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Click here to subscribeInvitation poster to announce the exhibition Roy Lichtenstein: Landscapes, at Leo Castelli Gallery, New York 24 October - 19 November 1964. Offset litho on paper, 58 x 43 cm, machine folded for mailing. Features a print of 'Temple' on recto and gallery information on verso. Unmailed copy, with the black closure sticker on verso as issued. Near mint copy.
Rotterdam, Galerie Delta, 1967. Soft cover, 22.5 x 22.5 cm, 12 pp. with loose inserted extra sheet featuring Andy Warhol's 'Selfportrait' on silver coated paper, with a text on Warhol by Hans Sonnenberg at the backside. Striking catalogue published for a group show by Allan D'Arcangelo, Yoyoi Kusama, Claes Oldenburg, Larry Rivers and Tom Wesselmann. Profusely illustrated with documentation of work by the above artists, and two bright colour reproductions of Warhol's Flowers. Browning along the edges of the cover, the interior pages including the Warhol print are in very good condition. Scarce item.
Edited by Andy Warhol, Kasper König, Ponthus Hulten, Olle Granath. Softcover, 27 x 21 cm, 315 pp. First edition of Warhol's famous Stockholm catalogue, published on the occasion of his earliest European museum show at the Moderna Museet in 1968. Text in English. Moderate staining (2 cm) on top portion of the first few interior pages, the middle part of the book has some loose pages, generally a fine copy. The flower print covers are still very bright.
Utrecht/Amsterdam, Utrechtse Kring/Art & Project, 1972. 27 x 20.5 cm, 288 pp. Original white wrapper with white tape on spine, in protective glassine jacket. Entirely xerox-printed artist book, copied from a computer print-out. Published in an edition of 275 copies. Jacket yellowed, but the original cover beneath is mint. Interior in good state. Rare.
Offset print, 82 x 58 cm. Announcement for the release of 'Anonyme Skulpturen, Eine Typologie technischer Bauten', the first monograph on the illustrious photographers duo. Published by Art Pres Verlag Dusseldorf, distributed by Buchhandlung Walther König Cologne. Small pinholes in all corners, hole with staple remnant in centre of top margin, crease on lower left corner, else in fine condition. Rare.
Maastricht, Agora, 1974. Green portfolio with mounted title label and tape along spine as issued. Contains 7 silkscreen prints on paper, 67 x 67 cm, each signed and numbered 23/50 in pencil in the lower margin. The portfolio label is signed and numbered in similar fashion. The top print is covered with a protective glassine sheet. The works show the words 'ruimte' and 'tijd' in handwriting on a green background, presented in a growing sequence. The first sheet features 4 words, the next sheet 16, eventually evolving in an almost unreadable pattern demonstrating 'an endless limitation'. Moderate age wear to exterior of portfolio, prints near mint.
One original piece and two posters related to Plessi's Aqua Liquida series. Includes: (1) Print on canvas, 70 x 50.5 cm, with hand-added measurements, dedicated 'Level for Michael', signed and dated '75 in lower corner. Metal hanging rings in corners. In very good state. (2) Announcement poster for Plessi's exhibition 'Water Kunst' at ICC Antwerp in 1975, 59.5 x 42 cm. (3) Offset poster, 60 x 42 cm, featuring the same image as the ICC poster. Fine copies, from the collection of British-Israeli artist Michael Druks. Since 1968, water has been a principal motif in Plessi's installations, films, videotapes and performance art. In 1970 he designed a huge sponge to be placed in the lagoon near Venice, intended to protect the city from flooding.
Re-issue of the work from 1977 with the original cards, but housed in a newly designed box (not the original blue cloth box), 8.5 x 13.5 x 9.5 cm. ABC- We Print Anything - In The Cards was a performance staged at Franklin Furnace New York and De Appel Amsterdam in 1977, which documented the turbulent relationship between the artist and two lovers. Schneemann recited texts from index cards while images were projected on a screen behind her. The performance piece was also conceived as a boxed set of cards, published by the Brummense Uitgeverij Van Luxe Werkjes, Beuningen (NL). This lot contains the original set of 156 numbered index cards printed with text, each card accompanied by an identically numbered index card printed with an image. Printed in various colours of ink on cards in varying colours. As usual with the card set, it has some flaws in the compilation of cards. This copy misses 3 text cards (28, 102, 120), and includes all 6 introduction cards (2 glued to the box). The original set was made in a signed and numbered edition of 151. This is an unsigned and unnumbered copy that derives directly from the publisher, Geurt van Dijk, who commissioned Sacha de Ven to design a box in 1990. The handmade cardboard box has an original title card and end card mounted to the top and bottom, and the designer's name and production date printed inside the box.
