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Preisdatenbank abonnierenA late 18th/early 19th century officer's ‘Woolwich’ trunk, pigskin bound with studwork bindings and a blacksmith made lock, the interior lined with contemporary paper, each end with an iron ring carrying handle, 61cm wide, 24cm highLiterature: cf. Gilbert, 'English Vernacular Furniture', p.228, for a period illustration of a similar trunk.
A Walnut cross banded, Oak cased, Longcase Clock, Brass dial Robt Scholfield, applied at the corners with Rococo spandrels and circular Roman chapter ring, outside minute track, 30-hour movement with subsidiary minutes dial, the hood with swan neck pediment, central eagle and ball finial and the face flanked on either side with reeded columns with gilt metal capitals, plain trunk and plinth base with bracket feet (seat board missing), 78 1/2" high 120-140
An 18th Century and later Oak cased 30-hour Longcase Clock, Phillips - Tenbury, the hood with overhanging corners to a plain frieze over three quarter columns to a moulded throat and long trunk door on plain plinth base, to a 10" square Brass dial with cast and applied spandrels enclosing a silvered chapter ring with Roman numerals, half hour markers and inside quarters track to a matted centre and single steel pierced hand to a movement with plates united by four knopped pillars and with anchor escapement strike on a bell (associated), height 76" 120-150
A 19th Century Oak Cased, 8-Day, Longcase Clock, the hood with overhanging cornice and pierced pediment with three turned oak urn-shaped finials over freestanding reeded columns to a moulded throat and long and arched trunk door with reeded canted corners on a plinth base, to a 12" arched brass dial with silvered panel to the arch signed "Perivnt Et Impotantor" with dolphin spandrels and further cast foliate spandrels enclosing a Roman and Arabic silvered chapter ring with outside minute track, to an engraved centre with subsidiary seconds and date sector and blued steel pierced hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 88" 200-250
A Mahogany cased 8-day Longcase clock, unsigned, the hood with swan neck pediment over free standing columns to a moulded throat and long trunk door with canted corners and plinth base to an arched brass dial with engraved floral detail enclosing a Roman chapter ring and with black painted hands to a movement with plates united by four knopped pillars with anchor escapement strike on a bell (associated), height 83" 180-220
A mid-19th Century Mahogany Oak and Boxwood inlaid 8-day Longcase Clock, G Lupton, Altringham, the case with swan neck pediment over free-standing reeded columns to a moulded throat and long trunk door, flanked by quarter columns on a plinth base to a 13" arched brass dial with moon phases to the arch over cast spandrels enclosing a Roman and Arabic chapter ring with outside minute track, engraved centre with subsidiary seconds and date and blued steel pierced hands to a circular Brass movement with plates united by four knopped pillars and with anchor escapement strike on two bells, height 87" 800-850 Condition Report: Case – Previously restored – splits to hood door, mouldings loose on throat, split to base. Dial – Old restoration and moon phases repainted Mvt - Currently free and running but will require a clean, probably associated. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid.
A late 18th Century and later Oak cased 30-hour Longcase Clock, Whitehurst - Derby, the case with overhanging cornice and moulded pediment with urn finial to a plain frieze and hinged door to a moulded throat and long trunk door on two-part plinth base to a 12" square Brass dial with cast and applied urn spandrels enclosing a Roman and Arabic chapter ring with outside minute track and half hour markers to a matted centre with date sector and pierced steel hands to a weight driven movement with plates united by four knopped pillars and with anchor escapement strike on a bell (bell missing), height 87" 200-240
A mid-19th Century Mahogany Cased North Country 8-Day Longcase Clock, the swan neck pediment centred with bunch of grapes over freestanding baluster columns, to a moulded throat and short shaped trunk door also flanked by baluster columns to a large plinth base, to a 14" arched 3rd period painted dial with moon phases to the arch and painted rural landscape spandrels enclosing a Roman chapter ring with outside minute track enclosing subsidiaries for seconds and date and with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 86" 200-220
A mid-19th Century Mahogany Cased 8-Day Longcase Clock, R W Tinkler - Newcastle, the arched hood surmounted by three turned finials over freestanding baluster columns to a moulded and shaped throat and long arched trunk door flanked by half columns of a panelled and plinth base (hood door A/F), to a 12" 3rd period painted Roman dial with gilt highlighted arch and spandrels, to a Roman chapter ring with outside minute track and enclosing subsidiaries for seconds and date with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 87" 100-150
