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Ma San Auction
Lot 252

SATOMI TACHO C.1850. JAPANESE WOODBLOCK PRINT. Triptych of The Great Battle of the Minato River (Minatogawa ogassen zu). Together with another triptych from Utagawa Yoshikazu C.1860 of battle scene. Approx. 37cm x 26cm (2)Provenance: From a local estate. Property of Navy Commander Henry W. Jennings R.N. This lot was acquired while stationed in Sasebo Japan between 1946-48. Jennings retired in the 1960s and thence by descent. The lots acquired by Jennings in 1946-48 are lots 204, 240, 241, 245-254 and 256.  

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Ma San Auction
Lot 253

UTAGAWA KUNIMITSU, C.1804. JAPANESE WOODBLOCK PRINT. With Utagawa Toyokuni I. Triptych; Parody of the Story of Ushiwakamaru (Yoshitsune) Learning Swordplay from the Tengu of Kurama. Approx. 39cm x 27cmProvenance: From a local estate. Property of Navy Commander Henry W. Jennings R.N. This lot was acquired while stationed in Sasebo Japan between 1946-48. Jennings retired in the 1960s and thence by descent. The lots acquired by Jennings in 1946-48 are lots 204, 240, 241, 245-254 and 256.  

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Ma San Auction
Lot 255

CHIKANOBU YOSHU (1838-1912) JAPANESE WOODBLOCK PRINT. Triptych printed on folding card from the series Chiyoda no Ooku 'Life of Court Ladies' depicting ceremony of New Year. From M.Nakazawa Tokyo. Total size 71cm x 36cmAcquired in Japan between 1986-89.

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Ma San Auction
Lot 256

A JAPANESE WOODBLOCK PRINT, DATED 20TH YEAR MEIJI, 1888. Diptych of Samurai warriors. Each page 25.5cm x 23.5cmProvenance: From a local estate. Property of Navy Commander Henry W. Jennings R.N. This lot was acquired while stationed in Sasebo Japan between 1946-48. Jennings retired in the 1960s and thence by descent. The lots acquired by Jennings in 1946-48 are lots 204, 240, 241, 245-254 and 256.  

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Ma San Auction
Lot 302

A GROUP OF REFERENCE BOOKS AND CATALOGUES ON MAPS AND CARTOGRAPHY. To include Jesuit Mapmaking in China; Cartographic Traditions in East Asian Maps by Richard A. Peg; Early Korean Cartography; Two Sotheby's Catalogues The Library of Phillip Robinson Part II Chinese Collection 1988 and China in Print and on paper and 2016; Plus others with loose pages and cuttings. (13)

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Duke's
Lot 282a

*DAVID INSHAW (b. 1943) 'East Cliff, West Bay, Dorset' signed and numbered 27/350 in pencil to the margin, giclee print, the image 53cm x 53cm 

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Duke's
Lot 97

*ARTHUR HENRY ANDREWS (1906-1966) 'The Villa Medici, Rome' signed lower right, oil on board, 90cm x 70cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 98

*ARTHUR HENRY ANDREWS (1906-1966) 'Montmartre' Parisian street scene from the top of some steps, signed lower right, oil on canvas, 66cm x 92cm (unframed on stretcher)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 99

*ARTHUR HENRY ANDREWS (1906-1966) 'Rock Pools' signed and dated '35 lower right, oil on board, 35cm x 52cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 100

*ARTHUR HENRY ANDREWS (1906-1966) A still life botanical study signed lower right, oil on canvas, 50cm x 40cmProvenance: The Collection of Bournemouth & Poole College. Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 101

*ARTHUR HENRY ANDREWS (1906-1966) A profile portrait of a lady head and shoulders, oil on canvas, 39cm x 30cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 102

*ARTHUR HENRY ANDREWS (1906-1966) 'Vimiero' Portuguese street scene with whitewashed church, signed lower right oil on board, 38cm x 52cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 103

*ARTHUR HENRY ANDREWS (1906-1966) 'Positano' signed lower left, oil on canvas, 69cm x 51cmExhibited: Wessex Artist's Exhibition, Southampton Art Gallery, 1966, number 47Provenance: The Collection of Bournemouth & Poole College. Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 104

*ARTHUR HENRY ANDREWS (1906-1966) Stylised landscape with trees signed lower right, oil on board, 42cm x 35cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 105

