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Preisdatenbank abonnierenMatthews of Leighton, an 18th century and later oak longcase clock, the brass face supporting a 30 hour movement under a square hood, the trunk with rectangular door on a plain base with plinth foot CONDITION REPORT: (no guarantee as to working order, movement and case associated, case with wear commensurate with age and possible adaptions, e.g. pediment)
Handscomb of Wobourn (sic), a George III oak and mahogany longcase clock, the painted face supporting a 30 hour movement under a square hood with swan's neck pediment, the trunk with ogee door CONDITION REPORT: (cannot guarantee working order,face with crackleure and wear, case with splits between boards, surface flat)
A George III oak longcase clock, by Thomas Ogden, Halifax the brass bent and dial with moon phase globe, silvered chapter ring bearing Roman and Arabic numerals, subsidiary second dial, two train, five pillar twin barrel eight day movement, half hour striking on a bell, date aperture, the case with hood bearing brass capped pilasters, plain trunk on an outswept base 48 by 27 by 203cm high.
A brown leather travelling trunk by Drew of London with brass mounts and leather straps and handle CONDITION REPORTS In used and worn condition with wear, scuffs, creasing, some mis-shaping, scratches, stains and dirt, straps to front appear to be later replacements, one is broken off and the other is fairly worn, some wear and splits to corners, generally with scuffing, interior of sides of the lid very scuffed and metal reinforcements showing through where the lining has worn away, fabric lining is dirty and stained, and has some small tears and holes plus a larger tear to front padded section.
A brown leather trunk with brass mounts and side straps, the hinged top initialled "T E W", opening to reveal a canvas and brown leather fitted interior CONDITION REPORTS Overall in very used and worn condition with scuffs, dents, mis-shaping, creasing, stains and dirt, various replacement sections to leather straps, replacement leather hinge to back, interior with dirt and stains, and lining to lid with some cuts and tears, some replacement and re-stitching to the strapwork to the interior, some replacements to the lining.
An oak cased eight-day longcase clock, the hood with broken swan neck pediment above freestanding column supports, the trunk with long door on a planked base, the arched dial signed William Gill, Maidstone to the convex boss and with Arabic and Roman numerals to the chapter ring, fitted a subsidiary seconds dial and date aperture, the dial 30.5cm (12") wide
* Documents and Ephemera. An assorted collection of vellum and paper documents, mostly 18th & 19th c., including land deeds, bonds, agreements, etc., parties include the Duke of Fife and the Honourable Matthew Fortescue, with properties in London, Wales and Ireland, plus a bill book ledger (1817-33), some legal paperwork concerning the marriage contracts and deed polls of Her Royal Highness the Princess Alexandra Victoria Alberta Edwina Louise, Duchess of Fife, some earlier documents including a 44-page booklet of religious exercises, 1760s, a small 16-page religious pamphlet in manuscript dated 29 September 1678 by Mr Shore, written in a small and very neat hand, a document of depositions of witnesses taken on a commission between the Queen and Nicholas Upton, 1547, relating to saltwater fishing, 2 pp. with integral blank, somewhat soiled, folio, plus two letters from Peter Morton [ambassador to Charles I], one dated 26th October 1626 and written from Venice to his father beginning ‘After a tediouse and troublesom journey my Lord is at length returned to Venice. The troubles of his new arrivall and the shortnesse of the tyme since his coming will yet give mee noe occasion of assuring you determinately how I find his affection disposed towards mee since the death of Sr. Albertus Morton: though I doubt not but in my next lrs I shall give you better satisfaction in this, 1 p. with integral address leaf and seal tear, soiling, folio, the second dated 20th May 1627 to an unnamed person (docketed ‘Ffor your selfe’) concerning Lord Conway and the delivery of some letters, 2 pp. plus integral blank (docketed), plus other miscellaneous documents and letters, etc., contained in an old solicitor’s tin trunk (a tin trunk)
Sam. Atfield, Brentford, a walnut Queen Anne style miniature longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with an outside countwheel, the eight-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, meeting-arrowhead half-hour markings and signed Sam Atfield, Brentford either side of VI o’clock, with a matted dial centre and four cast brass floral spandrels to the corners with floriate engraving between, the walnut veneered case with a caddy top and turned columns to the hood, beaded moulding to the trunk door and crossbanding to the base, the backboard bearing a torn label stamped ‘Upjohn W, Maker, South Street’, height 182cm.* Samuel Atfield is unrecorded although a James Atfield is known working in Brentford in the mid 18th century. * William Upjohn is recorded working in Fore Street, Exeter in the late 18th century before moving to Southgate Street in circa 1800, having retired in 1803 he moved to London where he died in 1812.
