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Click here to subscribeAFTER WILLIAM LIONEL WYLLIE (1851-1931) 'Trafalgar - 2.30pm) a large coloured print published by Bemrose and Sons 1905, after the original which was exhibited at the Royal Academy in 1905. This print is framed in oak from H.M.S. Victory, with a label on reverse confirming this by Waring and Gillow, 67cm x 102cm.
A 'Cathedral Church of Glasgow' pattern well-and-tree meat dish from the 'Antique Scenery' series, printed in blue with the titled scene and usual series border of flowers and foliate scrolls, 47.25cm long, printed titles mark, circa 1820-30. See Coysh & Henrywood 1, page 75, for this scene on an ordinary dish together with the original source print
A Minton Monk's Rock series cake or cheese stand, printed in blue with a central rural scene featuring travellers passing a thatched gatehouse, within a broad version of the usual floral boder which is repeated in narrow form around the outer sides, 27cm diameter, unmarked, circa 1820-25. See Priestman, 'An Illustrated Guide to Minton Printed Pottery 1796-1836', plate 6.42, for this scene on a dessert plate together with the original source print
An extensive Copeland & Garrett Chinese Plants pattern part dinner service, printed in green with central floral sprays within an open border of similar sprays, comprising a circular fluted bowl on pedestal foot, an open rectangular tureen on four feet, a circular soup tureen stand, four circular sauce tureens (no covers) with five stands, three rectangular vegetable dishes with four covers, ten graduated dishes, one drainer, 18 dinner plates, 16 soup plates, 22 dessert plates, 15 tea plates, and one small pickle dish; printed and impressed 'Copeland & Garrett late Spode' marks, circa 1833-47 (some damage) See Sussman, 'Spode/Copeland Transfer-Printed Patterns', page 91, for a print of this design from one of the factory pattern books
Miscellanea. A pair of hollow cast resin Beatrix Potter figures, Peter Rabbit & Jemima Puddleduck, c. 1960's, finished in realistic colours, approx. 15 in (38 cm) tall, together with a Mickey Mouse toy drum, c. 1950's, approx. 6 in (15 cm) diam., a glazed pottery nursery dish with Florence Upton peg doll transfer-print decorations, 8.5 in (21.5 cm) diam., and four other items (8)
Wright (John Buckland). Endeavours & Experiments, John Buckland Wright's essays in woodcut and colour engraving, together with other blocks remaining in his studio, by Christopher Buckland Wright, Upper Denby, The Fleece Press, 2004, fourteen col. and four b&w plts., tipped-in illusts., orig. vellum-backed patterned boards, folio, contained in orig. cloth drop-over bookbox. Limited edition of 300 copies, this being one of 60 copies, with additional loose print of Cafe Dansant No. 2, contained in orig. printed wrappers, loosely inserted. (1)
Wain (Louis). An early 20th c. glazed pottery nursery mug, decorated with a transfer print in dark green, showing three naughty kittens upsetting the food and drink from the table, with three-line verse 'Now I know what mother meant yesterday when she said she felt upset. She must have been playing with a tablecloth too!', approx. 3 in (7.5 cm) tall (1)
"Cartes-de-Visite. A group of approx. 300 albumen print cartes-de-visite and cabinet cards, late 19th c., mostly portraits, including ethnographic, royalty, actors, etc., together with a small group of stereocards, a carte-de-visite album and an English amateur family photo. album (c. 1870), relating to the Brockman family at Beachborough, including small portraits, pictures of houses, churches, hunts, etc., album broken and covers deficient, 4to (a small carton)"
"Famous people. A group of assorted albumen prints and Woodburytypes, all 19th century, incl. a small albumen print of Henry Taylor by Reijlander, approx. 6 x 9 cm, mounted, plus albumen prints of Edwin Landseer, Lord Leighton, Woodburytypes of John Bright, Jules Garnier, Hector Malot, Isaac Pereire and Pierre DuPont, plus carbon prints of Frederick Leighton, Justin Macarthy, J.M. Barrie and Anton Rubinstein, various sizes, mostly mounted (18)"
"Friths's Series. Two albums containing approx. 120 albumen print views, c. 1870s, mostly window-mounted with negative number and title captions beneath in ink, largely Wales and Scotland, the views in one album marked imperial size, approx. 19 x 29 cm, the images in the second album largely 16 x 26 cm or similar sizes, some addn. engs., etc., tipped-in, some spotting, orig. cloth with 'Frith's photo. pictures', gilt embossed to upper covers, some wear, folio. Possibly a salesman's sample book. (2)"
"Gurney Family. Four albums, late 19th and early 20th c., comprising photos, autographs, a few prints, etc., some relating to the Gurney family, incl. and albumen print port. of Daniel Gurney (1791-1880, banker and antiquary), plus photos of his home at Ructon Hall, various photos of later family members and paintings of Quaker ancestors, plus photos relating to the Hamond Family and Wootton, with a manuscript family tree of the latter, one album relating mainly to D.W. Gurney and his time at Eton and in the army, incl. group portraits, printed programmes, etc., two albums sl. soiled and dampstained, several images and leaves det., three albums contemp. morocco and one half morocco, the latter broken and worn, all oblong folio (4)"
"India. A group of four good albumen print views in Kashmir, including two by W. Baker, c. 1870s, approx. 30 x 25 cm, and similar, together with eight further good albumen prints of Simla and over the Himalayas, two on album leaves, the remainder loose, together with a part album of albumen prints including seven views of Neen Tal by Sache and a portrait of the Governor Colvin, mostly approx. 30 x 25 cm, ink captions on mounts beneath, disbound, folio (13)"
