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Lot 1

AFTER LIONEL EDWARDS The Duke of Beaufort's - across the Foss Road Colour print Published by The Sporting Gallery Signed in pencil 10in x 14in (25.5 x 35.5cms)

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AFTER LIONEL EDWARDS (AND LANCE THACKERAY) 'Fools rush in where angels fear to tread' Colour print (copyright by Hills & Co, London) 15.75in x 23.25in (40 x 59cms) And a companion picture, 'Last but not least' (2)

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AFTER LIONEL EDWARDS The Devon and Somerset at Tarr Steps Colour print Signed in pencil 11.75in x 16.5in (30 x 42cms)

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AFTER LIONEL EDWARDS The Exmoor Hunt Colour print 13.25in x 19in (33.5 x 48.5cms)

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AFTER LIONEL EDWARDS The Devon and Somerset - The Invasion Colour print Signed in pencil 11in x 16in (28 x 40.5cms)

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AFTER LIONEL EDWARDS 'When a man's single he lives at his ease ... when a man's married his troubles begin' Colour print Published by Landeker & Brown 12in x 38.75in (30.5 x 98.5cms)

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AFTER LIONEL EDWARDS The Household Cavalry Division - Saluting the Colour Colour print Signed in pencil 19.75in x 29in (50 x 73.5cms)

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AFTER LIONEL EDWARDS The Duke of Beaufort's - Kill above Sudbury Vale' Colour print with FATG blind stamp Published by Eyre & Spottiswoode Signed in pencil and with printed remarque 15.25in x 20.5in (39 x 52cms)

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AFTER LIONEL EDWARDS 'The Lucky Man' Colour print Published by Lawrence & Jellicoe 14in x 31.5in And a companion picture 'The Unlucky Man' (2)

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AFTER LIONEL EDWARDS 'High Leicestershire - The Quorn Crossing the Queniborough Road' Colour print Published by Eyre & Spottiswoode 15.5in x 21.5in (39.5 x 34.5cms)

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AFTER LIONEL EDWARDS 'The Pytchley Hunt - Crick Meet 1952 Colour print 20in x 23in (51 x 58.5cms)

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AFTER LIONEL EDWARDS 'The Hertfordshire - at Whipsnade' Colour print Published by Eyre & Spottiswoode 16.5in x 21.5in (42 x 54.5cms)

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AFTER LIONEL EDWARDS 'The Flint and Denbigh - The Vale of Clywd' Colour print with FATG blind stamp Published by Eyre & Spottiswoode 14.5in x 20in (37 x 51cms)

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AFTER LIONEL EDWARDS The South Staffs - at Lysways Hall Colour print Published by Eyre & Spottiswoode Signed in pencil 15in x 20.25in (38 x 51.5cms)

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AFTER LIONEL EDWARDS The Two Year Old Colour print Published by The Sporting Gallery Signed in pencil 10.75in x 16.5in (27.5 x 42cms)

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AFTER LIONEL EDWARDS The Muskerry - above the River Lee Colour print Signed in pencil 15.5in x 20.5in (39.5 x 52cms)

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AFTER LIONEL EDWARDS The Devon and Somerset - Stopping Hounds above Weir Water Colour print 20in x 13.75in (31 x 35cms)

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AFTER LIONEL EDWARDS The Devon and Somerset - Hind hunting at Webber's Post Colour print 13.5in x 20in (35 x 51cms)

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AFTER LIONEL EDWARDS 'The Warwickshire - The Spirit of the Chase' Colour print Signed in pencil 10in x 15in (25.5 x 38cms). Closely mounted

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AFTER CECIL ALDIN 'The Liverpool Coach' Colour print Published by Lawrence & Bullen 16.5in x 41.5in (42 x 105.5cms). In an Arts and Crafts oak frame

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AFTER CECIL ALDIN 'Town Life' - a muzzled Terrier Coloured print 11.5in x 13.25in (29 x 33.5cms)

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AFTER CECIL ALDIN 'Hunting Types - The Duke of Beaufort's stone wall country' Colour print laid down onto title support sheet Published by Richard Wyman & Co 12.5in x 15in (32 x 38cms)

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AFTER CECIL ALDIN 'Dismal Desmond and a watchful sealyham' Monochrome print 13.25in x 20.5in (34 x 32cms) And a companion picture, similar (2)

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AFTER CECIL ALDIN 'Master's Footsteps' (Mickey and Cracker) Monochrome print Published by Eyre and Spottiswoode 15.25in x 20.5in (39 x 52cms)

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AFTER CECIL ALDIN 'The Two Sportsmen' Colour print 10.75in x 7.5in (27.5 x 19cms)

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AFTER CECIL ALDIN A Coaching Scene A later impression used as an advert for Lanson champagne Colour print 10.75in x 19.75in (27.5 x 50cms)

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AFTER CECIL ALDIN 'Show Jumpers - The Water Jump' Colour print Published by Lawrence & Jellicoe Signed in pencil 20in x 19in (51 x 48cms) And the companion picture 'The Gate', the pair (2)

