Artist: Otis M. Gove (American, 1851 - 1931). Title: "Mexican Stage Coach". Medium: Vintage albumen print. Date: Composed c1880. Printed 1880. Dimensions: Image size: 4 9/16 x 7 in. (116 x 178 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, probably very small, could be one of a kind. High-grade archival paper. The full sheet. Fine, quality printing. Very good to fine condition; affixed to conservation mount. Comment(s): Mexican stagecoach views from this period are virtually unobtainable. Gove's early photographs of Mexico are very rare and extremely important in the history of Mexican photography. Sometime in the late 1880s or early 1890s he entered into a partnership with F. E. North, the company becoming known as Gove & North. Gove later travelled to Los Angeles, where he became an intregal part in the formation of the motion picture business. His seminal role in this industry has unfortunately gone largely unheralded. [22957-2-400]
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Artist: Edgar Degas (French, 1834 - 1917). Title: "Trois filles assises de face". Medium: Original color gravure with pochoir, after the monotype. Date: Composed 1877-1879. Printed 1948. Dimensions: Overall size: 11 7/16 x 9 in. (291 x 229 mm).Lot Note(s): Signed in the plate, upper right; numbered in pencil, lower left; handstamps verso. Edition of 500. Cream wove watermarked Marais "vellum" paper. Wide margins. Fine impression with delicately applied pochoir. Very good condition, very crisp, paint residue center left margin, a pronounced platemark and the expected light tanning to the sheet. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Degas created a considerable body of monotypes in the late 19th century. A number of them were reduced in size and recreated as original works in 1938 and again in 1948, of which our example is part. The verso bears the handstamp of Edgar Achille Gaston DeGas-Musson (1875-1953), the son of Estelle Angelina Musson DeGas and Jean Baptiste Rene DeGas (the brother of Edgar Degas). [29331-2-400]
![Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #27 [untitled]". Medium: Lithograph. Date: Composed 1983.](https://cdn.globalauctionplatform.com/5c3e1168-c15c-46a6-a872-ae37013411df/35bbf8af-a91b-45c1-a280-aeb100f83e0b/468x382.jpg)
Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #27 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition of unspecified size. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29756-2-400]
![Artist: Tom Wesselmann (American, 1931 - 2004). Title: "Seascape with Cumulus Clouds and Sky ["Seascape 1991"]". Medium: Colo](https://cdn.globalauctionplatform.com/5c3e1168-c15c-46a6-a872-ae37013411df/c2e4996e-c553-4733-9042-aeb100f9f6e3/468x382.jpg)
Artist: Tom Wesselmann (American, 1931 - 2004). Title: "Seascape with Cumulus Clouds and Sky ["Seascape 1991"]". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 18 5/8 x 35 13/16 in. (473 x 910 mm).Lot Note(s): Signed in pencil, center right. Edition size unspecified, presumed small. Light cream heavy wove paper. Full margins. Fine impression. Fine condition. Comment(s): Generally, posters by Wesselmann are uncommon and don't often come up at auction. This particular poster, based on an editioned print from 1991, is very scarce. Only one auction record located: sale at $893 (£561) at Bloomsbury Auctions, London, March 29, 2012, lot #530. Created for the Art Miami 1992 International Art Exposition at the Miami Beach onvention Center, January 8th to 12th, 1992. Design by Claire Wesselmann. Image copyright © Licensed by VAGA, New York, NY. [28411-5-600]
