAVEL TRUNK, with original Moir & Co, Edinburgh33cm high, 93cm wide

Wooden trunk with toys

Captain Ralph Kerr CBE RN (1891-1941): His original military metal trunk, containing a large collection of ephemera related to him and his family, to include birth and marriage certificates, original letters written by him to family, many photographs of ships and naval personnel groups, newspaper cuttings, his R.N. College, Dartmouth 'Engineering Notes' Books 1 & 2, his personal (and bound) 'Jornal & Note Book' dated 1909-1911, containing his recording of events onboard HMS Agamemnon, HMS Invincible, HMS Mohawk and HMS Bacchante, another album, 'Journal for use of Junior Officers Afloat', containing a collection of original black and white photographs (c. 1913-14), a letter of caution issued by the Admiralty in 1922, a comprehensive collection of his Service Certificates, further original photographs, a collection of items relating to his time on HMS Witch, in Malta (1920s), many letters of condolence to his wife, following Captain Kerr's death on 1941, a collection of newspaper cuttings relating to the sinking of Hood, obituaries and memorial service items, and assorted further ephemera, worthy of further inspection. Retained in the family by descent.https://en.wikipedia.org/wiki/Ralph_Kerrhttps://en.wikipedia.org/wiki/HMS_Hood

A Japanese Meiji period patinated bronze elephant, trunk raised, four-character seal mark to the underside, 15 cm high x 24 cm wide.

A domed metal trunk, 69cm wide.

This grouping includes Pack You Trunk for the Holidays, Puppies on Sled, I'm Sending You a Merry Christmas, Peace on Earth, Christmas Keeps Looking Up, Slow Down for the Holidays, Take a Bow Cuz You're my Christmas Star, Happy Holi-Daze, When the Skating's Ruff, I'm Just Nutty About the Holidays. Largest item measures 2"L x 2"W x 4"H. These items have their original boxes, the largest measures 3.25"L x 2.25"W x 5.5"H. Enesco backstamp with impressed date stamp. Issued: c. 1990sManufacturer: Precious MomentsCondition: Age related wear.

Metal replica colored in blue and white with black interior. Moveable parts include doors, hood and trunk. Franklin Mint tag. B11WA34. This item has its original box: 7"L x 6.5"W x 14"H. Issued: 20th centuryDimensions: 8"L x 3"W x 2.5"HManufacturer: Franklin MintCountry of Origin: United StatesCondition: Age related wear.

Silver and black replica of this high-end vehicle. Model has moveable doors, hood and trunk openings. Franklin Mint tag. B11UZ91. This item has its original box: 7"L x 6"W x 14.5"H. Issued: 20th centuryDimensions: 8.5"L x 3.5"W x 2.75"HManufacturer: Franklin MintCountry of Origin: United StatesCondition: Age related wear.

Metal replica of this classic convertible. Colored in green and white with moveable doors, hood and trunk. Franklin Mint tag. B11UL60. This item has its original box: 7"L x 6.5"W x 14.5"H. Issued: 20th centuryDimensions: 8"L x 3.25"W x 2.75"HManufacturer: Franklin MintCountry of Origin: United StatesCondition: Age related wear.

Vibrant yellow hot rod candy dispenser featuring green M&M's and Red M&M's riding a car. Has two openings in the trunk to fill full with M&Ms and the other door is to drop down so you would be able to retrieve the candies. Press gently down on Red M&Ms arm and it will release the door to open. Mars, Inc. marked to underside. This item has its original box. Box measures: 11"L x 9"W x 8.25"H. Issued: 2000Dimensions: 10.5"L x 7"W x 8"HManufacturer: Mars, Inc.Condition: Age related wear.

Metal convertible replica colored in baby blue with white interior. Moveable parts include doors, steering wheel, hood and trunk. Franklin Mint tag. This item has its original box: 9"L x 6"W x 15.75"H. Issued: 20th centuryDimensions: 9.25"L x 3.25"W x 2.25"HManufacturer: Franklin MintCountry of Origin: United StatesCondition: Age related wear. Side mirror loose.

