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A vintage trunk containing a Bentima Anniversary clock under a glass dome, a stainless steel cocktail shaker, mixed silver plate to include a pair of dwarf candlesticks, blue print engineering ephemera, mixed family photos pre 1950's and a mixture of photo frames together with a silver backed clothes brushLocation: FrontRow
An 18th century oak cased longcase clock by Savage of Clifton, the 26 cm brass dial with chapter ring, spandrels and calendar aperture to the 30 hour movement striking on a bell. Contained in case with turned pillars to hood and shaped trunk door. 214 cm high. CONDITION REPORT: We have the pendulum and weight. The movement appears to be ticking away and striking when advanced. The movement is a little dirty but as stated seemingly operational. The case itself is in generally good condition also. There are no issues with the hood or glass. The trunk door closes as it should and is not warped. The sides of the trunk are in generally good order. The left hand side rear does have some traces of old woodworm which appears in our opinion to be long gone. The base of the case is probably later to the main case but is in good order and in keeping. There is a stress fracture along the join of the two front planks. The bracket feet are in generally good order with only minor surface scuffs.
A George III mahogany longcase clock by Thomas Dodd Chester, with verre eglomise between the swans neck pediment and with glazed door enclosing the 13 1/4" square arched dial with moon phase and eight day striking movement by Thomas Dodd Chester, the case with long trunk door flanked by fluted quarter column corners, the base with canted angles and all raised on bracket feet. Height 253 cm, maximum width 54 cm (see illustration).
A George III mahogany longcase clock by Thomas Thompson Liverpool, with eight day striking movement with moon phase, dial width 13 1/4", the case with long trunk door flanked by fluted quarter column corners with well figured panel base raised on ogee moulded bracket feet. Height 235 cm, hood width 56.5 cm(see illustration). CONDITION REPORT: The movement winds on both trains and is currently ticking away and striking as it should. It seems to be keeping good time. The moon phase appears to be working as does the date. The case is in generally good condition. There are some cracks to the verre eglomise in the swans neck. The hood door is not warped. There are some nibbles to the edge of the hood door and to the side panel at the front but again this is not problematic. The rear of the hood side panel has a loose slither of timber but we have piece. The main trunk door is not significantly warped and locks as it should. There are some veneer stress fractures as one would expect but no real issues with the door. The sides of the trunk are in good order. The base is in generally good condition also. The base panel is slightly sprung at the bottom left hand corner. We can see no evidence of any woodworm. The height excluding the central finial is 230 cm.
A George III chinoiserie lacquered longcase clock, with two train striking movement by John Page Ipswich, the painted case with long trunk door, the base raised on bracket feet. Height 208 cm, width 47.5 cm (see illustration). CONDITION REPORT: The movement winds on both trains. It strikes when advanced. It appears to be ticking away as it should. The date does not appear to be advancing. The case is in generally good condition. The doors are not warped. There are some minor nibbles and losses to the paintwork and gesso particularly on the front right hand hood pillar. As you will see from our image there is some lifting to the lacquer on the trunk door and some small areas of missing paint, evidenced by the blue ground beneath. There are no splits to the trunk. The base has all of the usual typical scuffs and marks one would expect form an item of this age.
A George III mahogany longcase clock, with swans neck pediment above the arched brass dial and two train striking movement with subsidiary seconds dial and date aperture, the case with long trunk door, quarter column corners and conforming base raised on bracket feet. Height 236 cm including finial. CONDITION REPORT: Whilst we have the pendulum and weights we have not attempted to have the movement running. The metal suspension at the top of the pendulum is missing. The movement is dirty but appears to be complete. The brass dial is a little warped from top to bottom and the spandrels are all a little loose but all present. The silvering is very tired and mostly missing. The hood is principally complete but some of the moulding between the swans necks is loose. There are some stress fractures to the veneers also. The hood door is not warped and closes as it should. The hood glass is cracked. There are some pieces of dentil work missing beneath the hood. The same comments apply to the blind fretwork around the frieze. The door is not warped. There is a small loss to the top left hand corner. The door is currently locked, we do not have the key. The sides of the case are in good condition. The plinth is also in generally good order. The plinth side panels have shrinkage gaps between the panels. The feet are all in good condition. We can see no evidence of any woodworm.
A mahogany grandmother clock, with silvered brass arched dial with three train striking movement flanked by turned columns with long trunk door and base raised on ogee moulded bracket feet. Height 155 cm, width 29 cm. CONDITION REPORT: The movement does wind on all three trains. It appears to strike when advanced. The trunk door is currently locked and we do not have a key. We have therefore not had the clock ticking away as we cannot access the pendulum in order to set the clock going. The movement itself appears fairly clean and only a little dusty. The case is in generally good condition. The hood has some scuffs around the front edge of the arched pediment. The sides of the hood and trunk are very well figured and in good order. The trunk door is not warped. There is some slight scuffing to the polish on the right hand canted angle. The base is in generally good condition with only very minor marks around the feet.