Artist: Joel-Peter Witkin (America, b.1939). Title: "Sanitarium". Medium: Original vintage photogravure. Date: Composed 1983. Printed 1985. Dimensions: Overall size: 10 5/8 x 10 3/4 in. (270 x 273 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): According to “Gordon’s Photography Prices” the auction record for a silver print of this image is $10,200 realized at Christie's, New York, 2/14/2006, lot #78. Witkin’s controversial and carefully constructed photographs frequently depict macabre, often grotesque scenes, with images including torture, cadavers, hermaphrodites, dwarfs, etc. His works can be found in the collections of The Museum of Modern Art in New York City, the J. Paul Getty Museum in Los Angeles, the National Gallery in Washington, D.C., the Victoria and Albert Museum in London, and the Centre Georges Pompidou in Paris. Image copyright © Joel-Peter Witkin. [29680-2-600]
Ansicht von Augsburg: Ulrichsplatz mit Hans-Felber-Brunnen, um 1780.Guckkastenblatt, gestochen von B. F. Leizel nach Carl Remshar. Kupferstich auf Bütten, altkol., im Schriftrand gestoch. zweisprachige Bez., gestoch. Titel seitenverkehrt. Plattenrand rechts gerissen. Unterer Blattrand Einrisse und Läsuren, lichtgebräunt. 29,5 x 43 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 44,5 x 57 cm Der nach dem Augsburger Wasserbaumeister Hans Felber benannte Brunnen zierte den Ulrichsplatz vor dem Salzstadel (das große Gebäude auf der linken Bildseite) nur zwischen 1778 und ca. 1808. In der Ferne der Perlachturm. View of the city of Augsburg, optical print, copper print, coloured, right margin ripped alongside platemark, margin wears lower margin. Framed with glass and passepartout, 44,5 x 57 cm
Lack-Einband o. Mappe, Japan, Meiji-Periode (ca. 1900)Deckel Lack, in Holzschnitt-Manier bedruckt, Szene in Interieur mit familiärer Szene. Alters-und Gebrauchsspuren, Erhaltungsmängel. Vorderdeckel gebrochen. 30,5 x 23 cm Lacquer portfolio, decorative print at front, lacks of condition. Japan, Meiji period. Ca. 1900. 30,5 x 23 cm
Ansicht von Augsburg: Weinmarkt mit Merkurbrunnen, um 1750.Guckkastenblatt von B. F. Leizel. Kupferstich auf Bütten, altkol., von B. F. Leizel. Gestoch. Schritrand mit ausführl. zweisprachiger Bez. "Prospect des Mercurius Brunnen auf dem Weinmarck Plaz (...), Titel seitenverkehrt. Im unt. Blattrand Einrisse und Knitterfalten. 29,5 x 40,5 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 45 x 54,5 cm View of the city of Augsburg: Weinmarkt, optical print, ca. 1750. Copper etching, coloured, condition lacks in lower margin. Framed with glass and passepartout. Frame: 45 x 54,5 cm
Säule, Bonn, F. A. Mehlem, E. 19. Jh./ um 1900Blumensäule, mgl. auch als Lampenfuß. Steingut, florales Kupferdruckdekor, in Hals-und Fußzone Reliefrocaillen und Muschelwerk. Balusterform. Reliefs blau bemalt. Deckplatte min. Haarriss und Glasurrisse. Blindprägemarke und Farbstempel. H. 49,5 cm, D. Platte 21 cm Ceramic column, creamware, copper print decoration: flowers. Possibly a base or lampfoot, minimal hairline crack at top. Blind stamp: Franz Anton Mehlem, Bonn. End of 19th ct. / 1900. H. 49,5 cm
