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Lot 606
Erotic Art books ' Muse The Art of Ray Leaning '. Two first edition paperback copies of Muse The Art Of Ray Learning, The Erotic Print Society London 2004. One copy retaining it's original shrink wrap. Ray Leaning has turned a lifelong obsession into pin-up art for a new generation. Beautifully realised, his women tease and seduce readers with their gentleness and strength, longing and knowing, submissiveness and dominance. With over 180 drawings and paintings, Muse allows readers to glimpse the early inspirations and emerging talent of this outstanding artist, then brings them up to date with a comprehensive collection of his much admired work. This first monograph contains previously unpublished work and photographs of early stages of his paintings.
Lot 604
Erotic Magazines - A collection of erotic magazines to include Erotic Review No's 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 69, 70, 71, 72, 73, 77, 81, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104 and 105, together with Sex The Journal Of The Erotic Print Society No's 2, 3, 4, 5 and 7 etc.
Lot 1038
Queen - A2 Limited edition signed print of Freddie Mercury in his royal robes by photographer Peter Hince. No 720/1200, 16.5 x 23.5 inches.Provenance: This item has been consigned by Peter Hince. Peter 'Ratty' Hince met Queen in 1973 when they were opening for Mott the Hoople, began working full-time for the band in 1975 during recording of their A Night at the Opera album, and stayed on as the head of their road crew until their final concert in 1986. No copyright is assigned with this item.
Lot 1293
Costume Designs - One original costume design and a print by Raymond Hughes, along with three publications on costume designs. Provenance: The vendors father (R.I. Davis) worked for the Theatrical Costumiers Morris Angel. In addition he is the author of Men's 17th and 18th Century Costume, Cut and Fashion, Men's Garments 1830-1900.
Lot 1389
Where Eagles Dare (1968) - Three black and white film stills, a comical 'Toucan' poster print and two further photographic prints. Provenance: From the estate of Elliott Kastner (1930 - 2010). He was an American film producer, whose best known credits include Where Eagles Dare (1968), The Long Goodbye (1973), The Missouri Breaks (1976) and Angel Heart (1987). The majority of these items were in his Pinewood studio office.
Lot 1084
Joy Division / New Order - Collection of items including a signed framed print of the band Joy Division's iconic white album sleeve cover, celebrating 40 years of the release of the album Unknown Pleasures on 14 June 2019, signed by the 3 band members; Bassist, Peter Hook; guitarist and keyboards, Bernard Sumner and drummer Stephen Morris, 35 x 47 cm. Joy Division Unknown Pleasures Sweatshirt unworn, grey colour, size M, T-Shirt unworn, size L, New Order Movement T-Shirt unworn, white, size M, New Order 'Music Complete' Vinyl Box Set (2 x LP, 6 x 12 singles) , sealed, New Order Live at Manchester International Festival Double CD, sealed, Stephen Morris ‘Record, Play, Pause’ Hardback Book, new and Ian Curtis ‘So This Is Permanence’ Joy Division Lyrics and Notebooks, new.
Lot 136
Teawares & ceramics - A Shelley cream jug, decorated with roses c1820; a Crown Staffordshire preserve pot & cover; Villeroy & Boch Delia pattern teacups & saucers; a Royal Prussian milk jug & vase gilded and decorated with wild flowers; a KPM Print collectors plate 'Berlin - Das Schlob Charlottenburg um 1770'; a Minton Haddon Hall pattern bread plate; a Paragon Country Lane pattern teapot; blue & white etc.
