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Taxidermy: Irish Pine Marten (Martes martes), dated 2021, Killeen, Ireland, a high quality full mount adult with head turning to the left, stood clinging to a frosted tree trunk, amidst frosted fauna, mounted above snow covered groundwork beneath, set against a pale blue painted back drop, enclosed within an ebonised three-glass display case 40.5cm by 23cm by 61.5cmCause of death RTA
A 19thC moon rolling longcase clock, the painted arched Roman numeric dial with a painted arch, 31cm wide dial with shell spandrels, globe stencilling, subsidiary second hand and date aperture, above a shaped trunk door with shell inlay, on a block base, the whole surmounted by an orb finial, eight day movement, with two weights, pendulum and key, 222cm high.
An oak eight day longcase clock, early 18th century, with moulded cornice above twin brass mounted columns, the plain trunk on plinth base, the square brass dial with silvered chapter ring having Roman and Arabic numerals, matt dial centre with subsidiary seconds dial at 12, signed Rob Williamson London to chapter ring, the twin train movement striking a bell, with pendulum, 197cm high Please note Roseberys do not guarantee the working condition, duration or timekeeping of clocks. Condition Report: Case: With wear commensurate with age, to include: cracks and splits, chips to edges, cracks and losses to hood, major cracks around hinges to hood door, columns with tarnishing to mounts and later black painted, major lifting and damage to plinth base with restoration visible, damage and repair to hinges to trunk door. Seat board is replaced. Reverse with holes and warping and later panels of wood attached. Dial: Chapter ring with heavy scratches and paint marks, rubbing to numerals. Scratches to dial.Movement: The backplate with minor tarnishing and with replaced screw. Wear and dents to bell.
A Bohemian astrological amber flashed glass beaker, 19th century, cut with a detailed symbolic stylised landscape, featuring a man holding a flower approaching a house to the left, a house atop a hill to the backdrop, and a tree to the far right with medallion containing a scorpion issuing from the trunk, with inscription below the scene October 10 and monogram to the underside RK, the beaker 7cm diameter, 10cm high
VINTAGE LOUIS VUITTON TRUNK. A vintage early 20thc trunk with monogrammed exterior, with wooden slats and leather trimming with brass studs. With brass lock and catches and the interior with two trays, with original label 'Louis Vuitton, 784333, Paris, 70 Champs Elysees'. With a Vuitton key (number 34951), and matching number stamped on lock plate. 80cms across, 47cms deep, 47.5cms high. *CR The large leather strap that runs from the back to the front, part of this is missing, handles are a little stiff and dry, some marks and wear as you would expect over time, some white marks to the wooden slats underneath. Interior is generally good, some stains to the top tray.
VINTAGE GERMAN CABIN TRUNK 'ROHRPLATTENFOFFER' - ERSKINE & SONS BELFAST. An early 20thc dome top cabin trunk, the canvas trunk with wooden and brass studded bands and leather carrying handles. With a metal and brass lock plate and makers plaque 'Rohrplattenkoffer Patent, No 215181, and with a retail label inside for Erskine & Sons, Belfast. 48.5cms high, 69cms across. *CR Missing it's internal tray, leather straps at front broken and missing, wooden supports on base with some chips and wear and a few old worm holes, general wear and tear over the years.
PAIR OF CHINESE FAMILLE NOIR PORCELAIN VASES - ELEPHANT MASK HANDLES. Late 19thc of square tapering form, the front and reverse painted with various birds perched on flowering branches, the sides with landscape scenes and buildings. With elephant mask handles to the neck, and repeating patterns to the top and bottom of the vase. Character marks to the base, 44cms high. (2). *CR One vase, small loss of glaze to trunk of elephant, otherwise seems in good condition. The other, bottom left corner of the vase has been damaged and partially repaired, otherwise it seems fine.