Ansicht von Augsburg: Weinmarkt mit Siegelhaus, Herkulesbrunnen und Schaezlerpalais, ca.1750-80 Guckkastenblatt, gestochen von Balthasar Friedrich Leizel. Kupferstich auf Bütten, kol., mit Schriftrand und zweisprachiger gestoch. Bez., unt. Blattrand Einriss, handschriftl. Nummerierung, Randläsuren, Eselsohr. 29,5 x 40,5 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 45 x 54 cm View of Augsburg, optical print, copper print by Balthasar Friedrich Leizel, ca. 1750-80. Coloured. Framed with glass and passepartout. Minor cond. lacks. 45 x 54 cm (incl. frame)
Ansicht Göttingen: Prospect von der Pauliner Strasse u. Universitaets Kirche, um 1780Guckkastenblatt von Balthasar Friedrich Leizel nach G. D. Heumann, Kupferstich auf Bütten, altkol., Erhaltungsmängel im unt. Blatt-und Schriftrand, li. ob. Ecke Einriss, Himmel leichte Wasserränder. 30,5 x 39,5 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 47 x 57 cm View of the city of Göttingen, optical print, copper print on woven paper, coloured. Lacks of condition. Ca. 1780. Framed with glass and passepartout. Frame: 47 x 57 cm
Christo (Christo Javatscheff, 1935 Gabrovo-2020 New York) und Jeanne-ClaudeWrapped Reichstag (Project for Berlin), 1994, Farboffset/ Prögedruck, sign., hinter Glas mit Pp. gerahmt. 33 x 23,5 cm (PA), 52 x 41,5 cm (Ra.) Christo & Jeanne-Claude: Wrapped Reichstag (Project for Berlin), 1994, offset print, signed. Framed with glass and passepartout, frame: 52 x 41,5 cm
Aranjuez (Spanien): Ansicht des Palacio Real bei Madrid, ca. 1770Guckkastenblatt. Kupferstich auf Bütten, altkol., im Schriftrand gestoch. zweisprachige Bezeichnung mit fälschlicher Ortsangabe (Wien), gestoch. Titel seitenverkehrt. Verlegt bei Basset in Paris. Blattrand v. Passepartout verdeckt. Unausgerahmt katalogisiert. 26 x 40 cm, hinter Glas gerahmt. Ra. 47 x 57 cm View of the Royal Palace in Aranjuez near Madrid in Spain, optical print, copper etching, coloured. Editor: Basset in Paris. Ca. 1770. Framed with passepartout and glass. 47 x 57 cm (frame)
Andy WARHOL (1928-1987) (D'après) Black Bean Soup from Campbell’s Soup,1968-1981Sérigraphie en couleur sur carton de l’Exposition « Andy Warhol- A Print Retrospective, Nov.-dec.1981, Castelli Graphics, NY » en présence de l’Artiste.Signé au marqueur à droite.Colour Editon, Inc.Dimensions: 18 x 18 cm (7 x 7 in.)
BANKSY (Né en 1974), d’AprèsThe Louise Michel, blue deckledSérigraphie en couleur, cachet de l’artisteEd. Post Modern Vandal à 85 exemplaires.Porte le timbre sec de l’Editeur.L’exemplaire vendu est le « print proof »Certificat d’authenticité de l’editeur Post Modern VandalDimensions : H : 31,5 ; L : 46,5 cmLe « Louise Michel »est le bateau réalisant des opérations de sauvetage sur la mer Méditerranée grâce au financement de l’artiste Bansky.
![Mahogany compartment unit, raised on bun feet, Comes with original blue print drawing. [63x61x20cm]](https://cdn.globalauctionplatform.com/ebf2418a-bd2a-4e4d-94d2-aeb700a80a9a/43c3171d-6a8a-4879-808b-aeb700e17481/468x382.jpg)
Graphics Collection: Gust. De Smet, Hubblau, Hubblau Linocut 6/36, signed and dated 76 Gust. De Smet print after the painting 'The good house' drawn in the plate Lot grafiek Gust. De Smet, Hubblau Hubblau Linosnede 6/36, gesigneerd en gedateerd 76 Gust. De Smet print naar het schilderij 'Het goede huis' getekend in de plaat 30 x 19.5 cm
Pictures & prints including by and after RL Howey Huntsmen & Hounds, limited edition print signed in pencil to margin; another the Hunt; The Royal Oak, Millthorpe limited edition print signed in pencil to margin; an oil on board, Nasturtiums, J Jenkinson; watercolours; limited edition prints etc.