Metal replica colored in red and white. Moveable parts include doors, hood and trunk. Franklin Mint tag. B11TQ17. This item has its original box: 7"L x 5.5"W x 12.5"H. Issued: 20th centuryDimensions: 8.5"L x 3.25"W x 2.75"HManufacturer: Franklin MintCountry of Origin: United StatesCondition: Age related wear.

A LARGE BUTLER AND WILSON CLEAR DIAMANTE ELEPHANT BROOCH, with articulated trunk, W 11.5 cm

A 19TH CENTURY LOUIS VUITTON TRUNK BY REPUTE BELONGING TO FAMED SWEDISH PHYSICIAN AND PSYCHIATRIST AXEL MUNTHE (1857-1949) AND AUTHOR OF 'THE STORY OF SAN MICHELE', Provenance: From the Munthe family home Southside House, Wimbledon Village. 110cm x 55cm x 55cm Black trunk with two large red painted 'M' for Munthe. Each clasp stamped with Louis Vuitton. With three pull out trays, two of which are sectional. Axel Munthe was born in Oskarshamn in 1857 and died in the Royal Palace of Stockholm in 1949. He had by then lived outside Sweden for 67 years and had had such a singular a career that he could have made his own the last words uttered by Charles XIV John: ”No one has followed a path like mine.” Munthe was a man of paradoxes. Having qualified as a doctor of medicine at the Sorbonne aged 22 (the youngest on record in France), he soon became one of the most successful doctors of his time, with a reputation as a worker of miracles. Among his patients were members of the upper classes and aristocracy of both Europe and America, but he also worked amongst the poor in Paris, Rome and Naples. The newspaper report he wrote about his work in cholera-stricken Naples in the autumn of 1884 made him famous at a stroke. However, he was not a professional writer, and his real success only followed 45 years later. The Story of San Michele was published in 1929 and became one of the most successful books of the 20th century. It was written in English, has been translated into a large number of other languages and new editions are still being printed. Munthe was not an architect, but on Capri he caused to be built one of the most famous villas of Europe: Villa San Michele, which has been described by experts as a work of architectural genius. He was a fervent anglophile, but his favorite philosopher was Schopenhauer, his favorite poet Heine, his favorite composers were Schubert, Wagner, Schumann and Hugo Wolf. And despite his republican outlook on life, his most important patient was not only royal and German born, but also strongly German-orientated. Munthe’s relationship with Crown Princess Victoria, from 1907 Queen of Sweden, plays a central part in his biography. He was not only her personal physician, but also her closest friend and confidant. Munthe’s importance to both her physical and moral well-being cannot be sufficiently underlined. His contribution to Victoria’s health was due to psychological insights which, however, were not present in his personal relationships. He was married twice, first to Ultima Hornberg, then to Hilda Pennington Mellor who bore him two sons. The first marriage ended in divorce, the second with marital separation. The continuing great interest in Munthe is explained by the abundance of his talents and the contradictory nature of his character. ”The man from Ultima Thule is an incurable idealist, a vague dreamer, a mute poet whose heart holds an unwritten paean to the Sun”. Thus wrote Axel Munthe in the preface to the Italian edition of The Story of San Michele and he continued with a paradox: ”The Southerner is a realist, the blood that courses in his veins is hotter, but his head is cooler than that of people of the North. He is passionate, even violent in love and hatred, but he is no enthusiast.” But that was Axel Munthe. - Bengt Jangfeldt, biographer of Axel Munthe.

