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Preisdatenbank abonnierenZwei Porzellanfiguren, Ens, 20. Jh., laufende Elefanten, 1x trompetend, 1x mit gesenktem Rüssel, Biskuitporzellan, naturalistisch staffiert, L. ca.28 bzw. 30.5 cmTwo porcelain figures, Ens, 20th century, running elephants, 1 trumpeting, 1 with lowered trunk, bisque porcelain, realisticallydecorated, L. approx. 28 and 30.5 cm
Meissen Papagei auf Baumstumpf 1.Wahl, parrot on tree trunk,Porzellan, blaue Schwertermarke 1. Wahl, Formnummer 77027, Papagei auf Baumstamm mit Raupe, Käfer und Schnecke, Entwurf von Johann Joachim Kaendler (1706-1775), 1x H 29 cm x B 11 cm x T 15 cm, Fühler an Schnecke und Antenne des Maikäfers gechipt
Meissen Papagei auf Baumstumpf 1.Wahl, parrot on tree trunk,Porzellan, blaue Schwertermarke 1. Wahl, Formnummer 77027, Papagei auf Baumstamm mit Raupe, Käfer und Schnecke, Entwurf von Johann Joachim Kaendler (1706-1775), 1x H 29 cm x B 11 cm x T 15 cm, Fühler an Schnecke und Antenne des Maikäfers gechipt, Blattwerk gechipt
Kuschelelefant mit kleiner Puppe, 20. Jh.(1) Porzellanpüppchen, blaue feste Glasaugen, gemalte Wimpern, Brauen, Mund und rosige Wangen, blonde Perücke, gemalte Schuhe und Söckchen, alte Kleidung. H. 9 cm (2) Plüschelefant, geschlossene, freundliche Augen, geöffnetes Maul, Blumenfliege karierter Latz, beweglicher Rüssel. Linkes Ohr muss neu justiert werden. H. 11,5 cm Cuddly elephant with small doll, 20th c. (1) Porcelain doll, blue fixed glass eyes, painted eyelashes, brows, mouth and rosy cheeks, blond wig, painted shoes and socks, old clothes. (2) Plush elephant, closed friendly eyes, open mouth, flower fly plaid bib, movable trunk. Left ear needs to be readjusted.
19TH CENTURY ANGLESEY 8-DAY OAK LONGCASE CLOCK, Robert Jones, Amlwch, c. 1835-56, 13in. painted dial decorated with flowering plum spandrels and floral centre, trunk with cushion and reel moulding, box strung details above and below baluster columns, door with scalloped top and inlaid with central oval and fan spandrels, matching the base, low bracket feet, 225cms h
Late 18th century oak eight day longcase clock, the painted Roman dial signed 'Trevor, Topsham', having seconds subsidiary dial at 12 and date aperture at 6, the moulded cornice above twin columns, with crossbanded trunk door on plinth base, twin train movement (lacking bell), 197cm high, with pendulum (bob detached but present), weights and winder
Mahogany eight day longcase clock, the arched hood with fluted pillars enclosing a brass dial with strike/silent and dolphin spandrels to the arch above a silver chapter ring, gilt mask spandrels and subsidiary seconds and date dials, over an arched trunk door and panelled plinth base, on bracket feet, the twin train movement striking on a bell, pendulum and two weights, 19th century parts, dial 31 cm square, H219 cm
Early 19th century inlaid mahogany and satinwood eight day longcase clock, the shaped top with brass finials and inlaid panel of a vase of flowers over inlaid columns enclosing an arched dial with moon phase in the arch and the four seasons depicted in the spandrels, the dial with date aperture and subsidiary seconds dial, inscribed ?astor, the trunk door with inlaid panel depicting Britannia over a plinth base with splayed bracket feet, the twin train movement striking on a bell, dial 33 cm wide, 230 cm high
Oak longcase eight day longcase clock, with later carving, the caddy shape hood over turned supports and a brass dial with mask spandrels, date aperture and subsidiary seconds dial, the silvered chapter ring inscribed, John Sedon Frodsham, over a trunk door carved with a knight on a foliate and rosette carved base with bracket feet, the twin train movement striking on a bell, dial 27.5 cm square, case 198 cm high
Mid 19th century crossbanded mahogany drop dial regulator wall clock, the circular hood with C-scroll brackets enclosing a painted dial with subsidiary seconds dial and inscribed, S. Mayer, Walton on Thames, above a canted trunk with crossbanded door, the single train movement with deadbeat escapement, dial 28 cm diameter, case 124 cm high
