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A Regency oak crossbanded mahogany thirty hour longcase clock the 11 inch arched painted dial with centred date aperture within a ring of Roman numerals with architectural castle ruins painted to the spandrels and arch, the hood with swan neck pediment over an arched glazed hood door between mahogany crossbanded and satinwood strung front corner hood pilasters over a short triple arched trunk door with central rosewood inlaid lozenge motif on a crossbanded box base (lacking feet), 213cm high
A George II/III oak eight day longcase clock the twelve inch square brass dial signed 'George Hewitt, Marlbro' with centred subsidiary seconds dial and date aperture within a ring of Roman and Arabic numerals and engraved floral corner spandrels, the four pillar movement striking on a single bell, the hood with square glazed hood door between turned front corner hood pilasters over a rectangular trunk door on a crossbanded boarded base with later skirting plinth, 196cm high NOTE G H Baillie list George Marlbro 1720-69 in Watch Makers and Clock Makers of the World volume one
A George III oak crossbanded mahogany eight day longcase clock, the twelve inch brass dial signed 'R Deaves, Wt Church' with centred subsidiary seconds dial and date aperture within a silvered chapter ring of Roman and Arabic numerals under a figural engraved silvered disc to the arch the hood with broken arched pediment above a floral painted frieze and arched hood door between fluted front corner hood pilasters over a long trunk door between quarter turned fluted front corner trunk pilasters on a single panel box base and later skirting plinth (restored) 221cm high,
A mid 19th century oak crossbanded mahogany combined breakfront clock cupboard, the central 17" enamel clock face signed 'Hay, Shrewsbury' with centred subsidiary seconds dial within a ring of Roman numerals under a swan neck pediment with mahogany crossbanded circular hood door and scrolling leaf and branch frieze above a short tapering crossbanded trunk door between spiral turned front corner hood pilasters with leaf carved capitals flanked by two arched panel crossbanded doors to each side opening to reveal three fixed shelves on a breakfront base with a central single panel cabinet door flanked by three crossbanded drawers to each side fitted with turned wooden handles raised on four compressed bun feet, 248cm wide, 269cm high, 67cm deep NOTE Label to the interior of the trunk bought off Andrew & Son, Cabinet Makers and Upholsterers, High Street, Welch Pool, December 4th, oak kitchen piece, country style £33 10' 0 Douglas J Elliott notes a Thomas William Hay, Shrewsbury 1822-1856 in Shropshire Clock and Watchmakers
Mahogany longcased clock , painted broken arch dial with rolling moon, gold glitter chapter ring, subsidiary seconds, date aperture, Jarvis, Whitchurch , 8-day striking movement on an unnamed false plate, in a swan neck hood on a broad trunk and set out plinth each with twist columns, height 220cm (pendulum, two weights and winding key)
Oak longcased clock banded in mahogany , painted broken arch dial with rolling moon, subsidiary seconds and date rings, Thos. Underhill, Albrighton , 8-day striking movement, in a swan neck hood with fluted columns on a quartered column trunk, set out plinth amd bracket feet, height 226cm (pendulum, two weights, brass finials, winding key).
Oak and mahogany longcased clock, painted broken arch dial with a Morland style oval panel, subsidiary seconds ring and date aperture, Jn. Harrison, Audlem , eight day movement on an Osborne false plate, rack strike, in a swan neck hood with fluted columns, on a quartered column trunk and set out plinth, height 209cm (pendulum, two weights).
William Helliwell, Leeds an oak & mahogany longcase clock with the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman numerals, subsidiary seconds & date dials, with painted decoration to the four corners and a rural church scene within the arch, signed to the centre ‘Wm. Helliwell, Leeds, with decorative brass hands, the oak case having canted corners with boxwood stringing, a shaped door to the trunk and mahogany panels, the hood having turned pillars with brass capitals and a swan-neck pediment, the panelled base with crossbanding, height 234cm.* William Helliwell is recorded as working at 27 Duke Street, Leeds from before 1817 until at least 1822, being at number 54 from 1826 until 1853. From 1837 he had a second shop at 2 Vicar Lane. A number of his clocks are dated; the earliest recorded being 1815.
Thomas Hampson, Wrexham an oak longcase clock with the eight-day duration movement striking the hours on a bell, the backplate engraved with a D above L H surrounded with engraved stars, the twelve-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond half quarter-hour markings, and signed ‘Hampson, Wrexham, 486’ either side of 30, the matted centre with engraved decoration to the date aperture, ringed winding holes and a subsidiary seconds dial, with decorative blued steel hands and female-head spandrels to the four corners, the oak case with crossbanding to the trunk door and base, three-quarter columns with giltwood capitals to the hood and a blind fret below the caddy top, standing on bracket feet, height 224cm.* Thomas Hampson of Wrexham is recorded as working in the High Street from before 1728 until at least 1748, his home known as ‘The Clock’. He was a prolific maker and numbered the majority of his clocks on the dial, as in this example. Two longcase clocks are in the Museum of Welsh Life, St Fagans with another two in Wrexham Museum. It is known that Hampson made the sundial for Llandderfel churchyard. His son Thomas carried on the clockmaking business and is known to have been working prior to 1772.
