A late 19c Austrian mantel clock in the form of a miniature longcase clock. The oak case has swan neck pediments to the hood and the 4" square dial is flanked by turned columns. The trunk has turned quarter columns and it, and the base, have central carved panels. The square brass dial has brass spandrels and a silvered chapter ring and the Leuzkirch two train movement strikes hours and halves on a gong, 19" tall overall
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A mid 18c eight day longcase clock , the 12" arched brass dial signed Sam Buxton, Diss and having scroll spandrels, a matted dial centre and unmatched steel hands. There is a moon phase dial in the arch and seconds and date indicators. The five pillar movement is rack striking on a bell. It is housed in a mahogany case, the hood having a flat cresting with three finials and a row of Greek key moulding below. There are plain columns flanking the dial and fluted quarter columns to the trunk which has a long trunk door with arched top. The base has a later high plinth added with a wavy plinth beneath, 91" tall overall
19TH CENTURY ENGLISH SCHOOL "Two young children with doll and hoop in a landscape", oil on board, unsigned, 25 cm x 22 cm CONDITION REPORTS Overall with wear and dirt. Quite a few scuffs and scratches with paint loss in these areas. Picture appears to have been re-framed and the edges of the picture where now visible are quite browned and discoloured where they may previously have been beneath a frame. Under UV light there are some long previous scuffs which appear to have been restored and now show up as dark lines under UV light - including to top edge of hat, line from top left corner across whole picture to bottom right corner, and various lines/scratches to lower part of picture, to tree etc. Some roughness to surface. A blemish where branch joins tree trunk.
J. Cutmore, St. Annes Lane, City, a longcase regulator:, the eight-day duration timepiece movement having a dead-beat escapement and maintaining power, with the pendulum crutch attached to the backboard, the twelve-inch round silvered dial engraved with a typical regulator layout with seconds to the outer aspect and subsidiary hour and minute dials to the centre and engraved with the maker`s name J. Cutmore, St. Annes Lane, City, the oak case with angular canted corners and gothic carved decoration to the base, trunk and hood, the trunk inset with a thermometer above which sits a mercury barometer with bone scales with twin vernier gauges, set aslant and signed J. Hicks, 8, 9 & 10, Hatton Gardens, London, height: 213cm. * Biography John Cutmore is recorded as working in St. Annes, London from before 1851 until circa 1863.
Kent, Saffron Walden, a lacquer longcase clock:, the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings fleur-de-lys half-hour decoration and with an arcaded minute ring, the silvered dial centre with a subsidiary seconds dial, date aperture and engraved with a seascape scene, the arch having a silvered boss engraved with the name Kent, Saffron Walden, the black lacquer case with raised chinoiserie decoration, three-quarter columns to the hood, a shallow caddy top, a break-arch trunk door and giltwood finials, height: 223cm. * Biography The Kent family of Clockmakers were working in Saffron Walden, Essex starting with Henry who was apprenticed in 1699 with this clock probably made by John Kent Snr who was married in 1764 and had a clockmaking son, also John, who was born in 1765. A William Kent had moved to Saffron Walden from Lynton in Cambridgeshire by 1753 and died there in 1783, a maker who numbered his clocks.
Henry Beard, Bristol, a mahogany longcase clock:, the eight-day duration movement striking on a bell, with the twelve-inch painted arched dial, with black Roman numerals, floral decoration painted to the four corners, a subsidiary seconds dial and date aperture to the centre, blued steel hands and a moonphase disc set within the arch, signed by the maker Beard, Bristol`, the false plate to the dial is signed by the dialmakers `Walker & Hughes, Birmingham`, the mahogany case of typical Bristol form, with a swan-neck pediment and fluted pillars to the hood, wavy moulding to the inner aspect of the hood door, canted corners to the trunk, inlaid stringing decoration to the base and trunk door, standing on bracket feet. Height: 220cm. * Biography Henry Beard, born 1795, is recorded as working at 5, St John Street, Bristol from before 1836, and known to have been living at this address in 1851. He was the son of the carpenter William Beard and apprenticed to Thomas Palmer, jeweller on the 29th of August 1805, so presumably was free seven years later in 1812. Walker & Hughes were well-known makers of painted clock dials working in Birmingham from 1812 until 1835 when the partnership ended.
John Mends, Plymouth, a late 18th Century oak longcase clock:, the eight-day duration movement striking the hours on a bell, with the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and outer Arabic five minute markings, the matted centre with a large date aperture and a shaped plaque engraved with the maker`s name John Mends, Plymouth, with blued steel hands and shell cast brass spandrels to the four corners, the arch with a round convex boss engraved with a depiction of an eagle with dolphin spandrels either side, the oak and mahogany case having quartered fluted columns to the trunk with brass capitals, mahogany crossbanding to the door and base, further mahogany panels above and below the door, the hood having fluted columns with cast brass capitals and a swan neck pediment, all standing on bracket feet, height: 223cm. * Biography John Mends is recorded working as both a clock and watchmaker in Plymouth, Devon. He took out a licence on the 7th of May 1767 to marry Mary Clements of Stoke Damerel.
