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66972 Los(e)/Seite
Los 264
A late Georgian mahogany moon face 8 day long case clock, the projected dentil and moulded cornice over arched face, flanked by fluted columns, Roman numerals, subsidiary date and second dials, spandrels, with anchor escapement and striking bell, and moulded trunk door on plinth base, 200cm high
Los 265
A late 18th, early 19th century long case clock by Thomas Gregor, Ayton, with anchor escapement and striking bell, the swan neck pediment mounted by ball finials, painted arched face depicting spaniels flushing pheasants, Roman numerals, subsidiary date and second dials, flanked by Doric columns, arched trunk door flanked by quarter columns on plinth base and turned feet, 218cm high
Los 266
A George III oak 8 day longcase clock by Joseph Taylor, Perth, with anchor escapement and striking bell, the moulded swan neck pediment over arched brush metal face, applied chapter ring, spandrels, Roman and Arabic numerals, subsidiary strike and silent, second dial and date aperture, flanked by fluted columns over serpentine trunk door flanked by fluted quarter columns and plinth base, 213cm high
Los 267
A 19th century oak 8 day long case clock, with anchor escapement and striking bell, the swan neck pediment with ho ho bird finials, arched painted dial, Roman numerals, subsidiary date and second dial, flanked by barley twist columns over arched trunk door, with by Doric quarter columns on plinth base and bun feet, 210cm high
Los 69
John Murray of Aberdeen, a George III oak, mahogany, crossbanded and strung longcase clock, the painted face with date and secondary dials within and below, religious motifs under an arched hood with swans neck pediment, the moulded trunk with rectangular door on a plain base with swept bracket feet CONDITION REPORT: Face with cracklelure and some rubbing, case restored and with minor damage, no guarantee as to working order
Los 69
John Murray of Aberdeen, a George III oak, mahogany, crossbanded and strung longcase clock, the painted face with date and secondary dials within and below, religious motifs under an arched hood with swans neck pediment, the moulded trunk with rectangular door on a plain base with swept bracket feet CONDITION REPORT: Face with cracklelure and some rubbing, case restored and with minor damage, no guarantee as to working order
Los 81
A pair of Royal Worcester porcelain figural candlesticks designed by James Hadley depicting a young boy and young girl by tree stump in the manner of Kate Greenaway, date marked for 1892, bears printed and impressed marks and No. "1141" CONDITION REPORTS Figure of boy; Some wearing to the gilt work through out, especially to the banding on the hat, his clothes and left shoe. There is white paint or mark to the boys right hip. There is section to the boys hat which appears to be repaired damage, to the rim, above his ear. There is a hole to the base, with a dark grey colour to the interior. There are some small sections of white paint, especially prevalent on the tree, with a band of white paint, going around the tree, where the boys shoulder is, presumably hiding a repair? There is a band of white paint nearer to the top of the candlestick. General wear and tear through out. Figure of the girl; Some wearing to the gilt, especially prevalent to the hat. The tree trunk has been off at some point and stuck back on, the repair being visible. Some residue of the glue is spotted on to the trunk below the repair. Some spots through out of slightly differently coloured white paint. There is a slight rough section to touch when running my finger along the rim, although am unable to see anything. Approx 26cm high.
Los 718
A George III mahogany eight-day longcase clock, R. Greaves, Macclesfield, late 18th century, the four pillar rack and bell striking movement with 13 inch square brass dial applied with circular silvered disc incorporating subsidiary seconds and calendar dials and signed R. GREAVES, MACCLES:D to the rococo scroll engraved centre within Roman numeral chapter ring with Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels, in a swan neck pedimented case with swolled frieze above bolection moulded glazed door flanked by Corinthian columns to hood over shaped-top caddy moulded door flanked by fluted quarter columns to trunk, on shaped raised panel fronted plinth base with canted angles and bracket feet, 227cm (89.5ins) high.Bid Live at the-saleroom.com
Los 730
An inlaid mahogany eight-day longcase clock, late 18th century and later, the four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed GEORGE LOTT, Honiton to the rococo scroll engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and scroll cast brass spandrels, the arch with silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by conforming dolphin cast mounts, now in a case with shaped arch crest above wavy-edge glazed dial aperture flanked by fluted columns, the trunk with short panel-strung rectangular caddy moulded door between conforming line-edged panels to upper and lower margins and flanked by fluted canted angles, the base with further inlaid panel and tall bracket feet, 216cm (85ins) high.Bid Live at the-saleroom.com
Los 772
A walnut eight-day longcase clock, the dial bearing signature for Francis Eck, mid 18th century and later, now with four pillar rack and bell striking movement applied via a false plate to the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and bearing signature Fran’s Eck, NORTHAMPTON to the silvered foliate scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with applied scroll cast spandrels beneath silvered Strike/Silent selection dial flanked by conforming mounts to arch, now in a case with domed caddy above moulded cornice and fluted columns to hood, the trunk with double herringbone banded caddy moulded shaped-top door within triple line bordered surround, on conforming line bordered plinth base with double moulded skirt (composite), 242cm (95.25ins) high.Bid Live at the-saleroom.com
Los 718
A George III mahogany eight-day longcase clock, R. Greaves, Macclesfield, late 18th century, the four pillar rack and bell striking movement with 13 inch square brass dial applied with circular silvered disc incorporating subsidiary seconds and calendar dials and signed R. GREAVES, MACCLES:D to the rococo scroll engraved centre within Roman numeral chapter ring with Arabic five minutes to outer track, the angles applied with female mask and scroll cast spandrels, in a swan neck pedimented case with swolled frieze above bolection moulded glazed door flanked by Corinthian columns to hood over shaped-top caddy moulded door flanked by fluted quarter columns to trunk, on shaped raised panel fronted plinth base with canted angles and bracket feet, 227cm (89.5ins) high.
