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A storage trunk and contents of a stool, wicker basket and flower arranging basket

A vintage pine trunk

An antique pine trunk with rope work carrying handles

Unmarked Maker - Torro - A 1:16 scale battery powered metal radio controlled WW2 German Tiger Tank. The impressive model is unmarked, but is similar in style to a Torro tank but more robust and heavier in construction. The tank is painted to a very high standard fitted with various accessories and has a piece of the body shell missing and painted to resemble battle damage. Overall the model appears to be in Excellent condition, and is untested. The model comes with HobbyKing 2.4Ghz digital radio control system, battery chargers, packs, and batteries, as well as two boxed Torro 1:16 scale WW2 German tank crew being Driver and Gunner (both appear Excellent in Good boxes). The model comes encased within wooden trunk / carry case painted with various German emblems. Items are all unchecked for completeness. (This does not constitute a guarantee) (K)

Torro - A 1:16 scale battery powered radio controlled WW2 Konigstiger (Tiger II) Sd.Kfz.182 tank . The impressive model is unmarked, comes with driver and additional accessories including a Torro boxed 1:16 scale Radio Operator figure (which appears Excellent in Good box). Overall the model appears to be in Excellent condition, and is untested. The model comes with Torro 2.4Ghz digital radio control system (shows some dusty signs of use appearing Good on the whole), plus a box containing a USB lead, and AUX cable. The model comes encased within Torro wooden trunk / carry case which appears Very Good. The model is unchecked for completeness. (This does not constitute a guarantee) (K)

A tin trunk containing a large quantity of 19th and 20th century linen damask table cloths, together with a smaller quantity of linen sheets, trunk 86cm wide, 51cm deep, 31cm high

A Cantonese carved camphorwood trunk, width 91cm, depth 45cm, height 86cm

A GESCHA TIN PLATE 'EXPRESS BOY' CLOCKWORK TOY, the boy wearing a red uniform, pushing a trunk, marked 'Gescha' and 'D.R. Patent ang. Div. D.R.G.M., Patents applied for in England. U.S.A., Franc. and Japan.', height approximately 6.5cm (1 with key) (Condition Report: generally good play worn condition, runs, some paint loss and wear)

A GROUP OF PAPERWEIGHTS AND ORNAMENTS, comprising three Schmid Disney Music Boxes, a Beswick Mare (Facing Left) model no 976 (light crazing), a Beswick Foal (Lying) model no 915, a Beswick Elephant - Trunk Stretching - Small no 974 (one tusk repaired, the other with rough tip, crazing), a Royal Doulton figure group of two sleeping dogs, boxed Swarovski and similar crystal Disney paperweights, Lilliput Lane The Sidings and Chatterbox Corner (some chipping), a Glass Baron Walt Disney World Fantasia ornament, and two Swarovski paperweights: Pixie and Reflections (15 + 3 boxes) (Condition Report: most pieces appear in good condition, sd and as stated)

A travel trunk with brass locks (H37cm W94cm D51cm)

Original vintage travel advertising poster published by Air France to promote its flights to Canada featuring a colourful design showing a tree trunk with a large maple leaf in the centre depicting different views of the Canadian landscape including snowy mountains and trees in a forest leading to cows grazing on the green grass by a wooden log cabin and a farm tractor working on a field of wheat, smoke rising from an industrial factory on the side, an historic building near cliffs and men steering logging rafts down a river set against a blue background with an Air France Lockheed Constellation plane flying across the sky below the title text with the seahorse (pegasus / hippocampe aile) logo. Acceptable condition, restored paper loss and tears, backed on linen. Country of issue: France, designer: J.M. Nabrin, size (cm): 50x31, year of printing: 1951.

Original vintage travel poster advertising Kenya in East Africa - Make a date with the sun ... in wonderful Kenya Fly there by BOAC - featuring a colourful design with photos and captions of Mount Kenya showing the rocky mountain peaks below a blue sky, a lion lying down and looking towards the viewer labelled Amboseli Lion next to a photo of people sunbathing below the palm trees on the sandy Mombasa Beaches and Maasai warriors holding spears and shields labelled Tribal Dance over an outline drawing of an elephant raising its trunk below a bright stylised sun with the text above and below. (The British Overseas Airways Corporation / BOAC was the British state airline created in 1940-1946 as the result of a merger, introducing the world's first passenger jets to its service in 1952 and merging again in 1971-1974 to create British Airways / BA.) Designed and printed by Storey Evans Co Ltd, Yorkshire, England. Good condition, restored tears, backed on linen. Country of issue: UK, designer: Unknown, size (cm): 75.5x51, year of printing: 1955.

