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Lot 381
After Josef Wolf, German 1820-1899- Le Groenlandais, Faucon Blanc Nue (Greenlandic White Falcon), from Hermann Schlegel's Traité de Fauconnerie; reproduction print, 67.6 x 50.1 cm. Together with: reproduction prints of the title page to Hermann Schlegel's Traité de Fauconnerie, Le Tiercelet Sors de L'Autour from Hermann Schlegel's Traité de Fauconnerie, Barnard's Parrakeet, from Edward Lear's 1832 Illustrations of the Family Psittacidae, or Parrots, and the Lesser Sulphur-crested Cockatoo, from Edward Lear's 1832 Illustrations of the Family Psittacidae, or Parrots. Five (5). Note: Traité de Fauconnerie was published in three parts between 1844 and 1853, and included 17 colour and 6 black and white studies of falconry. The publication included many different birds including the White Falcon, the Icelandic Falcon and the Merlin, plus falcons of Europe including the Kestrel and the Sparrowhawk.
Lot 193
A group of seven Greek icons, late 19th - 20th centuries, to include: The Trinity (The Hospitality of Abraham), with gilded border, 32 x 22cm; Jesus and Mary in the garden, with geometric carved red border, 40 x 33cm; The Harrowing of Hell (Jesus descent to Hades), with a white metal border, approx. 34 x 26cm; The Harrowing of Hell (Jesus descent to Hades), 40 x 29cm; The Transfiguration of Christ, moulded wood frame, approx. 56 x 40.5cm; a tabernacle triptych depicting Jesus enthroned with Mary and John the Baptist to the centre panel, the wings with St. Nicholas and St. Gregory the Great, approx. 28.5cm high; and a multi-arch icon with reproduction print images of Virgin & Child, Christ, and various saints (7)
Lot 224
A large woolwork tapestry, 19th century, depicting two children to the foreground playing by a river with sailing boat, with a parrot perched on a flowering tree stump to the right and a country house in the distance, held in a maple frame, the woolwork approx. 73 x 65.5cm, together with a selection of decorative framed pictures to include: a reverse glass painted panel depicting Christ walking on the sea towards Peter, approx. 34.5 x 25cm; a watercolour of a vase of flowers, signed Angela Stones to bottom right, 37 x 53cm; an oil on board scene of figures walking in a landscaped garden, inscribed Atalaya 5-5-7 57 to bottom right, approx. 17 x 11cm; an oil on board still life of a rose, signed Julie Harris and dated 1994, bearing inscription With love to Sue from Auntie Julie, approx. 12 x 17cm, and a reproduction print of an illustration by Rossi Ashton: "In the Spring, I was an ass to get married", approx. 22.5 x 14cm (6)
Lot 312
James MacNeil Whistler. L'Oeuvre de. Published 1905 by the Librairie Centrale de Beaux-Arts, Paris. Two oversized folios with 9 pages of text (in French) and 40 loose engraved plates. Each print is complete with its original tissue guard. Limited edition of 500 copies, this one is numbered 130/500.
Lot 339
After John Beer (1860-1930) SCEPTRE print published by Messrs. Fores, London, 1904, with central portrait and seven vignettes of her famous wins, including three from her unique achievement of winning Four English Classic races in 1902, framed & glazed, 50 by 74cm. The racemare Sceptre is the only horse to have won four British Classics, the 1,000 and 2,000 Guineas, the Oaks and the St Leger. Last year the Newmarket bloodstock auctioneers introduced the select 'Sceptre Session' within their December fillies and mares auction aimed at the elite end of the market. The inaugural sale saw Alcohol Free sell for 5,400,000 Guineas.
Lot 246
From the Pat Eddery Collection: three framed photographic montages of memorable horses ridden by the jockey, i) limited edition Peter Deighan print, signed by Pat Eddery, featuring vignettes of Pat and his famous horses; ii) His top ten horses ridden at Newmarket, signed by Pat to the backboard, water damage; and a montage of Pat's seven winners ridden on 26th June 1992 at Newmarket & Newcastle (afternoon & evening meetings), signed by Pat to the backboard, various sizes
Lot 7
Bob Champion signed Aldaniti limited edition print, by the artist Bryan Organ, double-signed by the artist and jockey, numbered 440/450, published 1984, mounted, framed & glazed, 67 by 66cm. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively, lots can be collected in person by prior appointment from NN8 1RT.
