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Lot 176
David Lucas (1802-1881) Dedham Vale, After John Constable, 1838, engraving, 58 x 50 cm, frame 89 x 78 cm Provenance: collection of Mr Magdi Obeid, purchased Bonhams 08/02/2010Condition:The print is framed under glazing – not examined external to the frame. The plate has full margins, the sheet looks generally good – no obvious faults or losses, there is some general ageing (browning) to the paper. Some sparsely distributed spots of foxing – predominantly in the margin, some isolated spots in the sky area of the plate. Frame has general wear and tear, joints appear solid.
Lot 220
After Heinrich Goltzius (Netherlandish School) The Holy Family with St John the Baptist, engraving, likely 19th century in date, 46.5 x 35 cm (PL), frame 72 x 61 cm Provenance: Collection of Mr Magdi Obeid, purchased Dominic Winter 18/07/2018 lot 16Condition:The item is a print, framed under glazing, not examined external to the frame. The sheet has some general ageing (browning) to the sheet, a few small tears to the edge visible to the centre and upper right edge, and to lower left corner, they do not appear to extend into the plate more than 2cm. The sheet is mounted in all four corners with clear plastic corner mounts. There is a small surface loss to the upper left- on one of the leaves of the branches (pictured) and another just below the cat snaring a bird on the windowsill (pictured). There are a number of dirt marks and stains to the exterior of the glass which need cleaning. The frame has some general wear and tear.
Lot 158
David Lucas (1802-1881) After John Constable, The Lock and The Cornfield, mezzotints, 57 x 49 cm (PL), frame 80 x 65 cm Provenance: Collection of Mr Magdi Obeid, purchased Bonhams 08.02.2010 lots 743 and 745Condition:Lot 158: The print is framed under glazing – not examined external to the frame. The plates have full margins. The Loch: has some old tears to the lower left and lower right margin, plate looks free of losses. There is foxing throughout the margins and some in the skyline of the plate. General ageing (Browning) to the sheet. Frame has general wear and tear including some surface chips, joints are solid. The Cornfield- the sheet appears fine and no obvious faults, there is foxing throughout the margins and some in the skyline. General aging (browning) visible. The frame has general wear and tear including some surface losses, joints are sound.
Lot 1
ARR Charles Frederick Tunnicliffe OBE RA (1901-1979) Wood Owl, 1946, signed lower right, numbered 1/50, wood engraving on Japan paper, 33 x 18.6 cm, frame 46 x 31 cm Provenance: Collection of Mr Magdi Obeid, purchased Dominic Winter 08/12/2006 lot 469Condition:The print is a work on paper, framed under glazing- not examined external to the frame. The sheet appears in good overall condition no obvious evidence for losses, tears or creasing, the surface appears stable - no obvious deterioration. The frame has some general wear and tear
Lot 15
Claire Leighton (1898-1989) The Hop Pickers, signed and inscribed, numbered 9/75, 21.5 x 26.5 cm (PL), frame 39 x 42 cm Provenance: Collection of Mr Magdi Obeid, purchased Eastbourne Auction Rooms 09/02/2012Condition: The piece is a print on paper, framed under glazing - not examined external to the frame. The sheet appears in generally good condition- no obvious tears or losses, the surface appears stable. There is a stain- possibly foxing spot- to the top centre in the background. There is an additional abrasion/faint stain to the lower left in the margin. The print has full margins, plate colouring still fresh. Frame has general wear and tear. The print is inscribed in pencil 'To Aria and Jersey Mitchell, the ... to one of the hop pickers, in gratitude from --- Clare Leighton'
Lot 147
William Lee Hankey RWS RI ROI (1869-1952) The Kiss, 1917, signed lower right, blind stamped, etching, 25 x 20 cm (PL), frame 48 x 41 cm Provenance: The Collection of Mr Magdi Obeid, purchased Bonhams 29/11/2004 lot 231, label for Walker Bagshawe LondonCondition:Lot 147: The picture is an etching, framed under glazing- not examined external to the frame. The print has full margins, with blind stamp and signature present. The platemark is fully visible. Sheet is in good condition – no obvious tears, creases or faults. There is some general ageing (browning) to the sheet. Etching is clear and surface stable. The frame has general wear and tear.