Lot 366
Prints - Sir Terence Cuneo, by and after, The Running Sheds of the Great Caerphilly and Vole-tail Central Railway, signed and numbered 499/830 in pencil, off set lithograph print, 52cm x 74cm; another John Austin - by and after, Snow Hill Sunset, signed, limited edition, 238/600, lithograph print, 46cm x 57cm, both F & G; Pictures and Prints - John Grain (20th century)Bridge over the River Dove, Mapperley, Derbyshiresigned, watercolour, 29cm x 47cm; AD Mc***, Breaking Waves, signed, watercolour, 36cm x 26cm, (4)
Lot 163
Archibald Thorburn - pheasants and rats in a wooden landscape, a Fine Art Society coloured print published 1895, signed in pencil to lower margin, 7" x 10 5/8", mounted in a glazed gilt frame, along with a quantity of framed and glazed prints and embroideries to include two Chinese silk embroideries
Lot 54
Two table lamps with fabric shades to include a Royal Worcester white glazed and twin handled lamp and a pressed milk glass lamp, together with F S Mackenna - On the Rier, Sutherland, a watercolour, 14 1/2" x 14 1/2", signed and dated 1948 to the lower right hand corner, mounted in a wooden frame, mixed prints to include a limited edition Worcester fruit print by H Ayrton, mixed prints to include a limited edition Worcester fruit print by H Aytron and four Brooke Bond tea card albums, mixed silver plate, a gents wristwatch and a Royal Worcester Millennium pill box
Lot 184
Henry Wade: a mid 19th century watercolour, "Near Wolsingham, Durham", 13" x 18", in gilt frame, a hand-coloured map of Berkshire, a map of Middlesex, an engraving of "Lock Hospital Hyde Park Corner", a hand-coloured reproduction print of a cathedral, a coloured print of a Tudor house and a print of a street scene, in gilt frames
Lot 388
A Regency calamander sewing box, with a swing handle, the domed hinged lid inset with a print of a mother and daughter, revealing a vacant paper lined interior, with a printed label 'COME FATHER'S HOPE, COME MOTHER'S GLORY, NOW LISTEN TO A PRETTY STORY', above a divided base drawer on claw and ball feet, 22.2cm high, 22.3cm wide, 22cm deep.
Lot 389
Brighton interest. A Regency simulated rosewood workbox, the hinged lid with a printed view of Brighton Pavilion, titled 'VIEW of the WEST FRONT of the PAVILION', the front with two views of Brighton, the now vacant paper lined interior with a coloured print, titled 'THE CHAIN PIER & MARINE PARADE BRIGHTON', with brass side carrying handles and lion's paw feet, 10cm high, 27cm wide, 18cm deep.
Lot 395
After George Morland (1763-1804). 'CHILDREN BIRD-NESTING', a mezzotint print engraved by W. Ward and published by J. R. Smith London February the 27th 1789, 44.8 x 54.4cm, together with three other prints after Morland, including: CHILDREN NUTTING and 'EVENING ON THE POST BOY'S RETURN', all in glazed Hogarth type frames, together with a pair of hand-coloured mezzotint prints after W. R. Bigg, 'THE PLUNDERING VAGRENTS' and 'THE PEASANT'S INTEGRITY' engraved by W. Barnard, in glazed giltwood frames. (6)
Lot 291
A photograph of the Thanksgiving Service at St Pauls Cathedral on Jubilee Day 1897. The service was held on the steps so that the aged Queen did not have to get out of her carriage. Together with a print of a reception of Mayors and Provosts by HM Queen at Buckingham Palace June 23rd 1897 and a photograph of Queen Victoria (3)
Lot 310
Collection of Pictures: British school, early 20th century watercolour of Peper Harow Park, coloured mezzontint of Lord Seaforth signed T Hamilton Crawford, a set of four caricature etchings after Dighton, five assorted engravings of Peper Harow Park, a steel engraving of Blenheim Palace, a lithograph after Bartolozzi of a mother and child, reproduction of an illustrated manuscript, British school, 20th century, 'still life within a window with a country house beyond' crayon, a reproduction print of a surreal beach scene and an oval antique mirror glass.
Lot 392
Edwin Harris, Cattle grazing, signed, watercolour, 35 x 55cm together with a wood engraving of Westminster Abbey, a 20th century rural landscape oil, a family photograph, a reproduction print of bugs and foliage, a reproduction print of boys playing cricket, a Pirelli tyre calendar and a print of a 'Dipper' after Terence Lambert.
Lot 81
(XX). Interior scene with Mother, children and dog, indistinctly signed with monogram lower middle to right, oil on canvas, unframed, 61 x 45 cm, together with after HENRY BUNBURY 'An agreeable specimen of an after dinner speech, the way to bamboozle John Bull', coloured print on paper, framed and glazed, 27 x 35 cm, ROBERT HUNT. 'Descent from The Cross' signed and dated 1954 in pencil lower left, lithograph on paper, framed and glazed, 37 x 27 cm, a Continental wooded river landscape with figures before a gatehouse with round towers, signed in pencil lower right, limited edition lithograph on paper, framed and glazed 25 x 27 cm and CLEMENT LAMBERT. Beach scene at Shoreham with horses, carts, figures and beached fishing boats, signed verso, pencil on paper, framed and glazed, 22 x 34 cm (5)
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314753 item(s)/page