A walnut marquetry longcase clock, the early 18th century eight day movement signed 'Nat(haniel) Seddon at St James's London', with subsidiary seconds dial and calendar niche, five pillar movement, the door and trunk inlaid with a flower filled urn and a bird, the dial 30.5cm (12") square, height 199cm.Condition report: We would consider the clock movement and case to be a marriage. The backboard extends above the hood.The hood has repainted gilt terminals and the columns are stained, the hood and case have patches and areas of refinishing and is fairly heavily varnished. The old hand written label appears to state that the clock was purchased in Newquay and is dated in a different hand 1796.We have not seen the clock working. Please see the numerous extra images on David Lay website.Complete with two weights, pendulum and key.
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A GEORGE III 8-DAY LONGCASE CLOCK the (unsigned) enamel dial with subsidiary date and seconds dial, moon phase to the break arch, the spandrels painted with figures, in a mahogany case with satinwood inlay and crossbanding, marquetry inlaid Brittannia motif to the trunk, 54cm wide 235cm high, The clock has a pendulum with intact suspension spring and cast iron bob, and pair of cast iron weights. Condition Report : generally good, missing feet through ,movement not tested Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A large collection of vintage retro 20th century medical slides / illustrations by British Telecom. The large collection include Treatment Of Shock, Acute Heart Attacks, The Boundaries And Contents Of The Cavities Of The Trunk, To Treat Fractured Lower Limb, Types of Joints, Causes Of Unconsciousness, and many more.
A 19th century Royal Worcester blush ivory porcelain model of an Oriental hunter, leaning on his rifle, probably designed by James Hadley, the underside with makers mark, 47 cm highCondition report: the back seems to have a part missing between the tree trunk and the figure's back. The top of the tree trunk has been re-glued, the figure itself has its left leg (around the calf) re-glued.
Joseph Wilson of Stamford. A Georgian grandmother long case clock, the break arch dial painted with flowers and fruit, dial bearing Arabic numerals, subsidiary seconds dial, two train eight day movement, with bell strike, the hood with a break arch pediment, brass capped fluted columns, the trunk of plain form, raised on bracket feet, with pendulum and key, 182cm high.
A George III oak and mahogany brass dial longcase clock, Joseph Brown of Worcester, the hood with swan neck pediment and plain door flanked by turned columns, the boxwood strung trunk with shaped cross-banded door above a cross-banded base box raised on slender bracket feet, the 11 7/8" brass dial with moulded spandrels and silvered chapter ring, subsidiary seconds dial and date aperture, the four-pillar movement striking on a bell, with weights, pendulum and winder, 38cm wide x 22cm deep x 204cm high.Condition report: Movement winds, runs and strikes and appears in good general order. Hood lacking centre finial. Small repairs to hood door veneer - not disfiguring. Dial good with only negligible signs of age and use. Trunk and base box appear good, clean and original with only very minor shrinkage at panel joints. Decorative panel beneath trunk door is slightly warped inwards at one corner with an associated loss to the rosewood stringing.
A 19th century mahogany stick barometer, the index with thermometer and signed I.Binda, the case with broken pediment and boxwood strung door and trunk above a turned cistern cover, 97cm, together with two early 20th century oak banjo aneroid barometers with ceramic indexes and typical carved cases, 88cm and 90cm. (3)
A George III mahogany, 30-hour longcase clock, the hood with a broken swan-neck pediment and freestanding Corinthian columns, with brass entablature, enclosing a 12” arched dial with painted floral spandrels and arch, Roman numerals, date subsidiary dial and signed ‘Bancroft, Scarbro’, the 30-hour movement with anchor escapement, striking on a bell, restored, with key and weight, 213cm high (5)Condition report: Restored, including later cheeks and the arch of the inside trunk door later. Some loss of colour with re-polishing etc. top section of pendulum - metal strap broken. Not operational in vendor’s home.