Lot 85
David Lucas (1802-1881) after John Constable, The Rainbow, Salisbury Cathedral, engraving, 61.5 x 71.5 cm, frame 85 x 101 cm Provenance: Collection of Mr Magdi Obeid, purchased Bonhams 08/02/2010, label verso for Agnews, LondonProvenance:The piece is an print on paper, framed under glazing - not examined external to the frame. The plate has full margins, there are some small crumples/tears to the edges of the margin including to the lower centre and upper left edge. There is a vertical tear visible measuring 4cm to the top left which extends into the plate. There is foxing to the mount, especially to the top edges, there are some sparsly distributed spots of foxing in the plate to the top margin and left corner area. Some general ageing (yellowing) of the sheet visible. The frame has general wear and tear, the joints appear solid
Lot 201
Frederick Marriott (1860-1941) Illumination on the Grand Canal, showing the Santa Maria by moonlight with gondolas moored in front, Venice, signed lower right, colour engraving Provenance: Collection of Mr Magdi Obeid, purchased Mallams 17/08/2020 lot 111Condition:No obvious signs of fading, print appears flat, please refer to additional images
Lot 58
Frances Kearney (b.1970) Five People Thinking The Same Thing - No. 2 (1998) C-type print, aluminium mounted To be sold without reserve Property of a distinguished British collector Provenance: Frances Kearney, 1998  Literature: N. E. Booth, Young British Art: The Saatchi Decade, Booth-Clibborn Editions, 1999; Saatchi Gallery, Saatchi Gallery: Loan of Art, Saatchi Gallery, 2006, p 174. Dimensions: 48 in. (H) x 60 in. (W)
Lot 56
Paul M. Smith (b.1969) Artist Rifle Series (1997) RA4 colour print, framed and window mounted from the series Artist Rifle. To be sold without reserve Property of a distinguished British collector Provenance: Paul M. Smith, 1997  Exhibition history: Neurotic Realism: Part One, Saatchi Gallery, London, 1998; Free-Range, Cokkie Snoei, Rotterdam, 2003; Rétrospective,  Galerie Bertin-Toublanc, Paris, 2003; Mr Smith, Cokkie Snoei, Rotterdam, 2007.  Literature: Paul M Smith, Photographs, Goliath, 2004; C. Paul, Digital Art (World of Art), Thames & Hudson, 2003; Saatchi Gallery, Saatchi Gallery: Loan of Art, Saatchi Gallery, 2006,p. 324; D. Price, The New Neurotic Realism, Saatchi Gallery, 1998.  Dimensions: 32.5 in. (H) x 44.5 in. (W)
Lot 78
Ann Toebbe (b. 1974) The Photo Engraver's Wife (2011) Cut paper, paint and glue on paper To be sold without reserve Property of a distinguished British collector Provenance: Steven Zevitas Gallery, 2011 Exhibition history: NEXT Art Fair, Steven Zevitas Gallery, Chicago, 2011; Ann Toebbe: 12 x 12, Museum of Contemporary Art (MCA), Chicago, 2011; Paper, Saatchi Gallery, London, 2013; Ann Toebbe: Remarried, Monya Rowe Gallery, 2015.  Literature: Saatchi Gallery, Paper, Saatchi Gallery, 2013, p.190; K. Brooks, Paintings Of Living Rooms And Tiny Apartments Show What The Insides Of Marriage Look Like, Huffington Post, February 19, 2015; E. Shapiro, Remarried: The Interior âInformation Architectureâ of Ann Toebbe, Print Magazine, February 19, 2015; J. Saltz, To Do: February 11-February 25, 2015, New York Magazine, February 11, 2015; R. Smith, Ann Toebbe: Remarried, The New York Times, Art in Review, January 22, 2015. Dimensions: 85 in. (H) x 108 in. (W)
Lot 279
After Frank Wootton Colour print "Going Out With Hounds", limited edition print numbered 12/850, published by Wealdown Fine Art prints, signed in pencil lower right, framed and glazed, 55cm x 71.5cm, together with a book "The Landscape Paintings of Frank Wootton", signed and dated 1989 to frontispiece, published by David & Charles, London, and a humorous hunting print (3)
Lot 339
Chinese school Watercolour on print Reclining female figure in garden, 77cm x 52cm Condition Report Lower section appears to have been replaced/repainted as does another smaller section to the cheek of the figure. Creases throughout the picture. A large vertical rip to the top centre as well as two small rips to the pillar. A small hole to the left most fence section in the background. Some spots and marks throughout that do not appear original to the picture.Consignment from private individual, no further provenance is available.
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314796 item(s)/page