Henry Nicolls, Launceston a mahogany longcase clock with the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having black Roman numerals and outer Arabic five minute numerals, subsidiary seconds dial, date aperture, and signed to the centre ‘Henry Nicolls, Launceston, with decorative blued steel hands and a ‘strike/silent’ lever to the arch, the mahogany case with reeded canted corners and shaped door to the trunk, the hood having fluted pillars with brass capitals, wavy moulding to the door and a swan-neck pediment, with a plain base, height 232cm.* Henry Nicolls is recorded as working in Launceston before 1791 as both a watch and clockmaker, moving to St Austell in 1793 where, on the 21st of January of that year, he advertised for an apprentice.
Negretti & Zambra, London a large and impressive carved oak Gothic barometer, with historic figures mounted within the canted corners either side of the silvered barometer dial and seated lions below, with a further figure of an angel standing below the dial, a thermometer set within the trunk, signed ‘Negretti & Zambra, Scientific Instrument Makers to Her Majesty’, height 158cm.* Negretti & Zambra, a partnership formed by Enrico Negretti and Joseph Zambra, are recorded as working at various addresses in London from 1850 and were the most prolific makers of barometers at this time having taken over the business of the leading maker John Frederick Newman in 1862. They were instrument-makers to Queen Victoria and the Prince Consort.
A 20th Century George III style mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a subsidiary seconds dial and inscribed `Godfrey Down, Warninglid`, the hood with moulded arch pediment and glazed door above a crossbanded trunk door, panelled base and plinth, height approx 197cm, together with two weights, a pendulum and winder.
A George V oak longcase clock with eight day chiming movement, the square brass dial and chapter ring with Roman numerals and pierced scroll spandrels framing a matt centre, the hood with stepped pediment above a carved fruiting scroll frieze and glazed door flanked by barley twist columns, the trunk door and base with similarly carved and moulded decoration, on bun feet, height approx 181.5cm, together with pendulum and key.
A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with Roman numerals and date aperture and inscribed `Jno Carmalt Ringwood`, cornered by shells and scrolls, the hood with a swan neck pediment with brass rosettes above a glazed door flanked by columns, the trunk door with crossbanded decoration above a plain base, on bracket feet, height approx 200cm, together with pendulum and weight.
A 19th Century mahogany longcase clock by James Farquar of Belfast, the 13ins arched painted dial with painted face of the moon to arch to the eight day two train movement, contained in case with shaped pediment and spiral turned collars to hood, shaped trunk door with spiral quartered columns, 88ins high (movement in pieces and the whole in need of restoration)
A late 18th Century oak longcase clock by Arris of Uppingham, with 12ins arched painted dial, the arch decorated with an angel, and with subsidiary seconds dial and calendar aperture to the eight day two train movement striking on a bell, contained in case with angled pediment, turned and fluted pillars to hood, the trunk with canted fluted front corners, on plinth base, 83ins high Note : William Arris recorded working Uppingham 1795
A late 18th Century oak longcase clock by Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals and subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case probably by Goulden of Canterbury, with shaped and moulded cornice, and with turned and fluted pillars to hood, and arched trunk door, 83ins high (lacking weights, pendulum and bob and generally in need of restoration) Note : James Warren recorded working Canterbury 1757-1793
A late 18th Century oak longcase clock by Thomas Lister of Leddenden, the 12ins arched brass dial with silvered chapter ring, subsidiary seconds and calendar dials and gilt brass spandrels to the thirty hour two train movement striking on a bell, contained in case with turned pillars to hood, quarter columns to front and shaped trunk door, on plinth base, 82ins high (case extensively damaged and in need of repair) Note: Either Thomas Lister of Luddenham (near Halifax) (1717-1779) or his son Thomas II (1745-1814)
A George III mahogany oval toilet mirror on shaped uprights, the serpentine fronted base fitted three drawers, on ogee bracket feet, 19ins wide (front foot loose and with slight damage throughout), and a 19th Century brown leather covered metal mounted and studded domed top travelling trunk, 24ins wide x 14ins deep x 12ins high (extensively damaged)
An interesting collection of Royal Navy items comprising an oak framed selection of photographs of military personnel including Sig P.W. Brawn R.N. with photo taken on board HMT Northern Foam in convoy on morning watch, together with a large metal trunk with inscription Sub. Lieut W.J. Brawn RNVR, five enamel plates belonging to Brawn and a collection of Navy whites
An oak George III longcase clock by George Young, Lockerby, the painted face with Nelson, Arabic and Roman numerals, subsidiary second dial and date aperture, the eight day movement, anchor escapement and striking bell, the swan neck pediment with urn finial over arched door flanked by Doric columns, shaped trunk door flanked by fluted quarter columns, plinth base on bracket feet, 216cm high
An overpainted long case clock by Joshua Alsop, East Smith Field, London, the arched brass face with circular dial and Arabic and Roman numerals, subsidiary second dial and date aperture, brass fretwork spandrels, eight day anchor escapement and striking bell, the arched pediment over glass door flanked by doric columns, rectangular trunk door with central window and oriental scene raised on plinth base, 204cm high

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