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Click here to subscribeROLF HARRIS (AUSTRALIAN 1930) 'ULURU SUNSET, SURPRISE SHOWER' a limited edition print on canvas of an Australian landscape 42/125, signed bottom right, no certificate, approximate sizes - image 75cm x 103cm, frame 99cm x 136cm, condition: chips to corner edges of the frame, dirty marks in places (artist resale rights apply)
PHILIP GRAY (IRELAND 1959) 'FOREST OF LIGHT' a landscape with waterfall, a limited edition print 75/195, signed bottom right with certificate, approximate sizes - image 49cm x 49cm, frame 65cm x 65cm, Condition:- light scuff across the print approximately 3cm from top edge, small dents and scratches to frame, (Artists resale rights apply)
DOUG HYDE (BRITISH 1972) 'BRONZE, SILVER, GOLD', a limited edition print 152/395 depicting three smiling faces within a three aperture mount, signed bottom right, with certificate, each image approximately 33cm x 32cm, frame 62cm x 131cm, condition Report:- frame dented, chipped and scratched (artist resale rights apply)
SAMANTHA ELLIS (BRITISH 1992) 'PLAYING FOR TIME' a limited edition print of London icons 76/195, signed bottom left, with certificate, approximate sizes - image 73cm x 55cm, frame 95cm x 77cm, condition:- print damaged towards top right corner, frame, dented, chipped and scratched (artist resale rights apply)
ALEX ROSS (AMERICAN CONTEMPORARY) 'ORIGINAL SEVEN' portraits of Green Lantern, Flash, Superman, Batman, Wonder Woman, Aquaman and Martian Manhunter, signed limited edition print 166/195, with certificate, approximate sizes - image 52cm x 109cm including margins, frame 78cm x 135cm, condition: good condition
TROIKA (TROIKA are a collaboration of three artists, Eva Rucki, Conny Freyer and Sebastian Noel) 'HYPNOTISE', a limited edition print of a female figure, 35/95 with certificate, approximate sizes - image 101cm x 65cm frame 112cm x 76cm, condition: small dent to frame (artist resale rights apply)
A collection of Militaria including Puttees, Leather Belt & Holster, Folding Dark Glasses, Cloth Belt, Powder Flask, Two Lock Knives, Chain Mail, Peaked Cap for the Lifeguards, Russian Peaked Cap, Waffen SS Book, Small Arms Training Pamphlet 1937, Glenadier Foot Guard 1735 print, Sopwith Camel print etc
Andy Warhol (Pittsburgh 1928 – 1987 New York). Marilyn Monroe. 19874 Farboffsets, jeweils auf Glanzpapier. Jeweils 21 × 21 cm (8 ¼ × 8 ¼ in.). Jeweils rückseitig mit dem Stempel in Schwarz: Art 18/87 Basel Vintage Print LTD. Edition 1000 Copies.Vgl. Feldman/Schellmann/ Defendi II.–[3892]Zustandsbericht: 4 Varianten.Variante 1/10 bzw. 2/10 bzw. 7/10 bzw. 10/10. Jeweils in gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Stellenweise schwache Druckstellen. Rückseitig jeweils entlang der Kanten mit Papierklebestreifen an das Passepartout montiert.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Rosemarie Trockel (Schwerte 1952 – lebt in Köln und Berlin). „The Medium is the Message“. 2014Ditone-Print auf Velin. 50 × 70 cm (19 ⅝ × 27 ½ in.). Rückseitig signiert.Einer von 9 römisch nummerierten Künstlerabzügen aus einer Gesamtauflage von 89 Exemplaren. Ein Blatt (von 8) aus dem Mappenwerk: Malteser Edition. Berlin, Malteser, 2014. [3915]Zustandsbericht: Ex. E A VII/IX. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig an 9 Stellen Papierklebestreifenreste einer alten Montierung.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Peter Fischli und David Weiss (Zürich 1952 - lebt in Zürich bzw. 1946 - Zürich - 2012). Blumen. 1998/2016C-Print. 76 × 114 cm (85 × 123 cm) (29 ⅞ × 44 ⅞ in. (33 ½ × 48 ⅜ in.)). Signiert.Einer von 100 nummerierten Abzügen. [3780]Zustandsbericht: Ex. 7/100. Schöner hamonischer Gesamteindruck. Die Blattkanten sind nicht einsehbar, da das Blatt fest ins Passepartout montiert ist.