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66972 Los(e)/Seite
A SPELTER SWINGING ELEPHANT CLOCK, a twentieth century spelter elephant clock, the dial and movement incorporated into a swinging grid-iron pendulum held aloft by the trunk of a spelter elephant, on oak base, height 28.5cm (1) (Condition Report: clock winds, but does not appear to work, wear to gilt on clock, figure appears to be free from damage)
A STAINED MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with swan neck pediment, pillar supports, the arched glass door enclosing a 12 inch painted dial, depicting Roman numerals, minutes and seconds dial, a single trunk door, on a box plinth, height 205cm (condition report: over stained, no key, one pendulum, two weights, missing one hand, marks, scuffs, other wear and usage)
A vibrant blue jay with wings spread and a tranquil bullfinch perched on a tree trunk. Matte finish. Boehm backstamp. Dimensions of the largest item: 5.5"L x 4.75"W x 7.75"H. Dimensions: See DescriptionManufacturer: BoehmCountry of Origin: United States and EnglandCondition: Age related wear.
An enchanting pitcher designed to resemble a naturalistic tree trunk, featuring a small colorful bird tending to its nest with three blue eggs. The base and handle are intricately decorated to resemble branches or logs. Finished with a natural earth-toned glaze and a light pink interior. Dimensions: 8.5"L x 6.75"W x 9.75"HCondition: Age related wear. Age related surface cracks to the base and around handle.
A Chinese Archaistic bronze Hu type vase, Qing Dynasty, of tall ovoid form, with three horizontal bands, decorated with panels of stylized Shang style motifs, between a pair of elephant heads each issuing an elongated trunk handle, four character mark and two further marks to the base, 36cm high, 3.2kg
A Victorian style Howard Miller mahogany longcase clock, the 15in simulated enamel dial with the maker's name, the trunk tapered and with a bevelled glazed door, the three train movement including hour strike and chime melody, with pendulum, three weights, key, and instruction manual, H 214cm
Colorful representation of this beautiful bird perched on a tree trunk. Feathers are yellow, red, blue and green. Long tail feathers are a blend of all colors. Potschappel Dresden mark. 68. Issued: c. 1901Dimensions: 5.5"L x 4.5"W x 14"HManufacturer: Potschappel DresdenCountry of Origin: GermanyCondition: Age related wear. Tail has been restored but is chipped and scratched.
Clear, faceted crystal figural with widespread ears, trunk up and jet crystal button eyes. Swarovski backstamp. 7640 040 000. This item has its original box: 2.5"H x 3.25" dia. Artist: Adi StockerIssued: 1989 - 2006Dimensions: 1.25"L x 1.75"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Part of the Rare Encounters theme group, this crystal figure has trunk up, open mouth, ears flared looking at you with jet crystal eyes. Swarovski backstamp. 7640 000 001. This item has its original box: 5"H x 4" dia. Artist: Martin ZendronIssued: 1995 - 2012Dimensions: 2.5"L x 1.5"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
FOUR INDIAN STEEL FLINT STRIKERS WITH ELEPHANTS AN EYE FOR DETAIL: PROPERTY FROM A PRIVATE ESTATE IN NORTHERN LONDON Mughal Northern India, late 18th - 19th centuryEach cast in the typical upward-turned shape, comprising an openwork specimen with three roundels in-filled with stylised flowers on the base and an elephant on the handle's terminal, 11cm x 6.5cm; a near pair with a chased-in-relief base featuring vegetal and floral motifs, sinuous stylised makara handles, terminating with elephants, the largest 11cm x 5.5cm; and another similar, the base decorated with a row of three peacocks, the handle incised with details of a bird's head, and terminating in an elephant with an upward-curled trunk, 11.5cm x 6cm. the largest of the group 11.5cm x 6cm Qty: 4
Milne (Alan Alexander). Winnie-The-Pooh and the Bees, circa 1952, four double-page colour pop-up plates, colour illustrations throughout, first pop-up with minor repair to bridge, third pop-up with some creases (3 characters) which have been strengthened to verso, presentation inscription to title-page in black ink, some offsetting to title and last leaf, original spiral-bound pictorial boards, slight edge wear and toning to margins, together withWinnie-The Pooh and Eeyore's Tail. a pop-up picture book, [1953], four double-page colour pop-up plates, colour illustrations throughout, first pop-up with some minor closed tears to tree trunk and Little Roo (with small repair to verso), slight offsetting to title and last leaf, original spiral-bound pictorial boards, slight edge wear and toning to margins, 8vo QTY: (2)
Kubasta (Voitech). The Runaways and the Robbers; The Flying Trunk; Cinderella; Hansel and Gretel; Snow White & the Seven Dwarfs; Jack and the Bean-Stalk/Hop O'My Thumb; Table, Lay Yourself!; Three Little Pigs/Goldilocks, Prague: Artia, 1950s-1960s, also The Brave Tin Soldier, 1978; Jack and the Beanstalk, 1981, together 10 pop-up books, with colour pop-up and moveable illustrations throughout, some creases and repairs, two with ink manuscript ownership name inside front cover, original boards (cloth-backed to first 8 listed), some creases and edge wear to The Runaways and to Table, all 10 books with small Ex Libris Megan + Michael Dawson ticket or ink stamp to upper corner inside front cover, oblong 4toQTY: (10)
A stained pine trunk containing various vintage games including a boxwood and ebonised chess set, King 7 cm high, a leather covered chess and backgammon board as The History of England, Volumes I and II, Bagz-i!, Monopoly circa 1936, Sorry, Lotto, Dominoes x 3, various packs of cards, The Yachting Monthly x 3, October 1920, December 1921 and April 1922, together with a carved oak fire kerb and a painted tin trunk bearing initials to lid "D.M.H."
