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Preisdatenbank abonnierenA late 19th/early 20th Century Continental mahogany diminutive longcase clock of slender proportions, the eight day movement striking on a gong, the brass break arch dial with Roman numerals and engraved scrolls, the arched hood with turned finials and columns flanking a glazed door, the slender trunk with arched door on a plain base and bracket feet, height approx 157.5cm, together with pendulum (alterations and restoration).
A walnut and marquetry longcase clock, by Daniel Le Count, London, circa 1690, the eight day movement with anchor escapement striking the hours on a single bell, the 10 inch square brass dial with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and cherub spandrels, signed to the bottom of the face Daniel Le Count, London, the walnut and marquetry case with rising hood with barley twist pillars secured by a spoon catch over a trunk door with lenticle, the case standing on four bun feet, 198cm high Note: Daniel Le Count is listed in Baillie's 'Watchmakers and Clockmakers of the World', Vol. 1, page 191 as a member of the Clockmakers Company in London between 1676-93
A walnut and marquetry longcase clock by Joshua Allsop, London, circa 1695, the eight day movement striking the hours on a single bell, the 11 inch square brass dial with subsidiary seconds and date dials with a chapter ring of Roman numerals and chapter ring signed 'Joshua Allsop, London, fecit', the walnut and marquetry case with barley twist pillars to the hood over a trunk with lenticle within a marquetry birds and flowers, 206cm high. Note: Joshua Allsop was apprenticed in Northamptonshire, he became free of the Clockmakers Company in 1689. His signature can be seen on the 1697 Oath of Allegiance of the Clockmakers Company at the Public Records Office, He is listed by both Baillie and Britten
A 19th century mahogany long case clock with swan neck pediment over arched hood door, painted face depicting Robert the Bruce, white circular dial with Roman numerals, home nation spandrels, subsidiary date and second dials, flanked by turned columns, bowfront trunk door, doric columns, stepped panelled base, shaped apron raised on bracket feet, anchor escapement, striking bell, 221cm high
A GEORGE IV MAHOGANY LONGCASE CLOCK THE BREAKARCHED AND SILVERED DIAL WITH SUBSIDIARY SECONDS DIAL AND DATE SECTOR, SIGNED J RAMSEY DEVENPORT AND ENGRAVE IN NEO CLASSICAL STYLE WITH AN EAGLE WITH TEMPUS FUGIT BANNER, PATERAE AND FESTOONS, HAVING EIGHT DAY MOVEMENT IN LINE INLAID CASE WITH CAVETTO PEDIMENT AND BRASS MOUNTED, REEDED PILLARS, THE TRUNK ENCLOSED BY A FIGURED DOOR WITH CONFORMING DOOR, ON BRACKET FEET, 205CM H
A set of six Chinese silver salts of circular form with gilded interiors, supported on three elephant modelled head and trunk legs, the bases with Chinese character marks-90 and maker’s mark WH for Wang Hing, all with matching condiment spoons and contained in fitted case with Cantan carved panels to the cover, weight of silver 9.75 ozs.
an Edwardian mahogany chiming longcase clock the eight-day duration movement striking the hours on a gong and the quarters on a set of sixteen Gloria gongs set in four runs of four, the twelve-inch break-arch dial having a raised, silvered chapter ring with Arabic numerals, subsidiary seconds dial to the centre and with ‘strike/silent’ and ‘chime/silent’ subsidiary dials within the arch, the mahogany case having a shaped, glazed trunk door, a shaped raised panel to the base, canted corners to the trunk and base with blind fretwork, the hood with a swan-neck pediment with fretwork below and pillars with brass capitals, standing on bracket feet, height 226cm.
james Webb, Bristol an early 18th century walnut longcase clock the eight-day duration, five pillar movement (fifth pillar missing) striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a silvered chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals, meeting-arrowhead half-hour markings and engraved either side of VI o’clock ‘J. Webb, Bristol’, with crown and cherub spandrels to the four corners, a matted centre with ringed winding holes, a subsidiary seconds dial and wheatear border engraving to the date aperture, with blued steel hands, the walnut case with crossbanding to the trunk door with a bulls-eye lenticle, book-matched veneers, panelled sides, a plain base and tapered three-quarter columns to the flat-top hood, with a c-scroll sound fret to the frieze, height 210cm. *James Webb was a member of the well-known Somerset clockmaking family and may well have been the maker recorded originally at Chipping Sodbury being the son of Edward of Chew Stoke where a lantern clock signed by him has been recorded. He is known to have married Martha Farmer on the 10th of October 1717 at St. Stephens Church, Bristol.
samuel Pearson, Halifax, a mahogany moon-phase longcase clock the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch dial with a well painted scene to the centre depicting a man with his dog looking over an estuary with a masted ship sailing by, with black Roman numerals, a subsidiary seconds dial to the centre, with the date ring to the inner aspect having a brass sweep hand, with female four-season decoration to the four corners and moonphase disc to the arch, signed either side of VI o’clock ‘Pearson, Halifax’, the mahogany case with canted corners and cross-banding to the base, Gothic moulding to the top of the trunk door, inlay and decorative stringing to the case edges, the break-arch hood with a swan-neck pediment having carved rose patrae and brass Corinthian capitals to the fluted pillars, height 252cm. * Samuel Pearson is recorded as working in Petticoat Lane, Halifax from circa 1790 before moving to Cornmarket where he is known to have been working in 1822.