Ghent, Museum van Hedendaagse Kunst, 1984. Scarf, screen print on nylon, 76 x 72 cm, plus 2 text sheets by Jan Hoet in Flemish and English. Housed in a black cardboard box, 25.5 x 25.5 cm, with colophon label and text on interior ('The Poodle never begs except for meaning'). Signed and numbered 122/500. The multiple is a smaller version of General Idea’s 1984 'Ghent flag' in which the artists revamped Ghent's official emblem, replacing the lion by a poodle. Some controversy aroused when 50 flags were displayed in the city, but the mayor made a public statement in favour of poodles. The item shows edge wear on the exterior of the box, creasing on text sheets, scarf with traces of use.
Hamburg, Edition Helga Maria Klosterfelde, 1992. Ship flag, silkscreen print on fabric, 100 x 150 cm, in custom made box. Edition of 500, 60 signed and numbered, 440 numbered. This copy is numbered 168/500 on the back of the box. Each skull on the flag refers to one member of General Idea. Fine copy. General Idea (Toronto, 1967-1994) was an artists' collective made up of Felix Partz, Jorge Zontal and AA Bronson, striving to critique popular and media culture by way of humour, parody, and irony. From 1987 onwards their work addressed the AIDS crisis, both Partz and Zontal died of AIDS in 1994.
B/w glossy silver gelatin print, 25.5 x 20.5 cm. Portrait of Warhol in a pensive pose, shot by Mike Tighe. Signed in black ink below the image, on the photo margin featuring the printed text 'Andy Warhol' and 'Photo: Mike Tighe'. Publicity shot (cropped from a 1976 photo 'Sylvia Miles & Andy Warhol at the Factory') in unknown edition. Very moderate creasing on photograph, verso with glue remnants, generally a good copy. Tighe photographed celebrated people in the arts through the 70s and was shooting regularly for Andy Warhol’s Interview Magazine.
Archival pigment print, 44 x 38 cm, signed and dated 'Michael Raedecker, 2009' and numbered 83 /120 on reverse. Special edition for the solo exhibition 'Line-Up' in GEM, Museum voor actuele Kunst, The Hague, 2009. In mint state. (2) Added is the catalogue for the above exhibition which travelled to Camden Arts Centre London, GEM The Hague, Carré d`Art Nimes in 2009-2010. Prof. ill., text in Dutch. (total 2)
Wallpaper with flexographic print in 4 special spot colours on D5 NIP Cresta paper, 160 gsm, 52 x 1000 cm. Edition of 185 rolls, accompanied by a signed and numbered certificate and hanging instructions. This is copy number 102. The roll is still in publishers' wrap and kept in the original cardboard tube with mounted label of Whitechapel Gallery. The special limited edition was produced in conjunction with a 2009 show at Whitechapel Gallery, and is based on Lucas' iconic wallpaper 'Tits in Space' from 2000. It featured a repetitive design of cigarette orbs on a black background and was first presented at The Fag Show at Sadie Coles HQ in London.
Envelope stamped 'Valoch' on front, 22 x 15.5 cm. Contains 3 works each assembled in a folded sheet, titled, signed and dated in print 'Jiri Valoch 1982'. Loose inlaid is a German translation of the Czech titles. (1) Studie horizontu. 8 photocopied drawings featuring outlines of eight branches found in Korycan/Lhotka. (2) Studie horizontu. 6 photocopied drawings with outlines of stones found in a creek on the road from Marsovic to Medlov. (3) Osm oblazku. 8 photocopied drawings showing outlines of 8 pebbles from Korycany. Light agewear on envelope, sheets in good condition.
Comprises the first 8 issues of the Artpool Letters, a clandestine art magazine about art events and artists in Hungary and abroad, published in 1983-1985 (11 all issued). Edited by György and Julia Galántai, published in signed and numbered copies in Hungarian, with a short English summary. Stapled xeroxed booklets, each 21x 15 cm, between 50-72 pp. with several inserts. Each copy is housed in an envelope hand-stamped with the issue and copy number, the address of G. Galantai and 'original print'. All booklets are signed by Galántai and numbered identical to the numbers on the envelope. This lot includes AL 1 (Jan.1983) to AL 8 (Feb.1984) as well as the English summary for all issues, 12 pp. Featured are (text) registrations of the latest art developments with a focus on Fluxus, Mail Art, concrete poetry and experimental music. Among the AL contributors are Ben Vautier, Julien Blaine, Tom Johnson, Carlo Pitttore, Buster Cleveland et al. The envelopes show some age wear, the artzines are mint. Rare set. (total 9) Artpool Art Research Center is an avant-garde and contemporary art project and archive, founded in 1979 by György Galántai and Júlia Klaniczay in Budapest and is still very active today.