DREITEILIGES KAFFEESERVICE MIT FIGÜRLICHEN HANDHABEN. Deutschland. Datierung: 19. Jh. Technik: Silber, zweimal mit Innenvergoldung. Beschreibung: Bestehend aus Kaffeekanne mit seitlich scharniertem Deckel, großer Zuckerschale und Milchkännchen. Die Henkel je in Form einer Schlange um einen Baumstamm gewunden und Pfau in Nest. Gewicht: ca. 1200g. Maße: Höhe der Kanne 18cm. Marke: Lötigkeitszahl 13 (Feingehalt 812,5). Erläuterungen zum KatalogDeutschland Silber 19. Jahrhundert Kaffeeservice THREE-PIECE SILVER COFFEE SERVICE WITH FIGURAL HANDLES. Germany. Date: 19th century. Technique: Silver, twice with gilt interior. Description: Consisting of coffee pot with laterally hinged lid, large sugar bowl and milk jug. The handles in the shape of a snake coiled around a tree trunk and a peacock in a nest. Weight: ca. 1200g. Measurement: Height of the pot 18cm. Mark: Solubility number 13 (standard 812,5). Explanations to the Catalogue
FEINER UND SELTENER STEHENDER GANESHA. Herkunft: Khmer. Dynastie: Pre Khmer-Zeit. Datierung: 7.-8. Jh. Technik: Gelblicher Sandstein. Beschreibung: Bekleidet nur mit einem sampot-Lendentuch, das vorne in einer Art Fischschwanz-Form in Falten geknotet ist, charakteristisch für den Stil von Prasat Andet. Maße: H.51,5cm, B.22,5cm, T.16cm. Rahmen/Sockel: Auf einem Metallsockel. Rüssel, Arme und Beine gebrochen. Vergleiche:Ein stehender Ganesha, Sammlung des Metropolitan Museum of Art, New York, Inv. Nr. 1982.220.7. Erläuterungen zum KatalogAsiatika - Südostasien Pre-Angkor-Zeit (100-900) Hinduistische Kunst Skulptur Khmer FINE AND RARE STANDING GANESHA. Origin: Khmer. Dynasty: Pre Khmer period. Date: 7th/8th c. Technique: Yellowish sandstone. Description: Dressed only with a sampot loincloth, knotted in folds at the front in a kind of fishtail shape, characteristic of the Prasat Andet style. Measurement: H.51.5cm, w.22.5cm, d.16cm. Frame/Pedestal: On a metal base. Trunk, arms and legs broken. Compare:A standing Ganesha, The Metropolitan Museum of Art, New York, Acces. No. 1982.220.7. Explanations to the Catalogue
An early 19th century oak and mahogany cased 8-day longcase clock, arched hood surmounted by eagle and ball brass finials, flanked by reeded columns with Corinthian capitals, 18 x 12 inch arched painted dial with rural scene to the arch featuring courting swans, indistinctly signed, matched brass hands, 8-day movement with bell-striking to the hour, trunk with canted corners and long door, base missing the feet, with pendulum and winding key, no weights, height 190cm not including finial.
An early 18th century oak East Anglian longcase clock, brass 10" square dial with pierced steel single hour hand and corner cherub spandrels, Roman chapter ring signed Robert Brown, Bottisdale. 30 hour movement with rope/weight drive of birdcage form with countwheel strike on a bell. With weight and pendulum, base of trunk cut down. 203cm high.
An 18th Century flame mahogany longcase clock, 12" brass arched dial with date wheel, strike/silent dial and subsidiary seconds, signed William Sheafe, London, pierced blued steel hands, 8 day rack and snail strking movement (bell missing) of five pillar construction with recoil anchor escapement. Weights, pendulum and winding key. Base of trunk cut down, 227cm high.
An early 19th Century mahogany longcase clock, 12" painted arched dial with swan automata connected to pallet arbor, subsidiary seconds and calendar wheel, signed Benjamin Elles, Woodbridge. 8 day movement of five pillar construction with rack and snail striking a bell. Pendulum, weights, two crank keys and loose trunk door lock and key. 207cm high including finial.

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