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Thomas Ruff (Zell am Harmersbach 1958 – lebt in Düsseldorf). „w.h.s.“. 2001C-Print. 18 × 25,1 cm (24 × 33,1 cm) (7 ⅛ × 9 ⅞ in. (9 ½ × 13 in.)). Rückseitig signiert und datiert.Vgl. Liebermann LMV 74 / vgl. Schellmann 133.–Einer von 100 nummerierten Abzügen. [3819]Zustandsbericht: Ex. 97/100. Harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht keine Aufheller zu sehen. Rückseitig in den oberen Ecken jeweils ein Rest ehemaliger Papiermontierung. In der unteren rechten Ecke mit Flüssigklebstoff auf ein Passepartout montiert.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Isa Genzken (Bad Oldesloe 1948 – lebt in Berlin). „o.T.“. 2014C-Print. 70 × 49,9 cm (27 ½ × 19 ⅝ in.). Rückseitig signiert.Einer von 9 römisch nummerierten Künstlerabzügen aus einer Gesamtauflage von 89 Exemplaren. Ein Blatt (von 8) aus dem Mappenwerk: Malteser Edition. Berlin, Malteser, 2014. [3915]Zustandsbericht: Ex. EA VII/IX. SChöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Blatt mit vereinzelten haarfeinen Kratzern. Rückseitig in den Blattecken sowie an den Blattakanten mittig jeweils bis zu zwei Papierklebestreifenreste einer alten Montierung.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Jorinde Voigt (Frankfurt am Main 1977 – lebt in Berlin). „Studie zur Verantwortung“. 2014Ditone-Print auf Velin. 61 × 45,5 cm (24 × 17 ⅞ in.). Signiert, bezeichnet und datiert.Die Arbeit ist auf der Website der Künstlerin (www.jorindevoigt.com) unter der Nummer WV 2014-003 verzeichnet.–Einer von 9 römisch nummerierten Künstlerabzügen aus einer Gesamtauflage von 89 Exemplaren. Ein Blatt (von 8) aus dem Mappenwerk: Malteser Edition. Berlin, Malteser, 2014. [3915]Zustandsbericht: Ex. VII/IX e.a. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig in den Blattecken sowie an den Blattkanten mittig und in der Blattmitte jeweils ein Papierklebestreifenrest.Wir berechnen auf den Hammerpreis 32% Aufgeld.
* HANNAH FRANK (SCOTTISH 1908 - 2008),IN THOUGHTS FROM THE VISIONS OF THE NIGHT WHEN DEEP SLEEP FALLETH ON MEN (1930) lithograph on paper, signed in pencil, titled and dated 1930image size 36cm x 25cm, overall size 55cm x 40cm Mounted, framed and under glass.Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME lithograph on paper, numbered artist's proofimage size 77cm x 57cm, overall size 92cm x 72cmMounted, framed and under glass.Note: from A Hollywood Collection, 1962.Note 2: An accomplished painter, printmaker, photographer, and stage designer, David Hockney began showcasing his talent as a draftsman while studying at his hometown's Bradford School of Art as a teenager. At London's Royal College of Art in the early 1960s, he worked in a style that combined figuration, abstraction, and text, which identified him with the British Pop art movement. His work, however, defies categorization. It consists of still lifes and portraits rendered with delicacy and frankness and, after moving to Los Angeles, has included bold, colourful images of California's sun-drenched settings. Rooted in his personal relationships, his homosexuality, and his literary interests and travels, Hockney's art is, above all, deeply autobiographical. Printmaking has played a central role in Hockney's practice, and many of his most significant early works take the form of narrative print series. The linearity of etching matches his natural inclination for drawing, and lithography allows him to explore dazzling colour. He has also made editions with paper pulp and inventive prints using a photocopy machine. In all Hockney has created more than five hundred prints, collaborating with celebrated printers and workshops in Europe and America and also experimenting on his own. A copy of the print is in the Museum of Modern Art.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. Picture comes from a Private Scottish Collection.