![Tod Ramos (born 1956)
THE PARADE FOR THE 1993 [VOID] GRAND NATIONAL
an artist's proof print, signed TOOR by the artist and in](https://cdn.globalauctionplatform.com/7e353491-d3b4-497f-b285-b08101415172/61a206b6-db9e-4f68-99f9-b0880157743e/468x382.jpg)
Lot 444
Tod Ramos (born 1956) THE PARADE FOR THE 1993 [VOID] GRAND NATIONAL an artist's proof print, signed TOOR by the artist and inscribed in pencil "To the great United States Patron of British Steeplechasing, Peter Thompson, on his birthday 8th December 1997, from the artist, mounted, framed & glazed; 66 by 76cm; sold together with another Tod Ramos print with a dedication to Peter Thompson, portraying racing on snow at St Moritz, mounted. framed & glazed, 51.5 by 60cm. (2) The proceeds for this lot are being donated by the seller to the Injured Jockeys' Fund. The Grand National print features the starter Keith Brown. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice.
Lot 90
The colours of H.M. Queen Elizabeth II worn by Joe Mercer on Highclere when winning the Prix de Diane (French Oaks) at Chantilly 16th June 1974, the jacket by D Gilbert & Son, Newmarket, purple with scarlet sleeves, gold braiding, the black velvet cap by R Tyson Ltd., Dublin, with gold tassel; sold with a signed letter of provenance from Joe Mercer dated 4th April 2017 confirming he wore these silks in the race, and a print off of a photograph of Mercer holding the silks when they were acquired by the present vendor (3) Highclere was a bay filly (1971) by Queen's Hussar out of March Past (Borealis) bred and owned by HM Queen Elizabeth II. She was trained at West Ilsley by Major Dick Hern and in 1974 won the 1,000 Guineas and the French Oaks, ridden by Joe Mercer on both occasions. She was retired at the end of her three-year-old campaign and produced several good winners the best of whom were Milford and Height Of Fashion who both won Prince of Wales's Stakes at the Royal Meeting. Height Of Fashion became a highly important broodmare and was the dam of Nashwan, Nayef and Unfuwain.
Lot 126
After Peter Biegel (1913-1988) LESTER PIGGOTT WINS HIS EIGHTH EPSOM DERBY - 1977 signed by Lester Piggott in pencil, colour lithograph limited edition print laid down on foam board, 382/600, published in 1977 and featuring Lester's wins on Never Say Die, Crepello, St Paddy, Sir Ivor, Nijinsky, Roberto, Empery and The Minstrel, unframed, 62 by 90cm. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice.
Lot 434
Roy Miller (British, born 1938) THREE LIMITED EDITION HORSE RACING PRINTS all signed by the artist, mounted ready for framing, comprising: i) Sudden Blizzard, 27/475 ii) Dancing Brave with Pat Eddery up, 59/500, additionally signed by the jockey iii) Shergar with Walter Swinburn up, 230/850 sold together with iv) a fourth Roy Miller print featuring funfair carousel horses, various sizes, the largest 51 by 74cm., all in good condition
Lot 287
A group of 14 official photographs of Nimbus and his victory in the 1949 Derby, including a superb 12 by 10. Central Press print taken directly in front of the winning post showing the three-way photo finish with Nimbus, Amour Drake and Swallow Tail, all b&w, many other excellent images including a huge crowd and scenes in the tightly packed winner's enclosure, various sizes The 1949 Derby was famous for being the first decided by the new photo-finish camera. The print, which took many minutes to develop, was called for by the judge, Mr Malcolm Hancock, to decide a three-horse finish, fought out between Nimbus, winner of the 2,000 Guineas, ridden by Charlie Elliott, Amour Drake, forth in the Guineas and winner of the French equivalent, with Rae Johnstone up and Lord Derby’s Swallow Tail, winner of the Chester Vase, with Doug Smith aboard – bookmakers taking advantage of the delay by laying prices on all three. These were days before racecourse commentaries and crackly Tannoys, and so, after what seemed an interminably long wait and with around 400,000 pairs of eyes trained on the number board, the numbers 13, Nimbus; 26 Amour Drake and 9, Swallow Tail, were hoisted aloft. The distances were a head and the same. At the Second July Sales at