Los 730
An inlaid mahogany eight-day longcase clock, late 18th century and later, the four pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial, arched calendar aperture and signed GEORGE LOTT, Honiton to the rococo scroll engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and scroll cast brass spandrels, the arch with silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by conforming dolphin cast mounts, now in a case with shaped arch crest above wavy-edge glazed dial aperture flanked by fluted columns, the trunk with short panel-strung rectangular caddy moulded door between conforming line-edged panels to upper and lower margins and flanked by fluted canted angles, the base with further inlaid panel and tall bracket feet, 216cm (85ins) high.
Los 772
A walnut eight-day longcase clock, the dial bearing signature for Francis Eck, mid 18th century and later, now with four pillar rack and bell striking movement applied via a false plate to the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and bearing signature Fran’s Eck, NORTHAMPTON to the silvered foliate scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with applied scroll cast spandrels beneath silvered Strike/Silent selection dial flanked by conforming mounts to arch, now in a case with domed caddy above moulded cornice and fluted columns to hood, the trunk with double herringbone banded caddy moulded shaped-top door within triple line bordered surround, on conforming line bordered plinth base with double moulded skirt (composite), 242cm (95.25ins) high.
Los 662
A late George III mahogany longcase clock, having a 13-inch broken arch painted Roman and Arabic dial, decorated with a highland shepherd and shepherdess amongst a romantic landscape above a dial with outer minute markers and second subsidiary dial flanked by foliate painted spandrels and fitted a two train 8-day movement with anchor escapement, the case with broken swan neck pediment over a pair of fluted column supports and a shaped trunk door flanked by fluted quarter pilasters raised on a shaped plinth base, H. 217 cm, W. 48 cm.
Los 376
Walter Inglis Anderson (American/Mississippi, 1903-1965), "Oak Trunk", c. 1955-65, watercolor and pencil on paper, unsigned, Luise Ross Gallery, New York City labels with title and date en verso, 11 in. x 8 1/2 in., framed. Provenance: Luise Ross Gallery, New York, NY. Exhibited: "Walter Anderson: Realizations of the Islander", Pennsylvania Academy of Fine Arts, 1985. Reference: Driscoll, John Paul. Walter Anderson, Realizations of the Islands, Walter Anderson Estate, 1985.
Los 1082
A Louis Vuitton wardrobe trunk in monogrammed canvas, first quarter of the 20th century composite leather and brass bound, with leather handles, the interior lined in orange canvas, leather strap and rail with three stamped hangers to one side and fittings for six removable drawers to the other, the drawers with leather pulls stamped L.Vuiton the lock stamped 70 CHAMPS-ÉLYSÉES PARIS, LOUIS VUITON LONDON 149. NEW BOND STREET. Length 112cm, depth 54.5cm, height when laying flat 55.5cm when upright 112cm
Los 406
AN 18th CENTURY OAK LONGCASE CLOCK, SAMUEL BUXTON, DISS, the 11" brass dial with Roman numerals, subsidiary dial and date aperture, within foliate cast spandrels, eight day movement, the hood surmounted by scroll carved pediment and three giltwood spheres, the glazed door flanked by gilt-highlighted columns, the trunk with moulded panelled door, raised on a moulded plinth base, with pendulum, key and weights. 2.04m
Los 407
A LATE 18th CENTURY OAK LONGCASE CLOCK, the 11" brass dial signed in the arch James Common, Coldstream, with subsidiary dial and date aperture, pierced foliate spandrels, eight day movement, with pendulum and weights, the hood with swan neck pediment, above an arched door with parcel gilt columns, the slender trunk with arched door, on a plinth with bracket feet. 2.26m
Los 409
A MID-19th CENTURY OAK AND MAHOGANY LONGCASE CLOCK, THOMAS HUMPHREYS BARNARD CASTLE, the 12" painted dial beneath an arch painted with a hunting scene, 30 hour movement, the hood with swan neck pediment, the glazed door between turned upright, the trunk with crossbanded door on a substantial plinth base. 2.27m
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66972 Los(e)/Seite