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Robert A. Bechtle, "Facade," 1954, lithograph Robert A. Bechtle (American, b.1932), "Facade," 1954, lithograph, signed and dated lower right in pencil, from an edition of 5, San Francisco Art Association 18th Annual Drawing and Print Exhibition, San Francisco Museum of Art, July 8 - August 1, 1954 label verso, sight: 9"h x 11.75"w, overall: 17"h x 19"w
Fritz Henle, "Old Tree near Taxco," gelatin silver print Fritz Henle (German, 1909-1993), "Old Tree at the Hacienda of Bill Sprattling near Taxco," 1979, gelatin silver print, signed, titled, and dated verso, bears Throckmorton Fine Art, New York label verso, image: 11"h x 11"w, overall (frame): 23"h x 19"w
Ryuijie, "Pines and Fog, Hwy 68," gelatin silver print Ryuijie (Japanese, b.1950), "Pines and Fog, Hwy. 68," 1993, gelatin silver print, pencil signed on mount lower right, Josephus Daniels Gallery, Carmel, California label verso, titled verso, image: 12.75"h x 9.75"w, overall (frame): 20"h x 16"w
Sherril Schell, Profile of Elizabeth Wilbur,`1934, photograph Sherril Schell (American, 1877-1964), ``Profile of Elizabeth Wilbur,`` 1934, gelatin silver print, signed in pencil (on mat) ``Sherril Schell`` lower right, dated in pencil ``June 29, 1934`` verso, print (unframed): 6``h x 6``w. Provenance: Current owner inherited print from mother (Elizabeth Wilbur-Stewart) who is the sitter of the portrait. Ms. Wilbur-Stewart was a stage and screen actress in the 1930s.
Two Japanese Woodblock Prints, Yoshida Hiroshi, Caravan Day/Night (lot of 2) Yoshida Hiroshi (Japanese, 1876-1950), the first, `Caravan from Afganistan` (Day) from the India and South East Asia series, modern woodblock print, lower left with seals, lower margin with title and signature, left margin with jizuri (self-printed by artist) mark, the year and title, dated Showa 7 (1932); the second, `Caravan from Afganistan` (Night), lower left with seals, lower margin with title and signature, left margin with jizuri mark, the year and title, dated Showa 6 (1931), sight: 10.25"h x 15.25"w, overall (with frame): 16.5" h x 20.5"w
Japanese Print Taji Mahal by Yoshida Hiroshi Yoshida Hiroshi (Japanese, 1876-1950), `Taji Mahal` from the India and South East Asia series, modern woodblock prints, lower left with seals, lower margin with title and signature, left margin with jizuri (self-printed by artist) mark, the year and title, dated Showa 6 (1931), sight: 10.5"h x 15"w, overall: 16.5" h x 20.5"w
Three Japanese Woodblock Prints, Yoshida Hiroshi Ajanta Ellora (lot of 3) Yoshida Hiroshi (Japanese, 1876-1950), the first, `Cave Temple in Ajanta` from the India and South East Asia series, modern woodblock print, lower left with seals, lower margin with title and signature, left margin with jizuri (self-printed by artist) mark, the year and title, dated Showa 6 (1931); the second, `Kailasa Temple at Ellora`, lower right with seals, left margin with jizuri mark, dated Showa 6 (1931); the third, `No 3, Cave Temple in Ellora,` lower right with seals, lower margin with title and signature, left with jizuri mark, the year and title, dated Showa 7 (1932), sight: 10"h x 15"w, overall: 16.5" h x 20.5"w
Two Japanese Woodblock Prints, Yoshida Hiroshi India (lot of 2) Yoshida Hiroshi (Japanese, 1876-1950), the first, `A Gate to the Stupa of Sanchi` from the India and South East Asia series, modern woodblock print, lower right with seals, lower margin with title and signature, lower left margin with jizuri (self-printed by artist) mark, the year and title, dated Showa 7 (1932); the second, `High Gate in Ajmer`, lower right with seals, lower margin with title and signature, left margin with jizuri mark, the year and title, dated Showa 6 (1931), sight: 15.25" h x 10"w, overall (with frame): 21.5" h x 15.5w"
Two Japanese Woodblock Prints, Yoshida Hiroshi, Great Temple (lot of 2) Yoshida Hiroshi (Japanese, 1876-1950), the first, `Great Temple in Madura` from the India and South East Asia series, modern woodblock print, lower left with seals, lower margin with title and signature, left margin with jizuri (self-printed by artist) mark, the year and title, dated Showa 6 (1931); the second, `A Window in Fatehpur-Sikri`, lower left with seals, lower margin with title and signature, left margin with jizuri mark, the year and title, dated Showa 6 (1931), sight: 15.5"h x 10.25"w, overall: 21.5" h x 15.5"w
Three Japanese Woodblock Prints, Yoshida Hiroshi , Golden Pagoda (lot of 3) Yoshida Hiroshi (Japanese, 1876-1950), the first, `Shalimar Garden, Lahore` from the India and South East Asia series, modern woodblock print, lower right with seals, lower margin with title and signature, left margin with jizuri (self-printed by artist) mark, the year and title, dated Showa 7 (1932); the second, `Island Palaces in Udaipur`, lower right with seals, lower margin with title and signature, left margin with jizuri mark, the year and title, dated Showa 7 (1932); the third, `Golden Pagoda in Rangoon`, lower left with seals, lower margin with title and signature, left margin with jizuri mark, the year and title, dated Showa 6 (1931), sight: 10"h x 15"w, overall: 15.5 " h x 20.75"w
Japanese Modern Woodblock Print, Yoshida Toshi, Izu Yoshida Toshi (Japanese, 1911-1995), `Izu, Irozaki Day`, modern woodblock print, lower right with artist seal, lower margin with title and signature, left margin with the title in Japanese, dated Showa 36 (1961), print: 11"h x 15"w, overall: (with frame) 17"h x 21"w

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314796 item(s)/page