A two piece tan leather trunk set, 82 x 58 x 15cm and 82 x 48 x 15cm (2)

An early 20th century stained camphor wood trunk - the lid relief carved with the regimental crest of the Seaforth Highlanders, the interior with half width removable tray, the front with decorative floral brass lock plate and carved keywork decoration, the lid and sides with recessed carved shell handles, on bracket feet. (LWH 102.5 x 50.5 x 56.25 cm), faults.

A good 18th century mahogany longcase clock by John Wise of London - the eight-day, bell strike movement with anchor escapement and knopped and ringed pillars, the arched brass dial with cherub and crown gilt brass spandrels and chased laurel border, silvered Roman chapter ring signed 'John Wise London', with Arabic outer 5-minute markers and fleur-de-lys half hour markers, the matted centre with silvered subsidiary seconds dial, bullseye turned winding holes and date aperture at 6 with chased foliate and fruit basket decoration, the arch with an engraved portrait of Prince George, Duke of Cambridge (later George II), flanked by guards and military trophies, the portrait oval inscribed 'George Illustrious Prince of Hanover & Duke of Cambridge', the case with moulded, arched hood with three gilt brass ball finials and parcel gilt stop-fluted Corinthian columns (glass cracked), over a moulded arched trunk door flanked by gilt brass barleytwist columns to the angles, on an incuse panelled plinth base, 230 cm high.

A late 19th century painted pine trunk: the hinged lid on strap hinges, with iron side-handles, on a plinth base, 91 x 48.5cm, 47cm high.

A 20th century Oriental camphor wood carved trunk 

A large quantity of model aircraft and similar parts and tools including hand-drawn plans, propellers, adhesive, etc, in a tinplate trunk, 59 x 38 x 36 cm

Political Interest.A George II silver tankard, of tapering cylindrical form, with central support girdle, the slightly flared foot with stepped base, S scroll handle, the domed stepped hinged cover with volute scroll thumbpiece, opening to reveal a gilt interior, the body engraved with the arms of the City of Harrogate, the cover engraved with the arms of Baldwin, the underside with presentation inscription, 'Presented to the Right Hon Stanley Baldwin PC DCL LLD MP Prime Minister and First Lord of the Treasury, with the Honorary Freedom of the Borough of Harrogate, 20th July 1928', fully hallmarked to the underside of the base, and to the interior of the hinged cover, sponsor's mark struck to the handle, Humphrey Payne, London 1734, height 18cm, weight 739g/23.75ozt approxArms: HARROGATE (Yorkshire). Quarterly argent and gules, a cross counterchanged between, in the first and fourth quarters a fountain proper, and in the second and third a bugle-horn stringed or, on a chief per pale of the second and azure, a lion passant guardant of the first. And for the Crest — On a wreath of the colours, out of the battlements of a tower a trunk of a tree erect, entwined by two serpents respecting each other proper, surmounted by a cock sable, combed and wattled gules. Motto — " Arx Celebris fontibus." Granted, College of Arms, 8th November 1884.BALDWIN. A Cockatrice Sejant, Wings Addorsed Arg.,Combed,Wattled And Beaked Or.,Gorged With A Crown Vallary,Lined And Reflexed Over The Back Gold, And Charged On The Shoulder With A Rose Gu.,Barbed And Seeded Ppr. Note:Stanley Baldwin (born Aug. 3, 1867, Bewdley, Worcestershire, Eng.—died Dec. 14, 1947, Astley Hall, near Stourport-on-Severn, Worcestershire [now in Hereford and Worcester]) British Conservative politician, three times prime minister between 1923 and 1937; he headed the government during the General Strike of 1926, the Ethiopian crisis of 1935, and the abdication crisis of 1936.References:Encyclopedia Britannica. (n.d.). Stanley Baldwin | prime minister of United Kingdom. [online] Available at: https://www.britannica.com/biography/Stanley-Baldwin.‌Fairbairn, J. (1905). Fairbairn’s Book of Crests of the Families of Great Britain and Ireland.Fox-Davies, A.C. and Boston Public Library (1915). The book of public arms : a complete encyclopædia of all royal, territorial, municipal, corporate, official, and impersonal arms. [online] Internet Archive. London ; Edinburgh : T.C. & E.C. Jack. Available at: https://archive.org/stream/bookofpublicarms00foxd/bookofpublicarms00foxd_djvu.txt ‌

