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Lot 894
AFTER LIONEL EDWARDS "The Stag" chromolithograph together with another hunting scene print in Hogarth frame CONDITION REPORTS Various signs of foxing and brown marks throughout. Image appears to be slightly yellowed. Mount heavily foxed and yellowed. Frame various scratches, knocks, scuffs, general signs of wear and tear
Lot 900
AFTER LIONEL EDWARDS "The Beaufort Hunt, The Dauntsey Vale from Great Wood" colour print unsigned together with another by the same hand "Devon and Somerset" colour print unsigned CONDITION REPORTS Mount slightly yellowed, some very small minor damage to the edges of the print, glass could benefit from a clean, some small scratches and chips to the frame, general wear and tear but generally good.
Lot 895
AFTER LIONEL EDWARDS "The Quorn 1934" colour print signed in pencil together with another "Huntsman and Hounds in a Landscape" colour print signed in pencil CONDITION REPORTS Significant water damage to the edges, print appears to be creased, yellowed stains, some foxing, frame with some small nibbles and chips, general wear and tear throughout
Lot 898
AFTER LIONEL EDWARDS "The North Warwickshire", a study of huntsmen and hounds in a landscape, colour print, signed bottom left, titled bottom right, dated 1924 within the print, bears studio blind stamp mark bottom left, published Eyre & Spottiswoode, together with AFTER LIONEL EDWARDS "The Warwickshire", a study of huntsmen and hounds with fallen figure lower left, colour print, unsigned CONDITION REPORTS Image has some areas of foxing throughout both on the image and mount, as well as other dirt. Appears to be some slight scratching, especially to the right hand wooded side, areas of discolouration, frame has general wear and there are two holes where the eyelets have been put through. General wear. The North of Warwick shire displays various foxing, dirty brown marks all over especially visible to the sky and the white border. Mount severely foxed and yellowed. Frame various chips etc, general signs of wear and tear. The Warwickshire appears to be faded and yellowed, limited signs of foxing, frame displays various scratches, chips, scuffs etc. General signs of wear and tear
Lot 799
A black and white photogaphic print by Big Blue Tube Limited edition 469/500 of classic fights series Henry Copper v Cassius Clay Wembley 1963, signed Sir Henry Cowley together with Big Blue Tube Cup Kings series FA Cup Final Wembley 1972 Leeds 1 Arsenal 0 black and white photographic print 437/500
Lot 932
AFTER SNAFFLES (CHARLES JOHNSON-PAYNE) "Handing it out to 'Em", chromolithograph, signed in pencil and with studio stamp CONDITION REPORTS Not hand-coloured. Print appears to be slightly yellowed. Curious brown mark to the sky - see images. Frame with various small scratches, losses, etc. General signs of wear and tear throughout.
Lot 836
AFTER GILLIAN HARRIS "Young Entry and Old Stages" limited edition colour print 698/850 signed in pencil lower left together with AFTER EM CONRAD "Study of Hounds" limited edition coloured print 301/850 signed in pencil lower right together with AFTER ANN PORTER "Hounds Asleep in the Hay" colour print limited edition 98/395 and two further hunting prints CONDITION REPORTS All pictures have general wear and tear, t he glass in all pictures is in need of a clean, the two further prints, one frame is broken, the other glass is broken. General surface scratching etc to the frames on all, see images for further details.
Lot 873
AFTER ALFRED W STRUTT "The Run of the Season" and "Any Port in a Storm", a pair of humorous hunting studies photo engravings, unsigned CONDITION REPORTS Two prints, slightly different sizes, both ever so slightly yellowed, frames display various chips, scratches, knocks etc, some losses, glass could probably benefit from and clean, general signs of wear and tear throughout, condition generally good. The "Any Port in a Storm" print has some foxing throughout and some dark marks, see images
Lot 848
AFTER ARCHIBALD THORBURN "Grouse in Flight", monochrome print, signed in pencil bottom left CONDITION REPORTS Has discolouration and some foxing especially to the outside edges. The blind stamp has a paint mark/mould spot to it. Has general wear and tear conducive with age and use, frame has some knocks and scuffs especially to the edges and some watermarks to the bottom, see images for further details
Lot 851
AFTER EDWIN LANDSEER "A British Boar", colour print, together with AFTER HARRY PAYNE "Corporal Major of Royal Horse Guards with the Regimental Standards" and "A Trooper of the 12th (Prince of Wales) Lancers in Review Order" colour prints (2),together with another hunting print hand coloured AFTER J STURGEON
Lot 931
AFTER SNAFFLES (CHARLES JOHNSON-PAYNE) "The Timber Merchant", chromolithograph, signed in pencil and with studio stamp CONDITION REPORTS Not hand-coloured. Mount is yellowed. Mould forming to the bottom half -see images. Print appears to be yellowed and slightly faded - see images. Frame with various scratches, losses, marks, chips, etc. General signs of wear and tear throughout.
Lot 134
A selection of pictures to include: an oil painting of the steamboat 'Rosie', signed G.Jewitt 1911, 30cm high, 45cm wide, framed; a print titled 'Spring in Arcady' by Margaret W. Tarrant, 31cm high, 23cm wide, framed; a print of an engraving titled 'Happy Days!'; a large print depicting a public ball, 38cm high, 48cm wide, within large gilt frame decorated with stylised shells and scrolls (faults)
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314783 item(s)/page