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Lot 133

•BERYL COOK (1926-2008) 'Dustbinmen' signed in pencil to the margin, titled and numbered 288/300, coloured print, 26.5" x 28.5"

Lot 43

•REYNOLDS STONE (1909-1979) "In the Dell at The Old Rectory, Litton Cheney", a study for a wood engraving, signed lower right, watercolour, 20.5" x 13.75", and the corresponding wood engraving print (2). See illustration

Lot 86

•RICHARD SHIRLEY SMITH (1935 -) A wood engraving print of a sheep with its' lamb, 2" x 2.75", a similar wood engraving of hayricks in front of a barn, and a limited edition print of a series of wood engravings of vegetables, numbered 163/500, signed and dated 1986 to the margin (3)

Lot 87

•RICHARD SHIRLEY SMITH (1935 -) A limited edition wood engraving print of an Egyptian scene with pyramids to the distance, numbered 17/25, signed and dated '71 to the margin, and two similar woodcuts (3)

Lot 422

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "1915-16, That Far, Far-Away Echo", signed in pencil lower left, 37cm x 48cm

Lot 424

Snaffles (Charles Johnson Payne, British, 1884-1967), a colour Print framed and glazed (later) "The Gunner", size of central image approx. 28.5cm x 20cm , total size approx. 43.25cm x 32.25cm

Lot 427

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised famed and glazed Lithographic Print with traces of hand colouring "Wipers", signed and dated 14 middle left, blind stamp lower right, image size approx. 29cm x 20cm, the whole image approx. 42.25cm x 32cm

Lot 429

Snaffles (Charles Johnson Payne, British, 1884-1967), a framed and glazed (later) Limited Edition 310/500 colour Print, "The Mountain Gunner", Snaffles blind stamp lower left, central image approx. 36cm x 36cm, whole image approx. 46.5cm x 50cm

Lot 442

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Photolithograph "Forrard on me Lads and Hit 'Em Bl___y Ard", signed lower right in pencil in the margin, with blind stamp, central image size 33cm x 43cm, whole image approx. 51.5cm x 59cm (the coloured Print has undertaken conservation, the details of which are on a label verso)

Lot 445

Snaffles (Charles Johnson Payne, British, 1884-1967), an oak framed and glazed colour Photolithograph "The Gent In Ratcatcher (I Have My Man Cleaning My 'Osses Not My Breeches" , signed lower right in pencil in the margin, with blind stamp, central image size 25cm x 26cm, whole image approx. 42.5 x 37.5cm (brown staining to mount and some of Print etc.,)

Lot 448

After Snaffles (Charles Johnson Payne, British, 1884-1967), three gilt framed and glazed colour Foxhunting Prints to include "The Babbling Brook", "In County Limerick" and one other similar companion Picture, each Print approx. 22cm x 21cm (3)

Lot 461

Michael P Whelan (American, b. 1950) Limited Edition Fine Art Print depicting an angel carrying a lamp, signed in the plate and numbered 3/250, also signed in pencil by the artist lower right, framed and glazed, 75.5cm x 49.5cm

Lot 462

*A 20th Century Limited Edition Fine Art Print, three quarter length nude Study of a female, indistinctly signed lower right to the margin in pencil and numbered 70/250, 76cm x 53cm

Lot 464

*A 20th Century Limited Edition Print of a lady wearing a feather hat and red and black coat, indistinctly signed lower right, numbered lower left 60/300 with blind stamp, gilt framed and glazed, 85cm x 63.5cm

Lot 465

*A 20th Century Limited Edition Print of a lady wearing a feather hat and turquoise and black coat, indistinctly signed lower right, numbered lower left 61/300, silver gilt framed and glazed, 85cm x 63.5cm

Lot 486

Utagawa Kunisada (Toyokuni III, Japanese, 1786 - 1865), a 19th Century framed and glazed (later) ukiyo-e Woodblock Print, signed, 26.5 x 19cm

Lot 498

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "Tally-Ho Back" signed in pencil lower right, blind stamp lower left, image size 23.5cm x 38cm, frame size 42.5cm x 58cm

Lot 499

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "That Far, Far - Away Echo" signed in pencil lower right, blind stamp lower left, image size 24cm x 35cm, frame size 42cm x 54cm (some white spotting lower right and single white spot above the top centre of the Print)

Lot 500

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "MERRY ENGLAND, and Worth a Guinea a Minute" signed in pencil lower left, blind stamp lower left, image size 25cm x 25cm, frame size 42.5cm x 38.5cm