An Early XIX Century Mahogany and Oak Eight-Day Longcase Clock, the hood with shaped pediment and brass finials, arched door with reeded pillars to white enamel dial inscribed "H. Fox, Beverley" with two apertures, minute dial and date, painted corner spandrels, the trunk with crossbanded door and base on moulded plinth, 216cm high. The clock movement has been overhauled and repaired by Mr J. Malcom Wild of Sheffield.

A 19TH CENTURY PICTORIAL NEEDLEWORK SAMPLER Executed by Janet Morris, Aged 10 Years, featuring a depiction of a country house beneath Adam and Even in the Garden of Eden, a lion to foreground, framed under glass and measuring approx. 49cm x 43cm externally Condition Report:Canvas is fairly bright and consistent in its colour. Numerous holes, many of which have been darned in a neutral coloured thread in an attempt to prevent further deterioration. The most significant damage is to the area between the head of the lion and the naming - "Janet Morris" etc. Other significant holes (approx. 1cm square) below top border, between serpent and tree trunk, to top righthand corner surrounding the vase of flowers and the bottom lefthand corner near to border. Many smaller holes elsewhere, with a heavily worn area approx. 1cm x 2cm above the gates to the house. Loose threads to rear are visible through the light canvas. Frame with historic label for Davidson, Kay & Co., Fine Art Dealers, Glasgow verso. Evidently has been within frame for some considerable number of decades.

An early 19th century English longcase clock. The arch top case with three brass finials over a painted tin dial plate detailed JN DAVIDSON BRENTWOOD, with subsidiary seconds dial and date aperture enclosing a two train movement. The waisted trunk Chinoiserie decorated with relief figures against a deep red ground. Height 240cm. (two lead weights, brass pendulum and winding key). Condition Report: Two of the finials and parts of the case are detached but present

Oak and mahogany long case clock, late 18th/early 19th Century, the hood with swan neck cresting, above brass Corinthian column capitals with fluted columns, flanking an arched glazed door, the trunk with door with inlaid shell motif, on plinth base, the painted dial with Arabic numeral chapter ring, with seconds and date aperture, the arch with Sun/Moon phase, with two weights and a pendulum, 227cm high

Pukka Luggage brown canvas trunk with lift out tray, 76cm by 45cm by 25cm, Finnigans Manchester tan leather suitcase, with outer canvas case, 65cm by 40cm by 22cm, Another Trunk in brown canvas, 70cm by 40cm by 20cm, all bearing initials, (3) Provenance: Dutton Manor, Lancashire

A TIN TRUNK CONTAINING A VINTAGE WEDDING DRESS TOGETHER WITH OTHER VINTAGE CLOTHING

Four boxed Steiff Rupert Bears to include Bill Badger no.543, Rupert Bear no.1387, Edward Trunk no.1012 & Algy Pug no.381 complete with COA’s, condition ex

A tin trunk, belonging to Lt P.J, Pugh RNVR Ivy House Broadwas-on-Teme Nr. Worcester, width 36ins 

A large 19th century pine trunk, the hinged lid enclosing lift-out trays, height 63cm, width 201cm, depth 62cm. Provenance: collection of notable Arundel-based artist Ann Sutton O.B.E.

An early 20th century George III style oak trunk, the hinged lid above two drawers, height 66cm, width 117cm, depth 52cm.

A modern solid oak trunk with brass clasp, height 50cm, width 107cm, depth 53cm.

An Asian gnarled hollow tree trunk stand, the edge finely carved with a shaped rim, raised on an ebonized stand, height 66cm, width 54cm.

A 19th century Japanese carved wooden circular hibachi, naturalistically carved as a wooden trunk and fitted with a brass liner, diameter 52cm. 

