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Lot 511

Sir Terry Frost (1915-2003) 'Long red yellow black', signed artists proof, limited edition silkscreen print, from an edition of 150 May be subject to artist resale rights.

Lot 513

Ben Nicholson OM (1894-1982) 'Woodcut 5 circles', from a later edition of 300, signed with initials and dated' 34 (1934) black and white print, 34.5cm x 44.5 cm May be subject to artist resale rights.

Lot 514

After John Piper CH (1903-1992) 'Llangloffan, Pembrokeshire, the baptist chapel' (Levinson, No 140) inscribed on various labels verso, reproduction print, 54 x 71.5 cm ** The final proof before the artist authorised the complete run of prints this print and the following item represent the first stage of production, Mark Goldmark of the 'Goldmark Gallery' in Uppingham purchased them both from the Curwen archive when sold by, Stanley Jones. **Both images are from the series entitled, 'A Retrospective of Churches' (1964) published by Jones on the basis that 'Piper' would authorise (or not) the production of the final proofs. May be subject to artist resale rights.

Lot 515

After John Piper CH (1903-1992) 'Redenhall, Norfolk', bears a "Curwen Studio" label verso, reproduction print, 73 x 37 cm, **Provenance, see the previous lot, in the case of 'Redenhall Church' the vendor was informed that Piper slightly altered the colour before the printing, it is therefore believed that the two prints are from a very small run, (possibly even one) which were then placed in store in 'The Curwen Studio' archive. May be subject to artist resale rights.

Lot 517

Eduardo Paolozzi (1924-2005) "B.A.S.H (pink)" signed and dated 1971, also numbered 104/3000, coloured screen print, 79.5 x 54 cm **Ex collection, Elmslie Philip, Torquay. His work combines surrealism with elements of popular culture and technology led him to be credited as the inventor of Pop Art. May be subject to artist resale rights.

Lot 518

Sara G. John (b.1946) Red nude, signed with the artists initials in pencil, woodblock print on coloured paper, 32cm x 29 cm

Lot 399

Frederick Hollyer (1838-1933) Crudelitas and Saevitia leading the Faire Dame.Platinotype, or platinum print 17.5 x 34.5cm (1034 x 131/2in) After the pencil study of three female heads by Sir Edward Burne-Jones, for a painting on the theme of The Vision of Britomart in the Castle of Busirane, taken from Spenser`s `Faery Queen`.

Lot 809

After David Gentleman. Signed limited edition print of The Long Room at Lords, number 143/195, 41cm x 50cm

Lot 814

A reproduction canvas mounted print, depicting British Man O`War at full sail, 83cm x 121cm.

Lot 815

After Gerald Coulson. Scramble, signed limited edition colour print no. 5/850, 56cm x 72cm.

Lot 817

A reproduction canvas print, depicting a lady on a terrace overlooking the sea, 49cm x 75cm.

Lot 827

After Snaffles `Whatever ye de Keep tows tamboreen a rowlin,` coloured print, 23cm x 14cm

Lot 880

Four various early 20thC piano key type miniatures, to include a portrait of a gentleman with a beard, two ladies wearing 18thC dress and a print.

Lot 980

A 19thC Continental hand coloured print of Venice, featuring gondolas etc, 15cm x 10cm.

Lot 984

After H.E.R. Von Roos. The racehorse Nancy, mid 19thC, coloured print, 54cm x 60cm.

Lot 991

After David Shepherd OBE. Muffin`s pups, signed coloured print, signature indistinct, 50cm x 64cm

Lot 998

Various pictures, to include Joyce Spurr, Forest Meeting, mixed media, a watercolour of a horse and jockey, a signed limited edition print after Roger Heaton and a small watercolour of field mice (4)

Lot 999A

A canvas lined print of the famous cricketer W G Grace, the original was painted in 1890, 60cm x 50cm

Lot 282

Stuart Brown (20thC). The Berlin Express, artist signed limited edition coloured print, 095/450, 43cm x 60cm

Lot 290

After Mary Ford. Sailing ships, signed limited edition print, another print after Anna Pugh, Camargue 1.