* JOHN BYRNE RSA (SCOTTISH b. 1940),THE BIG YIN 75 BC (BILLY CONNOLLY)limited edition giclee print on paper, signed and numbered 119/150image size 49.5cm x 40cm, overall size 62cm x 80cm Mounted, framed and under glass.Note: certificate of authenticity is included with this lot. Note: The above work by John Byrne was one of three commissioned portraits of Billy Connolly celebrating his 75th birthday. The three commissions by John Byrne, Jack Vettriano and Rachel McLean are all on display at The Peoples Palace, Glasgow.
JEFF GILLETTE (AMERICAN b. 1959),DISMAYhand-finished print on paper, from the Dismay Show circa 2017image size 19cm x 27cm, overall size 38cm x 45cmMounted, framed and under glass.Note: Jeff Gillette is a contemporary American artist based in Southern California. He is best known for his subversive 'slumscape' paintings ironically featuring Disney characters. He is often cited as the inspiration for Banksy's 2015 Dismaland theme park installation, in which he was a featured artist. Gillette has been exhibiting his work since 1997, with his first solo show at Broadway Gallery in Santa Ana, CA. The style he is currently known for emerged in a solo show called "Slumscapes - Blasphemy Blowout," which depicted American fast-food restaurants such as McDonald's against backdrops of slums, as well as well-known cartoon figures juxtaposed with religious iconography. His 2010 solo show at Copro Gallery in Santa Monica, "Dismayland," was a commercial success and drew interest in his work from British artist Banksy. The aesthetic and themes established here began to define him as an artist. In 2015, Banksy contacted Gillette through his manager to purchase a Minnie Hiroshima painting (that became the official poster available at the Dismaland gift shop). Gillette was invited to be in a group exhibition in England at what was then described as an abandoned theme park. Gillette discovered upon arriving at the unlikely beach town Weston Super Mare, that this park was Dismaland. His pieces sold very quickly at the show. Based upon his success, Gillette began to show in London at the former Lawrence Alkin Gallery now the Rhodes Gallery and internationally elsewhere. Gillette began to explore the actual value of art in his work. In 2017, Gillette had a solo show at Gregorio Escalante Gallery in Los Angeles called "Total Dismay," that turned the exhibition space into an "art landfill." In the show, he premiered a series of new paintings mounted on walls and priced thousands of dollars, while the floor was littered with paper prints that patrons would actually walk on top of, that were for sale for $5. This artwork being one of these in the ‘Art Landfill’. In Spring 2015, Gillette was messaged on Facebook by Banksy's manager and invited to participate in a secretive group exhibition called Dismaland, a temporary art project organized by Banksy and built in the resort town of Weston-super-Mare, three hours outside of London. The pop-up would be a fully functioning theme park designed as "a sinister twist on Disneyland." It opened on August 21, 2015 and ran until September 27. Banksy described it as a "family theme park unsuitable for children." Including Gillette, the show featured 58 artists, such as Bill Barminski, Damien Hirst, Jenny Holzer, Peter Kennard, and Ben Long. Gillette premiered six new paintings on canvas for the pop-up as part of his "Dismayland" series
* ROBERT STEWART (SCOTTISH 1924-1995),UNTITLEDprint on linenimage size 42cm x 42cm, overall size 46cm x 46cm Framed. Note: Printed at The Glasgow School of Art with permission of his estate. Wall hanging designed by Robert Stewart in postwar Britain. He produced paintings, ceramics and murals but it is his textiles that have been most influential. He won many awards and became head of printed textile department at The Glasgow School of Art in 1949 where he worked for 35 years.
* ROBERT STEWART (SCOTTISH 1924-1995),UNTITLEDprint on linenimage size 42cm x 42cm, overall size 46cm x 46cm Framed. Note: Printed at The Glasgow School of Art with permission of his estate. Wall hanging designed by Robert Stewart in postwar Britain. He produced paintings, ceramics and murals but it is his textiles that have been most influential. He won many awards and became head of printed textile department at The Glasgow School of Art in 1949 where he worked for 35 years.
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