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![[Fenton, Roger, 1819-1869]. An album of later copies of photographs of Queen Victoria and the royal family by Roger Fenton,](https://cdn.globalauctionplatform.com/8b0154d8-0a28-4692-a61f-a88900f37c9f/39296b0f-6af8-49ce-b6f9-40120f4a1aab/468x382.jpg)
Lot 216
[Fenton, Roger, 1819-1869]. An album of later copies of photographs of Queen Victoria and the royal family by Roger Fenton, 27 gelatin silver print photographs mounted to stiff card leaves on rectos only, neat ink captions to mounts beneath, images mostly 15 x 11cm and similar with two copy letters to on behalf of the king, and a related gelatin silver print copy of a signed photograph of King Edward VII pasted at rear of album, length typed note of provenance pasted to front pastedown, dated June 1905, original quarter roan over pimpled cloth with gilt royal coat of arms to upper cover, upper joint split and a little wear to spine, oblong small folio (19 x 27cm) As explained in the typed note of provenance the copies were produced by Vernon Kirk Armitage, Fenton's brother-in-law, as a Coronation gift to King Edward VII. In addition to the copy gifted to the king, six copies were distributed to members of the Armitage and Fenton families, of which this is one. (1)
Lot 233
*Llewelyn (John Dillwyn, 1810-1882). River Dulais, Penllegare, 1850s, albumen print from a wet collodian negative, untrimmed, 310 x 265mm, together with five further albumen prints by Llewelyn: Garden seat, Penllegare, 225 x 275mm; Lower Lake, 195 x 245mm; Pheasants in the wood, 190 x 245mm; Dead Bittern, 150 x 130mm Acquired by the owner from the Llewelyn family by descent. See Noel Chanan, The Photographer of Penllegare: A Life of John Dillwyn Llewelyn (2013). (5)
Lot 237
*Rejlander (Oscar Gustave, 1813-1875). Mrs C.H. Palainet Standing, Her Hands on a Boater Hat, 1870s, albumen print photograph, 240 x 175mm, on original mount with the photographer's pencil signature to lower margin, board and photograph a little cracked to upper blank area, together with six further photographs relating to the Palainet family and Haffirld (7)
Lot 238
*Rejlander (Oscar Gustave, 1813-1875). Mrs Howell (Beatrice Butt), c. 1860, albumen print, half length and seated in profile, 22 x 18cm, with contemporary paper album leaf with photographer's name and sitter's identification neatly written to blank and with an albumen print portrait of a group of nine men and women pasted to verso, circa 1860, posing as a group in front of a house by the white line of a grass tennis court, three of the subjects holding tennis rackets, the location identified in ink to mount beneath as Kemerton Court [near Tewkesbury, Gloucestershire], and five of subjects identified as Emmie, Georgie, Mrs Holland, Edith and G.P. Christian (2)
Lot 239
*Talbot (William Henry Fox, 1800-1877). The Woodcutters - Nicole & Pullen Sawing & Cleaving, c. 1845, salt print from a calotype negative, 151 x 209mm, within ink-ruled border on card mount The photograph shows Nicolaas Henneman and Samuel Pullen working outside the woodshed at Lacock Abbey. Believed to have been given to a local family by Fox Talbot's niece and thence by descent. (1)
Lot 240
*Talbot (William Henry Fox, 1800-1877). A group of silver articles on shelves, c. 1845, salted paper print, 140 x 160mm, old card mount, together with a half-length salt print portrait of an unidentified suited man, added watercolour, circa 1850s, 13.5 x 10.5cm, contemporary album mount with German inscription to verso, dated 1858, plus two further salt prints, one of an aqueduct and waterfalls in Italy, circa 1840s, very faded, 19 x 24.5cm, the other of a print or watercolour of a rustic scene, 9.5 x 14cm (4)
![*Fenton (Roger, 1819-1869). The Valley of the Shadow of Death, [1856], salt print, printed caption to lower margin of origin](https://cdn.globalauctionplatform.com/8b0154d8-0a28-4692-a61f-a88900f37c9f/88569990-58ba-475f-f3ab-bd878b4430c0/468x382.jpg)
Lot 242
*Fenton (Roger, 1819-1869). Zouave, 2nd Division, 1856, salt print, showing Roger Fenton dressed as a Zouave with his rifle pointing upwards, printed title and dated credit details of the publisher T. Agnew and Sons to lower margin of original mount (several splits), 173 x 152mm, conserved in archival boards window mount (1)
Lot 248
*Fenton (Roger, 1819-1869). Captain Burnaby, Grenadier Guards, & Nubian Servant, 1856, salt print, 144 x 165mm, together with Major General Garrett & Officers of the 46th, 1856, salt print, 200 x 167mm, each with printed titles and publisher's dated imprint details to lower margins of original mounts, archival boards window mounts (2)