Matchbox Superfast 39b Rolls Royce Silver Shadow PFRENCH ROMOTIONAL ISSUE - metallic silver body with "CLIMAT OF FRANCE" trunk label, clear windows, red interior, bare metal base - Near Mint to Mint in Excellent "New" Type K Box.

Mini Mira (Spain) 121 AMX Javelin Matchbox Superfast Copy - metallic maroon body with "S.P.F.O. 91" trunk & roof labels, chrome plated interior & hood scoop, silver painted base, 5-spoke wide wheels - Good Plus with some small chips & chrome loss to left hand rear wheel, complete with Near mint "New" Type I Box.

Matchbox Speed Kings K-44 Bazooka Dragster - red body with Bazooka trunk label & Racing Number 3 roof label, RARE STP - FIRESTONE SIDE LABELS (from K-34 Thunderclap Racing Car), dark amber windows, lemon yellow base - Excellent with usual box rubs to roof label, in Excellent a little dirty from storage "New" Type I Box.

Matchbox Super Kings K84 Peugeot 305 FACTORY PRE-PRODUCTION COLOUR TRIAL - ivory body, light amber windows & head-lamps, ivory interior with black plastic steering wheel, red plastic base with copyright date but without model number cast, chrome 5-spoke deep dish wheels - Excellent unboxed with some small paint chips to trunk & some factory casting flaws.

Matchbox Superfast 46a Mercedes 300SE Coupe TWIN PACK ISSUE FACTORY PRE-PRODUCTION TRIAL MODEL - bare metal body with cast shut doors & trunk, clear windows, ivory interior, bare metal base which has not been zinc plated, un-punched/un-spun base rivets, black dot-dash wheels - Good Plus in generally Excellent "New" Type G Box. Please note: body tarnished, a previous owner has tried to improve this using fine grade sandpaper on the hood & trunk, but unfortunately this has made matters worse rather than better!

Matchbox Superfast 46a Mercedes 300SE Coupe MADE IN BULGARIA ISSUE - metallic blue body with cast shut doors & trunk, clear windows, ivory interior, silver painted Bulgaria base, dot-dash wheels - Near Mint in Excellent Plus "New" Type G Box with some minor creasing to 1 striker side.

Matchbox Superfast 2 x 34c Chevy Pro Stocker TAMPO VARIATIONS - both are white body with blue & red racing number 34 hood roof & trunk tampo print, bright red interior, bare metal base - (1) WITHOUT SIDE TAMPO PRINT - Excellent unboxed; (2) WITH RACING NUMBER 34 TAMPO PRINT TO RIGHT HAND SIDE OF BODY, WITHOUT TAMPO PRINT TO LEFT HAND SIDE OF BODY - Good Plus unboxed with paint loss to grille & headlamp cowls. (2)  

TRAVEL TRUNK, EARLY 20TH CENTURY wood bound with leather handles90cm wide

OAK CANTEEN OF PLATED CUTLERY, ALONG WITH A MODEL CANON AND OTHER ITEMS including a vintage tin trunk, Bibles and other booksthe trunk 58cm wide

VINTAGE TRAVEL TRUNK, AND ANOTHER wood and brass bound, the other white metal boundQty: 2