18th century oak 30 hour longcase clock, the moulded top hood with blind fret carved frieze over turned columns enclosing a brass dial with matted centre, date aperture and mask head spandrels, over a moulded trunk door with glazed panel on a plinth base with bracket feet, the twin train movement striking on a bell, dial 28 cm square, case 219 cm high
George II crossbanded burr walnut eight day longcase clock, the hood with fret carved frieze and turned pilasters enclosing a brass dial with crown and putti spandrels, subsidiary seconds dial, date aperture and inscribed Wm Woodfall, London, over a trunk door and plinth base, the twin train movement striking on a bell, dial 30.5 cm square, H210 cm, with pendulum
Victorian mahogany eight day longcase clock, the hood with swan neck pediment and brass finial with turned supports over a painted dial the arch depicting a figure crossing a waterfall, with subsidiary seconds and date dials, inscribed Peter Hermann, the shaped trunk door over a panelled plinth base, the twin train movement striking on a bell, dial 35.5 cm wide, case 245 cm high, pendulum and two weights
Captain Richard Brydges Beechey , RHA (1808-1895) "Sybil Head, Near the Blaskets and Dingle, West of Ireland 1884," O.O.C., 76cms x 115cms (30" x 45"). (1) One of Beechey's finest marine paintings, Sybil Head depicts three currachs braving rough seas beneath jagged rocks at the north west tip of the Dingle Peninsula. To the left, a sailing vessel, perhaps a naval brig, bears down on the currachs, while to the right a hooker approaches from Ferriter's Cove. Cormorants take flight and seagulls land on the rough seas. A floating tree trunk lies in the path of the brig; Beechey used details such as these to introduce a sense of danger to his paintings. To the right, a mountain, one of the 'Three Sisters', is silhouetted against the stormy sky. The subject of this painting, and the Dingle peninsula itself, had become well-known to a wider audience in the 1840?s through the work of both the Ordnance Survey and the Geological Survey of Ireland. In June 1856, the geologist George Victor du Noyer surveyed the peninsula, incorporating watercolour views of Sybil Head in his maps. He also painted two dramatic views on Inishtooskert, an island near Inish Tearaght, of sharply angled cliffs on the northern side of the island. (these watercolour map are in the collection of the Geological Survey of Ireland). Born in London in 1808, the son of artists Sir William Beechey RA and miniaturist Anne Jessop (Lady Beechey), Richard Brydges Beechey was a naval officer who also became one of Ireland?s most accomplished marine painters. Aged thirteen he enrolled as a cadet at the Royal Naval College in Portsmouth, where art formed part of his training. Joining HMS Blossom in 1825, he served as a midshipman under his older brother, hydrographer Captain Frederick William Beechey, for three years in the Pacific. During this time, Richard Brydges painted watercolour views of Mexico and California. Landing on Pitcairn Island, he sketched a portrait of John Adams, last surviving mutineer from HMS Bounty. They then sailed north, into Arctic waters, as far as the Bering Straits, but failed in their objective of meeting up with Franklin?s second expedition, which was making its way north-west around Canada. Although it is generally stated that Beechey transferred to the Survey of Ireland in 1835, the chart of Lough Derg is titled ?Surveyed by Commander James Wolfe, Assisted by Lieutenant R. B. Beechey 1830?. This marked the beginning of years of surveying the coast and rivers of Ireland. As well as surveying, Beechey painted consistently, exhibiting both at the Royal Academy and the Royal Hibernian Academy. Seven years later, the survey of Lough Ree was complete, and their attention turned to the more hazardous West of Ireland coastline. Prompted by dangers they had encountered in navigating the coast of Cork and Kerry, Wolfe?s report, published in 1846 ?On the