Lot 249
*Fenton (Roger, 1819-1869). Men of the 68th Regiment, 1856, salt print, 150 x 159mm, together with Men of the 77th Ready for the Trenches, 1856, salt print, 169 x 154mm, plus Group of Croat Chiefs, 1856, salt print 199 x 165mm, all with printed caption and publisher's dated imprint details to lower margins of original mounts, archival boards window mounts (3)
Lot 250
*Fenton (Roger, 1819-1869). General Ciss‚ & Officers & Soldiers of General Bosquet's Division, 1856, salt print, 166 x 167mm, together with English Infantry Piling Arms, 1855, salt print, 135 x 160mm, plus Camp of the 4th Dragoon Guards near Kryni, 1856, salt print, 134 x 168mm, plus Officers of the Staff of Lieutenant General Sir Richard England, 1856, salt print, 125 x 145mm, each with printed titles and publisher's dated imprint details to lower margins of original mounts, long split to mount of second photograph, conserved in archival boards window mounts (4)
Lot 251
*Fenton (Roger, 1819-1869). Lieutenant Colonel Munro & Officers of the 39th Regiment, 1856, salt print, 159 x 165mm, together with Officers of the 71st Highlanders, 1856, salt print, 147 x 148mm, plus Private in Full Marching Order, 1856, salt print, 168 x 163mm, each with printed titles and publisher's dated imprint details to lower margins of original mounts, conserved in archival boards window mounts (3)
Lot 252
*Fenton (Roger, 1819-1869). Camp of the 5th Dragoon Guards, 1856, salt print, 267 x 355mm, together with Artillery Wagons, Balaclava in the Distance, 1856, salt print, 244 x 342mm, plus The Lines at Balaclava, 1856, salt print, 280 x 345mm, each with printed titles and publisher's dated imprint details to lower margins of original mounts, bruising and creasing of first mount and long split to third mount, conserved in archival boards window mounts (3)
Lot 253
*Fenton (Roger, 1819-1869). General Bosquet's Quarters, 1856, salt print, 158 x 247mm, together with The British Head Quarters, 1856, salt print, 158 x 269mm, plus Cemetery, Cathcart's Hill, 1856, salt print, 175 x 247mm, each with printed titles and publisher's dated imprint details to lower margins of original mounts, conserved in archival boards window mounts (3)
![*Fenton (Roger, 1819-1869). Officers on the Staff of Lieutenant General Sir G[eorge] Brown, 1856, salt print, 197 x 165 mm,](https://cdn.globalauctionplatform.com/8b0154d8-0a28-4692-a61f-a88900f37c9f/3d03eaac-f2d5-4aba-dedf-10e7bd5ebff3/468x382.jpg)
Lot 254
*Fenton (Roger, 1819-1869). Officers on the Staff of Lieutenant General Sir G[eorge] Brown, 1856, salt print, 197 x 165 mm, together with Lieutenant General Sir J.F. Pennefather & Staff, 1856, salt print, 144 x 203mm, plus Hardships in the Camp, 1856, salt print, 172 x 166mm, all with printed titles and publisher's dated imprint details to lower margins of original mounts, conserved in archival boards window mounts (3)
Lot 255
*Fenton (Roger, 1819-1869). Balaclava, from Guards Hill, 1855, salt print, 257 x 342mm, together with Cavalry Camp, Looking Towards Kadikoi, 1856, salt print, 256 x 335mm, plus [Camp of the 71st Regiment], 1856, salt print, 238 x 341mm, printed titles (to first two only) and publisher's dated imprint details to lower margins of original mounts, conserved in archival boards window mounts (3)
Lot 26
Himes (Charles F.). Leaf Prints: or Glimpses at Photography, 1st edition, Philadelphia, 1868, albumen print photogram of a leaf as a frontispiece (detached), some spotting, upper hinge cracked, original gilt-decorated cloth, rubbed and marked, a little wear to extremities, 8vo A photogram is a 'contact print', a technique later explored by Man Ray in his rayographs. (1)
Lot 28
*India. A group of four photograph albums, c. 1927-34, gelatin silver print photographs of mostly European people engaged in various pursuits including shooting, riding, etc., one album titled 'Jind Week, 4th Annual Championship Field Trial, Coursing, etc., 1927', another Lunch at Mastung..., 1928, photos by Ganesh Das Mullick, Frontier Studio, Quetta, another titled 'Sibi Week 1930, by the Baluchi Studio', and the last one of Dhil Nadi Camp, 1934, photographs mostly postcard size and slightly smaller, sparsely captioned, various bindings, oblong 8vo/folio, together with a small quantity of related loose photographs (a small carton)
Lot 291