Artists' assembling periodical published by G. J. de Rook's venue Exp/press in Utrecht, edited by Marten Hendriks. Edition size unknown. Both softcovers with linen tape on spine, 29.5 x 21 cm, 105/144 pp. (1) Specimen 1. Contributions by Felipe Ehrenberg, G. J. de Rook, Sigurdur Gudmundsson, Ad Gerritsen and others. Inlaid postcard by Clemente Padin, folded print by Dalibor Chatnry and Exp/press brochure. Name on first page, small pen doodle on cover, else very good. (2) Specimen 2 1/2. Special issue themed 'Hand'. With some handmade/rubber stamp additions. Contributions by Felipe Ehrenberg, Geza Perneczky, André Thomkins, Jochen Gerz and many others. Inlaid are 2 cards by Robin Crozier and Raul Marroquin. Name on first page, light age toning to front cover, else a fresh copy. (total 2)
Amsterdam, Stempelplaats, 1979. Rubber Vol. 2 No. 8. of the monthly bulletin about rubber stamp art edited by Aart van Barneveld. This issue was edited by Ulises Carrion as a catalogue for the mail art project he curated. Staple bound, 23.5 x 16 cm, 16 pp. Contains an essay by Carrion titled ‘Personal World or Cultural Strategies?', b/w photo documentation and colour printed stamps by the 150 participants. Artists include Eduard Bal, John Baldessari, Anna Banana, Vittore Barone, Peter Below, John Furnival, György Galántai, Alison Knowles, Raúl Marroquín, G. G. Marx-Vigo, Genesis P-Orridge, Robert & Ruth Rehfeldt, Endre Tót et al. (2) Added is a card calling for contributions to the project, signed in print by U. Carrion. White card, 10.2 x 15.7 cm, printed one side in black and green. Both items rare and in good condition. (total 2)
Kleve, EN/OF Editions, 2015. Special edition of the EN/OF series featuring a collaboration between musicians and artists. Handmade cardboard box with embossed text, 31 x 31 cm. Includes a double-sided offset print titled 'Surli' (1989), by the famous Swiss artist duo Fischli & Weiss, signed and numbered on a certificate. Richard Youngs and Luke Fowler contributed a 4-LP set titled 'Research Musics'. Also contains a text booklet by Mark Fell. Limited edition of 120 + 40 A.P. This copy numbered '50/120' and signed by Fischli in pencil. In very good condition.
/From a Measured Volume to Indefinite Expansion. Los Angeles, Seth Siegelaub, 1969. Poster, offset printed b/w, 90 x 60 cm. Print run of 600. Announcement for Barry's notorious 1969 performance which consisted of releasing five volumes of odourless, colourless, noble gasses into the atmosphere in various locations surrounding Los Angeles. The poster functions as tangible proof of the imperceptible piece. It features a completely blank sheet except for a text line at the bottom, mentioning the work's title, a post box address for Siegelaub, and a phone number connecting to an answering machine playing a recorded message describing the work. The poster is folded in 12 parts for mailing, with creasing along the folds, and two tears at the top folds. Rare document.
Vintage silver gelatine print of one of the most legendary bars in Jordaan, established in 1937. With: 23 other similar photos of Amsterdam cafés and bars, incl. a.o.: a waiter in front of Café 't Luifeltje, the barkeeper at Café Oosterling, 2 waiters at Café Bellevue, a group portrait in front of Café De Spiegel, and many other bar scenes and other horeca interiors and exteriors. All vintage silver gelatin prints, some w. copyright stamp of Cor Jaring on verso, ca. 1970-90. All 25 x 20 cm. 1 duplicate. (total 24)
by P. Fouquet. (Amst., Pieter Fouquet Jr., 1783). Var. views of Amst. w. Dutch and French captions. 6 framed under passepartout, 3 of which are handcol., 1 loose print also handcol. Engr. by a.o. H.P. Schoute, C. Philips and P.R. van Dijk after J. v. Schley. All approx. 34 x 42 cm. Most w. manuscript note stating provenance recto. Good condition. (total 21)