want of Lights, Buoys and Beacons on the Coast of Ireland? led to the building of new lighthouses on Sybil Head and at other locations. Although Beechey painted this view of Sybil Head decades later, he would likely have used notes and sketches made during his survey of the Kerry coast in the early 1840?s. After retiring from the Navy in 1864, with the rank of Admiral, Beechey settled for a time at Monkstown, Co. Dublin and four years later was elected HRHA. In 1874, he was living at 110 Pembroke Road, and in that year painted Eagle Island, off Erris Head, West of Ireland, a work exhibited a decade later at the Royal Hibernian Academy. By 1885, he was living at Plymouth, where he continued painting. There are works by Beechey in collections both in Ireland and abroad. His Mail Boat ?Connaught? is in the National Gallery of Ireland, while a view of the Blasket Islands is in the Royal St. George Yacht Club, along with a panoramic view of Kingstown Harbour. Fastnet Rock, and Lights, off Cape Clear, shown at the RHA in 1877, is now in the collection of the Royal Ocean Racing Club, while HMS Erebus passing through the chain of bergs (1842) is in the Maritime Museum in Greenwich. Provenance: The Joe McGrath Collection, Cabinteely House, Dublin. Dr. Peter Murray, 2022
An Interwar and Second World War Period Extensive Uniform to Lieutenant Colonel Sir Arthur Pelham Heneage Royal Horse Artillery, comprising frock coat, the gilt rope twist shoulder cords with rank pips for a Captain, dress jacket to the rank of Lieutenant, dress tunic to the rank of Colonel, mess jacket to the rank of Colonel, a waistcoat, a pair of overalls and pair of breeches with crimson side stripes, a number 1 dress cap, a gold lace cross belt and pouch with bullion thread embroidery in a morocco case, a gold lace cross belt, two gold lace waist belts, a red and gold waist belt and tassels, various sword slings and belts, two sword knots; also, his number 1 dress uniform to a Major, the Derbyshire Yeomanry, comprising tunic and trousers, and his number 1 and number 2 dress uniforms as Deputy Lieutenant, each comprising tunic, trousers and peaked cap, all contained in a japanned tin trunkFootnote: Lt.-Col. Sir Arthur Pelham Heneage was born on 11 July 1881. He was the son of Captain Frederick William Heneage and Ann Lawrence Mary Gordon. He married Anne Findley, daughter of Brig.-Gen. Neil Douglas Findley, on 10 October 1912. He died on 22 November 1971 at age 90 at Walesby Hall, Market Rasen, Lincolnshire, England. He lived at Market Rasen, Lincolnshire, England. He was awarded the Distinguished Service Order (D.S.O.) He held the office of Deputy Lieutenant (D.L.) He held the office of Justice of the Peace (J.P.) He held the office of Member of Parliament (M.P.) for Louth, Lincolnshire between 1924 and 1945. He was appointed Knight in 1945Condition report: Generally in good clean condition, moth ball protected. Minor loss of some buttons.Frock coat =34" chest, 13 1/2" collar; Dress Jacket to Lieutenant = 36" chest, 15" collar; Dress Jacket to Colonel = 38" chest, 15" collar; Mess Jacket and Waistcoat to Colonel = 36" chest; Peaked Cap = 7 1/8 (58);Overalls = 33 1/2" waist; Breeches = 31 1/2" waist; Derbyshire Yeomanry tunic = 36" chest, trousers = 32" waist; Deputy Lieutenant No.1 Tunic = 44" chest, Trousers = 37" waist, Peaked Cap = 6 7/8; No.2 Tunic = 40" chest, Trousers = 36" waist, Peaked Cap = 6 7/8
An early 19th century oak and mahogany cross-banded tavern-type clock, by 'W.E.Evans, Welshpool Quay', with a painted dial, approximately 14.8", above a trunk door, flanked on each side by a fluted, quarter pilaster, over an ogee shaped base, the 8-day movement with 4 pillars and anchor escapement, striking on a bell, 142cm long, with winder, pendulum and two weights (5)Condition report: Restored in 2013 (receipt included). Lacking 13.5cm section of chequered stringing on right return on base. Old, minor chips, dents and scratches consistent with age and use. Inevitable restoration on some veneers, including door. Later lock.
