Five early twentieth century luggage cases & trunks; a small navy blue travel case from `The Goldsmiths & Silversmiths Company Ltd, Regent Street, London,` grey lined interior with fitted accessory holders, 12x30x34cm, together with a small brown leather luggage case from `Fibre Foundation`, initials `E.H.A` inscribed to front, brown mottled leather interior, 16x38x25cm, a dark purple textured leather luggage case, gold initials `E.E.S` inscribed to top, beige lined interior with fitted accessory holders, cloth outer case with initials as before, 18x56x36cm, a tan leather luggage case from `Rev Robe`, labelled `patent pending`, initials `O.A.A.P` to front, canvas lined interior, metal clothes holders & pockets, 17x45x57cm, and a chocolate brown trunk, reinforced brass corner detail, brass studs overall, buckle fastening, handles to sides, 26x83x51cm, (5).
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66972 Los(e)/Seite
A Collection of Wooden Doll`s House Furniture and Accessories, comprising a display cabinet, a bureau bookcase, an open bookcase of books, a fireplace with mantel clock, a three piece suite, a dresser, a kitchen table, a kitchen chair, a sideboard, a grand piano, two shop display cases, a dumb waiter, a gramophone, a work bench, a dog kennel, a tin trunk, a plastic record cabinet, pictures etc.; a Wooden Bunny Classroom, of a blackboard, four desks and forms, seven bunny pupils and a teacher, in three boxes.
A reproduction mahogany longcase clock of Georgian design with swan neck pediment with fret decoration below the arched dial with gilt metal spandrels, silvered chapter ring, second-hand and chime, silent dials, the boss engraved Swinden & Sons Birmingham. The eight day movement with Westminster and Whittington chimes, brass mounts to the twin columns and similar brass mounted pilasters to the trunk with arch door. The base on bracket feet. Approx 7ft high.
A Tri-ang Minic Carter Paterson & Pickfords parcels lorry Clockwork Joint Parcels Services lorry in red and green with originally chrome coloured wheels and front detailing. One side poster features an elephant exhorting "Send your trunk in advance". Opening rear doors. QGC but motor jammed, one tyre cracked, some crazing, chrome work rusted.
Thomas Bates of Market Harborough, a George III oak and crossbanded longcase clock, the painted dial with date aperture and secondary dial beneath a tole pendulum bob depicting a three master under an arched hood with swan neck pediment, the trunk with rectangular door, fluted pilasters and a plain base on bracket feet
A late George III oak thirty hour movement longcase clock, with eight day face with false winding holes, the 12 inch square painted dial signed 'Owen Davies, Llanidloes', the unrestored movement lacking its bell, the face lacking subsidiary seconds hand, the square hood with turned front corner hood pilasters over a crossbanded trunk door with canted corners to the top, between quarter reeded front corner trunk pilasters, on a box base and wavy cut-out plinth, 209cm high
An eight day long case clock, early 19th century, the 12 inch arch painted dial signed `Boney, Padstow`, with centred subsidiary seconds dial, date aperture under a rolling moon with motto `High water at Padstow`, the face and restored movement in an arched hood over a trunk with long shaped trunk door on a reduced box base, 198cm high
An eight day longcase clock, the arched brass dial with inner subsidiary seconds dial, marked `Cooper, Whitchurch`, within a ring of Roman and Arabic numerals, under the motto `Tempus Fugit` to the arch, the hood with arch broken pediment over fluted front corner hood pilasters and a long arched trunk door between fluted canted front corners, on a box base and cut-out plinth, 206cm high
A thirty hour longcase clock, the 12 inch eight day face signed `Owen Davies, Llanidloes`, with thirty hour weight driven movement, the hood with fluted front corner pilasters over an ogee arched trunk door with star inlay, above an ogee panelled box base, with later skirting plinth, 215cm high
VICTORIAN BROWN MOROCCO and BRASS MOUNTED JEWEL BOX in the form of a cabin trunk, the hinged lid having brass engraved flush hinged handle and mount and opening to reveal a purple satin and velvet lined interior with six swivel action trays and vertical fall-front, all with engraved brass mounts, 31cm wide
