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66972 Los(e)/Seite
A George III mahogany longcase clock, the 8 day five pillar movement striking on a bell, to a 12in brass arched dial with a silvered chapter ring and subsidiary seconds dial to a pierced aperture, the centre engraved and urn and bird inscribed George Cooper, London, the arch with a subsidiary strike silent dial, the pagoda hood with glazed panel and later urn finials to turned brass inset stop fluted columns, the arched trunk door flanked by conforming columns, the base on a plinth, 93.5in (237.5cm) h.
A pair of painted side tables, together with a wrought iron glass topped side table, a stag chest of drawers, a mahogany pot cupboard, a pine trunk, a painted chest, a mirrored topped occasional side table, large glass topped low coffee table, a mahogany framed oval mirror, painted metal folding table, and two rectangular variegated marble tops, (13).
WW11 group and related items comprising 1939-45 star, Atlantic star, Africa star, war and defence medal; items relating to the recipient G A Kilburn including hallmarked silver boxing medal from HMS Conway dated Easter 1923, another boxing medal; items relating to the Conway including letters, notes, books, wage slips, badges, epaulettes etc all contained in D A Kilburn's travel trunk
RICHARD GRIFFITHS, DENBIGH (1791-1840), AN EARLY 19th CENTURY WELSH LONGCASE CLOCK, the honey oak and mahogany crossbanded case with long trunk door, the hood with blind fretwork frieze, 33cm square white dial, signed, with subsidiary seconds and date crescent, 4 pillar 8-day falseplate movement with rack strike and anchor escapement, (the seat board has been extended and the wooden dial surround recently renewed). 2.05m
WILLIAM GALLOWAY, LEEDS (1834-1871), A MID 19th CENTURY YORKSHIRE MAHOGANY LONGCASE CLOCK, the well figured mahogany case with short trunk door and swan neck pediment, eight-day rack striking movement with subsidiary seconds and date pointer (not connected), 36cm arched white dial (chipped), signed. 2.36m
JOHN SMITH, YORK (1750-1764), AN 18th CENTURY ELM LONGCASE CLOCK, with long rectangular trunk door and broken arch hood, the associated movement with 30.5cm arched brass dial with unusual date pointer in the arch (not connected) and subsidiary seconds, eight-day mechanism with four-pillar vase turned pillars, rack striking on a bell. 2.28m
JNO.WESTON, WOLSINGHAM (1754-1812), A LATE 18th CENTURY DURHAM LONGCASE CLOCK, the honey oak case with long arched trunk door, the hood with swan neck pediment, 33cm arched white dial with rolling moon, subsidiary date crescent, signed, thirty-hour four-pillar movement with countwheel strike on a bell. 2.29m
EDWARD GARDINER, HOUGHTON (LE SPRING) (1841-1863), A MID VICTORIAN MAHOGANY LONGCASE CLOCK, the elaborate case with short trunk door, the hood with swan neck pediment, 36cm arched white dial, signed, with subsidiary seconds and date pointer, four-pillar eight-day movement with anchor escapement, striking on a bell. 2.29m
A late 18th Century oak longcase clock, banded in mahogany, the hood with swan neck and enclosed by an arch top glazed door, the trunk enclosed by a shaped door inlaid a central patera, fitted an arch top painted dial with second hand, date recorder and eight-day striking movement by Shaw, Leicester
A late 18th Century mahogany longcase clock the hood with cushion top and four pillars to the sides enclosed by an arch top glazed door, the trunk enclosed by a rectangular crossbanded door, having an arch top brass dial with decorated spandrils and silvered chapter ring signed James Smoult, Newcastle to the arch, fitted an eight day movement, 224cm (88") high
An early 19th Century mahogany cased “Norwich” Wall Timepiece, the moulded circular surround with detachable hood to a long trunk with canted corners flanking a long trunk door with cushion base, to a 13” painted Roman dial signed “John Brown, Thoroughfare Street, Harleston”, with outside minute track and pierced steel hands, to a movement with “A” frame plates united by knopped pillars with anchor escapement, height 46”
A mid 19th Century mahogany cased 8-day Long-case Clock, C & D Kaiser of Birmingham, the hood with swan neck pediment, to a crossbanded frieze panel and freestanding wrythen fluted and baluster columns, to a panelled throat, over further freestanding columns, to a short shaped trunk door and plinth base with bracket feet, the 14” third period painted dial with a shepherd and his sheep, in a romantic landscape setting, with spandrels depicting country houses, to a Roman chapter ring with outside minute track and subsidiary seconds, with date sector and pierced and stamped hands, to a false plate movement with shouldered plates united by four knopped pillars and anchor escapement, with rack strike on a bell, height 94”