John Michell, Chardstock, an early oak longcase clock the thirty-hour duration movement with five latched pillars, striking the hours on a bell and the half-hours on a small bell, with an outside countwheel, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed John Michell, Chardstock fecit either side of VI o’clock, with a matted centre, cast brass cherub head spandrels with floriate engraving between and fine blued steel hands, the later oak case with a swan-neck pediment, turned pillars to the hood and crossbanding to the trunk door and base, height 192cm.* John Michell was babtised in August 1675, being the son of Stephen and Elizabeth. He married Annie Fippen in May 1691 with whom he had a daughter, Ann, who eloped with the local Reverend’s son, Thomas Drayton, in 1727, marrying in Dorchester in September of that year. It is known John Michell made fine and distinctive lantern and longcase clocks. His brother James was also a clockmaker.
Nathaniel Brown, Manchester, an 18th century longcase clock the eight-day duration movement striking the hours on a bell, the twelve-inch square brass dial with a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, flame half-hour markings and the makers name Nathl. Brown, Manchester, with cast-brass female-head spandrels the matted dial centre with a subsidiary seconds dial, date aperture and engraved with foliate decoration, with decorative blued steel hands, the oak case with crossbanding to the shaped trunk door, base and hood door, the caddy top hood with two brass ball-and-spire finials, full pillars to the front with giltwood capitals and a fretwork frieze below the top moulding, standing on bracket feet, height 218cm.* Nathaniel Brown is recorded as working in Manchester from circa 1750 until circa 1800.
John Carlyon, Falmouth, an 18th century oak longcase clock the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, fleur-de-lys half-hour markings and engraved either side of VI o’clock with the makers name John Carlyon, Falmouth, the matted centre with a subsidiary seconds dial and date aperture with engraved foliate decorative surround surmounted by a ho-ho bird, with wheat-ear border engraving , decorative blued steel hands and cast-brass urn spandrels to the four corners, the arch with a silvered boss engraved with a depiction of the sun, the oak case with a break-arch trunk door, turned three-quarter columns to the caddy-top hood with the plain base standing on bracket feet, height 226 cms.* John Carlyon is recorded as working in Falmouth in the early 18th century having married Ann Jenkins in 1729. He put his name to a marriage bond in 1740.
Robert Evans, Halstead, a walnut thirty-hour longcase clock the eleven-inch square brass dial with a raised silvered chapter ring engraved Rob’t Evans, Halstead either side of VI o’clock, with a matted centre, cast-brass foliate spandrels to the four corners and later decorative blued steel hands, the thirty-hour duration movement striking the hours on a bell with an outside countwheel, the later walnut case with cross banding to the trunk door and base, with the flat top hood having barley-twist columns to the front corners, height 193.5cm. * Robert Evans is recorded as being apprenticed to Henry Adeane junior of London in 1706 before working in Halstead, Kent from circa 1720 until circa 1740.
Mark Hawkins, St Edms Bury, a walnut eight-day longcase clock the eight-day duration five-pillar movement (fifth pillar removed) striking the hours on a bell, with the twelve-inch break-arch dial signed on a shaped silvered plaque, Mark Hawkins, St Edms, Bury with a matted centre, subsidiary seconds dial, date aperture and cast urn spandrels to the four corners, the silvered chapter ring engraved with fleur-de-lys half-hour markings, black Roman numerals and Arabic five-minute markings, the later walnut case with cross-banding to the base and break-arch trunk door, the flat-top hood with a break-arch door and three-quarter turned columns and wooden capitals, height 203cm. * There were two makers named Mark Hawkins, father and son, working in both Bury St Edmunds and Newmarket. The father was born circa 1674 and married Mary Deave in March 1701. He had five children including mark junior, born in February 1707. Mark Senior died in 1750 and two of his three sons, William and mark continued as clockmakers. Mark junior married Mary in circa 1745 and had one son. Mary Hawkins died in 1750 whilst Mark junior died on the 28th of April 1767.