na het Diaken huys te Zien tot Amstelodam. Contemp. handcol. engr. optical view, 30 x 40.5 cm, w. captions in Latin, French, Dutch and German and numb. "Med. Fol.o No 10" below the image. Augsburg, G.B. Probst, ca. 1770. Trimmed just outside/ on the plate mark, some minor imperfections in blank margins. (2) Vuë de Magasin Navale, à Amsterdam. Contemp. handcol. engr. optical view, 31.5 x 41 cm, after P. van Blankaert, w. caption in reverse in French and no. 277 (and no. 2 in pen) above the image, and captions in Dutch, French, Italian and German below the image. Ibid., idem, ca. 1770. Under passepartout. Vaguely waterst. in lower corners, central vertical fold, minor other imperfections. -and 2 other optical views of Amst., incl. 1 publ. by Probst. Added: A view of the Amst. stadhuis w. fire trucks, an uncol., fold. version of a print that is usually seen as a col. optical print. (total 5)
Late 18th/ early 19th cent., by and after J. de Beyer, C. Bogerts, S. Fokke, P. van Liender, C. Philips Jacobsz. and H. Schoute. All obl. folio. Some numb. in print: 2, 10-12, 14, 22, 28, 31, 33, 36, 37, 39, 40, 44, 49, 54, 58, 64-68, 71, 75 and 82-83 (a few numb. in pen, 8, 42 and 76). Nos. 7, 17, 23, 30, 43 and 73-74 from an ed. w. central fold. Almost all prints w. details of purchase in pencil in lower blank margin. A few sl. yellowed. Large lot of these famous, large views in a desirable unfold. state. (total 36)
18th-19th cent. (most 19th cent.), var. sizes and techniques, loosely inserted in 2 modern rexine portfolios. Folio/ 4to. Comprises a.o.: a series of col./ tinted lithogr. views of Leiden: "Zwem- en badinirichting Rhijnzigt van J. Rutgers, nabij Leiden", "De stedelijke gasfabriek", "De katoenfabriek", "De Witte Poort", "Het stations-gebouw van den Holl. IJzeren Spoorweg", "De Roomsch-Katolijke kerk" and "De Breedestraat bij Illuminatie", an 18th cent. engr. view of the Hooglandse Kerk, a nicely col. view from Terwen of the same church and a lithogr. view "Vue de fontaine du marché". The prints on The Hague and Scheveningen comprise a.o. lithogr. views "Route de Schevening", "Het huis den Binckhorst", "De groote Herberg", "De Kleine Vijver", "Les petites tentes dans le bois" and Techno-Thermes", as well as 4 nice engr. views publ. by P. Schenk (early 18th cent.) and a nice engr. skating print. Incl. duplicates. (total approx. 150)
Most 18th cent. but also some 17th and 19th cent. prints, most handcol., var. sizes, all but a few under passepartouts measuring 25 x 34.5 cm. A rich collection, comprising views from a.o. Vaderlandsche Gezichten by Bendorp after Bulthuis (1786-92), Rademaker, Kabinet van Nederlandsche Oudheden en Gezichten (1725-32), Nederlandsche Tafereelen, of eene nauwkeurige verzameling van 900 fraaie gezichten, by Spilman after a.o. De Beijer, Pronk (1792) and Terwen (ca. 1860), views of the (surroundings of) Amstelveen, Amst. (25x, from a.o. Commelin, Dapper, Terwen & Wagenaar and incl. a very nice skating print), Arnemuyden (by Peeters after Bouttats, ca. 1675), Bolsward, Brouwershaven, Buiksloot, Deventer, Franeker, Gennep, Haarlem (3x, by Cornelis van Noorde, 1761), Katwijk, Maarsen, Middelburg, Nieuwersluis, Oosthuizen, Croonenburg, Sloten, Werkendam, Westgraftdijk, Woerden and Zuijlen. (total approx. 55)
Handcol. etched double-p. plate, 37 x 48.5 cm, w. 2 profiles, a view of Roman graves and a tower at the right and left. Braun & Hogenberg, ca. 1600. Beautiful profile views of the ruins of the castle at San Juan de Aznalfarche near Sevilla and of the town of Gerena. The profiles are flanked by views of Sevilla's cathedral bell tower ("La Giralda"), incl. an open-worked version showing the inner staircase. Sm. repaired tear on centre vertical fold, some creases/ folds, blank lower left corner lacks a sm. portion. A very good copy of this rare print.
Prospect der zweyten Seite des Rings oder Marckt-Platz zu Breslau (...). Contemp. handcol. etched optical view, 31.5 x 41.7 cm, after F.B. Wernher, w. caption in French in reverse and numb. 245 above the image, and captions in Latin, French, Italian and German below the image. Augsburg, G.B. Probst, ca. 1770. Waterst. in right margin, left margin trimmed irregularly (mostly inside the plate mark). Still a good, brightly col. copy. Added: 1 other optical print by Probst. (total 2)
Star Wars - Millennium Falcon - Kenner. A loose 1979 Kenner, Millennium Falcon appearing in VG condition and missing Training Ball, Turret and Seat. Also included in a Waddingtons ROTJ 150 piece puzzle with a 43cm x 27cm Super Print inside. Some storage wear on the box, warping and tearing. (This does not constitute a guarantee).
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