A 19TH CENTURY LOUIS VUITTON PACKING TRUNK BELONGING TO THE FAMED MUNTHE FAMILY STAMPED J.P.M TO EITHER SIDE, Provenance: From the Munthe family home Southside House, Wimbledon Village. 90cm x 50cm x 45cm Axel Munthe was born in Oskarshamn in 1857 and died in the Royal Palace of Stockholm in 1949. He had by then lived outside Sweden for 67 years and had had such a singular a career that he could have made his own the last words uttered by Charles XIV John: ”No one has followed a path like mine.” Munthe was a man of paradoxes. Having qualified as a doctor of medicine at the Sorbonne aged 22 (the youngest on record in France), he soon became one of the most successful doctors of his time, with a reputation as a worker of miracles. Among his patients were members of the upper classes and aristocracy of both Europe and America, but he also worked amongst the poor in Paris, Rome and Naples. The newspaper report he wrote about his work in cholera-stricken Naples in the autumn of 1884 made him famous at a stroke. However, he was not a professional writer, and his real success only followed 45 years later. The Story of San Michele was published in 1929 and became one of the most successful books of the 20th century. It was written in English, has been translated into a large number of other languages and new editions are still being printed. Munthe was not an architect, but on Capri he caused to be built one of the most famous villas of Europe: Villa San Michele, which has been described by experts as a work of architectural genius. He was a fervent anglophile, but his favorite philosopher was Schopenhauer, his favorite poet Heine, his favorite composers were Schubert, Wagner, Schumann and Hugo Wolf. And despite his republican outlook on life, his most important patient was not only royal and German born, but also strongly German-orientated. Munthe’s relationship with Crown Princess Victoria, from 1907 Queen of Sweden, plays a central part in his biography. He was not only her personal physician, but also her closest friend and confidant. Munthe’s importance to both her physical and moral well-being cannot be sufficiently underlined. His contribution to Victoria’s health was due to psychological insights which, however, were not present in his personal relationships. He was married twice, first to Ultima Hornberg, then to Hilda Pennington Mellor who bore him two sons. The first marriage ended in divorce, the second with marital separation. The continuing great interest in Munthe is explained by the abundance of his talents and the contradictory nature of his character. ”The man from Ultima Thule is an incurable idealist, a vague dreamer, a mute poet whose heart holds an unwritten paean to the Sun”. Thus wrote Axel Munthe in the preface to the Italian edition of The Story of San Michele and he continued with a paradox: ”The Southerner is a realist, the blood that courses in his veins is hotter, but his head is cooler than that of people of the North. He is passionate, even violent in love and hatred, but he is no enthusiast.” But that was Axel Munthe. - Bengt Jangfeldt, biographer of Axel Munthe.

A 19th century pine trunk having a hinged lid and on later feet 52.5cm h x 92cm w Location:If there is no condition report shown, please request

Large trunk

Caned dome top steamer trunk together with two additional pine boxes. (3) (B.P. 21% + VAT)

A Victorian iron bound and painted trunk, with leather carrying handles, bears luggage labels, on castors, 30cm high, 87cm wide, 47cm deep.

Part of the Caring and Sharing trilogy, and the second annual edition made for SCS members. Features a parent woodpecker and a baby in a clear facetted body with long clear beaks and colored eyes. Each bird are placed on a frosted crystal tree trunk with clear top. Swarovski SCS impressed swan mark. Artist: Adi StockerIssued: 1988Dimensions: 3"L x 2.75"W x 4"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

This adorable figural is part of the Rare Encounters theme group. Created with clear faceted crystal with black button crystal eyes and trunk up. Swarovski backstamp. 7640 000 001. This item has its original box: 5"H x 3.25" dia. Artist: Martin ZendronIssued: 1995 - 2012Dimensions: 2.5"L x 1.5"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

A clear crystal figure of Dumbo with his ears and trunk raised a bit. Black crystals are used for the eyes. Swarovski backstamp. This item has its original box. Dimensions of the original box: 6"H x 5" dia. Artist: TeamIssued: 1990Dimensions: 3.25"L x 2.5"W x 3"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

1993 Inspiration Africa figural this strong creature is depicted walking with trunk down, ears spread wide. Created from clear crystal with multi facets, inset black crystal eyes, frosted crystal tusk and smooth crystal tail. Swarovski backstamp. 169970. This item has its original box: 7.5"L x 8"W x 6.5"H. Artist: Martin ZendronIssued: 1993Dimensions: 4.75"L x 3.5"W x 3.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

An early-20th century metal-bound dome-topped trunk, 80cm wide x 50cm deep x 55cm high.

A large Victorian leather and brass bound Steamer Trunk, with owners name on top 'Captain T.B. MCDowell, Royal Ulster Rifles - Ballykinlar, N.I.,' with various labels. (1) Provenance: The McDowell-Mahon Family, by direct descent.