Pier Francesco Mola, 1612 Coldrerio – 1666 Rom, zug.GemäldepaarDARSTELLUNGEN AUS DEM LEBEN DES SELIGEN EGIDIOÖl auf Leinwand.47,3 x 64,5 cm.Verso Aufschrift „134“ und „CN“ sowie „134“, „CN“ und „MF“.Der selig gesprochene Egidio (um 1190-1262) war als italienischer Franziskaner der „Dritte Gefährte“ des Heiligen Franz von Assisi. Als einfacher Bauer gesellte er sich 1208 zu den Franziskus-Anhängern, pilgerte nach Compostela und nach Jerusalem, führte ein einfaches Leben in Arbeit, hinterließ jedoch eine umfangreiche Sammlung seiner Sprüche und Weisheiten, die von Anhängern gesammelt, tradiert und als Dicta bis heute veröffentlicht werden. Selbst bei Dante wurde er in der „Göttlichen Komödie“ erwähnt. Seine Enthaltsamkeit und Bescheidenheit wurde auch Bildthema in der Malerei.Die beiden zusammengehörigen Bilder zeigen Situationen aus der Vita des Egidio.Im erstgenannten Bild ist ein Waldstück gezeigt, mit Ausblick zwischen Baumgruppen in heller erleuchtete Landschaft. Im Vordergrund zwei Mönche im Gespräch. Dabei hat sich einer – gemeint ist Egidio – zur Rast niedergesetzt, während ihm ein Ordenskollege einen Trunk aus dem danebenstehenden Wasserkrug anbietet. Egidio jedoch lehnt dankend ab, ist das Wasser doch für die Mönche im weiter entfernten Kloster bestimmt, die an Wassermangel leiden.Im Gegenstück, mit einer ähnlichen Waldsituation, wird der Mord an dem frühen Dominikanermönch der Inquisition, dem heiliggesprochenen Pietro da Verona (1200-1252), gezeigt. Der Legende nach wurde er Opfer eines von Mailänder Familien geplanten Auftragsmordes, dessen Prozess sich Jahre hinzog und unterschiedlichen Deutungen hinterließ. Die Legende berichtet, der Mörder sei dann selbst in den Orden eingetreten, später heiliggesprochen worden. Der Maler Pier Francesco Mola, Sohn eines Architekten, zog 1616 aus dem Tessin nach Rom, um sich bei Giuseppe Cesari ausbilden zu lassen. In Venedig und in Bologna tätig, war er zwei Jahre bei Francesco Albani dessen Assistent. Zurück in Rom, hat er im weiträumigen Palazzo Pamphiliji in Nettuno Fresken ausgeführt, ebenso in Valmontone. Von Papst Alexander VII für den Quirinalspalast beauftragt, entstand mit dem Fresko „Josef und seine Brüder“ wohl sein Hauptwerk. 1655 wurde er in die Lukasgilde aufgenommen.Die beiden Bilder wurden in der Publikation „Il Barocco è Noto“ besprochen von Emilio Negro und abgebildet. Literatur: Emilio Negro, in: Pierluigi Carofano (Hrsg.), Il Barocco è Noto“. Noto, Convitto delle Arti Noto Museum, 7. April-28. Oktober 2023. S. 106, mit 2 Abbn. Vgl. Federica Bianchi, Pier Francesco Mola, in: Historisches Lexikon der Schweiz, 4.12.2008.Vgl. Jean Genty, Pier Francesco Mola pittore. Lugano-Porza 1976. (1391833) (11)Pier Francesco Mola,1612 Coldrerio – 1666 Rome, attributedA pair of paintingsSCENES FROM THE LIFE OF BLESSED EGIDIOOil on canvas.47.3 x 64.5 cm.Inscribed on the back: “134” and “CN” as well as “134”, “CN” and “MF”.

Pieter Brueghel d. J., 1565 – 1636, zug.DAS HOCHZEITSFESTÖl auf Holz.55 x 63 cm.In teilvergoldeten ebonisiertem Rahmen.Ein mittig eingefriedeter Baum dient als zentrale Achse für eine Komposition, die so ähnlich bei Brueghel und seiner Familie, und hier vor allem bei Pieter Brueghel d. Ä. wiederzufinden ist. Im Vordergrund ein Tisch, der aus einem breiten Brett besteht, das auf Fässern lagert, darum halb sitzend halb vom Trunk übermannt liegend mehrere Figuren. Ein Dorfbach wird von einer einfachen Holzbrücke überfangen, neben der ein Liebespaar sitzt, der linke Bildrand von einer Schankwirtschaft begrenzt, die durch einen Ausleger näher bestimmt wird. Rechts vor einem großen Haus ein Ehrentuch die Braut überfangend, davor Musikanten, Tanzende und einen in einem Kessel rührende Figur. Im Hintergrund eine angedeutete, in einem Tal liegende größere Stadt.Provenienz:Kunstbesitz, Paris.Literatur:Vgl. Klaus Ertz, in: Ausstellungskatalog „Die Flämische Landschaft“, Wien/ Essen 2003. (†) (1382013) (13)Pieter Brueghel the Younger,1565 – 1636, attributedWEDDING FEASTOil on panel.55 x 63 cm.