Newmarket, trainer George Colling paid 5,000 guineas (£200,000 in today's money), for the William Hill bred, handsome bay yearling, Nimbus, on behalf of Henry Glenister, who gave the colt to his wife Marion. Interestingly, Glenister liked to declare his occupation as a farmer, which in fact he was, farming 700 acres at Sible Hedingham in Essex. What he rarely disclosed, was that he was employed as the Assistant Manager of the London Branch of the Midland Bank Executor and Trustee Company in the City of London. Tragically, Henry Glenister committed suicide in his car in Sussex, on August 16, 1952. Later, the inquest revealed that Glenister had defaulted on a ‘considerable sum’ entrusted to his department, although the extent of the fraud was never made public. A more poignant end had taken place the day after the Derby, when Suzy Volterra returned to her dying husband in Paris. Leon, owner of Amour Drake, whose health had suffered during wartime internment by the Germans, had been too ill to listen to the broadcast, and so, before his death, his wife allowed him to think his colt had won the Derby. Lots 272 to 294 From the Collection of the Newmarket trainer George Scott Colling (1904-1959); and the Collection of Mrs Marion Glenister, owner of Nimbus, the 1949 Derby & 2,000 Guineas winner, being material subsequently acquired at Graham Budd Auctions. George Colling was the son of R W Colling and brother to Jack, a famous racing dynasty in the history of the turf.
Lot 441
Rhys Jenkins (British, 20th century) TWO HORSE RACING PRINTS both signed by the artist i) The Irish Victory at Cheltenham, 1982 (Mister Donovan) ii) The New Grandstand at Goodwood, 1980 sold together with a third (non-racing) Rhys Jenkins print iii) Skiiers at St Moritz all mounted ready for framing, various sizes, the largest 57 by 71cm., all in good condition European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice.
Lot 341
Pretty Polly archive, 30 photographs reproduced from originals, including the Oaks, St Leger, Coronation Cup, Gold Cup at Ascot, the horse's grave etc.; also a Vanity Fair supplement print and pack of playing cards Provenance: From racing historian Michael Tanner’s library & archive relating to his own titles, this being "Pretty Polly: An Edwardian Heroine" (1987).
Lot 11
David Dent horse racing print bearing autographs of jump jockeys to the mount, the print, signed by the artist, titled "The All Clear" and featuring a fallen jumper and jockey, 23 signatures in pen to the mount including Joe Tizzard, Owen Burrows, Philip Carberry, Jim Culloty, Robert Bellamy, Warren Greatrex, David O'Meara, Nick Schofield and many others, framed & glazed, 23 by 43cm. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively, lots can be collected in person by prior appointment from NN8 1RT.
Lot 340
After John Beer (1860-1930) PRETTY POLLY print published by Messrs Fores, London 1907, with central portrait and nine vignettes of victories in her outstanding race career including the Fillies' Triple Crown in 1904, framed & glazed, 54.5 by 77cm. The Irish-bred Pretty Polly was one of the greatest fillies ever to have run in Britain. She won 15 consecutive races and the Fillies' Triple Crown. She then proceeded to be one of the greatest broodmares of the 20th century and is commemorated by high class races bearing her name in Ireland and England.
Lot 244
A group of four framed items from the Pat Eddery Collection, i) oval shaped print featuring Pebbles with Pat up; ii) John Ireland caricature print of Pat Eddery signed by a selection of racing personalities including Willie Carson, J P Spencer, John Reid, George Duffield etc.; iii) a Champion Jockeys print featuring Pat Eddery, Willie Carson, Lester Piggott and Joe Mercer; iv) and a Leicester racecourse print featuring Pat Eddery's notable wins at the course, various sizes
Lot 415
Terence Cuneo (British, 1907-1996) ROYAL STALLION, signed, limited edition print "To Commemorate the Centenary of the Thoroughbred Breeding at the Royal Stud Sandringham 1887-1987", published by Newmarket Gallery, 336/750, 58 by 65cm., framed 80 by 87cm. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice.
