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Lot 189
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES: 'TWO SISTERS' a large format giclee print on Innova 315gsm soft texture paper, signed by the artist, 53 from the numbered edition of 295, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, with a signed and numbered certificate of authenticity, sheet size 111.75cm x 139.75cm, (rolled and housed in the original 'Drawn Blank' presentation tube) Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 113
MAURICE SENDAK (1928-2012) 'Pictures by Maurice Sendak'a limited edition folio produced by The Bodley Head, 1971, 19 colour and black and white illustrations on single sheets, reproduced from books illustrated by Sendak, with four-leaf artist's explanatory text (with colour illustration at head), loose as issued in original drop-spine box, upper cover with decorative floral print paper from a design by Sendak, printed paper label to upper cover, folio, numbered 122/1000
Lot 127
*ROBYN DENNY (1930-2014) 'For John Constable' From the 'For John Constable' portfolio, 1976, signed, dated, titled and numbered 45/100 in pencil to the margin, screenprint in colours with collage on paper, published by Bernard Jacobson Gallery, London, the sheet 62cm x 102cm (unframed)This work was published to coincide with the Tate's major Constable exhibition in 1976. Bernard Jacobson commissioned 19 artists to contribute a print to the portfolio. Several of the selected artists chose to respond directly to individual works (or series of works) by Constable in the V&A collection. Robyn Denny's print is characteristically more opaque and conceptual. He incorporates a postcard image of one of his own paintings, and explores ideas of framing. The characteristic structure of his work suggests openings, thresholds and framed vistas and is reminiscent of the device of the two trees which 'frame' the view of the cathedral in Salisbury Cathedral from the Bishop's Grounds (V&A FA.33 [O]) and of the way the viewer is enticed into the cornfield by a bright lane and field bordered by dark trees. Like Constable, Denny was also interested in using colour to express light and as an indicator of time of day.
Lot 175
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 173
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 176
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 177
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 171
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 239
*ANTHONY MICALLEF (b. 1975) 'A Small Print Of What I Think Love Looks Like' 2010, signed and numbered 74/100 in pencil to the margin, lithograph, the image 37cm x 27cmTaught by the great landscape artist John Virtue, Anthony Micallef roots his expressionistic paintings in social commentary, completing his visual language with loose, abstract brushstrokes, recalling the works of the old masters, and Francis Bacon, as well as the teacher of his teacher, the great Frank Auerbach.'A Small Print Of What I Think Love Looks Like' was made to support a Palestine-based charity, with all proceeds going to support art workshop projects in Beit Sahour, Nablus and Ramallah.Framed dimensions: 58cm x 45.7cm
Lot 181
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Sunday Afternoon' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 172
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 182
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman on a Bed' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 178
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 174
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 179
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Vista from Balcony' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticityProvenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
Lot 1502
Geoffrey W Birks (1929-1993)"Talent Spotters", a bustling study of Coronation Street in Manchester with figures conversing and children playing, limited edition print, 69/950, signed by the artist and two others, Selective Prints blind embossed, in card mount and parcel gilt frame under glass, 55 cm x 66 cm overall[Birks is an internationally recognised artist known for his humourous/realistic scenes of everday life. He has exhibited in the UK, Canada, USA, Australia and South Africa.]
![[ Horse Racing ] A boxed Atlas Editions Red Rum figurine together with an Aynsley Desert Orchid collector's plate and a Red](https://cdn.globalauctionplatform.com/12fffed5-0d6f-4113-85ca-b156013eb13e/8c95ae8b-fd3e-4709-8e56-b15c00d3c2c6/468x382.jpg)
Lot 1505
After Archibold Thorburn (Scottish, 1860-1935)"Teal In Winter", a naturalistic study of four teal ducks cleaning their feathers between long grass, beyond, more birds can be seen gathered before a distant horizon, lithographic print, signed in graphite, dated 1917 within print, published by A Baird-Carter of London, titled on label verso, in double pen-lined and watercolour washed card mount and moulded gilt frame under glass, 48 cm x 42 cm overall[Thorburn regularly exhibited at the Royal Academy and illustrated numerous natural history books.]
Lot 1510
After David Shepherd (1931-2017)"The Crossing", a study of elephants emerging from a river onto its banks, limited edition print, 1210-1500, signed in graphite, dated 1989 within print, bearing Solomon & Whitehead blind embossed stamp, in double card mount and moulded frame under glass, 52 cm x 66 cm overall
Lot 1511
After Simon Combes (Contemporary)A striking study of an African leopard surveying the land from a treetop, limited edition print, 629/850, signed in graphite and dated 1987 within print, in triple card mount and parcel gilt frame under glass, 95 cm x 65 cm overall[Combes was born in Shaftesbury but spends the majority of his time in Kenya, he is well known for his paintings of African wildlife and conservation work.]
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314796 item(s)/page