*ARTHUR HENRY ANDREWS (1906-1966) 'Mimet, Provence' landscape with buildings, signed lower right, 51cm x 61cm; together with a similar study 'Pianello di Lario, Lake Como', oil on canvas, 50cm x 61cm (both unframed on stretchers) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 106

*ARTHUR HENRY ANDREWS (1906-1966) 'Whitby' coastal view with Whitby Abbey to the background, signed lower right, titled and dated 1941 verso, oil on canvas, 46cm x 61cm; together with two Continental street scenes 'Marvejols' and 'The Poachers', oils on canvas, both 51cm x 61cm (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 107

*ARTHUR HENRY ANDREWS (1906-1966) 'Keskadale' Woodland landscape with dwelling, signed lower left, oil on board, 65cm x 45cm; together with a similar work 'The Cavendish Pavilion, Bolton Abbey', oil on canvas laid on board, 53cm x 42.5cm (both unframed) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 108

*ARTHUR HENRY ANDREWS (1906-1966) Venetian scene signed lower right, oil on canvas, 41cm x 51cm; together with a view of a palm lined street, signed lower right oil on canvas, 41cm x 56cm; and a Continental street scene, signed lower left, oil on canvas, 41cm x 51cm (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 109

*ARTHUR HENRY ANDREWS (1906-1966) 'Storiths, Bolton Abbey' landscape with buildings, signed lower right, oil on canvas, 51cm x 76cm; together with a similar study, signed lower right, oil on canvas, 51cm x 76cm (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 110

*ARTHUR HENRY ANDREWS (1906-1966) Woodland river scene signed lower right, oil on canvas laid on panel, 49cm x 38cm; together with a tree study 'Bleached tree, Bolton Woods' signed lower right, oil on canvas laid on panel, 56cm x 46cm; (both unframed) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 112

*ARTHUR HENRY ANDREWS (1906-1966) Cottages in a landscape signed lower right, oil on canvas, 41cm x 56cm; together with a woodland study '....Through the Trees', signed lower right, oil on canvas, 56cm x 41cm; and a stylised garden with trees, signed "M.S. Andrews" lower right, oil on canvas, 45cm x 35cm (all unframed on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 113

*ARTHUR HENRY ANDREWS (1906-1966) A portrait of an Officer depicted three-quarter length, seated before a blue curtain, wearing a heavy overcoat with bright red collar, oil on canvas, 97cm x 76.5cm (unframed on stretcher)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 114

*ARTHUR HENRY ANDREWS (1906-1966) Stylised portrait of a man reading a newspaper under the light of an anglepoise lamp in an interior, oil on canvas, 36cm x 25cm; together with a head and shoulders portrait of a woman 'Joan', signed lower right, oil on canvas laid on panel, 30cm x 25cm; and a nude study of Joan seated in an interior, signed lower right, oil on canvas, 46cm x 40cm (all unframed, the canvases on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 115

*ARTHUR HENRY ANDREWS (1906-1966) 'Miss Sushila Singh' The wife of the Artist, depicted bust-length, her left hand raised to her collar, wearing a red hat and matching scarf, signed lower right, oil on canvas, 53cm x 47cm; together with another portrait of the Artist's wife 'Sushila, 1930' depicted half-length seated in profile before a plain background, signed lower right, oil on canvas, 51cm x 41cm (unframed on stretcher) (2)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 116

*ARTHUR HENRY ANDREWS (1906-1966) 'The Revelation, Chapters 4-10' mixed media on panel, 103cm x 76cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 117

*SUSHILA SINGH (1904-1999) 'The Creation' signed "Sheila Andrews" lower right, mixed media on panel, 84cm x 71cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 118

*SUSHILA SINGH (1904-1999) 'Illuminations in Venice' signed lower left, oil on canvas, 75cm x 90cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 119

*SUSHILA SINGH (1904-1999) 'Southwark' London scene with cranes, signed lower left, oil on board, 76cm x 49.5cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 120

*SUSHILA SINGH (1904-1999) 'Cathedral' stylised cityscape, signed lower right, oil on board, 38cm x 55cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 121

*SUSHILA SINGH (1904-1999) Stylised landscape signed lower right, oil on canvas, 46cm x 56cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 122