Lot 324

Two modern brass and glass lamps, each with a simulated animal print and feather shade, on bass base with mottled and frosted glass insert, on a square base, the floor lamp 151cm high

Lot 510

Patrick Heron (1920-1999) 'Winchester Four I' signed, inscribed with the title and dated May' 1967, also numbered 16/33, limited edition silkscreen print, 63 x 93.5 cm, **Ex collection, Elmslie Philip. catalogue no 1438. Learning Resources Centre, 21, Old Mill Road, Chelston, Torquay, TQ2 6AU. May be subject to artist resale rights.

Lot 511

Sir Terry Frost (1915-2003) 'Long red yellow black', signed artists proof, limited edition silkscreen print, from an edition of 150 May be subject to artist resale rights.

Lot 513

Ben Nicholson OM (1894-1982) 'Woodcut 5 circles', from a later edition of 300, signed with initials and dated' 34 (1934) black and white print, 34.5cm x 44.5 cm May be subject to artist resale rights.

Lot 514

After John Piper CH (1903-1992) 'Llangloffan, Pembrokeshire, the baptist chapel' (Levinson, No 140) inscribed on various labels verso, reproduction print, 54 x 71.5 cm ** The final proof before the artist authorised the complete run of prints this print and the following item represent the first stage of production, Mark Goldmark of the 'Goldmark Gallery' in Uppingham purchased them both from the Curwen archive when sold by, Stanley Jones. **Both images are from the series entitled, 'A Retrospective of Churches' (1964) published by Jones on the basis that 'Piper' would authorise (or not) the production of the final proofs. May be subject to artist resale rights.

Lot 515

After John Piper CH (1903-1992) 'Redenhall, Norfolk', bears a "Curwen Studio" label verso, reproduction print, 73 x 37 cm, **Provenance, see the previous lot, in the case of 'Redenhall Church' the vendor was informed that Piper slightly altered the colour before the printing, it is therefore believed that the two prints are from a very small run, (possibly even one) which were then placed in store in 'The Curwen Studio' archive. May be subject to artist resale rights.

Lot 517

Eduardo Paolozzi (1924-2005) "B.A.S.H (pink)" signed and dated 1971, also numbered 104/3000, coloured screen print, 79.5 x 54 cm **Ex collection, Elmslie Philip, Torquay. His work combines surrealism with elements of popular culture and technology led him to be credited as the inventor of Pop Art. May be subject to artist resale rights.

Lot 518

Sara G. John (b.1946) Red nude, signed with the artists initials in pencil, woodblock print on coloured paper, 32cm x 29 cm

Lot 290

After Mary Ford. Sailing ships, signed limited edition print, another print after Anna Pugh, Camargue 1.

Lot 324

Two modern brass and glass lamps, each with a simulated animal print and feather shade, on bass base with mottled and frosted glass insert, on a square base, the floor lamp 151cm high

Lot 815

After Gerald Coulson. Scramble, signed limited edition colour print no. 5/850, 56cm x 72cm.

Lot 827

After Snaffles `Whatever ye de Keep tows tamboreen a rowlin,` coloured print, 23cm x 14cm

Lot 980

A 19thC Continental hand coloured print of Venice, featuring gondolas etc, 15cm x 10cm.

Lot 991

After David Shepherd OBE. Muffin`s pups, signed coloured print, signature indistinct, 50cm x 64cm

Lot 999A

A canvas lined print of the famous cricketer W G Grace, the original was painted in 1890, 60cm x 50cm

Lot 121

Tom Phillips (British, b.1937), 'Berlin Wall', signed and dated 1973 lower right in pencil, label and information to verso, artist proof screen print. H.35cm W.50cm

Lot 131

A 20th century polychrome digital print of Royal Air force aerobatic team, Hawk.T.1A, commemorating the Red Arrows 1990 team , published by Squadron Prints Ltd, Glasgow, numbered 363/1000, signed in pencil by the associated pilots. H.39cm W.41cm