Full title: Three various leather travel cases and a steamer trunk with labels of various travel destinations, ex-collection Kervyn de Volkaersbeke, 19th/20th C.Description: H 32 - L 87 - D 52,5 cm (the largest travel case) H 18 - L 66,1 - D 38 cm (the smallest travel case) one of the leather cases with the initials 'K.V.'(Kervyn de Volkaersbeke) and the matching baron's crown. The steamer trunk with a label with the name of Andre Kervyn de Volkaersbeke (1874-1961). (link) Labels of a.o. Montreal and Toronto (Canada); Indiana, Philadelphia and New York (USA, a.o. a label of the French Line),
AN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCKWith rectangular brass dial inscribed Vale, Coventry with subsidiary seconds dial and date aperture, now in a case with shaped rectangular crossbanded trunk door between canted fluted angles, the panelled base on moulded plinth with ogee bracket feet236cm highProvenance:Supplied by Oliver MesselCondition Report: Movement is very dirty/neglected hence requires a clean and overhaul. The mechanism appears unaltered and original to the dial. Two of the dial feet use pillar castings which is a little unusual most likely not indicative of alteration. The dial is in very dirty/neglected condition; the hands are probably replacements otherwise appears to be in sound original condition. The movement and dial rest on unaltered cheek uprights suggesting that the they are original to the case. The right-hand cheek has a chunk missing from the rear edge and the backboard has some cracking/opening to the joints between its constituent sections. The plinth front panel has a horizontal shrinkage crack otherwise case is in sound original unrestored condition with faults limited to bumps, scuffs, shrinkage and other age-related blemishes.Clock has two weights, winder, case key but no pendulum. Condition Report Disclaimer
A SCOTTISH MAHOGANY LONGCASE CLOCK, URQUART, PERTHCIRCA 1820With painted circular 14 inch Roman numeral dial with subsidiary seconds and date dials signed URQUHART Perth to the centre, and with eight day bell striking movement, the arched hood above the trunk door199cm high overallCondition Report: The case with Marks, knocks, scratches, abrasions consistent with age and use, old splits and cracks, some chips, losses, and replacements to veneers and inlays, the trunk door is locked shut and there is no key There are no pendulum, no weights, no winding keyThe dial with chips, losses, scratchesThe movement hasnt been tested and Dreweatts gives no guarantees as to condition or if the movement is working, we suggest this will require some attention of a clock restorer prior to use. Please see additional images for visual reference to conditionCondition Report Disclaimer
A fine Irish George III period inlaid mahogany Longcase Clock,ÿwith a divided pediment above a square brass dial with Roman and Arabic numerals, and subsidiary dial for seconds and date aperture, by Alex Gordon of Dublin, flanked with two turned pilasters over serpentine headed trunk door, flanked with fluted columns above a rectangular inlaid panel on moulded box base with ogee bracket feet, approx. 234cms high x 51cms wide (92" x 20"). (1)
A fine late Georgian inlaid and crossbanded Longcase Clock, by Joshua Tomey, Dublin, the brass dial with Roman and Arabic numerals, and subsidiary dial for seconds under a divided pediment above a blind fret and dentil moulded frieze, a moulded trunk door on a moulded box base on bracket feet, 231cms x 35cms (91" x 14"). (1)
An early 20th century French patinated bronze elephant mantel clockin the Louis XV style, the movement by A.D. Mouginthe 4' Roman and Arabic dial set within a drum surmounted by a figure holding a parasol, set on the back of a standing elephant with raised head and trunk upheld, on naturalistic rocky base, the stamped movement with outside countwheel strike on a bell, 40cms highFor further information on this lot please visit Bonhams.com