A late 18th Century oak cased 8-day Long-case Clock, Davy of Norwich, the arched hood with shaped pediment over panelled freestanding columns, with brass capitals, over an ogee throat and long arched trunk door to a plinth base, to an 11 ½” first period painted dial, with rosette and urn gilt highlighted decoration to the arch and rural trophy spandrels, to Roman and Arabic chapter ring, with subsidiary seconds and date sector and pierced steel hands, to an Osborne stamped false plate and movement united by four knopped pillars, and anchor escapement with rack strike on a bell, height 81”
A mid-19th Century mahogany automaton 8-day Longcase Clock, Fisher of Birmingham, the arched hood with swan neck pediments over freestanding gilt metal mounted and reeded columns, to a moulded throat with plain frieze over further quarter columns and short trunk door and panelled base on bracket feet, to a 13 ½” third period painted Roman dial with a rocking ship automaton to the arch over painted spandrels depicting Maidens of the Empire, enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector, with pierced and stamped brass hands, to a W Francis false plate, and movement united by four knopped pillars with anchor escapement and strike on a bell (lacking), height 90”
An early 19th Century mahogany and boxwood lined inlaid 8-day Longcase Clock, Dickerson of Norwich, the arched hood with scrolling pediment over gilt metal mounted and reeded columns to a convex throat and long arched trunk door with plinth base, to a 12” painted Arabic dial surmounted by a painted shepherdess and floral spandrels enclosing an Arabic chapter ring with outside minute track and subsidiary seconds and pierced steel hands, to a signed false plate S Baker, Birmingham, and movement with plates united by four knopped pillars and anchor escapement and strike on a bell, height 87”
Early 19th Century Oak Mahogany 8 Day Long Case Clock, the Swan Neck Pediment Over an Arched Dial Flanked by Turned Columns, the Trunk with Canted Corners on a Shaped Plinth Base, the Double Trained Movement with Seconds Dial and Date Aperture the Restored Face Inscribed Garrat Peterboro Height 210cm
A George III walnut 8-day longcase clock, maker Archibald Straton of Edinburgh, the arched brass 12-inch dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the hood with moulded cornice and brass capped columns the trunk with arched figured walnut door on plinth base and bracket feet, 222cm high x 50cm wide
A late 18th Century oak long case clock, the hood surmounted by scrolled pediment and three gilt wood finials, flanked by fluted columns, enclosing brass spandrel dial, inscribed "Thomas Farrer, Saxmundham", having pierced steel single hand and 30 hour movement, striking on a bell, the trunk door above a box base, raised on a scrolled apron and bracket feet, 197cm
A George III oak and mahogany banded longcase clock with arch glazed hood and shaped trunk door and quarter column reeded sides, the 13 inch arch brass dial with 'Tempus Fugit' in arch and silverised chapter ring with Roman and Arabic numerals and date indicator with mask spoundrels, the eight day movement striking on a bell, 230cm high
A 'Grandmother' longcase clock, the arch brass dial signed Moore, London, the black lacquered case decorated with gilt fish and turtles, the hood with glazed door and trunk with long door, the 7 inch brass dial with silverised chapter ring and Roman numerals and cherub mask spoundrels, the eight day movement striking on a bell, 162cm high
A George III mahogany longcase clock, the break arch hood with brass scale side frets, the silvered one piece flat dial with strike/silent to arch, seconds and calendar dials, inscribed James Hicks White Chapel, with adapted 4 pillar movement (now gong striking), the trunk with break arch door, upon a rectangular plinth, the case probably associated, all in need of attention, 202cm high
Broderick, Spalding, an oak longcase clock circa 1800, the painted arched 12 inch dial with subsidiary seconds, the 8 day movement with shaped plates (one dial foot lacking), the hood with pierced cresting, three brass finials and reeded columns, the trunk with shaped top door flanked by reeded canted corners (movement possibly associated) 216cm high
Louis Vuitton, a leather covered trunk, the rectangular rising top enclosing a previously fitted interior flanked with leather carrying handles, standing on castors, bearing label for Louis Vuitton, 1 Rue Scribe, Paris, 149 New Bond Street, London and numbered 133271, 101cm wide, 52cm deep, 51cm high
A LONGCASE CLOCK by A Cranstone, Scarborough, the thirty hour movement with anchor escapement and count wheel striking on a bell, 12 arched dial painted with flower and bird on fruiting branch, calendar aperture, in oak and mahogany banded case with scrolled pediment on turned columns, canted trunk with arched door, panel base, 84 high
Mahogany longcased clock by William Winstanley, Wigan, broken arch brass face with painted rolling moon, silvered chapter ring with date numerals (no indicating hand), subsidiary seconds dial, engraved floral field, in a flat topped swan neck hood with fluted columns on a blind fret frieze, quarter column trunk and canted, set-out base on ogee bracket feet. Height 249 cm. (Pendulum, 2 weights, 2 winding and 2 door keys)

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66972 Los(e)/Seite