66969 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
66969 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
66969 Los(e)/Seite
A George III oak and flame mahogany longcase clock, 31cm arched painted dial, Arabic chapter, the arch painted with a lady dressed for winter, florally painted spandrels and centre, pierced steel hands, date aperture, 30 hour movement striking on a bell, the hood with swan neck pediment and brass ball and spire finial, brass capped reeded columns, shaped rectangular door to trunk flanked by reeded quarter columns, bracket feet, 225cm high, c.1810James Akers was born in Nottingham in 1782, son of James Akers of Derby and probably apprenticed to a Nottingham maker, like his rather more ephemeral elder brother William. He set up in Derby as a clock and watchmaker in 1802, having married Hannah Houlgate at St. Werburgh's church that June. There were two sons. Two watches are known along with an 8-day clock and two other 30 hour examples, all with painted dials. Akers died in 1833.
A George III oak longcase clock, 33cm circular brass dial with Roman chapter, Arabic minutes chapter, star engraved winding arbours pierced steel hands, signed Whitehurst, Derby, eight day movement striking on a bell, arched hood supported on turned Doric columns, shaped rectangular top to trunk door, flanked by reeded quarter-columns, skirted base with canted angles, bracket feet, 209cm high, 1760/1770John Whitehurst FRS was born 1713 son of a Congleton maker, who set up in Derby in 1736, and became a founding member of the Lunar Society, the father of modern geological science and an scientist of note. He moved to London in 1780 and died at Bolt Court, Fleet St in 1788. His nephew, John Whitehurst II (1761-1834) took over the business which survived until 1861. He introduced round brass dials on his clocks, much imitated subsequently, in 1760.
A WALNUT AND MARQUETRY MONTH DURATION LONGCASE CLOCK, HENRY HARPER, LONDON, C1700 the 11inch brass dial with matted centre, date aperture, subsidiary seconds dial and ringed winding squares, mask spandrels, the movement with five finned pillars, the case decorated with floral marquetry and birds, the trunk enclosed by an ebony moulded door with brass lentical, 203cm h++In good condition with some cosmetic restoration to the case, movement clean, dial in good condition, seat board replaced and cheeks slightly packed with cardboard, with pair of brass sleeved lead weights and pendulum with brass bob
TIM BOBBIN'S' CLOCK. AN OAK AND QUARTER SAWN OAK THIRTY HOUR LONGCASE CLOCK, GEO BOOTH, MANCHESTER, EARLY 18TH C the 28cm brass dial with matted centre, cherub and crown spandrels and single pierced hand, the trunk door with bull's eye lentical, 228cm hProvenance: (according to an old handwritten label) "This clock was the property of John Collier of Milnrow who died 1786 and buried in the Rochdale Parish Churchyard, he was a Lancashire poet and schoolmaster 75 years from Bolton. This is his poetry Here Lies John and with him Mary/Cheek by jowl and never very/No wonder that they so well agree/John wants no punch nor Mol no tea" The unknown early 19th c author of the note pasted to the back of this handsome provincial 19th c clock rightly considered it worthy as a relic of John Collier (1708-1786) better known as 'Tim Bobbin', the Lancashire painter of caricatures and dialect verifier. He became nationally known and as his book of engravings 'Human Passions Delineated' (1773) went through many editions. He gave his peculiar talent free rein with all the Seven Deadly Sins. The twisted expressions of his well-to-do or lowly men and women were often so distorted that they appear grotesque freaks, not of nature but of their particular fit of passion. The evident want of even rudimentary technique only serves to heighten the effect. Collier/Bobbin was born at Urmston and lived at Milnrow, near Rochdale. Judging by his art, verse and many sardonic epitaphs neither his pen nor his pencil lacked subjects of themes in the locality. He apparently penned his own epitaph a few minutes before his death.++Very dirty with some old minor repairs and replacements to case. Trunk door lacking lock, lentical probably an early replacement. Cheeks not packed and the dial/movement apparently original to the case
AN ENGLISH INLAID MAHOGANY AND PENWORK DECORATED MONTH DURATION LONGCASE CLOCK THE CASE GEORGE III, THE INLAID DECORATION AND MOVEMENT LATE VICTORIAN the 30cm gilt brass dial with matted centre and date ring, rococo spandrels and engraved eagle and TEMPUS FUGIT disc to the arch, having three train movement chiming on eight bells, 234cm h excluding finials++Veneer lifting on pediment, top left corner of trunk door with small chip, good old colour, rich patina, movement and dial complete but somewhat dirty and requiring overhauling/cleaning
Jn. Spendlove Thetford; a George III oak longcase clock, the square hood with a broken swan neck pediment and giltwood orb finial, brass mounted rounded free-standing pilasters, long moulded trunk door, the 11" painted square dial with Arabic numerals, single train movement striking on a bell, 210cm high.
A large quantity of haberdashery related items, to include branding labels for Lawrence Clarke of 43 Silver Street, some lining etc., and a blue canvas trunk.Provenance: Formerly at the shop of Lawrence Clarke, a Lincoln tailor from 1950 to late 1990's. His shop at 43 Silver Street was started by his father after World War 2 and Mr Clarke trained as a tailor on Savile Row, London.