A good late 18th century chequer-strung mahogany stick barometerthe dial signed for Joshua Cox, Londonthe moulded swan neck pediment with brass acorn finial over an opening hood door and waisted trunk with visible tube framed by a herringbone veneer and chequer-strung border, terminating in a circular turned cistern cover with fan medallion, signed silvered dial with mercury thermometer, manual vernier and seven weather predictions to the 27-31' scale, 100cm high This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A 19th century Japanese hardwood Shaku-dokeisigned for Kuniyuki 国行the backboard with a shaped top with hanging aperture over a (now detached and in need of re-attachment) trunk with separate drawer, the toki plate with brass diamond numeral plaques, and base plate, the brass weight driven movement with four turned finials over elaborate corner posts, the front panel depicting a foliate group emanating from a woven basket bearing the makers stamp, the verge escapement with plain two-armed brass balance, with weight and key drawer, 41cms highFootnotes:ProvenanceThe family collection of J. Drummond Robertson.Shaku-dokei, also called pillar clocks, were initially made as small and as light as possible, to be accommodated in traditional Japanese homes. These homes, unlike most European houses at the time, had delicate paper walls, completely unsuitable for hanging a heavy wall clock. Shaku-dokei were therefore developed to by hung from the central wooden post in the house; thus, the clock had to be quite light and also quite narrow. As the movement was generally visible, the front plate would be engraved on the higher quality clocks, making it a more attractive addition to the home.Beginning in 1873 Japan converted their national time system from variable hours tracking the seasons to equally divided hours. Before this date, most clocks made in Japan had dials and striking that reflected a day being variably divided into six toki during the day, and six during the night. The exact length of the toki would vary depending on season; however, there would always be six divisions in both day and night. The numbers used to refer to each toki were a sequence from 4-9 with 9 representing midnight, 6 representing dawn down to 4, before repeating the sequence with 9 representing midday and 6 representing dusk; the numerals would all be represented by animals as well, though twelve animals were used so that in conversation 'the toki of the Horse' clearly referred to 9 during the day (or Noon), whereas 'the toki of the Rat' was 9 during the night (midnight). The Shaku-dokei were adapted to account for the temporal hours by either having movable toki plaques or having replacement toki plates which would be replaced every 13 days or so to account for the variability. This was usually done by a 'clock doctor' who would know which plate to use, however, later clocks would have numbered plates, to let the owner know when each plate should be removed. These later clocks would draw the ire of many clock doctors, who saw it as a challenge to their earnings by effectively cutting out guaranteed bi-monthly visits.This clock likely dates to before 1873, as the toki plate only has the numerals 4-9, in keeping with non-western time. It is likely a later example though, as it has a balance wheel escapement, rather than foliot. Beyond this, dating is notoriously difficult as the clocks would be made a single individual; there were no mass-produced movements which were then finished, or a network of individuals making a single component. One individual, likely Kuniyuki 国行 in this case, made every component, meaning that style and form would be partially at the whim of the maker and partially at the whim of the client.We are grateful to Yoko Chino, specialist in Japanese Art at Bonhams London, for providing the translation of the maker's name.Strachan, A. (2014) 'Japanese Clocks,' Horological Journal, Volume 156 (9), pgs. 394-398 (Accessed 9 May 2022).Ward, F. A. B. (1956) 'Informal Meeting', Antiquarian Horology, Volume 1 (11), pgs. 169-170 (Accessed 9 May 2022).Strachan, A. WADOKEI.ORG: Sharing a passion for Japanese Edo Period Clocks. Available at: https://wadokei.org/ (Accessed 9 May 2022).Japan Clock & Watch Association (2022) History of the Japanese Horological Industry. Available at:https://www.jcwa.or.jp/en/etc/history01.html (Accessed 9 May 2022).Japan Reference (2019) The Japanese Calendar. Available at:https://jref.com/articles/the-japanese-calendar.479/ (Accessed: 10 May 2022)National Diet Library of Japan (2016) Unriddling the Daisho-reki Calendar. Available at:https://www.ndl.go.jp/koyomi/e/quiz/index.html (Accessed: 10 May 2022).Yasuhiro, Y. (2009) 'A Historical Overview of Japanese Clocks and Karakuri', in Hong-Sen, Y. (ed.) International Symposium on History of Machines and Mechanisms. Berlin: Springer Science+Business Media, pp. 175-188.For further information on this lot please visit Bonhams.com
