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Click here to subscribe'Just another day at the office', signed, limited edition print after Alan Fearnley,number 437/500, signed by Michael Schumacher, and the artist in pencil, 48 x 66cm, mounted (some slight mildew spotting to card mount), framed and glazed, with Alex Reade certificate of authenticity applied to rear of frame. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Assorted framed motoring prints and posters,including a 2002 24 Heures Du Mans poster, 59 x 39cm; a 2003 Louis Vuitton Classic poster, 79 x 56cm; 'Well Hello', a signed print after Alan Fearnley depicting Bentley, 42 x 53cm; 'The 1908 Grand Prix de L'A.C.F.' a signed limited edition (12/350) print after Michael Wright, 57 x 67cm; four Bonhams 2011 Grand Palais auction posters, 74 x 49cm; and other assorted prints and posters, majority mounted, framed and glazed. (14)Lot to be sold without reserve.This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
'Bentley at Le Mans, 1929' a framed print after Terence Cuneo,depicting d'Erlanger filling the sump in the pits as Dunfee speeds past, some slight fading, 73 x 81cm, framed and glazed; together with a Mercedes 'Daimler-Motoren-Gesellschaft' reproduction poster, 81 x 58cm; and a monochrome photograph of GWR 6805 'Broughton Grange' steam locomotive with tender, 33 x 70cm'; both mounted, framed and glazed. (3)Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
'The Connoisseurs', signed limited edition print after Alan Fearnley,number 529/850, 36 x 75cm, signed by the artist to lower right margin, mounted, framed and glazed; together with an amusing Rolls-Royce photo print, 52 x 66cm, framed and glazed. (2)Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Wellz, 'USAAF Douglas C.47 'Growing Pains'', a profile artwork signed by Bob Hope and pilot Bob Gates,signed lower right, watercolour and gouache on paper, a profile view of the Douglas C.47 M-2 #315306 'Growing Pains' cargo transporter of the USAAF 88th Troop Carrier Squadron, one of the lead aircraft used to airdrop US Paratroopers of the 101st Airborne Division 'Screaming Eagles' into France on 5th/6th June 1944 for the D-Day 'Operation Overlord', signed by Squadron Commander and pilot Bob Gates and by former passenger, the American actor and U.S.O. troop entertainer Bob Hope, with dedication 'I warned him of the airplane 'Growing Pains'', 37 x 55cm, framed and glazed; offered together with a print of the artwork, 29 x 41cm, mounted, framed and glazed. (2)Lot to be sold without reserve.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
‡ PIETRO PSAIER (Italian [unconfirmed], 1936-2004) mixed media artists proof print - study of Andy Warhol, mixed media on wood, clear varnish, signed, studio stamp, COA verso, 57 x 84cmsProvenance: Private collection West Wales, consigned via our Cardiff officeComments: framed and glazed, ready to hang
‡JOHN BULMER (British, b.1938) colour photographic print circa 1960s - traditional red British phone box, inside a lady talking on the phone whilst a child stares out, 50 x 33cmsProvenance: private collection HerefordshireAuctioneer's Note: photographer and filmmaker John Bulmer, grandson of the founder of Bulmer's cider, is best-known for his pioneering colour photojournalism of the 1960s. Just weeks before he was due to take his final exams in engineering at Cambridge, Bulmer was expelled for a series of photographs he took of student climbers scaling King’s College Chapel, his iconic 'Night Climbers' were then published in The Sunday Times. Leaving for London upon his expulsion, he was offered a position working at the Daily Express, and went on to achieve tremendous acclaim as a photojournalist with a career spanning over 60 years. Until the mid 1960s, photojournalism was predominately black and white but Bulmer was the first in his peer group to replace his Rolleiflex with a lightweight 35mm SLR camera. He explored the exacting demands of 35mm colour film and this became a defining feature of his photographs. When The Sunday Times Magazine was launched in 1962 Bulmer was hired for his technical skill and his rare ability to think in colour. He famously shared the cover of the very first issue of the 'Colour Section' in the magazine with David Bailey, and went on to shoot around 60 pages per year for the newspaper. He became one of the magazine’s most prolific contributors, travelling extensively in the UK and internationally.
