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An early Victorian mahogany longcase clock, second quarter of the 19th century, the four pillar eight-day timepiece movement with anchor escapement and 12 inch circular white painted Roman numeral dial signed John Packer, Newbury, the hood surmounted by three brass ball finials above circular dial aperture, the trunk with central long break-arch door flanked by semi-fluted quarter columns above base with geometric ebonised mouldings and plinth, 205cm high
A George IV oak and inlaid longcase clock With a 35.5cm white arched dial signed Jn Callcott, Cotton, dated 1819, with subsidiary seconds with Roman and Arabic numerals and date aperture, the spandrels painted with flowers, the lunar calendar with a masted vessel and a landscape, the two train eight day movement with anchor escapement, rack striking on a saucer bell, the case with a swan neck cresting, inlaid frieze applied with gilt metal and anthemion's, spirally turned brass capped columns, the trunk crossbanded with an inlaid shaped door flanked by reeded quarter columns raised upon a plinth base with two weights, pendulum, winding and door keys, requires restoration. 226cms. (illustrated)
An early 19th Century inlaid mahogany longcase clock, signed Richardson Brampton With a 35cm white arched dial with subsidiary seconds and date dials, Roman numerals, the spandrels painted with flower heads and leaves, the arch decorated with a pastoral of a shepherdess, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above baluster hood columns, the trunk with a panelled door with well figured wood, raised on a plinth base and bracket feet, overall with rosewood crossbanding, with two weights and a pendulum, 225 x 54cm. (illustrated) CONDITION REPORT: Lot 2161 The case, restoration to the the right hand swan neck, half way down, possibly lacking rosettes to the roundels at the tips of the swan neck, minor piece of veneer missing left hand side of frieze above left hand baluster column 1.5 x 1cm , some bruising to the left hand baluster column, possible old breaks to each baluster column, just above the vase shaped baluster where it joins the long slender baluster, traces of old glue and restoration on the left hand side of the top baluster, re veneering to the right hand angle of the arched glazed door where the hinge is attached, minor slither of veneer right hand side to the right of the column 1 x 1.5cm, trunk door well figured no warp, good feather figuring to the panel above the door, lower panel possibly replaced veneer inside of the cross banding small section left hand side 3 x 1cm, original back board with blocks, the arched dial some crackling to the white enamel, some rubbing to the gilt decoration to the spandrels, movement complete with pendulum.
A five tube musical Westminster style longcase clock The mahogany architectural case raised on bracket feet, the trunk with glazed door revealing five tubular chimes, the hood with swan neck pediment and amphora finials, enclosing a silvered 38cm dial with chapter ring and Arabic numbers below a rolling lunar dial, 240cms high x 56cms wide x 37cms deep. (illustrated)
An early 19th Century burr elm longcase clock, signed R Lawson, Wigan With a 35cm brass dial with subsidiary seconds and date dials cast rococo spandrels the two train eight day movement with anchor escapement rack striking on a bell the well figured burr elm case with a cavetto cornice above a crossbanded frieze, reeded hood columns, the trunk with a shaped door flanked by fluted columns above a cockbeaded panel, the plinth inlaid with a frieze, canted angles and shaped bracket feet. 213x53x23 (illustrated)
David Hatfield, Bosworth, an oak longcase clock: the eight-day duration movement striking the hours on a bell, the square brass twelve-inch dial having a raised chapter ring engraved with black Roman numerals, Arabic five minute outer numerals, fleur-de-lys half-hour markings and engraved either side of VI o'clock with the maker's name David Hatfield, Bosworth, the matted dial centre with ringed winding holes, subsidiary seconds dial and date aperture and engraved with bee and bird decoration, with cast-brass urn corner spandrels and blued steel decorative hands, the oak-flat top case with plain three-quarter pillars to the hood with cast brass capitals, a shaped top to the trunk door and standing on shaped bracket feet, height 206cm. * Biography David Hatfield is recorded as working in Bosworth having been apprenticed in London in 1732.
Lawrie, Carlisle, a painted oak chiming longcase clock: the later Victorian eight-day duration, three-train movement chiming the quarters on eight bells and the hours on a gong, the square twelve-inch brass dial having a raised chapter ring engraved with black Roman numerals and Arabic outer numerals, the dial centre engraved with scroll decoration and with the maker's name Lawrie, Carlisle, with cast-brass c-scroll spandrels to the four corners, with a lever at III o'clock for silent/chime and at III o'clock for 4 Bells/8 Bells, the oak flat top case with full turned pillars to the hood, a shaped top to the trunk door, quarter columns to the trunk, all with later painted decoration including female figures and floral swags, height 206cm. * Biography Archibald Lawrie of Carlisle is recorded as working in Carlisle in the mid 18th century having been married in 1748; a watch signed by him is known to have been in the well known Ilbert Collection.
Ernest de Vleeschouwer (Dutch, early 20th Century)- Path through a forest, oil on canvas, signed lower left "Ern. De Vleschouwer", 37 x 45 cm Canvas slightly slack, resulting in undulations in the surface. A little loose in frame. Surface dirt present. Small areas of surface abrasion throughout, leaving the white of the canvas visible. A dent in the canvas to the centre left edge, next to the tree trunk

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