Lot 360
Doug Saunders (Amercian, photographer) NORTHERN DANCER - THE LEGEND CONTINUES photographic composition print featuring portraits of Northern Dancer and 43 of his notable progeny in his extraordinary thoroughbred bloodline, signed by Saunders and additionally by his production manager, 1,370 from a limited edition of 1,500, 65 by 100cm., laid down on foam board, three major stains to upper margin
Lot 249
The Pat Eddery Collection: 4,000th winner memorabilia, a signed limited edition photographic print of Silver Patriarch and Pat Eddery returning to the winner's enclosure after their victory in the 1997 St Leger, signed by the winning connections Peter S Winfield, John Dunlop & Pat Eddery, signed again by Eddery in black marker to the backboard; and a cased British Sporting Heritage limited edition fine bone china plate, numbered 181, with artwork after Peter Deighan featuring memorable moments on the way to the 4,000th winner (2)
Lot 405
Seven horse racing prints, notably a colourful lithograph after John Beer (British, c.1860-c.1930) depicting HM King Edward VII's "Minoru" winning the Epsom Derby in 1909, the image 32 by 53cm., under glass in an ebonised and gilt frame, 46 by 65cm., good condition with vibrant colours; sold together with five small-sized racing prints/bookplates, various dates, after artists including Pollard and Herring, subjects comprising the St Leger winners The Colonel, The Baron and Elis, a scene in front of the Grandstand at Goodwood in 1836, and a photographic print of the Derby winner Phil Drake, generally in fair condition; and a 1988 limited edition print by Sue Wingate featuring Maori Venture's 1987 Grand National, tube rolled, together with an official race card for the race (8)
Lot 273
Old print titled "Entrance To Newmarket", monochrome etching after W Westall, engraved by E Finden, framed & glazed, 27 by 34.5cm. Lots 272 to 294 From the Collection of the Newmarket trainer George Scott Colling (1904-1959); and the Collection of Mrs Marion Glenister, owner of Nimbus, the 1949 Derby & 2,000 Guineas winner, being material subsequently acquired at Graham Budd Auctions. George Colling was the son of R W Colling and brother to Jack, a famous racing dynasty in the history of the turf.
Lot 277
George Colling racing stable photographs circa 1940s, the lot also including a Sporting Chronicle print of George Colling Lots 272 to 294 From the Collection of the Newmarket trainer George Scott Colling (1904-1959); and the Collection of Mrs Marion Glenister, owner of Nimbus, the 1949 Derby & 2,000 Guineas winner, being material subsequently acquired at Graham Budd Auctions. George Colling was the son of R W Colling and brother to Jack, a famous racing dynasty in the history of the turf.
Lot 20
Pat Eddery signed Dancing Brave print, by the artist Max Brandrett (British, born 1949), PAT EDDERY & DANCING BRAVE, KING GEORGE VI & QUEEN ELIZABETH DIAMOND STAKES WINNERS 1986, signed by the artist and by the jockey, 206/850 limited edition print, 51 by 76cm., framed 71 by 95cm. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively, lots can be collected in person by prior appointment from NN8 1RT.
Lot 450
Four horse racing prints, i) after Sir Alfred Munnings, Hethersett Races ii & iii) a pair by Peter A. Smith, signed by the artist, and numbered 55/500, subject matter appears to be racing at Brighton iv) a Celesre Susany print of the 1985 Marloboro Cup at Belmont Park, NY, signed bt the artist and numbered 183/450 all mounted ready for framing, various sizes, the largest 66 by 80cm., all in good condition
Lot 234
Follower of Thomas Rowlandson (British 1757-1827), 'More Babes in the Wood', a hand-coloured print depicting Pitt the Younger, Fox and Sheridan, published by W. Holland & Co 179727.5cm x 34cmQty: 1Foxing across the paper and noticable toning. In generally good condition. Minor pencil marks in the centre.
Lot 233
Print after Thomas Gainsborough, detail from a portrait of Georgiana Cavendish Duchess of Devonshire by Henry Graves & Co, mezzotint80cm x 59cmQty: 1Toning commensurate with age. Surface dirt with white splashes down the paper, noticeable in the lower left and upper right. Water marks down the face and body ni the centre, and around the edges of the plate.
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314783 item(s)/page