An important early 18th Century Irish mahogany cased Grandfather Clock, of narrow proportions, the hood with broken arched pediment and carved rosettes, and half reeded Corinthian columns housing an arched brass dial decorated with mounts and signed  "Jon. Parker, Dublin," the arch with painted medallion of Winged Saint Figure, the trunk with panelled door on box base with bracket feet, approx. 229ms high x 41cms wide (90" x 16"). (1)

Harry Kernoff (1900-1974)  "Bandstand, The Hollow, Phoenix Park, 1926" O.O.B., approx. 30cms x 40cms (12" x 15 1/2"), signed  t.l. ‘Kernoff’. (1) Inscribed on verso: ‘The Hollow, Phoenix Park, Irish Free State Band, 1926; name H. A. Kernoff 13 Stamer St’ Bears Beverly Smith label on verso ‘Mr. Teevan, 3 Eglinton Rd.’ In this cheerful summer scene, set in ‘The Hollow’ in Dublin’s Phoenix Park, Harry Kernoff depicts an octagonal bandstand with a red roof, surrounded by an audience of onlookers who stand amidst the trees, listening to the music. In the left foreground, two women lean against a tree. Visible on the tree trunk is the shadow of a man; an enigmatic touch to this everyday scene. An inscription on the reverse of this painting states that the band playing was the ‘Irish Free State Band’. Perhaps the foremost visual chronicler of everyday life in Ireland in the twentieth century, like his English counterpart L. S. Lowry, Kernoff recorded the men, women and children of Dublin as they went about their daily routines, walking in parks, or by the canal, or heading out to the beach. However, unlike Lowry, Kernoff preferred to depict sunny days, with red-brick terraces, brightly coloured shopfronts and well-dressed people out and about, enjoying the sunshine. Paintings such as The Bandstand also reveal Kernoff’s sympathies with the working people of Dublin. He was a politically active artist, having joined the Radical Club and “Friends of Soviet Russia”. In 1930 he toured the USSR, and that same year several of his paintings were reproduced in the magazine Iskusstvo y massy, or “Art to the Masses”. In travelling to the Soviet Union, Kernoff was going back to his own family roots. Born into a Jewish family that fled pogroms in Belarus, Harry Kernoff’s father, Isaac Kernoff, set up as a cabinet maker in London. When Harry was fourteen years old, the family moved from Stepney to Dublin, where Isaac joined the cabinet-making firm of Louis Gurevich, on Capel Street. Settling in Stamer Street, while serving an apprenticeship with his father, Kernoff also attended evening classes at the Metropolitan School of Art, along with his brother Hyman. Over the years he showed frequently at the Dublin Painters gallery on Stephens Green, and also participated in group exhibitions, both in Ireland and abroad. From 1926 onwards, for almost five decades, he exhibited annually at the RHA, and he also had two solo shows with the Victor Waddington Galleries. Provenance: Collection of Thomas Teevan, Dublin. A distinguished lawyer and judge, Thomas Teevan served as Attorney General of Ireland in 1953-54. Peter Murray 2024

A 19th Century English oak cased Grandfather Clock, the swan neck pediment with brass finials over an ornate arched brass and silvered dial, by R. Barker, Liverpool, with moon face, seconds dial and Arabic and Roman numerals, the main trunk with half reeded columns on a box base with block feet, approx. 230cms high (90 1/2"). (1)

A very fine Irish Longcase Clock, the shaped cornice above a square brass dial, Signed  Dan O'Neill, Dublin, the silverised chapter ring with Roman & Arabic numerals and a subsidiary dial for seconds, the arched and ebony strung trunk door with bead and urn pilasters, on a conforming moulded and ebony strung box base with plinth, 211cms x 47cms (83'' x 18 1/2''). (1)

Steiff - An unboxed Steiff Cosy Rupert Bear and Friends set. Lot consist of Rupert #017018; Bill Badger #017049; Algy Pug #017056 and Edward Trunk #017032. Toys come complete with Steiff button in ear with yellow label tags, and all have swing labels attached, All except Edward Trunk are contained within factory sealed plastic bags all of which correctly labeled. Edward Trunk is unbagged. Toys appear to be in Mint condition - Edward being slightly dusty. (This does not constitute a guarantee) (K)