"Medicine. A cartes-de-visite album of approx. fifty albumen print cartes-de-visite of Doctors, etc., from Vienna, Prague, etc., c. 1880s, all window mounted, and most with clipped ink signatures or name identification on mounts beneath, figures include D. C. Christison, James Syme, James Spencer, E. du Bois Reymond, Prof. Laugenbeck, Prof. Hasuer, Dr. Breiskey, James Rutherford, etc., orig. morocco with embossed brass corner mounts and inset painted floral panel, covers and backstrip det., with some loss, small 8vo (1)"
"Crimea. '""Saving the Colours"": The Guards at Inkerman', early 20th century, colour print after Robert Sind?, trimmed and laid down, approx. 660 x 500 mm, plus an 18th century hand coloured engraving entitled 'The Battle at La Hogue', trimmed up to image, approx. 430 x 585 mm, both framed and glazed (2)"
"[Osler, William]. Science Gossip: An Illustrated Medium of Interchange and Gossip for Students and Lovers of Nature, ed. M.C. Cooke (and later by Dr. J.E. Taylor), 1865-70, 1873-75, 1877, 1878, 1880-83 & 1887-90, together 19 vols., num. wood engs., orig. gilt dec. cloth, some a little frayed to head and foot of spine, small folio. Osler's first appearance in print, his contribution entitled 'Christmas and the Microscope is to be found on p. 44 in volume five (1869). (19)"
"Churchill (Rt. Hon. Winston S., 1874-1965). Signed black and white photo postcard ('Winston S. Churchill'), in black ink, 'Inscribed for Lady [Ruth] Lee' and dated 1946. at foot of image showing Churchill in bowler hat with walking cane and luggage coming down a house step [Chequers?], laid down on card which in turn is lightly adhered to the inside blank page of a Christmas card with a mounted col. print after Churchill's painting ""The Messenger"", the greetings page with a note to Lady Lee in Clementine's hand dated December 1955, telling that she is very happy that Lady Lee is pleased about the ""Avenue"", 'In less than 50 years it should be beautiful', and sending their best wishes for Christmas and the New Year, signed 'Clementine S. Churchill', a few minor creases and marks. In 1917 Lord and Lady Lee presented Chequers to serve as a country residence for the serving Prime Minister of the day. Churchill had left Chequers as Prime Minister in July 1945. (1)"
Daphne Reynolds - 'White and Black Sheep near Isfahan', 1977; gouache, signed, 14.5 x 18cm. Provenance: with Park Square Gallery, Leeds: French School c1960 - 'Souvenir Paleolithique'; lithograph in colours, signed, titled, numbered 5/30, and dated '64: together with one other similar print, (3)
Circle of Thomas Rowlandson - Character studies; pen and black and brown ink ink and watercolour, with signature, 21.8 x 13.8cm: Follower of Cornelius Varley- Arcadian scene with a castle, shipping an troops gathered by a shore; brown ink and wash, bears signature: together with two 19th century watercolours and two prints, one a colour woodblock print by John Edgar Platt, (6), (unframed)
Valerio Adami - Untitled composition with head and umbrella; screen print in colours, signed and numbered 67/75 in pencil, 80 x 62.8cm: together with a mixed folio of large format prints, most signed in pencil, British and European late 20th century including those by: G.Mynott, T.Armstrong, A.Cox, and others, (a lot), (unframed)
Max Papart - Untitled composition with figure, animal and moon; mixed technique print with aquatint and embossing, signed and numbered 28/75 in pencil, 38.6 x 44cm: together with a mixed folio of etchings and prints by different hands, most signed, British and European School late 20th century, including examples by: P.Courtin, L.Morechant, and others, (a lot), (unframed)
Oskar Kokoschka - Dog and tree; lithograph in colours, signed and numbered 133/200 in pencil, and bears publisher's blind stamp, 40.3 x 55.2cm: After Mark Gertler- Flower piece, publ. by W.G. Stacey, London; reproduction print in colours, signed and dated 28 within the plate, signed in pencil, and bears Fine Art Trade Guild blind stamp: together with a mixed quantity of prints by different hands, mostly British and European schools, late 20th century, (a lot), (unframed)
Cabe, 20th century - 'Washington'; lithograph with embossing, printed in colours, signed, titled and numbered 14/30 in pencil, 51.2 x 66.2cm: together with one other similar print by the same hand, and a mixed quantity of prints late 20th century schools, including examples by: Uxban, S.Sammas, C.Penny and others, (a lot), (unframed)
A Japanese embroidery, depicting peacocks in coloured silks, a couched embroidery, the central field depicting a building surrounded by birds and flowers, worked in silk metallic thread and on an ivory ground, a large needlework divided into three sections with flowers and fruit worked in coloured wools, a pair of framed Oriental sleeve cuffs with embroidered peonies overall worked in blue and white silks and a metallic and coloured silk Oriental embroidery depicting a central money bag, scrolls and other stylised motifs, and a print of a sampler, items dating from the late 19th century.
A collection of Britains lead figures from 'The Meet' series to comprise two figures on horseback, four hunting standing figures, some with dogs, a dog group, two other figures of dogs, a fox and a pony, boxed, [together with a transfer print decorated fretwork, wooden jigsaw puzzle relating to the Monarchs of England]
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