DICKENS (CHARLES)The Posthumous Papers of the Pickwick Club, FIRST EDITION IN BOOK FORM, VERY EARLY ISSUE, 43 etched plates (including frontispiece and additional title) by R. Seymour, R.W. Buss and 'Phiz', with half-title and Directions to the Binder leaf, plates with the usual foxing, mostly in margins but heavy and affecting image in some cases, modern red calf gilt, spine with decorative tooling and lettering in gilt, 8vo (212 x 127mm.), Chapman & Hall, 1837Footnotes:AN EXCEPTIONAL COPY OF 'PICKWICK' IN BOOK FORM: WITH ALL THE EARLY ISSUE TEXT POINTS, ALL THE KEY PLATES IN THE FIRST STATE, AND ONE OF 'THE RAREST OF ALL PICKWICK PLATES'.Text:Rather remarkably, this copy has every first issue point noted by Hatton & Cleaver, with the exception of the impossibly rare early page variant ('only twice has it come under writer's notice', Hatton & Cleaver, p.56), being page 261 with the signature mark N2 rather than the correct X2 as in our copy. Plates:The present copy has the vast majority of the plates in the first state recorded by either Johannsen, Miller & Strange or Hatton & Cleaver (or all three), including the Seymour plates, and also has the two Buss plates. A few of the plates are Hatton & Cleaver's 'second plate', but according to Johannsen at least two of these are not genuine second plates but simply have the page number burnished out.Copies with the first plate ('Mr. Pickwick addressing the Club') in the first state are particularly scarce, John F. Dexter suggesting that of the first issue of 400 copies of part 1, 'I very much doubt whether more than 50 impressions in first state were obtained from the first set of steels' (Johannsen, p.2). Also present here is the extremely scarce Plate 14, one of two incorrectly paginated (as 169): 'In point of rarity, however, none exceed the two plates as originally etched for Part 6. To quote again the words of J.F. Dexter, 'they are the greatest rarity known to me in this book'' (Hatton & Cleaver, p.22). Plate 15 has the correct page number (154).List of plates with Johannsen and Hatton & Cleaver references:1. Mr Pickwick Addresses the Club: Plate A, First state, signature faint but visible.2. The Pugnacious Cabman: Plate A, First state, signature legible. 3. The Sagacious Dog: Plate A, the gun with hammer and trigger and no break in the barrel. Johannsen, Miller & Strange and J. Christian Bay all disagree with Hatton & Cleaver's assertion that the first state has the break in the gun.4. Dr. Slammer's Defiance of Jingle: Plate A, First state.5-7: All Plate A, First state.8-9: The two Buss plates.10. The Breakdown: Plate A, First state (the 'NE' in 'NEMO' just visible under magnification).11. The First Appearance of Mr. Samuel Weller: Plate A1 (cane showing a break), First state, with 'NEMO' signature.12. Mrs. Bardell Faints in Mr Pickwick's Arms: Plate A2 (faces slightly retouched), First state.13. The Election at Eatonswill: Plate A1 (staff faintly etched), First state.14. Mrs. Leo Hunter's Fancy-Dress Dejeune: Plate A (with incorrect page number 169, making it 'the rarest of all Pickwick plates'), First state.15. The Unexpected Breaking-Up of the Seminary for Young Ladies: Plate A (correctly paginated 169), First state.16-21. All Plate A.22. Christmas Eve at M. Wardle's: Plate A, First plate.23. The Goblin and the Sexton: Plate B1 (knot in place of a face in tree trunk), First plate.24. Mr. Pickwick Slides: Plate A, First state.25. The First Interview with Mr. Sergeant Snubbin: Plate B1 (no roll of paper), Second plate.26. The Valentine: Plate A2 (with number burnished out), Second plate, first state. This and all following plates have no etched page number.27. The Trial: Plate B1, Second plate, first state.28. The Card Room at Bath: Plate A, First plate.29. Mr Winkle's situation when the door blew to: Plate B1, Second plate..30. Conviviality at Bob Sawyer's: Plate A, First plate.31. Mr Pickwick Sits for his Portrait: Plate B1, Second plate.32. The Warden's Room: Plate A, First plate.33. Discovery of Jingle in the Fleet: Plate A, First plate.34. The Red-nosed Man Discourseth: Plate B1, Second plate.35. Mrs Bardell Encounters Mr. Pickwick in the Prison: Plate A, First plate.36. Mr Winkle Returns under Extraordinary Circumstances: Plate A, First plate.37. The Ghostly Passengers in the Ghost of a Mail: Plate B1, Second plate.38. Mr. Bob Sawyer's Mode of Travelling: Plate A, First plate.39. The Rival Editors: Plate A, First plate.40. Mary and the Fat Boy: Plate A, First plate.41. Mr. Weller and His Friends Drinking to Mr. Pell: Plate A, First plate.42. Frontispiece: Plate A, First plate.43. Etched title: Plate A: First plate.References:Albert Johannsen, Phiz Illustrations from the Novels of Charles Dickens, 1956; Thomas Hatton & Arthur. H. Cleaver, A Bibliography of the Periodical Works of Charles Dickens,, 1933; W. Miller & E.H. Strange, A Centenary Bibliography of the Pickwick Papers, 1936; J. Christian Bay, ('The Pickwick Papers', in Amateur Book Collector I, December 1950, pp.7-8).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Figure en bronze représentant le Gladiateur BorghèseD'après l'Antique, Italie ou France, fin du XVIIIe - début du XIXe siècleLe tronc d'arbre gravé comme sur le marbre antique Ἀγασίας Δωσιθέου Ἐφέσιος ἐποίει (par Agasias d'Éphèse, fils de Dosithéos) ; reposant sur une base rectangulaire en bronze et sur un socle en marbre portorH. 25 cmH. totale 30 cmA bronze figure of the Gladiator Borghese, after the Antique, Italian or French, late 18th /early 19th centuryThe tree trunk engraved as on antique marble Ἀγασίας Δωσιθέου Ἐφέσιος ἐποίει (by Agasias of Ephesus, son of Dositheos); resting on a rectangular bronze base and a marble portor pedestal.Footnotes:Le marbre antique du Gladiateur Borghèse est l'une des sculptures les plus célèbres de l'antiquité classique et fut mentionnée pour la première fois en 1611 dans les collections du cardinal Borghèse. L'admiration que suscita ce sujet fut continue au cours des siècles et il fut reproduit à plus ou moins grande échelle par les artistes les plus accomplis.For further information on this lot please visit Bonhams.com