John Bower, Blerefedon, an oak longcase clock:, the eight-day duration movement striking the hours on a bell, the eleven-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings, the silvered dial centre engraved with c-scroll decoration, with a subsidiary seconds dial, date aperture and alarm disc and decorative blued steel hands, the arch with a silvered boss engraved with the maker`s name John Bower, Blerefedon with cast brass c-scroll spandrels to the four corners and arch, the oak case with a break-arch door to the trunk, a swan neck pediment to the hood with inset fretwork, brass eagle centre finial and ball & spire side finials, the three-quarter columns to the hood with brass capitals, height: 202 cms
Jas. Lawson, Stirling, a mahogany longcase clock:, the eight-day duration movement striking the hours on a gong, the thirteen-inch round brass dial engraved with black Roman hour numerals, decorative half-hour markings, date and seconds subsidiary dials, tulip engraving to the centre and signed Jas. Lawson, Stirling, with decorative blued steel hands, the mahogany case with an arched top, fluted canted corners to the hood, fluted quartered columns to the trunk inlaid with shell decoration to an oval on the trunk door and with boxwood stringing to the case, with crossbanding to the base and standing on bracket feet, height: 206cm.
John Martin, Bristol a moonphase longcase clock:, the eight-day duration movement striking the hours on a bell, the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond half-quarter markings and signed either side of VI o`clock John Martin, Bristol, the matted centre having a subsidiary seconds dial, date aperture with wheatear border engraving, the moonphase aperture to the arch with a silvered plate above engraved High water at Bristol Key, with cast brass urn spandrels to the four corners and arch, the blued steel hands now painted gold, the mahogany case with barley twist columns to the trunk and hood, a wavy moulding to the hood door, cresting to the hood and an inset panel with moulded edges to the base, standing on bracket feet, height: 214cm. * Biography John Martin is recorded as working in St Ewans Parish, Bristol becoming a Burgess in 1714 and voting in the Parliamentary elections of both 1722 and 1734. He had a number of apprentices, including Henry Hellier of Chipping Sodbury who joined him in February of 1719 and Thomas Bayley in May 1724 at a premium of ten guineas.
An early Victorian brass inlaid mahogany drop-dial wall timepiece with ten inch dial, T.R. Price, Maidstone, circa 1845, the four pillar single fusee movement with anchor escapement and slightly tapered plates, the 10 inch circular white painted Roman numeral convex dial signed T.R. PRICE, MAIDSTONE to centre and with blued steel hands within cast brass convex glazed bezel and moulded turned wooden surround, the box case with side doors above drop-trunk fronted with curved brass fillet edged glazed lenticle panel line border interrupted with rosettes to angles flanked by scroll carved ears, the curved base with pendulum access flap, 45cm (17.25ins) high. Thomas R. Price is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Maidstone 1845-74.
A George III mahogany eight-day longcase clock with moonphase, the four pillar rack and bell striking movement with 14 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the mythological beast decorated engraved centre within Roman numeral chapter ring and scroll cast spandrels beneath rolling moonphase to arch signed Jamieson, Kilbride to lunettes, in a swan neck pedimented case with an inlaid oval urn motif to the shaped-top trunk door, 210cm high. Provenance: Widgenton House, Buckinghamshire
A Scottish William IV figured mahogany eight-day longcase clock, circa 1830, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and bearing signature W. ROBERTSON, FORFAR to centre, the case with ball finials to the shaped pediment above circular cushion moulded hinged glazed bezel flanked by rounded angles to hood, the trunk with shallow-arch crossbanded caddy-moulded doors flanked by conforming canted angles, on plain plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.
A Scottish Victorian figured mahogany eight-day longcase clock, Willocks, Brechin, mid 19th century, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Willocks, Brechin to centre, the case with ball finials to the shaped pediment above circular cavetto moulded hinged glazed brass bezel flanked by slender turned columns to hood, the trunk with shaped-top bowfronted flame figured door flanked by conforming columns standing on a swollen frieze, on panel outline plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.
A collection of militaria relating to Major Arthur Francis Clarke-Jervoise, including binoculars, a leather bound hip flask, a Scot`s Guard military buttons and other buttons with the Jervoise and Clarke crest, a cased telemeter etc., all within a metal bound trunk, the top marked AF Clarke-Jervoise, 20in.
JOSEPH HECHSTETTER, LONDON. A WALNUT AND MARQUETRY INLAID EIGHT DAY LONGCASE CLOCK, LATE 17TH CENTURY, the 11.5 inch square gilt brass and silvered dial with amorini and coronet spandrels, Roman chapter ring, subsidiary seconds dial and calendar aperture, signed Jos. Hechstetter, London, the trunk finely inlaid with birds amongst carnations and tulips, 208cmBaillie records Joseph Hechstetter as flourishing 1687-1704.
A Georgian longcase clock, the tall slender trunk in oak with cross banded detail and arched door beneath a square hood enclosing a polished brass 12 inch dial with scrolling acanthus spandrels and face mask detail, secondary dial, calendar aperture and 8 day movement engraved R Hampson, Warrington

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