Green Erin - A Clarice Cliff conical sugar sifter circa 1933 hand decorated with a stylised tree and flowers within green and black banding, Bizarre mark, height 14cm. Condition - No chips, cracks or restoration. [A 1933 pattern featuring cloud-shaped trees with a dramatic black tree trunk surrounded by fried egg-shaped flowers. This pattern also has an orange colourway. DM]
May Avenue - A Clarice Cliff 18" ribbed charger circa 1933 hand decorated with a tree lined road with red roofed cottages before turquoise bushes with black spade trees together with a large black trunk tree with Cafe Au Lait style tonal green stippled foliage all within black and blue banding, Bizarre mark, width 45cm. Condition - No chips, cracks or restoration - Two small paint flakes to the black on a lower tree bough and a number of faint small linear scratches to the turquoise bushes and outer banding. [Only the second ever example to come up for auction, this has been consigned by a direct descendant of the original owner. Having lived for many years underneath a Ping Pong table the charger was discovered by the vendor and gifted by her grandmother as a sixteenth birthday present. From the Bizarre girls point of view it was an elaborate, very labour-intensive pattern. Thanks to Leonard Griffin’s research we know that all these elements were originally combined by Italian painter and sculptor Amadeo Modigliani in his painting "Landscape at Cagnes". It’s still a mystery as to why the name "May Avenue" was chosen by Clarice. Perhaps it was her Potteries sense of humour, as there are two roads with this name within a few miles of her Tunstall home! DM]
A Victorian mother-of-pearl inlaid rosewood mercury wheel barometer, unsigned, mid 19th century. The 8 inch star -centre engraved circular silvered register calibrated in inches beneath bowfronted Fahrenheit scale alcohol thermometer to the tapered trunk and hygrometer to the swan neck pediment, the square base with rectangular spirit level and ivory setting pointer adjustment disc, the case with elaborate mother of pearl marquetry borders to front, 101cm high, with a copy of Banfield, Edwin BAROMETERS wheel or banjo Baros Books, 1st edition, Trowbridge 1985, dj., (2). Visit www.dnfa.com for condition reports.
A Regency mahogany cistern tube stick barometer, John Braham, Bristol, early 19th century. The arched brass scale calibrated in inches, mounted with a Fahrenheit scale mercury thermometer and signed JOHN BRAHAM, BRISTOL to upper margin, the waisted trunk with exposed tube above domed citern cover to the rounded base, 93cm high. John Braham is recorded in Banfeld, Edwin BAROMETER MAKERS ND RETAILERS 1660-1900 as working from several addresses in Bristol 1830-56. Visit www.dnfa.com for condition reports.
A George III inlaid mahogany bulb-cistern tube stick barometer, F. Donegan, Stafford, circa 1810. The rectangular silvered vernier scale calibrated in inches and applied with a mercury Fahrenheit scale thermometer, the upper edge signed F. Donegan, Stafford, the case with hinged glazed cover and broken pediment above a parquetery banded caddy-moulded trunk with exposed tube and a domed circular cistern cover to base, 97cm high. F. Donegan is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILRS 1660-1900 as working in Stafford, c.1810-30. Visit www.dnfa.com for condition reports.
A Queen Anne walnut eight-day longcase clock. David Lestourgeon, London, early 18th century. The five finned -pillar inside countwheel bell-striking movement with 12 inch brass break-arch dial with calendar aperture, ringed winding holes and subsidiary seconds dial to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and fleur-de-lys half hour markers, the angles applied with twin cherub and crown pattern spandrels beneath shallow arch with oval boss signed David Lestourgeon, London within foliate engraved infill and herringbone upper border, the case with moulded cornice above blind fret infill and integral pilasters to hood, long trunk door and on plinth base with moulded skirt, case with some restoration, 231cm high. David Lestourgeon is recorded in Baillie, G. H.Watchmakers & Clockmakers of the World as working in London 1698- 1731 and is described as a fine maker. Visit www.dnfa.com for condition reports.