A Black and Decker Workmate bench, and a wooden trunk containing a Black and Decker drill, and various tool power packs Location:

A gilt-brass mounted Chelsea porcelain scent bottle and stopper, c.1765, modelled as a gallant with a bird cage at the base of a flower-encrusted tree trunk, a bird next to an open cage on the other side, the underside with a gilt flower, the stopper modelled as a bouquet of flowers, 9cm highCondition Report: An area of restoration to the base, further restoration present to a section of flowers underneath the higher bird cage and next to the gallant's head, and also to the rim next to the mount. The mount on the stopper has detached from the porcelain stopper and is stuck in the neck of the scent-bottle.  This small mount could easily be removed and re-fixed to the stopper by a restorer.

Two Meissen porcelain models of caparisoned elephants, 19th century, blue crossed swords marks, one with cut cancellation mark and impressed numerals, the decoration of both probably executed elsewhere, modelled after the original by P.J. Reinicke and J.J. Kändler, each standing four square, the gilt-edged pink and red caparisons with pendant gilt tassels and moulded with gilt scrolls, surmounted by cushions, one with gilt tassels, the pink caparisoned example 14cm high; the other 13.5cm high, both 26cm long (2)Condition Report: The example with pink caparison: large firing crack across the cushion and to the underside belly and neck, the trunk and tusks have been broken off and re-attached, some tassels on the caparison are missing, one toe to the front right foot is missing. The example with the red caparison: large firing crack across the cushion and top of head, large firing crack across the belly and neck, some tassels on the caparison are missing. 