A 17th century walnut longcase clock the month-duration, five-pillar movement striking the hours on one bell and the half-hour on a smaller bell, the ten-inch square brass dial engraved at the base ‘Joseph Knibb, Londini Fecit’ with wheatear border engraving and ‘strike/silent’ lever at XII o’clock, the raised chapter ring engraved with Roman hour numerals, Arabic five-minute markings and half-hour decoration, with cast winged cherub’s head spandrels to the corners and decorative blued steel hands, the matted centre with a subsidiary seconds dial, the walnut veneered case having a rising hood with barley twist columns and spoon and latch locking, with geometric boxwood and ebony stringing to the trunk door and base, with an oval lenticle to the trunk door, height 198cm. (with restorations and alterations) with a copy of a sales invoice, with full description of the clock, from A.M. Willats, a dealer from Judge Jeffreys’ lodgings, Dorchester, dated January 1948. * An almost identical case, albeit with not quite as fine stringing, is known housing a year duration movement by John Williamson of Leeds who is recorded as being a member of the Clockmakers Company in 1682 and therefore working in London at this date before moving back to Yorkshire.
t. B., a walnut longcase clock the thirty-hour duration birdcage movement with flat steel pillars, striking the hour on a large bell with an outside countwheel, the eleven-inch square brass dial with a silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and signed ‘T.B.’ either side of VI o’clock, with brass female-head spandrels and a matted centre with engraved round decoration and a large single steel hand, the walnut case with a glass lenticle to the trunk door, a short base, shaped three-quarter columns to the hood and caddy top, with a label within the trunk giving some provenance, height 218cm. * The interior note suggests this clock as belonging to T Baldwin of Ashton-under-Lyme and having been there at least 120 years before the date of this label, which itself has some age. It makes the suggestion that T.B is the makers initials, although it is more likely these are those of the original owner who, in all probability, was the Thomas Baldwin mentioned.
boot jun, Sutton Ashfield, an oak longcase clock with automata the thirty-hour duration movement having shaped plates and striking the hours on a bell with an outside countwheel, the twelve-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals, and floral half-hour markings with cast brass urn spandrels to the four corners, the matted dial centre with engraved decoration, date aperture and an inset cartouche engraved with the maker’s name ‘Boot jun, Sutton Ashfield’, the arch having engraved decoration depicting Noah’s Ark with a silvered dove moving across with the beat of the movement, the oak case having a deep inset panel to the base and a further shaped panel to the trunk door, the break-arch hood with three-quarter pillars having gilt-wood capitals and a break-front moulding to the hood top, height 208cm. * John Boot junior is recorded as working in Sutton-in-Ashfield from before 1775 and was the son of the clockmaker John Boot Snr. He worked in the late 18th century in partnership with his brother William.
emmanuel Hopperton, Leeds, an oak and walnut longcase clock the eight-day duration movement striking the hours on a bell with an inside countwheel, the twelve-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute numerals and flame half-hour markings, with cast brass female-head corner spandrels, with a date aperture to the matted centre and decorative blued steel hands, the arch with dolphin spandrels and a roundel engraved with the maker’s name ‘Emmanuel Hopperton, Leeds’, the oak case with walnut veneer to the door and hood, with a raised panel to the base, shaped top to the trunk door, a break arch hood with brass finials to the blocks and three-quarter columns, height 240, inc. finial. * Emmanuel Hopperton, born 1705, is recorded as working in Mill Hill, Leeds from circa 1720 until his death in 1753. A number of longcases are recorded with walnut veneer used as decoration on an oak case as in this example.
an early 19th Century inlaid mahogany stick barometer the silvered dial engraved with a single gauge with sliding vernier and with a thermometer set to one side, the case having scroll ears below the glazed door of the dial, a curved top with inlaid decoration, crossbanding to the trunk and Sheraton style inlaid decoration to the oval cistern cover, height 120cm.
George III and later farthings, comprising George III, 1806, K on trunk, with lustre (S3782), EF, George IV - 1822, William IV - 1831, Victoria 1853, 1885 and 1901, Edward VII - 1903 and 1906, George V - 1914, 1918, 1921 and 1951, a Victorian half farthing 1844, Edward VII 1902 one third farthing, VF-EF
RAFAL MALCZEWSKI (1892-1965) "A river island with felled trunk, hills rising in the background", watercolour, signed bottom left, 34 cm x 47 cm (ILLUSTRATED) (ARR) CONDITION REPORTS In a very slightly dated frame with some minor knocks to edges, mount is very slightly discoloured,.but picture colours appear good.
Nelson interest: An early 19th century oak and mahogany crossbanded longcase clock, circa 1820, the scroll swan neck pediment and shaped hood enclosing an enamel dial, with Arabic numerals, eight day movement (dial 28cm d ), the moon face painted with Nelson monument inscribed Nile St Vincent and Trafalgar, each spandrel painted with half length portraits of Lord Nelson, Lord Collingwood, Sir J B Warren and Sir W S Smith in Military attire, maker F Smith Newark, the trunk door crossbanded and inset with satinwood conch shell on harewood ground, on plinth base and bracket feet, 223cm h
Fine small mahogany longcase clock regulator, the 10" circular silvered dial signed Botten, London, with subsidiary seconds dial and hours sector, the eight day movement with deadbeat escapement, high count train and maintaining power, the back plate stamped T T, the pendulum with wooden rod, heavy lenticular bob and roller suspension, the case with long panelled trunk door flanked by canted corners and over a panelled plinth, the hood inlaid with brass lines and surmounted by a moulded rounded arched cornice, 71.5" high
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