A Bow figure of Ceres c.1760-65, emblematic of Earth from the Four Elements, standing before a recumbent lion, holding a cornucopia of fruit and flowers, raised on a tall scrolled base picked out in puce and gilt, a Bow figure of a putto seated with arm around a gnarled trunk, raised on a tripod base, and a Derby figure of Asia from the Four Continents, modelled as a girl with a camel, some damages, 24cm max. (3)
A George Jones Majolica comport or tazza c.1871, the wide shallow dish raised on an oak trunk with spreading branches moulded to the underside, a stag and doe on the circular base beneath with a small rabbit peeping out of its burrow, black registration diamond, some restoration to the rim, 26.5cm.
A Meissen white-glazed figure of America c.1745-50, from the Four Continents series, modelled by J J Kändler as a native woman in traditional feathered costume, seated on the back of an alligator with a parrot perched on her left hand, the low base applied with flowers and leaves, faintly incised 'AMER' to the back of the tree trunk, blue crossed swords mark, some losses, 14cm high.
VICTORIAN MAHOGANY LONGCASE CLOCK - arched top, moon face dial with painted centre and spandrels set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell strike movement (pendulum and weights included), the hood with broken swan neck pediment and pillared detail repeated to the trunk door sides over a stepped base with panel detail, 232.5cms overall H, 70cms W
CIRCA 1840 OAK LONGCASE CLOCK - 13inch painted square dial set with Arabic numerals and subsidiary seconds dial before a twin weight pendulum driven bell strike movement (pendulum and weights included), the hood with broken swan neck pediment and carved fan crest over a single glazed door and turned flanking pillars, shaped top long trunk door with quarter cut reeded pillar decoration and concave mouldings to the trunk base, 212cms overall H, 49cms W
George III mahogany eight day longcase clock by John Henry, Dublin, with anchor escapement striking bell, lion mask and acanthus carved cornice over square brass face, applied spandrels, Arabic and Roman numerals, subsidiary date and seconds dials, flanked by fluted Corinthian columns, arched trunk door, on plinth base, 219cm high.
19th century mahogany eight day longcase clock, the swan neck pediment over painted face depicting 'The Lady of the Lake', Roman numerals, subsidiary date and seconds dial, flanked by columns, crossbanded shaped trunk door flanked by ebonised Doric quarter columns, on plinth base, 53cm wide and 215cm high.
A SMALL PYU HONEY-AGATE 'ELEPHANT' TALISMANBurma/ Myanmar, Pyu city states (200-1000 CE). Well-polished agate of a nice warm orange hue, hand carved in the shape of an elephant with a short and lowered trunk. Central drilling showing ancient toolmarks and allowing for suspension as a pendant. Simple, geometric carvings indicate the animal's collar, legs and tusks. Stone with some natural, darker inclusions. Condition: Good condition with minor traces of age and small flaws to the surface. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 17.5 g Dimensions: Height 1.8 cm, Length 3 cm
A SMALL PYU ROCK CRYSTAL 'ELEPHANT' TALISMANBurma/ Myanmar, Pyu city states (200-1000 CE). The translucent stone of good clarity with some natural inclusions, carved as an elephant with a short and lowered trunk. Large piercing through the mouth and tail allowing for suspension as a pendant. The holes show ancient toolmarks and are handmade, irregular, funnel-shaped, the use of an iron needle is apparent due to the transparency of the stone, the holes having been made from both sides. Condition: Good condition with minor traces of age and wear. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 19.8 g Dimensions: Height 2 cm, Length 3 cm
A SANDSTONE STELE OF GANESHACentral India, 11th century. The six-armed elephant-headed god dancing with his arms radiating, holding a bowl of sweets in one hand from which he is sampling with his curled trunk.Provenance: Galerie Demons et Merveilles, Paris, France, 1970s. A London private collector, acquired from the above.Condition: Good condition commensurate with age, extensive wear and losses, signs of weathering and associated erosion.Weight: 13.3 kg (total)Dimensions: Height 37.5 cm (excl. base)Mounted on a modern metal base. (2)Literature comparison: Compare to a closely related stele sold at Sotheby's, New York, 1 December 1993, lot 99, and another sold at Sotheby's, London, 23 November 1987, lot 234.Auction result comparison: Compare with a closely related stele, 55 cm, at Bonhams San Francisco in Chinese, Indian and Himalayan Works of Art, on 10 December 2015, lot 8035, sold for USD 31,250.
Militaria -A twin handle tin trunk with contents of WW2 military equipment. To include gas mask, radio headphones & microphone, a George VI medal 1939-1945, canvas bag, water bottle, used shells & bullets etc. Condition fair- age worn. The trunk has the name 'Horace Neville' hand painted inside and initials on the front. H:31cm, W:59cm, D:35cm.

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