A Louis Vuitton cabin trunk, 1920s, covered in monogram canvas and painted with owner's monogram HM for Millie Harjes, lacking carrying handles, with Louis Vuitton label and stamped 174792, the interior of the lid with ribbon lace, 34cm high. 91cm wide, 54cm deepProvenance: by descent from the present owner.Condition Report: This trunk has wear and condition issues consistent with use and age, described as follows: the handles to each side are missing, the strap which should run round the middle of the trunk is lacking and the leather brackets beneath the lock and at the same position on the back edge are worn/split.  There are two small vacant slots on the bottom edge beneath these brackets where the strap would have been held and further spaces to the underside.  Splits to the monogrammed canvas present to the top, sides and underside.  The exterior canvas with areas of heavy scratches and further dents and abrasions to the leather trims.  The wood frames with heavy wear.  The metalwork is tarnished and dull in appearance.  The interior with staining, marks, and areas of mould growth to the linen lining concentrated in one corner and one patch beneath the central lock, the hinges and clasps still functional. Additional images are available - click here. 

A George II green japanned longcase clock, by Thomas Moore, Ipswich, mid-18th century, the case decorated with gilt chinoiseries, the caddy top with three giltwood urn finials above break arch hood with columns, the trunk with arched and moulded door, on a plinth base, the arched brass dial with silvered chapter ring with Roman and Arabic numerals, enclosing a matted dial centre with subsidiary seconds and calendar aperture, flanked by urn and scrolling foliate spandrels, the arch with silvered convex plaque signed Tho.s Moore Ipswich within dolphin and foliate spandrels, the five-pillar eight day movement striking a bell on the hour, with pendulum, brass cased weights and winder, 244cm high Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.   Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré. Footnotes: Note: Thomas Moore of Ipswich (Suffolk) b.1690 son of Roger Moore of Ipswich, q.v. mar.c. 1711-62 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, London: N.A.G. Press, 2022, p.548

A Modernist enamelled metal pedestal dish by David R Carter, dated 1994, the central stem cast as a gnarled tree trunk, with flaring cast and pierced canopy bowl, enamelled bronze and greensigned and dated to base23.5cm. high

An early 20th Century oak revolving bookcase of typical form, 47 cm wide x 47 cm deep x 82.5 cm high, a 20th Century oak coffer, the fielded panelled top over three fielded panels on stile supports, 107.5 cm wide x 48 cm deep x 56 cm high and another smaller oak coffer, Lloyd Loom corner linen basket, two small oak open bookcases and an oak and cross-banded single door cupboard (long case clock trunk section), a Victorian rosewood framed waisted footstool, small oak occasional table, painted pine and decoupage decorated box, a circular dressing stool on pedestal quadruped base, a stained pine sewing table with rising lid and single drawer and an oak oval gate-leg drop-leaf tea table on barley-twist supports

An oak bookcase, the two glazed doors enclosing two shelves flanked by carved figural columns on a plinth base, 87 cm wide x 27 cm deep x 102 cm high, a Chinese carved hardwood floral and foliate decorated two tier occasional table, 43 cm wide x 35.5 cm deep x 72.5 cm high, a painted pine trunk, 103.5 cm wide x 41.5 cm deep x 38 cm high, a small rectangular lidded box, approx 50 cm wide x 26 cm deep x 25 cm high, an upholstered footstool and a carved African treenware table lamp (5)

A Meissen figure titled 'The Racegoer', late 19th century, modelled as a gentleman with tri-corn hat, turquoise overcoat and breeches stood before a tree trunk holding a spyglass to his eye and holding a walking cane, upon a rococo style scroll base, gilt highlights, under glaze blue crossed swords and incised 'D65' to underside, 20cm high, along with a continental porcelain dish, 20th century, decorated in the manner of James Giles, the handle modelled as a branch, shaped rim, under glaze blue crossed batons and impressed '49' to base, 19.5cm wide (2) (at fault) CONDITION REPORT:The Racegoer shows a crude repair to the left hand wrist and further restoration to the left arm and shoulder and left hip. Both wrists show nibbles to the cuff details. The foot rim shows a chip to the front edge. The gilt highlights show rubbing throughout. The cane is probably later associated.The dish shows a firing crack at one terminal of the handle, and a further firing crack to the rim. The upper surface shows various small firing pits.

A blue canvas steamer/travel trunk, early 20th century, applied with metal corner brackets and banding, side leather loop handles, 92cm wide, along with a second similar example (2)

A 19th century pine domed top trunk or chest, 73cm wide over handles; a rounded rectangular black painted trunk, 64cm wide over handles; another tin trunk (3)

An antique banded travelling trunk with interior tray 87cmW 50cmD 53cmH

Blue metal trunk

A trunk of dolls clothing