Lot 217

An oak and copper mounted picture frame in the Arts and Crafts style, inset a polychromatic print 'The Sorrowing Angel' after Frank Short RA, frame H.38cm W.26cm

Lot 260

A pair of parcel-gilt picture frames, relief decorated with tendrils of clover, to one inset monochrome print in 'A Sleeping Minstrel', the other inset rectangular mirrored plate H.115cm W.82cm

Lot 279

Collection of three early 20th Century prints to include a lithographic print of a kingfisher by D. Hutton

Lot 300

Robert Leslie Howey (British, 1900-1980), 'The canal of Damme, Belgium', signed lower right in pencil, gallery label to verso, limited edition woodcut print in colours, no.1/100, H.19cm W.20.5cm

Lot 306

S. Fredrich (early 20th Century German school), 'Handdruck' study of blossom tree, signed in pencil lower right, woodcut print in colours H.16.5cm W.22cm

Lot 339

Lynton Lamb RDI, SRA, FSIA (British, 1907-1977). Study of a cat, unsigned, screen print on paper. H: 38.5cm W: 52cm, with duplicate, together with two further lithographs, two duplicates (6)

Lot 419

Three 19th century miniature portraits on ivory, head and shoulder portraits of young women, together with a monochrome print of a mother reading to her child.

Lot 166

David Shepherd, FRSA FGRA, (b.1931, British), `Zebras and Colony Weavers`, print, signed in margin, 40.2 x 76.5cm.

Lot 199

Dawn Matthews, `Reflections II`, a limited edition silk screen print, 68/300, pencil signed to margin, 16 x 21", mounted and framed.

Lot 209

After Stubbs, a pair of hunting dogs, a high quality textures canvas print, 24 x 19", in a giltwood frame.

Lot 210

A mid 19th Century finely dressed lady, wearing a pink silk drape, a high quality textured canvas print, 29 x 39", in an ornate giltwood frame.

Lot 227

An 18th / 19th Century sketch of a horse`s head, unsigned, 16 x 18cm, Japanese woodblock print, man and wife sitting in front of a fire and two other pictures.

Lot 276

`Jupiter and Callista` and `Orpheus and Euripides`, a pair of tinted 19th Century prints, mounted in the round, in giltwood frames, labelled verso, together with over painted print of a `Sleeping Beauty`, with playfull cherub, in a giltwood and gesso frame. (3)

Lot 359

W. Russell Flint, a signed coloured print of a dancer with pupil, mounted, glazed and framed, 43 x 58cm.

Lot 361

Local interest; William Thomas (20th / 21st Century, British), `Stand on the Green`, landscape pub scene, print 74/350, signed lower right,, 28 x 40cm.

Lot 391

`Three Lady Archers`, a high quality textured canvas print, in an ornate gesso and giltwood frame, 19 x 23".

Lot 398

A high quality textured canvas print of a river estuary scene, in a giltwood frame, 19 x 20".

Lot 404

J. Galea, watercolour, view of Malta, signed and framed, together with an unframed engraving, a framed coloured print and two advertising prints. (5)

Lot 425

Richard Beer, a large mixed method print (etching, aquatint and soft ground toning), `Magdalen`, this being number 58 from an edition of 100, signed and numbered in pencil in the margin, 50 x 60cm, framed, mounted and glazed, together with an antique hand-coloured engraved map of Isle of Wight, circa 1648, possibly by Abraham Ortelius (printed after his death), and an Alum Bay sand picture of Isle of Wight coastline. (3)

Lot 719

SANDS, WILL, watercolour, shipping scene, a map, a Russell Flint print, a Limited Edition town print and a cricket scene (5)

Lot 725

CUNEO PRINT, `Express Engines at Tyseley`

Lot 1074

SHEPHERD, DAVID, signed Limited Edition print of lambs `Country Cousins` 547/850 (with original receipt)

Lot 1075

SHEPHERD, DAVID, signed Limited Edition print of Hopotami `Hot-Potami` 831/850

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