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66969 Los(e)/Seite
An early 19th century provincial oak, mahogany and marquetry eight day longcase clock, the painted arched dial with Roman and Arabic numerals, subsidiary seconds dial at noon and crescent date dial at six, the spandrels painted with scenes emblematic of the abolition of slavery, in a mahogany cross banded oak case with swan neck pediment, fluted columns and pilasters and marquetry paterae inlaid to the trunk door and base, on shaped bracket feet, movement restored in the mid-1990s.
Gabriel Guerin (French, 1869-1916), Rowing boat on a wooded lake at dusk oil on canvas, signed and dated 1907 lower right, in a good period giltwood frame, inscribed 'No.38' to back of frame, framer's label for J. Gautier, Paris verso 28 x 35½in. (71 x 90cm.).* Condition: Clean, gallery condition in a good period giltwood & composition frame, which is in good order. Even varnish and evenly stretched - not relined. Examined under UV - some small retouches along top of background tree line and a few small retouches to water. Some strengthening visible to two branches and hanging vines to lower right of main tree trunk. Some relatively minor retouching visible to main tree foliage above. Small, fingernail sized repair to canvas with retouching to water, approx. 2in. to left of tree trunk.
An 18th century Channel Islands eight day mahogany longcase clock by Nicolas Blondel, the four turned pillar movement striking the hours on a bell, the arched brass Roman dial with Arabic outer minute track, engraved sunburst subsidiary seconds dial at noon and date aperture at six, with gilt rocaille spandrels and signed roundel to arch, 'Nicolas Blondel à Guernesey', the mahogany case with cut card and fluted stile arched top on fluted pillars, the trunk with flame mahogany arched door, raised on a fielded panelled base with bracket feet, 88in. (223.5cm.) high.
An early 19th century North Country eight day longcase clock, the painted arched Roman dial with subsidiary seconds at noon, date dial at six and pierced gilt hands, the arch painted with Christ and Mary Magdalene within architectural spandrels, the case with swan neck pediment on spiral reeded columns, double arched trunk door flanked by spiral reeded pillars and cross banded base, on swept feet, 93in. (236cm.) high, 26¾in. (68cm.) wide.
AN OAK THIRTY HOUR LONGCASE CLOCK, BY WILLIAM BIRD, SEAGRAVE, C1770 the engraved brass dial with date sector and inscribed Willm Bird SEAGRAVE, with rococo spandrels, the flat topped hood with blind fret carved cornice, the trunk enclosed by a ogee arched door, 194cm h, with pendulum and lead weight ++The movement and dial original to the case, much old worm damage to backboard and seat board, dial loose on the movement, the movement with dirt, vertical shrinkage crack in base. The case of pleasing old deep colour and patina
A MAHOGANY LONGCASE CLOCK by Samuel Hirst, Leeds, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched brass dial with silver centre chased with foliate scrolls, Roman and Arabic numerals and two secondary dials, signature roundel to the arch, the later case with blind fret panels, arched key moulded cornice on fluted Corinthian columns surmounted with urn finials, canted trunk with arched door, panelled base and ogee bracket feet, 102 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)
A George III oak longcase clock, with caddy top hood, ball and spike finials, the brass 30cm square arched dial having Royal crest to arch, and applied spandrels, the silvered chapter ring signed Geoff Devis London, with Roman and Arabic numerals, subsidiary second ring and date aperture, revealing an eight day movement striking on a bell, with full length trunk door and moulded base, 240cm overall.
A late Victorian silver-mounted cut-glass decanter by Walker & Hall, Sheffield, 1900, the slender body tapering towards base and unusually cut with a snake winding around a flowering tree trunk, the pointed stopper similarly cut with flowers, the silver mount with four lips, 34.5 cm. high.Good condition, no apparent chips.
19th century AD. A ceramic figure of a standing elephant with curving trunk, short tusks and impressed eyes; applied decoration in the form of plants to the side of the body. 221 grams, 10.5cm (4 1/4"). Ex Swiss collection; acquired Ancient Artefacts, Oxfordshire, UK. [No Reserve] Fine condition.
13th-15th century AD. A mixed group of lead-alloy items comprising: a figure of Thomas Becket kneeling, hands clasped and finger interlocked, tree-trunk with sprouts to the side; a reliquary frame with nimbate figure beside the lower body of another, low-relief chalice motif below; a hexagonal badge with pin openwork frame with two standing figures and crown above, (Walsingham?); a pendant with patriarchal cross to one face and Christ in majesty to the other; a belted tunic fragment (St. Catherine?); a discoid brooch of Henry VI on a textured field; a scroll fragment with hatched band; a standing figure fragment with wheel (St. Catherine?); a facing figure fragment with lateral raised wings; a profile female bust with long hair; a frame fragment with radiating spokes; a discoid panel with frame, facing bust; a discoid badge with facing robed figure holding a branch; a ring-brooch; two fragments of an annular frame with external band; a discoid fragment with raised border. See Spencer, B. Pilgrim Souvenirs and Secular Badges, Woodbridge, 2010 for discussion. 39 grams total, 12-33mm (1/2 - 1 1/4"). Property of an Canadian lady; acquired 1970s-1990s. [17 No Reserve] Fine condition.
. A museum-quality reproduction of a Paleotherium from the Eocene Age (50 million years) found in Messel, Germany. 4.3 kg, 51 x 37cm (20 x 14 1/2"). This fossil is the ancestor of all horses. This fossil reproduction is an exact copy, cast directly from the actual fossil itself. Not all the ungulates of the Eocene and Oligocene epochs were directly ancestral to modern horses. However, a good example is Paleotherium, which, even though it was related to genuine prehistoric horses like Hyracotherium (once known as Eohippus), had some distinctly tapir-like characteristics, possibly including a short, prehensile trunk on the end of its snout. Most species of Paleotherium seem to have been fairly small. Very fine condition.
14th-16th century AD. A Sukhothai black glazed ceramic figure of an elephant, trunk curving up and holding object to head, cup applied to back; legs left bare of glaze. See Connell collection, Asian Art Museum, item no 99. 218 grams, 90mm (3 1/2"). From the collection of a Bath gentleman; acquired before 1990. Fine condition. Rare.

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66969 Los(e)/Seite