An early 18th century walnut marquetry longcase clocksigned for William Camden, Londonthe moulded hood with inlaid border over spiral twist columns, the trunk door inlaid with three panels of bird-and-scroll marquetry centred by a lenticle, on a matching plinth with apron, the 12' square brass dial with mask spandrels framing the silvered Roman and Arabic chapter ring with engraved half-quarter marks and floating fleur-de-lys half-hour markers, the finely matted centre with ringed winding squares, engraved date aperture and seconds subsidiary, the movement with four knopped and finned pillars with anchor escapement and rack striking on the bell, together with a pendulum, two brass-clad weights door key and crank winder, 225cm high This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th Century French gilt brass and ebonised 'Boulle' marquetry mounted longcase clockthe elaborately shaped case and trunk surmounted by a figure of Father Time on scrolling feet, the brass dial with inset enamel Roman numerals, with twin train eight day movement, the pendulum with sunburst bob, 235cm highThis lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A late George III oak longcase clockthe dial signed for Richard Steadman, Godalming the hood with moulded cornice, the trunk on plinth base and moulded foot, the 12', the brass dial with pierced spandrels and silvered chapter ring, the thirty hour movement striking on a bell, 206cm highThis lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A George III crossbanded mahogany, boxwood and ebony strung stick barometerthe dial signed Stevenson, Derbythe broken pediment centred by a slender brass urn finial over an opening hood door and waisted trunk with visible tube flanked by herringbone veneers, terminating in a circular turned cistern cover, the signed silvered dial with sliding vernier and seven weather predictions to the 27-31' scale, 101cm high This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
The Property of a Nobleman: A Ceremonial Dress Robe for a Lieutenant of Corporation of the City of Londoncirca 1913Comprising a bicorn hat with red and white plumage, brilliant scarlet coat with metal-thread-embroidered decoration, with stiff collar and metal cord epaulettes, with typical trousers, and Dress sword, probably regulation pattern, with ivory grip and gilt bronze mounted, the shell guard with white-metal applied arms of the City of London, with accompanying oil-skin sword case, the suite presented in a long metal trunk (Qty)Footnotes:Provenance: Walter Cunliffe Esq (1855-1920), Governor of the Bank of England (1913-1918), and by descentWalter Cunliffe was appointed an Ex-Officio Lieutenant of the City of London Corporation in recognition of his bank governorship. The metal trunk, in which the robe is contained, is named for Walter Cunliffe Esq thus pre-dating his elevation to the peerage in 1914 as the first Baron Cunliffe, of Headley.His Majesty's Commission of Lieutenancy for the City of London is unique in that it is the only Lieutenancy in the country which includes some ex- officio members, and all members are specifically appointed by the Crown as Lieutenants within the City of London with no Lord Lieutenant or Deputy Lieutenants as such, unlike the practice elsewhere in the United Kingdom.The ex-officio appointees are: The Lord Mayor, who presides, primus inter pares; Past Lord Mayors who are still Aldermen; The senior Alderman below the Chair; The Recorder of London; The Common Serjeant; The Governor of the Bank of England; The head of another major financial institution; The Commissioner of the City of London Police; and The Chairman of the City of London Reserve Forces' and Cadets' Association.As an ex-officio appointment, the status as a Lieutenant of the City of London ceases when the holder no longer occupies any of the offices above.For further information on this lot please visit Bonhams.com
The Property of a Nobleman: A pair of Coronation Robes for a Peer of the Realm and Peeressmade by Ede and Ravenscroft for the 1937 Coronation of King George VIThe Peer's robes and accessories comprising a larger coronet, with crimson velvet cap and gold-thread finial and ermine fur trim to base rim, lined with silk and stamped with maker's name, the impressive robe of crimson velvet with ermine collar and edging, the royal blue under-jacket with buttons and matching breeches, court shoes with buckles (detachable and in presentation box) and silk ivory waistcoat with similar buttons, with Court sword with etched blade and bright steel hilt with brilliants and oil-skin sword case; the robes for the Peeress of crimson velvet, ermine edged, a fastening to the front, the shoulders with git-metal cordons with wide twisted cord, terminating in tassels, two smaller coronets and crimson velvet purse on chain, the lot also containing two similar bicorn hats and carrying case, a hat box for the coronets and the whole presented in a large Ede and Ravenscroft metal trunk named on top for Lord CunliffeLord Cunliffe 's robe 211cm long, Lady Cunliffe's robe 235cm long (Qty)Footnotes:Provenance:Commissioned in 1937 by Rolf, Second Baron Cunliffe and Joan, Lady Cunliffe, and worn at the 1937 Coronation in Westminster Abbey, and by descent.For further information on this lot please visit Bonhams.com