‡JOHN BULMER (British, b.1938) colour photographic print circa 1960s - lady and spaniel in car outside of a butcher's shop D S Evans & Son, msProvenance: private collection HerefordshireAuctioneer's Note: please see artist's details in other lot relating to John Bulmer in this auction. The shop front of the village butcher, D S Evans & Sons Family Butchers at Pembridge in England, circa June 1966. In the foreground is a driver at the wheel of her car, holding her dog. During the summer of 1966 British photojournalist John Bulmer visited the village of Pembridge in rural Herefordshire. At that time the village was home to approximately 800 inhabitants, and had only recently been connected to electricity and the supply of mains water, although not every cottage was connected, with oil lamps and the Parish pump still in use. It had lived through the Industrial revolution, and the first 66 years of the 20th Century with little outside contact. The village was only connected to Hereford by a bus service on a Wednesday and Saturday, and the local railway station had closed eleven years earlier, 99 years after its opening. Less than a third of the children at the village school had ever visited London, but the Headmaster always made sure that they could see the sea, and Bristol Zoo, on the annual coach outing. It was a surviving rural community, not the ordered countryside of the commuting businessman or the retired colonial civil servant. The Church and the village pub were central to village life. Ten years earlier the Reverend Eric Andrews had been installed as the priest in charge. Unfortunately the congregation had not warmed to him after he gave a sermon that local farmers should not work on Sundays during harvest and in the ensuing ten years he had failed to win them over. His subsequent announcement that he would be taking up a living in Kenya was widely welcomed by the local community, who he described as rather conservative and resistant to change. This series of colour images offers an insightful look at the Social History of rural England during the mid-1960s.
Late XIX Century Brown Painted Tin Trunk, 82cm wide, an Erika Typewriter and books including Illustrated Histories of the Scottish Regiments, book one and two, signed print of the Flying Scotsman 'Mayday' by M J Parnham and a collection of records - Queens Greatest Hits, some in carrying case.
A large collection of Victorian 19th century & later framed & glazed religious portraits prints and engravings of English Cardinals and clerics. The lot comprising of 'Romae ex Calcographia R.C.A.', Cardinal Beaton engraved from a painting in Blaris College, Cardinal Acton (T. Uwins,RA, pinx), Cardinal Howard (from H. Tilson), Cardinal Walsey, Cardinal Pole (engraved by W. Maddocks), Papal Allocution - Snuffing out Modern Civilisation satirical print, The Death of Cardinal Beaufort (from H. Fuseli), Nicholas Breakspear portrait after he became Adrian IV, Thomas Wolsey Cardinal & Lord Chancellor, Alanus Cardinais portrait, William Poynter Catholic priest, bishop as Vicar Apostolic in London portrait, & much more. Generally sized approx. 34cm x 26cm.
After William Blake (1757 - 1827) - An early 20th century halftone collotype print of ' Chaucers Canterbury Pilgrims ' by William Blake. The print reading: ' Painted in Fresco by William Blake & by him engraved & Published October at N. 28 corner of Broad Street, Golden Square '. Published by E. Bowler, Canterbury. The print framed & glazed. Measures approx. 77cm x 40cm to include frame.
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![‡ PIETRO PSAIER (Italian [unconfirmed], 1936-2004) mixed media artists proof print - study of Andy Warhol, mixed media on woo](https://cdn.globalauctionplatform.com/ec908129-fbaf-48f1-8dcf-b03700fccc0f/d24c83ae-d3e7-49f5-9951-b06d00c09b54/468x382.jpg)
![‡ PIETRO PSAIER (Italian [unconfirmed], 1936-2004) mixed media artist proof print - entitled 'The Clash, Armagideon Time', si](https://cdn.globalauctionplatform.com/ec908129-fbaf-48f1-8dcf-b03700fccc0f/ed7a60b1-0d61-48c2-ad41-b06d00c0a537/468x382.jpg)