A GEORGE III OAK LONGCASE CLOCK, moulded cornice on brass capped doric columns flanking the hood door, brass dial with silvered pierced spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial, eight day movement, 11 1/4''/28.5cm dial with brass name plaque 'N. Baker, Hull', plain trunk door and plinth base, overall height 194.5cm, with pendulum, weights and winding key (condition: some pieces of wood missing to pediment and trunk door, hand missing to seconds dial, name plaque over engraving, not seen working)
A GEORGE III OAK LONGCASE CLOCK, moulded pediment above the hood door flanked by half doric columns, brass dial with pierced brass spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial and date aperture, eight day movement, 11 inch/28cm dial named S. Moore, Tewkesbury, plain rectangular trunk door and plinth base, overall height 207cm, with pendulum and weights (condition: overall good condition, some minor chips to case, case needs to sit on a block to keep it standing straight, not seen working)
A SELECTION OF CARVED ANIMALS, to include a carved rhino, assessed as green type jasper, measuring approximately 14cm x 7.5cm, a small carved elephant assessed as amethyst measuring approximately 7.5cm x 4cm (please note this piece has broken trunk), a carved jasper designed as a tortoise, measuring approximately 5cm x 2cm, a hand carved jasper frog, green-yellow spotted jasper, measuring approximately 6.5cm x 4cm, a tiny rose quartz hand carved pig, measuring approximately 2.5cm x 1cm
A GEORGE III OAK LONGCASE CLOCK, the broken swan neck pediment with brass rosette mounted scrolls centred by a brass eagle on an orb, with brass capped doric columns flanking the hood door, brass dial with pierced gilt spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial, painted lunar phase mechanism, 12''/31cm dial named J. Batty, Halifax, the trunk door flanked by quarter columns, on a plinth base, overall height 223cm, with pendulum and weights (condition: split right hand side of plinth and missing kick board, dial has patches of tarnish, other areas of general wear, not seen working)
Oak eight day longcase clock by James Holt, Rochdale, circa 1820-40, swan neck pediment over brass capped turned columns flanking a painted 13.5'' dial with maritime rolling moon aperture, date aperture, painted with exotic pheasants, eight day movement striking on a bell, the trunk with mahogany crossbanded door within quarter pilasters, raised on a canted box base, height 220cmPlease note our special conditions of sale regarding clocks and watches
Oak eight day longcase clock by Paul Lacey, Bristol, circa 1820-40, having swan neck pediment over turned columns flanking a painted arched 12'' dial with subsidiary seconds and date aperture, eight day movement striking on a bell, the trunk with an arched mahogany crossbanded door and box base, height 223cmPlease note our special conditions of sale regarding clocks and watches
Oak eight day longcase clock by Ray, Bury St Edmunds, circa 1810-30, arched hood with brass urn finials, brass capped fluted columns flanking an arched painted 12'' dial with subsidiary seconds and date aperture, eight day movement striking on a bell, plain trunk with an arched door and moulded box base, height 198cmPlease note our special conditions of sale regarding clocks and watches
Oak, mahogany and inlaid eight day longcase clock by R Pitts, Epworth, circa 1815-25, the hood surmounted with turned wooden finials over brass capped inlaid columns flanking a painted 11.5'' arched dial with Trafalgar commemorative vignette to the arch, subsidiary seconds and date aperture, the eight day movement striking on a bell, the trunk with an inlaid door over a crossbanded and inlaid box base, height 218cmPlease note our special conditions of sale regarding clocks and watches
A Bristol or Brislington blue dash charger c.1730-40, painted with 'The Temptation', Adam and Eve flanking the Tree of Knowledge and Eve accepting the Forbidden Fruit from the serpent that entwines the trunk, each holding a leaf to protect their modesty, flanked by sponged trees, within a blue dash rim, 13.5cm rim crack, 35cm. Provenance: acquired from Sotheby's, 23rd October 1968, lot 131.
A Bristol delftware Adam and Eve charger c.1730-40, painted with the scene of the Temptation, the doomed couple flanking the Tree of Knowledge with the serpent draped around its trunk, painted in blue with sponged green foliage and detailed in ochre and umber, within a sponged blue border, 33cm. Provenance: acquired from Sotheby's, 15th December 1964, lot 52. Cf. Michael Archer, Delftware, A.20 for a very similar dish with a blue dash rim.
The Fool / Apple Poster, Psychedelic Poster by Simon and Marijke of 'The Fool' - featuring a God-like figure sitting on a tree trunk with Sun, Mountain and Rainbow background - Vibrant colouring and Psychedelic images - Print on the reverse states 'designed by simon & marijke of 'the fool' - 'APPLE PUBLISHING & COMPANY LIMITED' - 'Reproduced & printed in England by Trade Publishing Services' - measures 23?" x 18 13/16 " - light creasing at the corners and neat tape residue marks on the rear, otherwise excellent condition
3 boxed Corgi Toys Chipperfields Circus models, including 1123 Animal Cage Trailer in pictorial box with end flaps, Gift Set 19 Land Rover and Trailer, includes elephant however trunk is broken, on reproduction plinth with original outer box and 487 Land Rover 'Parade Vehicle' (missing chimp), otherwise appear G/G+ in F/G boxes. (3)
19th century mahogany moon face longcase clock by W.B. Cornforth, Macclesfield, with swan neck pediment and ball finial, over painted arched face depicting the seasons, Roman numerals, subsidiary seconds dial and date aperture, flanked by reeded columns, boxwood strung trunk, shaped door, plinth base, canted corners, on bracket feet, 240cm high.

-
66969 Los(e)/Seite