A fine George III mahogany eight-day longcase clock. Wilmshurst, Reading, circa 1780. The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with recessed seconds dial, sweep calendar hand and signed Wilmshurst, Reading to the foliate scroll engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, the angles with foliate-scroll cast spandrels beneath Strike/Sillent dial flanked by conforming mounts to arch, The case with pagoda pediment above reeded pilasters to hood, break- arch trunk door and raised panel fronted plinth base with double moulded skirt incorporating shaped apron and block feet, 249cm high. Visit www.dnfa.com for condition reports.
A George II green japanned eight-day longcase clock. Robert Bray, London, circa 1740. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes and signed Robert Bray, LONDON to lower edge, with mask and scroll spandrels to angles beneath Strike/Silent dial flanked by dolphin cast mounts to arch, the break-arch case with integral pilasters to hood above break-arch trunk door polychrome and gilt relief decorated with chinoiseries above a man-o-war on a dark green ground, on a reduced plinth base with moulded skirt (pedimnet lacking, case generally distressed), 208cm high. Robert Bray is recorded in Baillie, G.H.Watchmakers & Clockmakers of the World as working in London 1728-43. Visit www.dnfa.com for condition reports.
An oak eight-day longcase clock with moonphase and Masonic dial. James Thomas, Chester, late 18th century and later. The four-pillar rack and bell striking movement with 13 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and signed Jam's Thomas, Chester to the figural Masonic engraved centre within an applied Roman numeral chapter ring with Arabic five minutes, the angles with foliate-scroll cast spandrels beneath rolling moonphase to arch, now in a swan-neck pedimented case with twist turned pilasters to hood above short shaped-top trunk door flanked by conforming columns and a recessed panel-fronted plinth base with squat cabriole feet, 225cm high. Visit www.dnfa.com for condition reports.
An Irish George III inlaid mahogany eight-day longcase clock. Alexander Christie, Dublin, late 18th century. The four-pillar rack and bell striking movement with 13.5 inch square brass dial with subsidiary seconds dial and calendar aperture to the foliate-scroll engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed Alex'r Christie, DUBLIN to lower edge, the angles with angel-head and foliate-scroll cast spandrels, the case with broken triangular pediment above reeded frieze and conforming pilasters flanking the parquetry banded hood door, the trunk with vase and fan inlaid shaped-top door flanked by quarter columns, the plinth base with large oval cartouche and canted corners, on bracket feet, (some damage to case), 232cm high. Alexander Christie is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol. 2 as working in Dublin 1758-1801. Visit www.dnfa.com for condition reports.
An Irish Regency mahogany eight day precision longcase clock. Jameson, Dublin, early 19th century. The four- pillar rack striking movement with deadbeat escapement, wood-rod pendulum and crossed-out large diameter weight pulleys, the 14 inch circular cream painted Roman numeral dial with subsidiary seconds ring and indistinctly signed Jameson, Dublin to centre, the break-arch case with shaped upstand to the foliate and rope-twist carved cornice above rectangular glazed trunk door and plinth base with moulded skirt, 211cm high. Visit www.dnfa.com for condition reports.
A mahogany eight-day longcase clock with Adam and Eve automaton. Unsigned, early 19th century. The four- pillar rack and bell striking movement with anchor escapement and 13 inch white painted Roman numeral break- arch dial with subsidiary seconds dial and arched calendar aperture to centre, polychrome and gilt decorated spandrels and arch with raised figure of Eve gesturing with an apple in her right hand towards Adam with the motion of the pendulum, the background painted as the Garden of Eden, the swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and plinth base with bracket feet, 206cm high. Visit www.dnfa.com for condition reports.
A William IV parquetry banded eight day longcase clock. John Latham, Macclesfield, circa 1830. The four-pillar rack and bell striking movement with 13 inch square cream painted Roman numeral dial with subsidiary seconds dial, arched calendar aperture and signed John Latham, Macclesfield to the ho-ho bird decorated centre, the spandrels painted with floral motifs, the swan-neck pedimented case with line inlaid square section pilasters to hood above shaped-top trunk door flanked by reeded uprights, on geometric banded panel-fronted plinth base with canted angles and ogee bracket feet, 209cm high. Visit www.dnfa.com for condition reports.
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66972 Los(e)/Seite