*Carte-de-visite-size ambrotype of a man and his seated wife, by an unknown photographer, 1860s, in half case, together with an albumen print carte de visite of a graduate in academic dress by Hills & Saunders, Oxford, 1860s, double-fronted leather case lacking fold-out desk stand at back, plus an albumen print carte de visite of a lady by Bracher, in leather case with gilt clasp and photographer's gilt embossed stamp on base, 'Bracher, Photographic Artist, 26 High Street, Oxford', each 10.5 x 7.5cm Second item: Hannavy, Case Histories, p. 138. (3)
Lot 3
*Architecture. A large salted paper print of a cathedral tower, c. 1850, numbered 116 in the negative, short closed split to lower right margin, 42 x 27cm, together with four other smaller architectural studies, albumen prints, 1860s/70s, including Florence, Kent and stonemasonry restoration of a church (5)
Lot 300
*Liverpool Institute of Photography. A beautifully tinted albumen print portrait of a seated young lady in ornate satin dress, circa 1860, shown seated on a red velvet chair, 10.5 x 8cm, leather case with gilt embossed stamp to base giving address as Lord Street Chambers, 87 Lord Street, Liverpool, together with a half-plate albumen print of a seated gentleman by Herbert Watkins, 179 Regent Street, London, circa 1855-58, leather case with photographer's gilt embossed stamp to lid, plus a tinted paper print of a mother and young daughter seated by a table, after 1861, set in a gilt oval in a burgundy velvet base [1852-55], cream silk pad, housed in a top-hinged leather case with photographer's gilt stamp on the base, 'James Mudd, 10 St Anns Square, Manchester' First item: Hannavy, Case Histories, p. 80. (3)
Lot 31
*India. An album containing 44 mounted albumen print views, c. 1880, including Agra, Srinagar, Rawal Pindi House, Murree, 1st Punjab Volunteers, etc., a few signed in the negative identitying Baker & Burke, 22 x 28 cm, mounted back to back on stiff card leaves, some faint pencil captions to mounts, contemporary half morocco, some wear, oblong folio, together with a later album of India interest, circa 1899, containing 41 corner-mounted printing out paper prints, including buildings, scenes and a few of groups and types, images 10.5 x 15 cm, uncaptioned, contemporary cloth, slightly damp marked, small oblong folio, plus a framed early negative of an Indian group, 24 x 29 cm and 4 early albumen prints of Indian princes on horseback, circa 1860s, 13.5 x 10 cm (7)
Lot 319
*Scotland. Photographs of Scottish scenery. An album of albumen print Scottish views by James Valentine, 1870s, mostly captioned in the negatives, mounted on stiff card leaves and back-to-back throughout, contemporary red morocco with gilt title and Royal coat-of-arms to upper cover, rubbed, 4to, together with two tinted albumen print stereoviews by Roger Fenton of Melrose Abbey and Bolton Castle, plus 13 cartes de visite by Scottish Studios, and a further group of ten stereoviews of Scottish interest (26)
Lot 364
*Sir Henry Havelock. Rare quarter-plate brown thermoplastic union case by Littlefield, Parsons & Co., early 1860s, housing a tinted albumen print portrait of Harrington James Muston, geometric design to reverse, straight edges and corners, very minor nicks, clicks tight Berg 1-27S (obverse) & 3-31 (reverse); Krainik 24. (1)
Lot 4
*Army Medical Museum, USA. A surgical photograph of a bullet hole through a human spine, Fort Yuma, California, 1873, albumen print photograph, on original mount for the International Exhibition, Philadelphia, 1876, descriptive text above and below, printed descriptive label to verso, water damage to lower part of mount, away from image though affecting some text, image 180 x 150mm, together with a large anatomical stereocard, 1870s, and three later anatomical gelatin silver prints of a human foetus, human brain and skull of a python The label to the mount verso of the first item reads: 'Photograph no. 349. Shot Fracture of Vertebrae. Private W. Castle, 6, 23rd Infantry, was shot at Fort Yuma, California, while drunk, by an acting sergeant of the guard, September 24th 1873'. (5)
Lot 43
*Malta. A collection of 53 views, c. 1880s, albumen print photographs, a total of 53 photographs including seven two-part panoramas, images approximately 21 x 28cm and similar, generally yellowed and occasional soiling and fraying, original card mounts with descriptive letterpress pasted to many versos but relating to images on different mounts, mounts spotted and some corners chipped with loss, oblong folio (1)
Lot 48