A late 18th Century oak cased long case clock, the eight day movement with brass arch dial bearing medallion inscribed "Ed.Webb Wellington" over a chapter ring with Roman and Arabic numerals enclosing a subsidiary date aperture within spandrals emblematic of the four seasons, the trunk with starburst and stylised foliate inlaid decoration on a cross banded base to bracket feet, 41 cm wide x 23 cm deep x 225 cm high
A French gilt bronze and porcelain mantel clock - late 19th century, the Japy Freres twin train, 8 day movement striking the half hours on a bell, no. 648, fronted by a celeste blue porcelain dial with white ovals with black Roman numerals, the centre painted with cupid and signed by the retailer Northfields of St John's Wood, the case with porcelain urn surmount over a porcelain panelled trunk and base with fluted, Vitruvian scroll and lappet borders flanked by bold foliate scroll brackets, raised on beaded toupie feet, 36.5cm high, with key, on a shaped, fluted giltwood base with ball feet.
A mahogany cased quarter striking grandmother clock, mid-20th century - the arched brass 'Tempus Fugit' dial with Roman chapter ring, the three train movement striking and chiming the Westminster chimes on six gongs, the case with arched hood with canted corners, a panelled trunk and plain, egg and dart moulded base on bracket feet, 163.5cm high, lacks pendulum.
A George IV inlaid mahogany eight day longcase clock with Adam and Eve automata, by Anthony Meyers of Bristol - the signed, painted arched Arabic dial with subsidiary seconds and date dials and painted and gilt spandrels, the arch with an automata of Adam and Eve in the Garden of Eden, fronting a bell strike movement with four ring knopped pillars, the case with arched hood with fretwork cresting and mask to the glazed door, a fluted frieze and turned columns, the trunk with geometric ebony banding and canted corners, the similarly inlaid base with bracket feet (the back feet missing), 206.5cm high, lacks pendulum and weights.* The clock has been restored (case, movement and dial). It remains in good physical condition. The hood lacks the finials and has a replacement handle to the door. The dial is in good condition, but lacks the hand from the subsidiary seconds dial. The seatboard has some packing pieces beneath it, so the movement and case may be matched. The clock does not have a pendulum or weights.
A mid-19th century Welsh mahogany eight day longcase clock with moonphase by William Meredith of Merthyr Tydvil [Tydfil] - the signed, painted arched Roman dial with subsidiary seconds dial and arched date aperture, gilt brass hands, painted landscape vignette spandrels and painted moonphase to the arch, fronting a bell strike movement, the case with arched hood with fretwork cresting and mask to the glazed door, flanked by barleytwist columns, over a trunk with conforming columns flanking the geometric inlaid door, the similarly inlaid and cross banded base with ogee bracket feet (the back feet missing), 220.5cm high, lacks pendulum and weights.
An early 18th century mahogany, satinwood and marquetry eight day longcase clock - the square brass dial with silvered Roman chapter ring with engraved foliate half-hour markers and Arabic outer 5 minute track, the matted centre with silvered subsidiary seconds at 12 and chamfered and foliate engraved date aperture at 6, gilt hands, with bullseye winding holes and angel mask gilt brass spandrels, fronting a bell strike movement with four knopped pillars, the case with an ogee moulded cornice over a lozenge panelled frieze, above boxwood and ebony faux-fluted columns and a satinwood cross banded door with gilt brass sight edge, the conforming trunk with marquetry inlaid panels to the sides, the door with a circular brass framed lenticle and two shaped floral urn and foliate marquetry panels, above a base inlaid with marquetry ribbon tied drapery, suspending a musical trophy, on a boxwood strung plinth and bun feet, 220cm high, lacks pendulum and weights.
A Regency inlaid mahogany eight day longcase clock with moonphase by Thomas Trall of Brisol - the signed, painted arched Roman dial with subsidiary seconds dial and arched date aperture, painted fruit and cornucopia spandrels and a painted moonphase to the arch, fronting a bell strike movement with four knopped pillars, the case with boxwood strung arched hood above a fretwork mask to the glazed door, flanked by ebonised and gilt brass barleytwist columns, above a flame mahogany trunk with conforming columns and feather banding, the similarly banded base with bracket feet, 220.5cm high, lacks pendulum.* The case has been sensitively restored and is in good, very clean condition. There are some minor well executed veneer repairs. Lacks finials from hood. The putty has been renewed to the glazing. The dial is in VG condition, with minor retouches to the edges. The seatboard appears to be original and the movement and case appear to be original to each other. The back feet are missing from the case. The clock is complete with cast iron weights but the pendulum is missing.
