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Richmond (William Blake, 1842-1921) The Arcadian Shepherd, 1858, pen and brown ink, on wove paper without watermark, signed with monogram on tree trunk and dated '1858', 145 x 185 mm. (5 3/4 x 7 1/4 in), several inscribed attributions and inscriptions verso, light spotting and surface dirt, unframed Provenance: The artist's family and thence by descent; With Abbot & Holder, London (circa 1990) Literature: cf. Mrs A. M. W. Stirling, The Richmond Papers, London, 1926, pp. 99-100 Simon Reynolds, Sir William Blake Richmond: an artist's life, 1842-1921, 1995, p. 14, see note 15, p. 364 ⁂ The young William Blake Richmond executed the present drawing aged only 15, and would have done so while enrolled in the Royal Academy Schools, London, where he studied for three years. As a drawing from 1858 the nature of the work at first appears as an anachronism, but in reality the drawing serves to illustrate the "poetic" spell that the artist was under after having grown up with the early work of his father, and his father's contemporaries. For a loosely associated work by George Richmond, albeit in a reproductive medium, see the line engraving 'The Shepherd' (see Tate, ref.: N04064); similarly see the wood-engravings by Edward Calvert, the artist arguably closest to Blake Richmond's aesthetic in this drawing, and the Virgil woodcuts by William Blake. "If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of [my father's] contemporaries - Calvert, Blake and others, whose shadows are substance still to me." [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling, op. cit., p. 28]
An Indian Bangalore silver teapot and matching sugar bowl by C Krishniah Chetty & Sons, the teapot with a deity riding an elephant as a finial, the handle and spout each an elephant's head and trunk, the sugar bowl with deity finial to the lid, each piece decorated with panels of deities and animals, 820g. (See illustration)
An Indian Bangalore silver bellied cream jug by C Krishniah Chetty & Sons, the handle an elephant's head and trunk, the spout a mythical beast, the body with panels of deities beneath temples, height 10.8cm, 200g. (See illustration) Condition report: Generally in good condition but some wear due to polishing, slight dent to foot.
AN EARLY 19th CENTURY & LATER OAK LONGCASE CLOCK, the 12 ins square dial brass faced with silvered chapter ring set with Roman numerals and Arabic subsidiary seconds, the name aperture marked 'Maurice Thomas, Caernarvon', chased decorated centre with decorative spandrels, the pendulum driven twin weight movement striking on a bell, in a single glazed door square hood having turned pillars and brass caps above a long trunk door with quarter cut reeded side pillars and brass pilaster caps, on a stepped trunk base, 85.25 cms high, 45.5 cms hood width
A CIRCA 1820 BRASS DIAL LONGCASE CLOCK, the 12 ins arched top dial set with Roman numerals, subsidiary seconds dial and date aperture, twin weight pendulum driven movement striking on a bell, pierced spandrels and dolphin decoration with crested roundel. The hood with brass finials and reeded door flanking pillars, crossbanded long trunk door and canted sides on a stepped base, 201 cms overall height, 48 cms wide
NOTE AMENDED DESCRIPTION - William Berry, Minehead, a good part 18th century shortcase clock, the hood with swan neck pediment enclosing a twin train 8-day movement with 18 cm. square arched engraved brass dial with silvered chapter ring, the trunk with blind frieze and quarter turned pillars, raised on ogee bracket feet, 142 cm high Condition Report Good clean condition with no major losses, winding key present but not original, door-key present, case dates to circa 1900
A pair of weathered cast composition stone planters of circular tapered form with aztec type relief detail and traces of painted finish together with one other with face mask and floral detail and a novelty bird bath with small shallow circular bowl raised on a simulated tree trunk with traveller sleeping beside a milestone
AN ENGLISH MAHOGANY MUSICAL LONGCASE CLOCK, JOHN RONSON, STEVENAGE. 19TH CENTURY The 28,5cm dial with Arabic minutes and Roman hour numerals, inscribed John Ronson, Stevenage in the arch, spandrels to the corners, Westminster chime on each quarter hour on either eight or four bells, striking the full hour on a spiral gong, the arched hood surmounted by brass spires, a glazed door below flanked by reeded columns, glazed sides, the trunk centred by a panelled door with a shell patera, on a panelled plinth base with conforming patera, on bracket feet, stringing throughout, distress 251cm high

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