Peter Green, Liverpool, a mahogany musical longcase clock for the Danish market, late 18th century, with restorations to the case, the 15inch brass dial with six tune selection to the arch, scroll engraved centre with seconds dial and concentric calendar, mask spandrels, the three train movement with 16 bell 33cm pin barrel, six-pillar shaped plates, striking on a larger bell, the case with dentil moulded swanneck pediment hood above arch top trunk door, upon a panelled base with concave shaped skirting and ball feet 250 cm highFootnote: Peter Green was one of the best-known clockmakers working in Denmark, at Aabenraa, or 'Apenrade', as the signature is written on most of his clocks. Peter Green emigrated with his wife and children from Liverpool to Aabenraa around 1745 and worked there until his death in 1795. He had two sons, William and Jonathan, who also became clockmakers in Aabenraa. William had a son, Jakob, who continued making clocks until his death in 1847. Condition report: case probably later than the dial and movement, with some repolishing and restored elements. lacking a few gilt 'dentelles'. movement untested
A mahogany longcase clock, early 19th century, the break arch hood above painted 12inch dial signed 'Ed. Elliott, Lenham', with floral decoration, seconds and calendar dials, eight day movement, figured wood trunk door on a stepped plinth base 210cm highCondition report: The clock is currently ticking and striking; the plinth base looks to have been restored at the front. All looks original. The finials on the hood may have been later added.The case has quite a high polish to it and the timber is nicely figured.
A NINETEENTH CENTURY OAK AND MAHOGANY BRASS FACE EIGHT DAY LONGCASE CLOCK BY BROWN - CHESTER, the 13" dial with subsidiary seconds dial, bearing makers name, the good and case with crossbanded detail, H 215 cm, two weights and pendulumConditon Report:Case shows no signs of woodworm, general age related wear to case, trunk door has play, we cannot guarantee it s working capacity but the movement ticks when hand pressure is applied to the gut line, also the clock strikes too when hand pressure is applied to gut line.
An early 19th century mahogany longcase clock, with eight day striking movement with moon phase to arch, the case with swans neck pediment, bowfronted trunk door flanked by columns with panelled base. Height 224 cm, width across top of hood 54 cm. CONDITION REPORT: The clock case is in particularly good order with no condition issues of any note. The clock winds on both trains and is currently ticking away. It also strikes when advanced. As stated the overall condition is really extremely good.
An 18th century oak eight day longcase clock, Robert Thwaites of Barnard Castle, with broken dentil moulded architectural surmount with ball and eagle finial over the arched glazed door with turned columns and with brass dial with silvered chapter ring with Roman hours and Arabic minutes all within applied ornate brass spandrels and surmounted by a circular disk with makers details. Shaped trunk door between fluted quarter columns and raised on a plain base. Height 223 cm. Provenance Greystoke Castle.
An early 19th century mahogany longcase clock, with arched painted dial by H Davies Yeovil, with Kirkstall Abbey scene to arch, with two train striking movement. Height including finial 227 cm. CONDITION REPORT: Both swans neck terminals are detached but we have the pieces and they would easily refix. One brass roundel is missing. The case generally is in good order with no serious issues. The hood and trunk are in good condition and the door is not warped. The lefthand base panel has stress fractures and the right less so. The plinth base beneath this is in generally order with the usual scuffs and marks that one would expect. The movement is extremely dirty but appears complete. We do not have either the weights or pendulum. When weight is applied to the going train the escapement does operate. The strike train is quite stiff but does appear to move when weight is applied. A full clean of the movement will be required. There is no gut to the strike train. Both barrels do wind.
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