*SUSHILA SINGH (1904-1999) 'Girl in Shade' stylised portrait study, signed lower right, oil on canvas, 56cm x 46cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 123

*SUSHILA SINGH (1904-1999) 'Castle in Teruel' signed lower right, oil on canvas, 40cm x 50cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 124

*SUSHILA SINGH (1904-1999) 'Night in Venice' signed lower right, oil on canvas, 51cm x 61cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 125

*SUSHILA SINGH (1904-1999) 'The Goddess, Villa d'Este' signed lower left, oil on canvas, 76cm x 50cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 126

*SUSHILA SINGH (1904-1999) 'Street in Mykonos' signed lower right, oil on board, 76cm x 92cm; together with a similar stylised townscape, signed lower left, oil on board, 71cm x 91.5cm (both unframed) (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 127

*SUSHILA SINGH (1904-1999) 'Cape Sounion' A view of the Temple of Poseidon, signed lower right, oil on board, 50cm x 68cm; together with a view of a Continental street under moonlight, 40cm x 50cm (unframed) (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 129

*SUSHILA SINGH (1904-1999) A view of a house with trees on the pavement outside, signed lower right, oil on canvas, 76cm x 61cm; together with a stylised mountainous landscape scene, signed lower right, oil on canvas, 51cm x 76cm (both unframed on stretchers) (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 130

*SUSHILA SINGH (1904-1999) Stylised street scene with steps oil on canvas laid on board, 84cm x 63cm; together with a view of a street with a clock tower, oil on canvas laid on board, 92cm x 60cm (both unframed) (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 131

*SUSHILA SINGH (1904-1999) Nude study of a man with unfinished head, oil on canvas, 57cm x 76cm; together with a portrait of a lady with unfinished background, oil on canvas, 76cm x 50cm (both unframed on stretchers) (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 132

*SUSHILA SINGH (1904-1999) 'Dawn in a Forest' abstract landscape, signed lower left, mixed media on board, 64cm x 76cm; together with three similar abstract landscapes (all unframed) (4)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 133

*SUSHILA SINGH (1904-1999) 'Northern Homes, Batley, 1933' signed lower right, oil on canvas, 41cm x 56cm; together with a view of a tree lined path 'In Wilton Park', signed lower right, oil on canvas, 56cm x 41cm; and a landscape 'Newlands Park' with a winding path passing trees and a house, a man fishing to the foreground, oil on canvas, 41cm x 56cmProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 134

*SUSHILA SINGH (1904-1999) 'Castle Gateway' signed lower right, oil on canvas, 66cm x 51cm; together with a stylised cityscape, signed lower right, oil on canvas, 51cm x 71cm; and another similar work 'The Fountains of Aix-Le-Provence', signed lower right, oil on canvas, 61cm x 51cm (all unframed on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 135

*SUSHILA SINGH (1904-1999) 'Bolton Woods' signed lower right, oil on board, 54cm x 45cm; together with a view of a winding path passing trees, signed lower right, oil on canvas, 46cm x 61cm; and a stylised landscape 'Valley of Desolation', signed lower right, titled verso, oil on canvas, 76cm x 50cm (all unframed, canvases on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 136

*SUSHILA SINGH (1904-1999) 'Avignon' signed lower right, oil on board, 61cm x 76cm; together with four similar stylised townscapes, all signed, oils on board (all unframed) (5)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 137

*SUSHILA SINGH (1904-1999) A stylised townscape with whitewashed buildings signed lower right, oil on board, 56cm x 76cm; together with four similar works (all unframed) (5)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 138

*SUSHILA SINGH (1904-1999) A GROUP OF SEVEN STYLISED VIEWS OF VENICE all signed, oils on board, the largest 61.5cm x 77cm (all unframed) (7)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 139

*SUSHILA SINGH (1904-1999) 'Torchlight Procession, Rome' signed lower right, oil on board, 51cm x 40.5cm; together with five similar stylised townscapes, including views of Avignon and Padua, all signed, oils on board (6)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 140

*SUSHILA SINGH (1904-1999) A stylised townscape signed lower right, oil on board, 49.5cm x 76cm; together with three similar works, all signed (all unframed) (4)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 141