A Vintage Wooden Banded Trunk Containing Various Tools etc

A GEORGIAN OAK AND CROSSBANDED EIGHT DAY LONGCASE CLOCK, with twin swan neck pediment and single finial, above an arched door, that's enclosing a 12'' brass and silvered dial, with Roman and Arabic numerals, seconds dial, signed M Thomas of Caernarvon, the trunk with a single door and ivory escutcheon, on box plinth, height 230cm, along with a box containing a painted eight day movement and dial (condition report: two pendulums, two weights, one winding key, no trunk key, marks, scuffs, discolouration, loose parts, other wear and usage, spare dial ideal for restoration) Please note this lot is offered for sale in accordance with the Ivory Act 2018, Richard Winterton Auctioneers LTD have applied for an exemption licence for the ivory in this lot Ref: LE64ER8V

A vintage MOD wooden trunk

A composition stone pedestal bird bath, in the form of children playing around a tree trunk. H.60 Dia.45cm.

Remarkable sculpture in stone composite with a patinated bronze coating attributed to Social Realist sculptor Mahonri Young. This statue represents an unidealized nude male seated on a tree trunk base with one elbow resting on his bent leg, possibly representing an athlete after a fight. On back of base: M. Young. 125/350. c. 1950? Artist: Mahonri Mackintosh Young (American, 1877-1957)Issued: c. 1950Dimensions: 10"L x 9"W x 15"HEdition Number: 125 of 350 Country of Origin: United StatesCondition: Age related wear. As Found. The head has been glued after severing. Areas of lost material on back, legs, and base. Small chunk of material missing from lower back of base by stamps.

An early 20th Century brown painted tin trunk of domed form, measuring 36cm x 56cm x 34cm overall

A VIETNAMESE BLUE AND WHITE ELEPHANT WATER DROPPER 15th Century, hollow form figure of an elephant seated with feet tucked under body and trunk curled inward, a single opening to the back, underglaze cobalt blue painted features, unglazed base Provenance: The collection of Adrian Zecha, acquired 1960-80s Notes: For a similar example see Important Annamese Ceramics: The Mr and Mrs Robert P. Piccus Collection, 7 December 1984, Christie's London, p.66, n.60 8cm long Condition: Condition Report Fine condition with no visible damage or restoration. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A BLANC DE CHINE PORCELAIN ELEPHANT FORM TEAPOT Qing Dynasty, circa 19th Century, naturalistically modelled with its trunk raised, moulded with lotus and scrolling foliage around the opening, the cover similarly decorated, the glaze with a fine crackle Provennace: The collection of Adrian Zecha, acquired 1960-1980s 15.5cm long, 10cm high Condition: Condition Report A section of restoration to the rim of the opening, cover is rather ill-fitting. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A THAI FIGURE OF A SEATED ELEPHANT AND MAHOUT Sawankhalok, 14-16th Century, modelled as an elephant kneeling on hind legs with front legs standing, head raised with trunk curled inward, mahout or rider with ankusa in hand, there is a narrow aperture behind the elephant's neck and the trunk appears hollow Provenance: The collection of Adrian Zecha, acquired 1960-80s 16cm high, 15cm long Condition: Condition Report There has been extensive restoration and the elephant's front left leg is being held by masking tape. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A VIETNAMESE BLUE AND WHITE ELEPHANT FORM EWER 15th /16th Century, modelled standing four square, with an opening to its back, a vase to its neck and the raised trunk forming the spout, decorated in underglaze blue Provenance: The collection of Adrian Zecha, acquired prior to 1977, listed as No.62 in Sotheby's inventory of April 1977 Notes: A very similar example illustrated Chinese and Vietnamese Blue and White Wares Found in the Philippines, 1997, p.252 pl.V28; an example with the elephant's tail forming the handle, Asian Civilisations Museum, Singapore, Accession No. 1996-00100 15cm high, 21.5cm long Condition: Condition Report Restoration and re-spraying to both tusks, right ear and behind the right ear. The re-spraying has discoloured over time and is flaking in places. Wear to the rim of opening on the elephant's back. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A LARGE VIETNAMESE POLYCHROME ELEPHANT EWER 15th Century, decorated in spotted designs with the smiling rider seated forward of the cup shaped neck Provenance: The collection of Adrian Zecha, acquired prior to 1977, listed as No.110 in Sotheby's inventory of April 1977 Exhibited: South-East Asian and Chinese Trade Pottery, Oriental Ceramics Society, Hong Kong, 1979, No.224, illustrated p.247, illustrated p.209 Notes: For a similar example see Important Annamese Ceramics: The Mr and Mrs Robert P. Piccus Collection, 7 December 1984, Christie's London, p.109, n.96 29.5cm long, 27cm height, 13.5cm wide Condition: Condition Report There has been restoration to the rider, the green seat, the elephant's ears, trunk, tusks, and edge of foot. The rider, edges of the mouth rim, and tusks appear to have been re-built. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