Lot 501

Snaffles (Charles Johnson Payne, British, 1884-1967), a Hogarth framed and glazed colour Print THE HUNTSMAN, "The 'Hoss Loves The 'Ound But I Loves Both" blind stamp, image size 21.5cm x 27.5cm, frame size 45.5cm x 40cm, (thunderflies behind glass)

Lot 502

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "PASS FRIEND", (acknowledgements to Punch), signed in pencil lower right, blind stamp lower right, image size 24.5cm x 37cm, frame size 39.5cm x 52cm, (a few thunderflies behind glass)

Lot 503

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print 'The Soldier, (Sporting Characters), Nasty Steeple Chasing Devil', heightened with a significant amount of bodycolour, signed in pencil in the margin lower left, image size 33.5cm x 34.5cm, frame size 43cm x 44.5cm,

Lot 504

Snaffles (Charles Johnson Payne, British, 1884-1967), a Hogarth framed and glazed colour Print 'ANDSOME IS _____ WOT 'ANDSOME DOES", signed in pencil lower left, blind stamp lower left, image size 25.5cm x 29.5cm, frame size 50cm x 47cm

Lot 505

Snaffles (Charles Johnson Payne, British, 1884-1967), a Hogarth framed and glazed colour Print 'THE SPARROW - CATCHIN SORT, A Head Like a Lady _____ A Farewell Like a Cook", signed in pencil lower left, blind stamp lower left, image size 22.5cm x 29cm, frame size 51cm x 46.75cm CONDITION REPORT: Colours very good, good general overall condition, minor thunderflies under glass.

Lot 506

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print 'Swagger - But a Workman, The Cut-Em-Down Captain", heightened with bodycolour, signed in pencil in the margin lower left, (copyright and published by the Artist), image size 34cm x 34.5cm, frame size 44.5cm x 43cm

Lot 507

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print 'THE GENT IN RATCATCHER, "I Have My Man Cleaning My 'Osses, No My Breechez", signed in pencil lower right, blind stamp, (the margin has significantly darkened), image size 24.5cm x 26cm, frame size 44cm x 39.5cm

Lot 508

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print 'THE WORST VIEW IN EUROPE, "Oh Murther! The Dhrink Died Out of Me and The Wrong Side of Bechers", signed in pencil lower left in the margin, blind stamp lower left, (the surrounding mount has darkened slightly), image size 23cm x 49cm, frame size 43.5cm x 67.75cm

Lot 509

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "Forrard On Me Lads and Hit 'Em ______ 'Ard!!", signed in pencil lower right in the margin, (minor water damage, foxing and darkening to margin), image size 33cm x 43cm, frame size 53cm x 62cm

Lot 510

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "One Upon a Time", signed in pencil lower left in the margin, Blind stamp lower right, (some staining and foxing to top of margin), image size 34.5cm x 49cm, frame size 51.5cm x 65cm

Lot 511

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "OH! TO BE IN ENGLAND NOW THAT APRIL 'S THERE" (Robert Browning), signed in pencil lower left in the margin, (significant dark brown staining to mount), image size 32cm x 54cm, frame size 55cm x 70.5cm

Lot 512

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print THE SEASON, 1939-40, signed in pencil lower right in the margin, blind stamp lower right, (some thunderflies under glass, some foxing and 10p piece sized damage to lower left of mount, the two pieces of the lower left frame away), image size 28.5cm x 49cm, frame size 56cm x 75.5cm

Lot 513

Snaffles (Charles Johnson Payne, British, 1884-1967), an ebonised framed and glazed colour Print "A SIGHT TO TAKE HOME AND DREAM ABOUT ----- BUT OLD JORROCKS WOULD HAVE HAD IT ------ THEY WERE NASTY JEALOUS STEEPLE-CHASIN LITTLE HUSSIES" signed in pencil lower left in the margin, blind stamp lower left, (significant browning to most of the mount, the Print has fallen slightly lower left), image size 28.5cm x 51.5cm, frame size 53cm x 67.5cm

Lot 514

Snaffles (Charles Johnson Payne, British, 1884-1967), a dark oak framed and glazed colour Print "THE FINEST VIEW IN EUROPE", signed in pencil lower right, blind stamp lower right, image size 24cm x 52cm, frame size 46.5cm x 71.5cm CONDITION REPORT: Some white marks and small foxing under glass also small water marks (see images)

Lot 260

Sidney Nolan (1917-1992), an Australian limited edition print on paper, Ram in Thicket, signed in pencil 92/100 55cm x 68cm, framed and glazed

Lot 261

John Piper (1903-1992), limited edition lithograph print on paper, Oxford Cityscape, signed in pencil 66/75 40cm x 54cm, framed and glazed