The Coronation of King George IV, 1821. The Coronation dress of a peer, that of Henry Nevill 2nd Earl of Abergavenny (1755-1843), including Tudor 'Romanic' style doublet and hose of ivory silk satin and silver gilt braid, hose, crimson silk velvet sword belt with gilt brass fittings and surcoat, fully lined in white silk satin by and / or altered by Ede & Son (post 1868) with further label inscribed Marquis of Abergavenny KG, and another surcoat of purple silk velvet, in later japanned robe trunk with brass plate engraved Marquess of Abergavenny KGProvenance: By family descent in the Nevill family to the present vendors.These beautifully preserved robes bring visibly to mind the most extravert, and costly, coronation in English history. It is no surprise that the creator of that marvel of decoration, the pleasure palace that is Brighton Pavilion, would have insisted on a suitably magnificent coronation. At the sight of the glittering costume of the peers en masse in Westminster Abbey Sir Walter Scott was moved to describe the "gay and gorgeous and antique dress which floated before the eye".
A George II brass-studded leather-covered travelling trunk, Henry Nickles London, of wood with domed lid and covered in Russia leather, richly decorated with tulip and other patterns, the initials E R, rosette, pierced crown escutcheon, the brackets to the sides pierced with hearts and crescents, iron carrying handles and lock, the interior retaining the original marbled lining paper and engraved trade card of "Henry Nickles Trunk-Maker at the Corner of St Pauls Next Cheap-Side Handulet Makes & Sells all sorts of Campaine Trunks Portmanteau trunk & leather portmanteaus, leather baggs & cloth cloake baggs, plate cases & perewigg boxes & guilded nest of trunks, fire buckets & all sorts of other leather wares wholesale or retail at reasonable rates", 56cm h; 57 x 107cm, key Provenance: Colonel Sir Edward Geoffrey Hippisley-Cox CBE, DL (1884-1954) by whom acquired in the early 20th c for the collection he was forming at his home Gournay Court, West Harptree, Somerset; thence by descent to the present vendor Sir Edward Hippisley-Cox leased Gournay Court from the Duchy of Cornwall in 1913, later, in 1928 purchasing the house from the Prince of Wales. The trade card and the trunk were photographed by Sir Ambrose Heal (1872-1959). His record sheet with three mounted photographs and notes, including "This leather trunk containing Nickles' trade-card in the lid is in the possession of Col E G Hippisley-Cox of Gornay Court West Harptree Somt..." It and the rest of Heal's archive is in the British Museum (Heal 120.57) Good and original condition with localised losses mainly on back, unrestored and not hitherto offered for sale
A GEORGIAN OAK 30 HOUR LONGCASE CLOCK, the hood with three brass finial, cylindrical pillars, flanking a glazed door that's enclosing a 9 1/4 inch brass and silvered dial, singed Raymand, Lyde ray, on a plain trunk, height 220cm, with one weight, pendulum and trunk door key (condition:-trunk door lock faulty, feather broken on pendulum, missing seconds dial hand)
A GEORGIAN OAK 30 HOUR LONGCASE CLOCK, the square hood enclosing two fluted pillars, flanking a glazed door, that's enclosing a 10 inch painted dial, Roman and Arabic numerals, indistinctly signed F.Cra**** of Shrewsbury, on a plain trunk, approx. height 200cm, with one weight and pendulum (condition:-ideal for restoration as plinth loose, dial dirty and worn and various loose pieces)
Jonathon Watson of London. A George III brass mounted mahogany eight day longcase clock, the 12 inch arched brass dial with strike / silent, subsidiary seconds and date dials, five pillar movement with anchor escapement, the case with unusual brass columns flanking the hood and further brass pilasters running down flanking the trunk door, 49cm wide, 211cm high 49cm wide, 211cm high

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