GARDEN STORAGE TRUNK, outdoor weathered teak with hinged lid and side handles, 85cm H x 138cm W x 70cm D.

TRUNK, English 19th century blue painted elm and metal bound with rising lid, carrying handles and square supports, 85cm x 52cm x 53cm H.

GEORGIAN HOUSE TRUNK, early 19th century pine over painted as an earlier Georgian House on three sides with rising lid, 111cm W x 55cm D x 50cm H.

CHINESE EXPORT TRUNK, late 19th century hand painted and studded camphorwood depicting birds and blossom and labelled internally 'Made in Canton Kwang Tung Yuet WO', 87cm x 46cm x 40cm H.

Vintage travel trunk, brass fittings and old labels, 79 x 33 x x42cm.

Wood and metal domed trunk

Victorian Camphorwood Campaign Trunk Belonging to a WT Askew. A Victorian military campaign trunk, made in camphorwood, with original brass fittings and handles. The brass plaque on the top is inscribed 'WT Askew'.H: 33.5cm W: 75cm D: 37.5cm. This Victorian Camphorwood chest was made circa 1870 when there was much upheaval and troubles in India, the untamed areas of Afghanistan, and the Northwest Frontier.British Officers would need strong durable chests to transport their uniforms and effects on the long arduous and dangerous journeys, hence why these trunks had brass corners to protect these, they also had the advantage of looking attractive. Camphorwood has a natural perfume and so when the trunk is opened you get a gentle aroma of the beautiful camphor scent. This timber was especially important in the East as insects avoid this timber and so the uniforms etc were free from attack.These Victorian Camphorwood military chests make fantastic coffee tables as not only are they functional they also make great conversation pieces. Of course, they can be used in many places around your home as have a capacious storage area.

Vintage steamer trunk

A leather trunk.

A pine trunk, a child's rocking chair and a painted hanging cupboard decorated with a chicken.

Large trunk, leather case and a wooden box containing miscellaneous items.

A metal storage trunk.

A canvas and bentwood bound Trunk with brass corners and fixings, leather side carrying handles and internal tray, 33" x 20 1/1" x 12 1/4".

Copper repousse giltNepal or Tibet 18th century Dimensions: Height 18 cm Wide 30 cm Depth 3 cm without baseWeight: 789 grams with base  The makara is the vehicle of Goddess Ganga and also often used as ornamental element.Half-terrestrial and half-aquatic animal it can sometimes be found with various other characteristics like a peacock tail.This depiction shows a body with scales, a fish-like body, short legs, a coiled trunk, fangs, a mane and small ears.The repousse is attached to a rod on a plinth.

BronzeIndia 14th century  Dimensions: Height 6,5 cm Wide 5,5 cm Depth 3,5 cmWeight: 232 grams Small bronze figurine of Ganesha, remover of obstacles and son of Shiva and Parvati.He is seated on a round lotus base on a square surface, his vehicle the mouse is standing underneath him.His body is shaped like an eight with a big protruding belly, the snake wrapped around it as belt and the sacred thread hanging over his left shoulder.Ganesha is here depicted with four arms, he is holding his attributes, his broken tusk, a noose with which he can bind and free obstacles, a conch shell and a large sweets ball.The deity's trunk is curved to the right signifying the Pingala nadi or energy line standing for masculinity.In opposit to the left-curved trunk, which is the most common found depiction, the right-curved trunk calls for daily and strictlier performed ceremonies to worship and therefore can often be found at temples.The lord is wearing a conical headdress, the details of the face are partly lost due to rub off.