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66969 Los(e)/Seite
YESTERDAY AND TODAY (BUTCHER COVER) - 2ND STATE. A well presented example of the 2nd state pressing of the controversial Yesterday And Today (mono T 2553). This copy has the trunk cover pasted over the original 'butcher' design. The sleeve is in clean VG+ condition. It is obvious that there has been no attempt to peel the sleeve, with the front cover showing only slight signs of wear. Ringo's 'V' neck jumper is clearly seen with the outline of his face visible too. There is a small seam split on the bottom edge and what appears to be a US phone number written on the reverse in pen. RIAA stamp with '3' to the left side of it on the bottom right corner of the reverse. The record is in G+ condition with many surface markings and a few light scratches. With 'Capitol '66; Sounds Great' inner.
YESTERDAY AND TODAY (BUTCHER COVER) - 3RD STATE. A very well peeled 3rd state version of the infamous Yesterday And Today (mono T 2553). This example has has the trunk cover removed showing the original image. The sleeve is strictly graded as VG condition. The peel has obviously been completed with care with only a couple of very light and faint 'lifting' to the paper. There is a small section on the bottom left side that has been 'coloured' in with pen. The reverse shows some light spotting. The record is in G condition with many surface markings and a some light scratches. With 'Capitol '66; Sounds Great' inner.
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK WITH HALIFAX ROLLING MOON PHASE, SIGNED J. COLLINS, CHEADLE, the 14" painted Roman dial with subsidiary date and moon phase apertures to the centre, enclosed by sea shell spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and gilt wood finial above free standing square, fluted columns to the fore corners, set over trunk door with wavy top, flanked by square, fluted quarter columns, and raised on a chamferred base with ogee bracket feet, 89" (226cm) high
EARLY NINETEENTH CENTURY MAHOGANY LONG CASE CLOCK SIGNED JNo WINSTANLEY, HOLYWELL, the 13" painted dial with subsidiary seconds dial and date aperture to the floral painted centre, enclosed by conforming spandrels and powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, pierced frieze and free standing, fluted fore columns with Corinthian brass capitals, over a long trunk door with moulded edge and shaped top, flanked by chamfered and carved fore corners, and raised on a conforming base with ogee bracket feet, 88" (223.5cm) high
EIGHTEENTH CENTURY OAK LONGCASE CLOCK SIGNED WOLLEY CODNOR, the 11" brass dial with date aperture to the scroll engraved centre, enclosed by pierced cherub mask and scrollwork spandrels and powered by a 30 hour movement striking on a bell, housed in a flat topped case with moulded cornice and three quarter columns (no door), over a long, moulded trunk door with arched top and raised on a plain base, 77" (195.6cm) high
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK SIGNED GIBSON S MARSON, ALFRETON, the 13" painted dial with subsidiary seconds dial to the centre, enclosed within floral spandrels and set beneath a painted arch depicting a rustic maid at a gate, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment above a pair of free standing, turned columns to the fore corners, set over a trunk door with pointed top, flanked by chamfered fore corners, and raised on a crossbanded base with bracket feet, 84" (213.4cm) high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK SIGNED A. HUTCHINSON, LEEDS, the 12" brass dial with silvered chapter ring and date and second subsidiary dials to the scroll engraved centre, enclosed by scroll pierced spandrels and set beneath a signed brass convex roundel to the arch, powered by an eight day movement striking on a bell and housed in an arch top case with broken pediment and free standing columns to the fore corners, above a long trunk door with shaped top, and raised on a panelled base with bracket feet, 87 ½" (222.3cm) high
AN IRISH BOG OAK BOOK SLIDE, 19th century, attributed to Cornelius Goggin, the sliding base with central carving of an Irish harp, inside a profusely decorated border of trailing shamrocks, the hinged folding bookends, one carved depicting an Irish Wolfhound seated beside a tree trunk, the other as an Irish Harp surrounded by shamrocks, 36cm wide (when closed), 22cm high, 8cm deepIrish Bog Oak is a rare timber excavated from deep underground, usually as a by-product of turf cutting, or when bogland is drained for agricultural use. The wood has been preserved due to the unique conditions of the bog, and is is usually jet black in colour. Ireland, in the 19th century, had a thriving bog wood industry in Dublin, with representation also in other main cities and in the tourist towns such as Killarney. It was a highly desirable material with pieces ranging from emblematic jewellery, book ends and candlesticks to intricately carved suites of furniture.In the 19th century Neo- Celtic style reflected the growing fascination with Ireland’s ancient, cultural and artistic past. This was a decorative style based on Celtic motifs and designs characterised by the use of symbols such as the shamrock, Irish harp, round tower and wolfhound, with interlacing patterns incorporating Gaelic script from the Book of Kells. Cornelius Goggin moved to Dublin in 1849, where he set up business in the city centre. In the 1853 Dublin Exhibition, he showed a candelabrum in bog oak Irish silver, he also exhibited bracelets, brooches, necklaces, bookstands, chess boards and other articles and in bog oak. By 1852 Cornelius Goggin had moved to 13 Nassau Street, where he ran a bog oak and Killarney wood warehouse until his death on 1st July 1865. He had also become purveyor ‘to her Majesty’. A bog oak inkstand, in the shape of an owl, by Goggin, is on display in the National Museum of Ireland.