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AFTER CECIL ALDIN 'Hunting Countries' (small size) 'The Cheshire Hounds - away from Tattenhall' Colour print laid down onto support sheet Published by Richard Wyman & Co 7.75in x 13.25in (19.5 x 33.5cms) And three others : 'The Quorn - from Billesdon Coplow', 'The Cheshire - away from Bath Wood', and 'The Cheshire - away from Peckforton Wood' (4)

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AFTER CECIL ALDIN A view of Westminster Abbey Colour print 14.5in x 11.25in (37 x 28.5cms)

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AFTER CECIL ALDIN A humorous hunting scene Colour print laid onto support sheet 9in x 14.5in (23 x 37cms)

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AFTER SNAFFLES 'Merry England' and 'Worth a guinea a minute' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 17.5in x 15.75in (44.5 x 40cms)

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AFTER SNAFFLES 'Got yer you old badmash' Colour print laid onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 17.5in x 26in (44.5 x 66cms)

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AFTER SNAFFLES 'Blighty' - and only five and twenty per cent of the danger' Colour print laid onto support sheet Signed in pencil 21in x 17in (53.5 x 43cms)

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AFTER SNAFFLES 'Tonnage' Colour print laid onto support sheet with printed remarque and with snaffle bits blind stamp Signed in pencil 16.5in x 14.5in (42 x 37cms)

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AFTER SNAFFLES John Jorrocks Esq MFH Colour print with printed remarque and snaffle bits blind stamp Signed in pencil 14.25in x 15.5in (36 x 39.5cms)

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AFTER SNAFFLES 'Gunners' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp 15in x 24in (38 x 61cms)

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AFTER SNAFFLES 'The Grand Military Steeplechase at Sandown' Colour print Possibly from a Society Magazine of the 1920's/1930's 10.5in x 16.25in (26.5 x 41cms)

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AFTER SNAFFLES 'A Bona Fide Fox Chaser' Colour print laid down onto support sheet with printed remarques and snaffle bits blind stamp Signed in pencil

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AFTER SNAFFLES 'Bon Voyage' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp 17in x 13in (43 x 33cms)

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AFTER SNAFFLES 'A Point to Point' Colour print with printed remarques Signed in pencil 19.5in x 29.5in (49.5 x 75cms)

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AFTER SNAFFLES 'Soldiers' - 'Nasty steeple chasin' devils' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 16.5in x 14.75in (42 x 37.5cms)

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AFTER SNAFFLES 'Swagger - but a workman' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 16.5in x 14.75in (42 x 37.5cms)

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A group of five Japanese woodblock prints, Including a pair by Urishibara, a pair by Toyokuni III, and a further print. (5)

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A group of five, Including a mezzotint of William John Cavendish by Thomas after F. Grant; three portrait engravings by Houbraken, and a print of a lady signed T. Hamilton Crawford. (5)

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Robin Owen - 'Victory No.28' - Nigel Mansell winning his 28th Grand Prix at Silverstone on 12th July 1992, photographic colour print, signed limited edition 157/3000; four signed framed photographs of racing drivers including Nigel Mansell (with certificate of authenticity) and Mario Andretti.(5)

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A coloured print, Coaching scene Unsigned 30cm x 50cm

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Vanity Fair Print, The Winning Post Titled and dated Dec 8.1888 36cm x 55cm

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Paul Henry (1876-1958), Cottages in an Irish landscape Fine Art Trade Guild Print Signed in pencil 36cm x 40cm

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Laslett John Pott (1837-1898) The Ruling Passion A coloured print 43cm x 68cm

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After Louis Wain, Series of cat portraits Coloured print Signed 35cm x 24cm

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19th century framed print "Fort William, Bengal"

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20th century Florentine School "Choir of Angels", coloured print and gilded panel, bears paper label verso, d. 23 cm, with gilt frame

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AFTER G ROBERTS, COLOURED PRINT, ‘A rough customer’, 21" x 17", (maple framed)

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AFTER COROT, COLOURED PRINT, Maidens dancing in a wood, 20" x 30"

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R A RICHARDSON, SIGNED IN PENCIL TO MARGIN, TWO LIMITED EDITION COLOURED PRINTS, (23/400) and (137/200), Bird studies and a further UNSIGNED PRINT by the same artist, various sizes, (3)

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LIONEL EDWARDS, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, ‘The Holcombe’ (Hunt), 1939, 12" x 18"

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CARL MOSER, COLOURED WOODBLOCK PRINT, Three figures conversing, 15" x 16"

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GEORGE BAXTER OR LE BLOND, COLOURED OIL PRINT, ‘The Mountain Stream’, CL 346, 15" x 11"

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AFTER WEBSTER, COLOURED PRINT, ‘A Bunch of Roses’, (Calendar print for 1913 for Ceylindo Tea), 20" x 15", (A/F)

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AFTER A CHAVELL, COLOURED PRINT, ‘Donovan’, (horse portrait in burr elm frame), 17" x 20"

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