1919 London Underground MAP OF THE ELECTRIC RAILWAYS OF LONDON 'What to See & How to Travel' with print-code 395-500M-2-10-19. Has the red bullseye on the cover and opens out in 8 panels to 13.7" x 10.9" (34 x 28cm). A very good example with just a very small parting at one fold-corner and a little age-darkened. [1]
1953 London Underground Metropolitan Line CAR DIAGRAM from compartment stock, mounted and glazed in original-style wooden frame. Print-code: 1053/2208M/2000R. Size: 25.5" x 9.5" (65cm x 24cm) with frame. Map has vertical creases and some small stains but generally in very good, ex-use condition. [1]
Quantity (9) of 1930s London Transport double-royal POSTERS comprising To Chingford/St Albans & To Esher/Epsom Downs (no print-codes), 1938 To Stop the Bus by Beath (John M Fleming), 1938 2d Timetable for this district, 1939 If it's to Market, 1936 March Timetables, 1938 Famous People, 1939 New Publications & 1938 It's Quicker from Here (Holborn). Condition ranges from reasonable to very good, some linen-backed, some have creases, edge-scuffs. [9]
1948 London Underground Metropolitan Line CAR DIAGRAM (map) for compartment stock showing the lines to Watford, Chesham and Aylesbury from North Harrow through the Chiltern Hills. Both the line and the post-war style LT bullseye are coloured green. Mounted and glazed in an original-style frame. Print-code: 1048/2335M/1000(R). Size: 25.5" x 9.5" (65cm x 24cm) with frame. A vertical crease and a little damp ingress at the lower edge but generally in good, ex-use condition. [1]
Pair of 1894 COLOUR LITHOGRAPH PRINTS "Travelling on the Liverpool and Manchester Railway, 1831". The first shows a 1st-class train with the mail behind 'Jupiter' and a 2nd/3rd-class train behind 'Lone Star', the second depicts a train of wagons behind 'Liverpool' and a train of cattle carriages behind 'Fury'. Illustrations by Moses Bruin Cotsworth (1859–1943), printed & published by Raphael Tuck & Sons, 1894 and appear to be original prints. Framed & glazed with light age-foxing, the first print has been carefully removed and replaced to ascertain originality. [2]
1933 London Underground H C Beck diagrammatic, card POCKET MAP from the first-year series titled 'Underground Railways of London'. Issued c.December 1933 and has print reference 33-3636. Shows the escalator connection between Bank and Monument stations. Generally a very good copy, just a few foxing marks. [1]
1937 London Underground Metropolitan Line CAR DIAGRAM for compartment stock showing the line coloured green. Refers to 'Inner Circle' at interchanges and features the pre-war LT bullseye. Print-code: 37/4309/3000. Mounted and glazed in an original-style frame. Size: 25.5" x 9.5" (65cm x 24cm) with frame. A vertical crease and some light staining, corners slightly clipped to fit original frame but generally in good, ex-use condition. [1]
1920s Great Western Railway (GWR) screen-printed tin MAP OF SYSTEM in original wooden frame. Shows GWR network shortly after grouping with main lines, branch lines, running powers, 'in connection' lines, other railways, road motor routes, coach routes, steamer routes, company's docks. Print reference suggests 1925, remains of delivery sticker on reverse have possible 1926 print-date. Measures 34" x 28" (87cm x 71cm ) in total. In very good condition with just minor blemishes and minor damage (chips etc) to frame. [1]
1937 London Underground Metropolitan Line CAR DIAGRAM (map) for compartment stock showing the lines to Watford, Chesham and Aylesbury from North Harrow through the Chiltern Hills. Both the line and the 1930s LT bullseye are coloured green. Print-code: 37-4607-3,000. Printed on thick card, size: 24.5" x 8.5" (62cm x 21cm). Folded once vertically and a little damp ingress at the lower edge but generally in good, ex-use condition. [1]
1933 London Underground H C Beck diagrammatic, card POCKET MAP from the first-year series titled 'Underground Railways of London'. Issued c.December 1933 and has print reference 33-3636. Shows the escalator connection between Bank and Monument stations. An excellent copy, crisp and firm. [1]
21 Jugendstilfliesen, deutsch, um 1900/10, Keramik, meist bunt staffiert, stiltyp. Jugendstilornamente, im Flach- und Hochrelief, u.a. V & Boch Mettlach, Siebdruck auf eingefärbtem Scherben, Entwurf Otto Eckmann; Boizenburg, Fadenrelief, Rapportmotiv, Wessel, Flachrelief, geometrisch abstrakt, u.a. florale Motive, Seerosenmotive, Blumenkorb, vegetabile Formen, geom. abstrakte Formen, leichte Alters- und Gebrauchsspuren, 17 Fliesen 15 x 15 cm und 4 Fliesen 7.5 x 15 cm, reiches Lot von guter Qualität21 Art Nouveau tiles, German, around 1900/10, ceramics, mostly colorfully equipped, style typical Art Nouveau ornaments, in low and high relief, including V & Boch Mettlach, screen print on colored body, design by Otto Eckmann; Boizenburg, thread relief, repeat motif, Wessel, bas-relief, geometrically abstract, including floral motifs, water lily motifs, flower basket, vegetable forms, geom. abstract shapes, slight traces of age and wear, 17 tiles 15 x 15 cm and 4 tiles 7.5 x 15 cm, rich lot of good quality
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314796 item(s)/page