An early 19th Century Oak Cased 30-hour Longcase Clock, Andrews - Royston, the hood with overhanging cornice and shaped pediment to freestanding columns and moulded throat with long trunk door on a plinth base, to an 11" square 1st period painted dial with gilt highlighted spandrels enclosing a date sector and with pierced and stamped hands, to a single weight-driven movement with anchor escapement and strike on a bell, height 77" 120-140
An early 19th Century Oak, Mahogany and line Inlaid 8-Day Longcase Clock, Jno Farrer - Pontefract, the hood with swan neck pediment surmounted by three globe and spike finials over freestanding fluted columns to a moulded throat and long and shaped trunk door flanked by reeded quarter columns on a panelled and plinth base, to a 13" 2nd period painted dial decorated with a figure gathering flowers to the arch over gilt rosette spandrels enclosing an Arabic chapter ring with further Arabic quarters and outside minute track, with subsidiary seconds and pierced and stamped hands, to a movement with plates united by four knopped pillars and anchor escapement and strike on a bell, height 91" 350-400
An early 19th Century Mahogany Cased 8-Day Longcase Clock, name rubbed, the case with overhanging cornice to a break-arch pediment to freestanding reeded columns and moulded throat to a long and shaped trunk door flanked by 1/4 reeded columns, on a panelled and plinth base and bracket feet, to a 13" square white painted dial (worn) with Arabic chapter ring and further Arabic quarters with outside minute track and subsidiary seconds with blued steel pierced hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 87" 150-180
A 1st half of the 19th Century Mahogany Cased 8-Day Longcase Clock, H Smith - York, the hood loosely modelled on a Maltese Cross with stepped and concentric bezel and door, to a moulded throat and short trunk door and plinth base, to a 14" signed and circular 3rd period painted dial with outside minute track and blued steel spade hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 84" 250-300
An early 19th Century Mahogany cased 8-day Longcase Clock, John Collings - Sodbury, the case with overhanging cornice surmounted by swan neck pediment and giltwood finial to a plain frieze and free standing columns to a moulded throat and long trunk door, on a plinth base, to a 12" square Brass dial with engraved images of the farming year as spandrels and enclosing a Roman and Arabic chapter ring with arcaded minute track and shepherd scene, the signed centre with subsidiary seconds and date sector with black painted steel hands to a movement with plates united by four knopped pillars with anchor escapement strike on a bell (associated), height 90" 200-220
A late 19th Century Walnut and Boxwood Line Inlaid Dial Clock, the cross-banded and inlaid surround to a drop trunk with single hinged and glazed door, to a spun brass bezel enclosing an 11" painted Roman dial with outside minute track and black painted hands, to a twin spring-driven movement with anchor escapement and strike on a bell, height 27" 50-60
A substantial silver plated pedestal bowl of circular form with looping handle together with a quantity of good quality A1 plated double struck cutlery to include dinner knives, forks, dessert spoons, teaspoons, etc, further plated fish and other cutlery with polished handles, a quantity of napkin rings, further boxed teaspoons, other unboxed cutlery, a serving tureen of rectangular form, a miniature travelling trunk with applied handles to sides, studded corners and clasping front, etc
Richard Broad, Bodmin, a modern longcase clock: the eight-day duration movement striking the hours on a bell, the break-arch brass dial with black Roman numerals, a moonphase disc to the arch and signed Richard Broad, Bodmin, Cornwall, the mahogany case with canted corners, a glazed trunk door and a break-arch top, height 215cm.
L.F. Corrin, Peel, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, with the 13½ inch painted break-arch dial having black Roman numerals, subsidiary seconds and date dials to the centre, the four-seasons depicted to the corners, being females in the field, an outdoor tavern scene painted within the arch and decorative brass hands, the mahogany case having a swan-neck pediment with a brass ball-and-spire finial, a shaped moulding above the trunk door, turned trunk pillars, an inset panel below the door, turned pillars to the hood, crossbanding to the base and standing on bracket feet, height 226cm. * Notes A label within the door, handwritten by a previous owner reads: When I bought it, this clock was painted black all over and decorated with gold & yellow daisies. Too late I found out it had come from Titness Park where the Beatles lived & was probably painted by Yoko.