Lot 289

Of Shipping Interest, a photograph of RMSP Asturias mounted on board and bearing multiple signatures from the crew and others, now out of frame bearing plaque dated 1911, along with a print of H.M.S. Jersey and M.Y. Dorothea, a copper bugle and two bossons whistles, one with Broad Arrow (7)

Lot 290

Two Robert Taylor Royal Airforce prints, one of a Hurricane signed by Leonard Cheshire in pencil, the other of two Spitfires signed by Jonnie Johnson and Sir Captain Douglas Bader, together with a Coldstream Gaurds print (3)

Lot 1425

Two Edwardian Cauldon Ware wash jugs and basins, lime green and black and white with blue gadroons, three Johnson Bros. 'Old Britain Castles' platters pink and white transfer print, together with a slipper bed pan. (8)

Lot 1694

A box containing two golly money boxes, a chestnut pan and a hand tinted print of a young lady

Lot 2302

david Shepherd, 'Spring Ploughing' signed limited edition print, No 377/850, signed to lower right, height 50 cm x width 99 cm, mounted and framed.

Lot 2305

A framed photographic print depicting Lord Chamberlain, inscribed by Lord Chamberlain and dated 1905 'Here! for Thy Children Speak From The Uttermost Parts Of the sea (Kippling)

Lot 2306

Morden, Robert, a coloured map of Middlesex and a coloured print of Gloster Cathedral after Kip, both framed (2)

Lot 2325

After Rex Preston, a colour print of a rural scene, signed in pencil, together with a limited edition print after A. Forster 'New Shoes' no 108/850, signed and numbered in pencil, another by the same artist titled 'Echoes of Etruria', signed in pencil by Ernest Warrilow and the artist and a watercolour study of an 18th Century lady by Constance Robertson dated 1932. (4)

Lot 2326

Henry Wilkinson, Hunting dogs, print signed in margin and numbered 54/150

Lot 2334

A framed Australia v South Africa 1999 print by Locelyn Golsworthy, together with a limited edition 109/850 print of 'The Ryder Cup, 18th Green, The Belfry' by Sherree Valentine-Daines, a small cartoon print, limited edition 8/10 titled 'Sobers Six Sixes', signed by Sobers, Nash and Roger Davis, with three others. (6)

Lot 2335

David Cartwright, three limited edition prints titled 'Wellington's Finest Hour' 88/850, 'The formidable 24th' 256/850, 'Heros of Arnhem' 491/1500 and Chris Collingwood limited edition print 'The Battle of Naseby (1645), all signed and numbered in pencil, with certificates. (4)

Lot 2339

A Baxter print of Napoleon

Lot 2352

After S.W Fisher, a signed limited edition print 'The Titanic at Queenstown' No 405/500 - signed in pencil by the artist and two Titanic Survivors - framed and glazed, certificate to verso.

Lot 2354

A Robert Morden coloured map of Devonshire, a print and a watercolour (3)

Lot 2358

An original Irish artwork (approx 1965) of a Donkey, a 1930s sampler and a maritime print

Lot 2360

Of hunting interest, a polychrome print, together with a Victorian print titled The Rubber, and a hand tinted gilt framed print and an oil signed Beadle, dated 1931, title to reverse Durham Cathedral. (4)

Lot 2384

A quantity of prints including two Claude Monet prints and a Van Gogh print etc (12)

Lot 2391

A Russell Flint framed print, with three framed La Moda Elegante Ilustrada prints, etc. (6)

Lot 2404

An oval wall mirror and a print (2)

Lot 2406A

'Play It Again' print, taken from an original painted by George Bungarda, copyright 1993

Lot 2416

E. Woodson, Winter landscape, oil on canvas, signed lower left, together with a print of Selinuntes signed 'TO EILEEN .....Luciano Pavarotti' '96', faded. (2)

Lot 2441

Leonard Bowen signed print, depicting Her Majesty The Queen riding side saddle, signed to lower left, height 81 cm x width 81 cm.

Lot 2453

A sporting print of Reale Madrid interest, signed, together with a mirror, two Hummel woolworks, two photographic prints of football prints. (6)

Lot 2470A

A large framed print depicting a young courting couple, probably 19th Century, framed, height 89cm x width 74cm.

Lot 2480

Three evening dresses, one in green turquoise chiffon with an embellished square neckline with an chiffon bowed train, a tropical print evening dress in purple jade and lime green decoration by 'Jean Allan' and a geometrical shift long evening dress with halter neck by Lerose made in Great Britain

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