*SUSHILA SINGH (1904-1999) 'Waterfront, Mykonos' signed lower right, oil on board, 61cm x 76cm; together with a stylised cityscape with river, signed lower right, oil on board, 61cm x 76cm; and another stylised city view with bridges crossing a river, signed lower left, oil on board, 61cm x 76cm (all unframed) (3)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 142

*SUSHILA SINGH (1904-1999) An unfinished townscape oil on canvas, 92cm x 71cm; another similar, 76cm x 63cm; and a portrait of a nude woman in a garden landscape, oil on canvas, 91cm x 71cm (all unframed on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 143

*SUSHILA SINGH (1904-1999) A view of a country house with figures playing croquet signed "M.S. Singh" lower left, tempera on composite panel, 42.5cm x 60cm; together with a stylised view of trees beside a river, signed lower right, oil on canvas, 35.5cm x 50.5cm (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 144

*SUSHILA SINGH (1904-1999) 'Landscape of Rain' signed lower left, titled verso, oil on canvas, 51cm x 61cm; together with a similar work 'Rocking Stones', oil on canvas, 40.5cm x 51cm (both unframed on stretchers) (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 145

*SUSHILA SINGH (1904-1999) 'Brown Fells' signed lower left, oil on canvas, 50.5cm x 61cm; together with two further stylised landscapes, oils on canvas (all unframed on stretchers) (3)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 146

*SUSHILA SINGH (1904-1999) Abstract composition in the style of John Tunnard, mixed media on board, 41cm x 33cm, the reverse with a nude study; together with a stylised study of trees 'Birds in the Mist', signed lower left, oil on canvas, 45.5cm x 35.5cm (unframed on stretcher) (2)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 147

*SUSHILA SINGH (1904-1999) 'Climbing Plants' abstract mixed media study on paper, signed lower right, 69cm x 31cm, and the companion work 'Windows'; together with an abstract work on board, 46cm x 61.5cm; and a stylised garden view, oil on canvas, 40.5cm x 51cm (the latter works probably by another hand) (all unframed, the canvas on a stretcher) (4)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 148

*SUSHILA SINGH (1904-1999) 'Rievaulx Abbey, Yorkshire', from the Terrace signed lower right mixed media on paper, 55cm x 33.5cm (unframed); together with three other landscape works on paper, including a pair of seasonal works 'Spring' and 'Autumn' (4)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 149

*SUSHILA SINGH (1904-1999) 'Portrait of Arthur Andrews, age 19' 1925, charcoal, 45cm x 60.5cm; together with a portrait of Colonel Antoni Boguslawski of the Polish Army, head and shoulders, signed lower right, oil on board, 51.5cm x 41.5cm (both unframed) (2) Antoni Boguslawski (1889-1956) was a Polish officer, poet, writer, translator and journalist and author of children's booksProvenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 165

*SUSHILA SINGH (1904-1999): A group of six art pottery vases each decorated with a stylised female head, incised marks to the bases, various colours and sizes, the largest 18cm high (6)Provenance: The Collection of Bournemouth & Poole College.Sushila Singh was a painter, print maker and occasional ceramicist born in India in 1904. Her father, the Queen's counsel Bawa Dhanwant Singh, retired to England to give Sushila the advantage of an education not yet available to girls in India. Sushila's early works were surrealist in nature, with her later work becoming more abstract, yet retaining a dreamlike quality. Sushila held solo exhibitions at the John Whibley Gallery, Exeter University, Oxford, Grabowski and Heal's Mansard Galleries and Galerie Niklaus Knoll, Basel, Switzerland. Sushila Singh and Arthur Henry Andrews met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930, Singh and Andrews' works are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 176

A 20TH CENTURY SILVER SALVER: 'THE ARTHUR ANDREWS SALVER' by Sibray, Hall & Co Ltd (Charles Clement Pilling), London, 1911, of circular form, the centre inscribed 'ARTHUR ANDREWS SALVER' within a neoclassical styled cartouche, with the names of the recipients to the outside, pierced border, on three pierced and splayed feet, 30cm diameter, c.919gramsProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.

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Duke's
Lot 206

LOUIS ICART (1888-1950) 'Mignon (1928)' signed lower right, Ep d'artiste print coloured etching, the image 52cm x 33cmProvenance: Purchased Christie's on the 19th of May 2015, Lot 320.From the collection of an International Designer

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