Military and Travel. A good album of military photographs, portraits and views, c. 1860s, including approximately 115 albumen print carte-de-visite size portraits, some royalty and approximately 50 of military interest, many of the 2nd Battalion, 6th Royal Regiment, plus approximately 60 further topographical carte-de-visite size subjects, plus approximately 95 further photographs including approximately 70 of quarter-plate and half-plate sizes, including Jamaica (8), Corfu (4), Guernsey (4), Gibraltar (2), India (15 including larger-format photographs), Malta (2) and a further 10 photographs of military interest, some pen or pencil captions to mounts and a few to lower margins of images, a few leaves loose, a total of approximately 260 photographs on 44 leaves, all edges gilt, contemporary morocco, upper cover decorated in gilt and black with embossed fleur-de-lys motif, covers detached and backstrip deficient, 4to (1)
Lot 5
*Biggs (Thomas, 1822-1905). Sangameshwara Temple at Pattadakal in Karnataka, 1866, albumen print, 28 x 39cm, original mount with printed label caption to lower margin, together with 12 other miscellaneous albumen print portraits of Indian interest, circa 1870s/1890s, including a group of seven portraits on original mounts from 'The People of India', 1870s, by Charles Shepherd and others (13)
Lot 6
*Bourne (Samuel, 1834-1912). Pathans, Peshawar Valley, India, 1860s, albumen print photograph, showing a young boy, a young prince alongside and further men with weapons standing around, numbered 1389 in the negative and with manuscript caption to mount, 20.5 x 28cm, together with five further large Bourne views plus five small-format views and an albumen print of a carriage and pair by Shepherd and Robertson (negative number 1128), 18.5 x 23cm, all on individual mounts (except two back to back and neatly titled in ink to lower margins) (12)
Lot 61
*Photographic School, Chatham. A collection of approximately 45 albumen print photographs, late 1860s, the subjects engineering works, mainly works on the new docks, showing construction, engineers, excavations, mostly annotated in ink or pencil, the majority 28 x 22cm and four slightly larger (approx. 45)
Lot 65
*Rome. A group of seven rare amateur photographs, c. 1858, a mixture of salted paper and albumenised salt prints, some vignetted, some titled, including 'Claude's house from one of our rooms, 1858', 'From our drawing room, Spring 1858', 185 x 135mm and smaller, individually mounted on card and paper album leaves, together with a salt print photograph of St Peter's, Rome by Robert Macpherson, 17 x 24.5cm, inscribed on mount in a contemporary hand in ink, 'View from the drawing room window of Mr and Mrs William Yates, 1857-8, Rome' Ex Cloney Collection, sold by Christie's South Kensington, 1996. (8)
Lot 68
*Sinclair (James, 14th Earl of Caithness, attrib.). Parish boundary oak near Ascot Gate, 1864, albumen print, plus four others from the same series: Cedars at maturity in Belvidere Wood, Cedars in old age in Belvidere Wood, Great Beech on Manor Hill and Group of Scotch fir, evergreen oak &c, 28 x 23.5cm, original mounts with printed captions and poetic quotations beneath, mount spotted and old water stain to upper left corners, plus two other large-format carbon print photographs of trees, c. 1890, original card mounts The first five photographs come from 'The History of Windsor Great Park and Windsor Forest', published by Longman, Green in 1864. The photographer is either James Sinclair or William Bembridge. (7)
Lot 70
*Sutcliffe (Frank Meadow, 1853-1941). Henry Freeman, Lifeboatman at Whitby, North Yorkshire, c. 1880, printed c. 1910, carbon print, half-length portrait of Freeman wearing his cork lifejacket, together with a gelatin silver print photograph of Freeman in another pose wearing the same cork lifejacket, the first signed by Sutcliffe in pencil to image lower left corner, the second initialled and numbered 259 in the negative, both with signed pencil inscriptions by Sutcliffe to versos giving negative numbers 2072 & 259, 19.5 x 15cm Henry Freeman (1835-1904) was a Whitby fisherman and lifeboatman. He was the only survivor of the Whitby Lifeboat disaster of 9 February 1861, during which a great storm wrecked more than 200 ships on the east coast. During attempts to rescue the stricken vessels the lifeboat capsized and all but one of the crew were lost. Freeman survived because he was wearing a new design of cork lifejacket. (2)
Lot 72
Tasmania & New Zealand. An album of 32 mounted albumen print photographs, c. 1890, including 17 photographs of Tasmania and 15 of New Zealand, some of the photographs captioned in the negative, several photographs by Morris and one by J. Martin, 23 x 28cm and slightly smaller, mounted mostly one to a leaf to stiff card leaf rectos with neat ink captions to most mounts, contemporary half morocco, some wear, oblong folio (1)
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314785 item(s)/page