An early 19th century oak eight-day longcase clock - the painted arched Roman dial with painted arched and spandrels depicting coopers at work, fronting a bell strike movement with four knopped pillars and anchor escapement, the case with swan-neck hood with turned columns over an arched trunk door and a plain base with bracket feet, 210 cm high, the glass broken.
A George III Cornish mahogany eight day longcase clock by Charles Read of Helston - the silvered arched dial with Roman chapter ring with Arabic outer minute track, the signed centre with subsidiary seconds and arched date aperture, engraved with a lighthouse and two masted man o'war, within engraved spandrels with cherubs emblematic of the four elements, the arch with 'Tempus Fugit' and an eagle, fronting a bell strike movement with four ring knopped pillars, the case with arched hood with fluted columns, over an arched trunk door flanked by fluted canted corners, the plain base on shallow bracket feet, 207cm high, lacks pendulum and weights.
A mid-19th century inlaid honey oak and mahogany eight day longcase clock with moonphase by D. Robins of Birmingham, of substantial proportions - the signed, painted arched Roman dial with subsidiary seconds dial and arched date aperture, painted figural spandrels emblematic of the four continents and a painted moonphase to the arch, fronting a bell strike movement with four knopped pillars, the case with swan neck cornice over an inlaid and cross banded frieze, on turned baluster and barleytwist columns, the broad trunk with conforming pilasters flanking a triple lancet arched door inlaid with ebony and mahogany cross banding, on a conforming inlaid base with ogee bracket feet, 238cm high, lacks pendulum and weights.
A Japanese cloisonné vase - Meiji period (1869-1912), of shouldered baluster form, decorated with a pheasant perched in the branches of a blossoming apple tree, the trunk with a climbing vine with pink flowers, the base with a shallow band of lappets and the rim a band of stylised flowers, all on a dark blue ground, 24cm high, with later carved hardwood stand.* In good condition, with no damage, bruises, cracks or losses to the enamel and no restoration.
A George III mahogany eight-day longcase clock by Richard Biggs of Rumsey (Romsey) - the arched brass dial signed to the centre, with a subsidiary seconds dial, arched date aperture and engraved leafy scrolls, within a Roman chapter ring and gilt-brass floral and C-scroll spandrels, the arch with painted rocking ship automata, fronting a twin train 8-day movement with four knopped pillars, bell strike and anchor escapement, the case with dentil carved arched hood with fluted columns (glass cracked), an arched trunk door with boxwood-strung edges and a plain base with swept feet, 215 cm high.* Very original condition and the case and movement do appear to be original to each other. The glass is cracked. The hood is nicely quality with finely carved columns and dentil carving. Lacks finials. The dial has a nice original patina and the painting to the rocking ship appears original. The case has a good colour and nicely original surface. There is a small piece to the mask around the hood glazing which has been off and glued back in place. The sides of the trunk are free from splits. The inside of the trunk door has a little old (inactive) worm but it is minor. The door lacks the escutcheon. The base has a small split to the top edge of the right hand side panel. The pendulum has snapped off at the lower end of the rod.
A mid-19th century Cornish inlaid mahogany eight day longcase clock by Hodge of Helston - the signed, painted arched Roman dial with subsidiary seconds and arched date aperture, gilt hands, painted castle ruin spandrels and a painted female figure in a landcape to the arch, fronting a bell strike movement with four ring knopped pillars, the case with arched hood with fretwork cresting and mask to the glazed door, flanked by barleytwist columns, over a trunk with geometric ebony banding and canted corners, the similarly inlaid base with bracket feet, 206.5cm high, lacks pendulum and weights.
A late 18th century Scottish eight day oak longcase clock, requiring restoration - the arched brass dial signed to the arch 'Andrew Scott, Edinburgh', with a silvered Roman chapter ring and gilt brass foliate and C-scroll spandrels, the centre with a subsidiary seconds dial, circular date aperture and engraved with leafy scrolls, fronting a bell strike movement with four knopped pillars, complete with cast iron weights and pendulum (the steel spring broken), the oak case with fluted columns and a serpentine arched trunk door, 202.5cm high.
An early 19th century oak eight-day longcase clock by Pearce of Stratford - the signed, painted arched Roman dial with subsidiary seconds and calendar dials, floral painted spandrels and painted castle landscape to the arch, the bell strike movement with anchor escapement, the case with swan neck top on plain turned columns, the trunk with double peaked arched door flanked by fluted quarter columns, over a panelled base with canted corners, 226 cm high.

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66972 Los(e)/Seite