Jno. Symonds, Reepham, an oak longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch square painted dial having centre sweep seconds hand and date hand, with black Roman hour numerals, outer Arabic five-minute numerals and an inner date ring, with flower and peach painted corner spandrels, blued steel hands and signed with the maker's name Jno. Symonds, Reepham, the falseplate to the dial stamped with the dialmaker's name Wilson, the oak case with an arched trunk door, the hood with cresting to the top, turned wooden finials, full tapering pillars with cast brass capitals, and a plain base standing on bracket feet, height 211cm. * Biography John Symonds is a well-recorded maker from Reedham, Norfolk who married Sarah Buddifut at Thursford on the 17th of June 1774 and was known to have taken a number of apprentices including Henry Brooks for 6 years from the 25th of March 1784. His shop was situated at the 'Sign of The Dial' in the north-west corner of market square where his wife died in 1806 and his son, also John, was born and died in 1810. John Symonds was the clockmaker to the diarist Parson Woodforde who lived at Weston Longeville from 1776 until his death in 1803 and who made numerous interesting entries regarding Symonds over a period of time including, on the 31st of August 1776, "Mr Symonds at Reepham brought home my new clock today and put the same up, for which I paid him £6.6.0. It is a very neat clock and I like it very much." (see Norfolk and Norwich Clocks & Clockmakers, edited by Clifford & Yvonne Bird for further information) James Wilson is considered the most prolific and important of painted dial makers, working in Great Charles Street, Birmingham from 1777 until at least 1809. His style is most distinctive and no two dials made by his firm are the same.
Jonas Pollard, Credition, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having adjustable pallets, the twelve-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals and signed either side of VI o'clock with the maker's name J. Pollard, Crediton, the matted dial centre with subsidiary seconds dial and date aperture, with cast-brass floral spanderels to the four corners, the arch having a silvered convex boss engraved with a bird, the flat-top mahogany case with a shaped top to the trunk door, the hood having fluted hood pillars with cast-brass capitals, height 218cm. * Biography Jonas Pollard, born circa 1773, the son of John and Martha Pollard, was a well-known ironmonger and clockmaker and a member of a fairly large local clockmaking family. He married Dorothy Burridge at Crediton in 1806 and died on the 30th April 1835 making provision in his will for thirteen children. He was in partnership for sometime with his brother Thomas Pollard of Exeter, and with whom he made and fitted numerous turret and public clocks including church clocks at Talaton (1817) and Dunsford (1830) amongst others.
Michaels, Bridgwater, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch painted dial with black Roman numerals, subsidiary seconds dial and date aperture, with floral decoration painted to the four corners, blued steel hands and signed Michaels, Bridgwater, the falseplate to the dial embossed with the dialmaker's name Walker & Finnemore, the mahogany case with a swan-neck pediment, oval floral inlaid decoration to the trunk door and base, quarter fluted columns to the trunk with cast brass Corinthian capitals, full fluted columns to the hood with a wavy edge inner moulding to the hood door and standing on bracket feet, height 212cm.
AN EARLY 19TH CENTURY EIGHT DAY OAK LONG CASE CLOCK with swan neck pediment, outset turned columns decorating the hood, the trunk door with cross banded mahogany decoration, painted dial with Roman numerals, subsidiary second hand and date aperture and signed Richard Lea, Ringwood, 47cm wide x 205cm high
- Rare Black Weymann fabric-covered coachwork and Riviera specification - Reportedly treated to 'an extensive nut and bolt restoration' - 1185cc four-cylinder engine and three-speed manual transmission Further Info: This rare and immaculate Rover 10/25 features Black Weymann fabric-covered coachwork that's complemented by Red leather seating, eye-catching Red/Grey check side panelling and door cards, and Brown carpets, and the car rides on Red artillery wheels. A `Riviera' model that would have originally been priced at £250, this delightful Rover benefits from a full-length sunroof as well as folding windscreen and sliding windows on all four doors. Recently imported from Dublin, the Rover is said to have been the subject of `an extensive nut and bold restoration' and currently appears to want for nothing. It bristles with such charming period features as a capacious rear trunk, running-board mounted fuel can, mellow klaxon and Viking radiator mascot. The vendor informs us that the 1185cc four-cylinder engine `starts instantly and pulls surprisingly hard', the three-speed manual gearbox is `sweet and easy to use' and the brakes are `excellent'. A delightful addition to any collection.
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