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Lot 221
§ Anthony Devas ARA, RP, NEAC (British 1911-1958)Portrait of Sarah Millar, née Ellis, 1953 signed 'Devas' (upper right) oil on canavs 92 x 62cmFootnote: Provenance: With Johnston Fine Art, Northamptonshire, where acquired by the present owner Exhibited: London, The Royal Academy, Summer Exhibition, 1954, cat.no.86 Born in 1930, Sarah Millar (née Ellis) spent the 1950s working as the personal assistant to Anthony Devas, during which time he painted several portraits of her. Dubbed ‘The Aero Girls’, Millar was one of a number of women used as models to advertise Aero chocolate between 1950 and 1952. Commissioned by the advertising agency, J. Walter Thompson, Millar’s Aero portrait, which was painted by Devas and fictitiously titled, ‘Anna’, was used in Rowntree’s print advertising throughout February 1952. Exhibited in 1954, the present lot was the second of Devas’ portraits of Millar to have been shown at the Royal Academy, the first of which, titled ‘Sarah Millar (with hands clutching shawl)’ was shown in 1953 and was the star portrait of the exhibition.
Lot 396
Ghosts of Gone BirdsA suite of eighteen signed and numbered prints by contemporary artists published by A Jealous Print Portfolio in aid of BirdLife International, artist's proof unframed and in original presentation solander box 53 x 43cmFootnote: The present lot, a suite of eighteen prints each depicting an extinct bird species, was published to accompany the 2011 exhibition, Ghosts of Gone Birds, and includes works by some of the UK’s leading contemporary artists including, Pure Evil, Jamie Hewlett, Charming Baker, Ralph Steadman, and Sir Peter Blake. Working in collaboration with the BirdLife Preventing Extinctions Programme, the exhibition aimed to both memorialise the sadly lost species and to raise awareness of the current conservation crisis.
Lot 402
§ Robert Davies (British 1964-)Grand Canyon, Arizona, USA, 2006 signed, titled, and dated 'between 22.45 and 23.06 local time/ 20th August 2006' to the reverse unique C - type print on aluminium 152 x 122cmFootnote: Provenance: Sale; Sotheby's,The Robert Devereux Collection of Post-War British Art, 4 November 2010, lot 321
Lot 18
ERROR: Bank of England, John B. Page, £1, 9 February 1978, serial number C75N 643740, with slight misguillotining error, also David H. F. Somerset, £1, 20 March 1981, serial number CN47 797574, with slightly dubious total print omission on obverse, first good extremely fine, second fine (2 notes) EPM B340, B341 £70-£90
Lot 306
Provincial Bank of Ireland Ltd, a set of die proofs for £1, £5 and £10, all dated 1 January 1979, F. Hollway signature, blue black and brown print respectively, printed on unwatermarked paper, all with ink annotations in lower margin, the £10 with glue stain in left margin, about uncirculated to uncirculated (3 notes) PMI PR 102, 104, 106, TBB B616-8, Pick 248-250 £400-£500
Lot 33
ERROR: Bank of England, Graham E. A. Kentfield, £20 (2), 1994, serial numbers AK22 973299 and 973300, the second incorrectly cut, with edge of the colour bars visible along lower margin, and top part of print missing, second note normal, central fold thus good extremely fine (2 notes) EPM B375 £70-£90
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