An 18th Century lacquer longcase clock with an eight-day duration, five-pillar timepiece movement, the ten-inch break-arch brass dial engraved with black Roman numerals, with an inset subsidiary seconds dial and decorative steel hands, the arch unadorned, the lacquer case with a painted scene laid onto the break-arch trunk door in four panels depicting the four seasons, with the base having a panel originally laid with a painted scene now lost, with remnants of chinoiserie work to the case, the pagoda-top hood with further chinoiserie decoration, one giltwood ball finial, the other missing, and missing the front pillars, height 218cm.
T & H Doublet, a large profusely carved oak barometer the twelve-inch round silvered dial engraved with the maker’s details T & H Doublet, 4 City Road, London, the oak case carved with foliate decoration, with fruit to the sides and a female figure with snakes entwined below the dial, with a thermometer set within the trunk, height 153cm.* T&H Doublet are recorded as working as opticians and instrument makers at City Road, Finsbury, London from 1853 until 1868, moving in that year to Moorgate Street.
Swarovski crystal small animal models - Teddy Bear med., Hedgehog, Elephant, Butterfly, smaller Hedgehog (one spike detached), Fish, all boxed, to/w unboxed Swan and large Hedgehog and two boxed Crystal Art ducks Condition Report Bear arm repaired, butterfly antennae missing, one spike on hedgehog missing, end of elephant's trunk missing
A George II 30 hour duration Longcase Clock, the 11in (28cm) brass dial with a brass chapter ring stamped John Rouckleiffe within applied mask and foliate spandrels, the oak case with mahogany crossbanding and boxwood and ebony chequer strung lines enclosing a crown medallion to the trunk door, striking on a bell, overall height, 79in (200.5cm)
W. Flather, Halifax, A Georgian mahogany Longcase Clock, having a 30 hour bell strike movement and arched 14in (35.6cm) dial painted with a figure of a seated lady and architectural spandrels enclosing subsidiary seconds and date dials, the case with a broken swan neck pediment, glazed hood and columns above a trunk door and stepped case.
GEORGE IV MAHOGANY LONG CASE CLOCK 19TH CENTURY the swan neck pediment over an arched glazed door flanked by turned columns, the painted pink and white dial with a Roman chapter, subsidiary seconds dial and date aperture, inscribed `Jacob Moseley`, with two winding holes, straight trunk and plinth base 53cm wide, 212cm high, 26cm deep
SCOTTISH MAHOGANY AND INLAY LONGCASE CLOCK BY HENDRIC OGG, DUNFERMLINE EARLY 19TH CENTURY the swan neck pediment with a brass bird finial above an arched silvered and brass dial with Roman/Arabic chapters, subsidiary seconds dial and two winding holes, pierced brass spandrels and engraved boss `Tempus Fugit`, flanked by octagonal columns, the trunk door with floral inlay flanked by quarter columns, on a plinth base with a flowering urn inlay, raised on splay feet 47cm wide, 219cm high, 24cm deep
A mid 19c English fusee drop dial, the 12" flat dial signed J D Grant, Broad Street, Ilfracombe and having spade hands and a spun brass bezel. The single fusee movement is rectangular and the mahogany case has a lenticle glass with brass surround, carved ears and brass inlay to the trunk, 20.5" tall overall.
A late 18c eight day longcase clock, the 12" arch brass dial signed Dalrymple, Brechin and having a moon phase dial in the arch and date and seconds rings. The corners have gilded gesso spandrels with painted floral centres and the movement has five ring pillars and inside countwheel striking. It is contained in a mahogany Edinburgh style case, the hood having swan neck pediments with Edinburgh infills below and plain columns flanking the dial. The long trunk door has a flat arched top with a crossbanded edge and the base has a rectangle of similar inlay and a wavy plinth, it stands 82" tall.
A late 18c eight day longcase clock , the 13.5" arched brass dial signed John Smith, Chester and having a moon phase dial in the arch, scroll spandrels and a silver and engraved dial centre, with seconds and date indicators and unmatched steel hands. The four pillar movement is rack striking with anchor escapement and is contained in a mahogany case with swan neck pediment to the hood and fluted columns flanking the dial. The trunk has fluted quarter columns and a long trunk door with wavy top and crossbanded edge moulding. The base has canted fluted corners and a raised central panel with indented corners and a bracket foot plinth, 94" tall overall.
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