A pearlware Fair Hebe jug c.1790, one side titled 'Fair Hebe' on a notice nailed to the tree trunk, a young man offering a bird's nest to his companion, the reverse with a further figure standing astride a bottle, washed in blue, green and manganese, and a pearlware spirit barrel, brightly enamelled with a band of flowers around monogrammed initials, 20.3cm max. (2)
A selection of vintage 20th century trunks to include an industrial metal painted green hinged lid container, and a selection of travelling trunks including a military issue green canvas trunk stamped inside, and three vintage travelling trunks with locks. Measures: 45cm high x 71cm wide x 50cm deep.
EARLY NINETEENTH CENTURY FLAME CUT MAHOGANY LONGCASE CLOCK SIGNED THOMAS BANKS, PRESTON, the 14" painted dial with subsidiary seconds and date dials and fruit painted spandrels, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and moulded free standing fore columns, over a trunk door with shaped top, flanked by reeded fore corners and raised on a crossbanded base with chamferred fore corners and moulded bracket feet, 88" (223.5cm) high
An 18th century ebonised longcase clock, anchor escapement, the silvered brass broken arch dial with Roman and Arabic numerals, cherub mask and C-scroll spandrels, caddy hood with four columns, on slender trunk decorated with japanned lacquer depicting houses, birds and flowers, on pedestal base, with weights and pendulum, H.194cm
A small collection of railway figures and accessories by Timpo and Hill etc. Railway Staff Including Station Masters, Guards and Porters. Plus a lady and children one seated on a trunk, Sailor with kit bag, seated gent with flat cap, plus other trunks, barrels, Porter's trolleys, golf clubs and a St. Leonards-on-Sea station sign. (33) QGC-GC some wear/chipping. Plate 4 £80-120
A WWII uniform of a Captain, Intelligence Corps, including khaki SD tunic, with all insignia and medal ribbons 1939-45, Africa Star, Italy Star and Defence, BD blouse d 1941 and another, Sam Browne belt and crossstrap, overalls and other items, in tin trunk with name (unclear) on lid; belonged to Captain Ronal Stanley Edlin, with photostat of C.O.’s testament d 7th August ‘46. Generally GC
A Captain’s WWI uniform of the 6th Bn The Cameronians: khaki SD doublet, braided cuffs with 3 rank stars, bronze collar badges with “T”, single wound stripe to left sleeve, medal ribbons 1914-15 star and War Medal; No 1 blue doublet, name inside “H G Grant-Logan” and “1914”; black PL shoulder belt and pouch, silver plated mounts, regimental badge, regimental pattern whistle with Sphinx head, chains and foliate boss with dragon, pouch with thistle spray badge and belt loops (fastening tang broken); PL sword belt and slings, frosted WBP with regimental badge; black leather Sam Browne belt with cross strap and sword frog; 2 pairs tartan trews; 2 pairs boots with spurs; sundry other items; in tin trunk marked “6th Bn The Cameronians (Scottish Rifles)”.
A mahogany eight day longcase clock, signed Scurr, Thirsk, circa 1800, broken arch pediment, arched trunk door flanked by inlaid canted corners, 13-inch arch painted dial, seconds and date dials, arch signed, four pillar movement with a falseplate stamped Walker & Hughes, anchor escapement and rack striking on a bell, 225cm high27.03.18, Hood door with cracks to veneers in parts, case has been polished, trunk left hand side canted corner with small scratches and scuff marks, dial is clean, movement is clean, with two weights and a pendulum.

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66969 Los(e)/Seite